Category Archives: Mind control

US Attorney General: Mickey Mouse with a gun; our nation has been infiltrated by soccer mom terrorists

by Jon Rappoport

October 13, 2021

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John Taylor Gatto: “Our form of compulsory schooling is an invention of the State of Massachusetts around 1850. It was resisted — sometimes with guns — by an estimated eighty percent of the Massachusetts population, the last outpost in Barnstable on Cape Cod not surrendering its children until the 1880s, when the area was seized by militia and children marched to school under guard…”

I was there last week. I saw 13 vicious soccer moms sail through the door into a Podunk school board meeting in an old WW2 PT-Boat and kidnap three glowing angels of mercy from the heavens (board members) and take them away to their Moonshine Militia base in the hills of Tennessee.

You would think this sort of thing is actually happening, because US Attorney General Merrick Garland has ordered the FBI to investigate a “‘disturbing spike in harassment, intimidation, and threats of violence’ against school administrators, teachers and school board members,” the NY Post reports.

Garland has offered no details corroborating this “spike.”

The Post also mentions: “Attorney General Merrick Garland is under scrutiny after a parents group revealed that his daughter is married to the co-founder of an education company funded by Facebook CEO Mark Zuckerberg that allegedly employs critical race theory in its work, according to a report.”

Parents across America ARE entering school board meetings and protesting against: the teaching of critical race theory (‘all white people are racists’), the use of books that contain overt descriptions of sex acts, and mandatory masks and vaccines.

US Attorney General Garland is viewing these parent protests as borderline terrorism.

Well, sure. Why do parents think they have the right to say a word about how their children are educated and indoctrinated?

These children belong, first and foremost, to the State. Right?

How dare the parents try to meddle. Controlling young minds is a delicate and sophisticated process, and to obtain the desired result, parents have to be kept at a considerable distance.

The parents are only there to begin with, because the State doesn’t possess the facilities to house, feed, and train all the children.

Public education is MKULTRA for the kiddies, and Merrick Garland is Mickey Mouse waving around a gun to ensure the program moves forward.

For gain and glory, I myself am submitting a report to the Department of Justice titled: In Keeping with Current Progressive Trends Celebrating Favored Groups, Positions Vacated by the Resignations of Harassed Teachers Should Be Filled by Non-White Pedophiles Who Are Vaccinated.

A mere hour of home-school a day would be much safer than the fare offered by the US Department of Garland Education.

All right, let’s get down to brass tacks. American public education is a training ground. That’s how it’s built. Currently, the basic themes are:

All whites are devils, all blacks are victims;

Gender and sexuality are fluid, all sexual practices are permitted, and young children must be immersed in that river;

Medical dictates are paramount and must be obeyed, particularly if they lead to harmful destructive health effects.

Putting aside how these themes benefit special-interest groups, the overall outcome is the mental, emotional, physical, and spiritual collapse of generations of the young.

And that goal is fundamental to bringing about the collapse of the country.

This is called a clue, to anyone paying attention.

As I’ve been saying for the last 20 years, a Globalist Elite views America as the last outpost of resistance against the installation of one governance-system for the whole planet. Therefore, America must be taken apart and taken down.

We urgently need thousands more parents entering school board meetings across the country, come hell or high water, and exposing these themes of education-mind-control and revolting against the school boards and replacing them.

Replacing them with sane parents whose children attend these warped schools.

And we need thousands and thousands more parents who home school their children.

Honest FBI agents must stand up publicly and resist the orders of Merrick Garland.

The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The fixation on the One, and the obsession with a Virus; the Individual vs. the Collective Trance

by Jon Rappoport

October 4, 2021

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More than anything, this piece reflects my approach to my work. My work as a reporter, as a poet, as an individual.

When I wrote my first book in 1988, AIDS INC., I showed that HIV was not the cause of AIDS. In fact, there was no AIDS. That was a label slapped on a variety of health problems all stemming from lowered immunity.

These health problems were caused by a variety of factors, none of which had anything to do with “the virus.”

The major resistance to the book came from people who were conditioned to believe that every announced new disease had to be real, and every new disease had to have a single cause. I would call this ill-fated belief informational Hypnosis.

It’s very effective.

Look at the history of organized religion. Each Church has its single First Cause. Meaning God. “Our God is real. Yours isn’t.” “Our God is the One.”

Behind this farce is each organization telling individuals, “We have God. He is the One you should worship. Don’t go off on your own and find your own God. That doesn’t work.”

People are fixated on The One. The one God. The one Cause. The one Virus. And because they are fixated, leaders can sell them this One and that One and the other One.

In 1988, I saw the full absurdity of that con, with HIV.

During the decade following the publication of AIDS INC., I discovered that no one had proved HIV existed. There was no reason to believe it did. After all, you could say a man with purple hair and six arms lives on the moon, but then you carry the burden of proof, and if you can’t supply any, your hypothesis is null and void.

So the fixation on the One extends to the One that doesn’t exist at all.

At that point in my work, I could see I was plunging headlong into territory that was going to place me outside any semblance of the mainstream or even an acceptable alternative universe.

Why? Again, because people were fixated on the One, and I was calling that fixation Mind Control.

In a similar vein, in my work as a reporter, I was using up-against-wall logic to refute medical and political lies and cover stories. But then, when I was writing poetry, I was abandoning the traditional forms and thought processes (the “logic” of poetry) because they were stale and decaying. I wanted to take imagination to other places, without limit, and if the preferred hidebound internal connections in my poems were missing, so what?

This distinction between my work as a reporter and a poet confuses some people. They want one or the other. Not both, side by side. But I say this confusion is good. It can be productive. It can stimulate readers to think along new tracks.

I’m not obeying some arbitrary external standard that describes what I’m supposed to do. Whenever I sense I’m giving in to that standard, when I feel The Mechanical setting in, I stop. I stop and put myself back in the basic bath of WHAT DO I REALLY WANT TO DO? Answering that question sets me back on track(s).

A long time ago I figured out something. If I went along with the tide and tried to carve out a career as a conventional writer, I might succeed or I might fail. If I failed, it would be a double disaster, because I had failed at something I really didn’t want to do in the first place. If I failed to find an audience by writing what I wanted to write, I would have DONE WHAT I WANTED TO DO. I WOULD HAVE CREATED WHAT I WANTED TO CREATE.

Centralized authority wants to build a collective trance in which people believe they must think and do what falls inside certain boundaries.

Nowhere is this more evident, these days, than in the promoted idea that a virus is loose in the world. The one virus causing the one disease. In many articles, I’ve taken apart the myth of SARS-CoV-2 and disposed of it. In the process, I’ve discovered that the whole branch of medicine called Virology is a hustle and a broken down Church of true believers, who can’t and won’t shake off their delusions.

Once again, I’ve come to grips with people who are so hardwired in their trance they can only bray, “People are dying, it must be the (one) virus.” The logic of that proposition belongs in a garbage dumpster in a blind alley at midnight.

It’s right next door to, “They diagnosed Harry with COVID, he had shortness of breath, so they put him on a ventilator and sedated him with a drug that radically suppresses breathing and left him on the ventilator and he died because of the virus.”

In the realm of propaganda, willing victims select their preferred one idol. For example, Tony Fauci. His adoring worshippers need The One, so they choose him because he’s there on television, being interviewed by “the best people,” and he has a seal of approval from the White House, and he disagreed with Trump. This is called “following the science.” I would call it trailing behind a horse’s ass.

Over the decades, I’ve encountered many artists who stand for the widest freedom of expression and yet, when it comes to politics, they insist on absolute loyalty to the “prevailing culture.” Meaning the Left. I’ve also seen political libertarians who insist on freedom of thought, but believe all art since the 16th century is a perverse plot against “traditional values.”

At the bottom of these contradictions is, again, a fixation on The One. The one political point of view, the one acceptable art, the one acceptable Church…

And now we’re all dealing with the one tyranny that spells out “the one solution to the one virus.” And this tyranny is bent on subjugating many nations and imposing one government for one planet.

On every level, from the political to the psychological to the spiritual to the creative, THE ONE has always been the conditioned mind control reflex that imprisons the individual.

I’m against it. Always have been. Always will be.

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Natural Health Fakers; their scam and their fear

by Jon Rappoport

September 28, 2021

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In a small American city, a supermarket caters to locals who’ve lived in the area for a long time.

Because the political authority has mandated masks, most of the shoppers wear them. But some don’t. The store employees ignore those who don’t. There’s no harassment.

Across town, a major health food store presents a quite different scene. Everyone is wearing a mask. Shoppers keep their distance from one another. If a daring shopper walks the aisles with a naked face, there’s a good chance a masked marauder will shout at him: PUT YOUR MASK ON. Store employees will definitely descend on him and hold out a mask. If the outlier refuses, the employees will promptly kick him out of the store.

What’s going on? Why are these supposed natural health devotees behaving like germophobic storm troopers?

Why are they suddenly worshipping at the altar of Fauci?

Why are they supporting the mainstream/government medical model?

Indeed, as it turns out, why are so many eagerly lining up to take the vaccine, which is actually a genetic treatment, when they’ve been attacking Monsanto/Bayer for genetically modifying crops?

Why do they squeeze that germicide goo out of a machine on their hands before they enters the store, when they believe Nature (their goddess), in her wisdom, has dispensed trillions to the trillionth power microorganisms all over the planet?

Once upon a time, long ago, natural health advocates went to the wall for Health Freedom, the right of every human to decide how to take care of his own body. Big government and big medicine were the enemies.

In 1994, I ran for a seat in the US Congress on a platform of Health Freedom, and I met some of these people. They were true (not fake, not compromised) libertarians. Their vision of freedom was crystal clear. And inspiring.

However, the present generation of natural health people (certainly not all, but many of them) are working an entirely different program.

Its bottom line is:

THE CLEAN VERSUS THE UNCLEAN. I AM CLEAN, “THEY” ARE UNCLEAN.

It’s a full-blown wall-to-wall fetish.

They see themselves as “successful in life,” and as such—no matter what platitudes and virtue signals they broadcast publicly—they consider themselves a class apart from the great unwashed masses.

For them, the lower masses are definitely unclean. And in order to build and maintain a wall against close contact with those proles, the new “natural health” proponents will take every measure they deem necessary.

Masks? Wonderful. Wear at least one, maybe two. Socially distance? Of course. Forget about six feet. Six miles, at least, if at all possible. There must be no class mixing.

Shame and attack the unvaccinated? You bet. Those virus-laden dirty super-spreaders must be stopped at any cost.

Suddenly, Mother Nature is a goddess who bathes in a tub of Purell twice a day, and rubs various oils and creams and gels and lotions on her body, to ward off the dirt and grime and ooze of The Streets. She does internal Cleanses at an upscale resort-retreat.

And if you could probe down below all the fancy memes and slogans these new “natural health” advocates adorn themselves with, you would find the conviction that THERE ARE TOO MANY PEOPLE ON THE PLANET, AND DEPOPULATION IS A MUST.

Otherwise, contact with the UNCLEAN is unavoidable.

And that is how these present-day Soldiers of Nature secretly join up with the World Economic Forum, Bill Gates, the Rockefeller Foundation, various elite “radical environmentalists,” and other eugenicists, on behalf of The Great Reset, which ultimately demands Culling the Herd.

—Although, short of torture, you could never wring such a confession from one of these contemporary “natural health” persons.

The unwritten history of the last 40 years involves the transformation of the Health Freedom movement, from the radical I DECIDE to ELIMINATE THE UNWASHED.

As I say, not all those who still stand for Health Freedom now are on the side of Big Government and Big Medicine, but a disturbing number are.

As they stalk the health food stores wearing their masks, searching out offenders, they vaguely remember their freer days, long past—but now they’re the Stasi and the KGB. And they have no idea how that switch happened.

Meet the new androids.

If you actually took them to meet Nature, up close and personal, on an African plain where hungry lions were attacking the dead carcass of an antelope, pulling out the entrails, ripping away chunks of flesh, vultures circling overhead, stench-ridden dogs trotting in the background waiting for their leftovers, thousands of flies gathering on the corpse, they would flee back to their jeeps.

For them, the ideal wished-for dream of a natural environment would be the back seat of an air-conditioned limo cruising silently through Beverly Hills, the interior air sweet with the scent of lavender sanitizer.

For all but a few of them, that vision is a shore too far. But it’s a comforting fantasy.

Meanwhile, they can patrol health food stores and harass the unmasked. They can shout: VIRUS. They can imagine they’re wearing black uniforms and have guns in their hands.

Or syringes and needles. Or blow darts.

“Hold that disgusting man down! I’m going to shoot him full of Moderna! Then I’m going home, taking three showers and testing myself. Call Dr. Fauci and tell him I’m on the case. Achtung! We will destroy the Unclean…”

The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Buying a New Mind

by Jon Rappoport

September 22, 2021

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“Sign up now and get on the list for a new mind!”

The technical description of the surgery is over your head, but the basics are thrilling.

Two solid post-op improvements are speed and accuracy. You will think 20 times faster, and your rate of mistakes will drop to .01%. Your IQ will rise by a minimum of 50 points.

There is also an automatic signal when a problem you’re working on won’t resolve. Your left ear lobe burns. This informs you that, no matter how hard you try, you won’t be able to come to a useful conclusion.

You’ll save a great deal of time.

The new mind you’re getting contains several basic elements:

157,893 subconscious generalizations (or premises) deemed to be truthful;

a subconscious deductive logic program;

an instantly accessible technical library adjusted to your job.

The library automatically generates, collates, and summarizes the best available information re the problem you’re working on, in line with the previously installed generalizations (premises) and the logic program.

It produces an answer, a solution. Your solution.

For an additional fee, you can opt for a social program that will enable you to shift out of work-mode and communicate effectively with colleagues, friends, and family.

The left-ear-lobe burn signal will go live whenever social conversations touch on controversial issues. This is your cue to back away and seek other company.

Your new mind will be monitored 24/7 from a combined NSA-DHS node that ensures proper functioning. If repairs are needed, a partial shutdown will deploy. Corrections will normally take less than three hours.

There is also a bullpen function. Persistent questions for which there is no available answer; personal reflections and contemplations; and any instance of social, political, financial, or existential claustrophobia will all be funneled to a dead space where they will linger and progressively fade.

A tiny but important Grand Slam Package will translate any thoughts once deemed to be creative into a sludge-mesh, where the velocity of transmission will slow to one synaptic flash per hour. In other words, you’ll achieve close to a zero rate on imagination.

At the perimeter of your new mind is the Cattle Farm. Slow moving, meaningless, and random tautologies circulate there, efficiently blocking exit from the overall programmed space of consciousness.

You’re centered where you’re most needed, where you can perform usefully and swiftly.

Throughout the day, you’ll think thoughts that trigger a carefully groomed and modulated pleasure-quotient. The overall effect will stimulate you to conclude you are satisfied.

Thought-forms called Border Collies will continuously roam the space of your mind and organize stray electrical effects, bringing them into symmetrical, simplistic, geometric wholes. These wholes will automatically constitute your “aesthetic sense.”

At night, while you sleep, regions of mind unreachable by the surgery will naturally expend extraordinary energies of outrage, resentment, resistance, and pure hatred. This is quite normal.

Scooper Drones will siphon off those energies and their attendant emotional wildfires, and beam them directly into the minds of our soldiers on the battlefield, to help them wreak destruction on the enemy.

It’s estimated that, with your new mind in tow, you’ll require full overhauls every three years. During these periods, you’ll experience total shutdown.

Your families, friends, and co-workers will be notified in advance.

As an historical note of interest, you recall, I’m sure, the so-called spying, the so-called Surveillance State, back in the old days. Yes?

Most people didn’t realize the program was the first attempt to create a single Universal Mind.

The Surveillance State was really the first crude new-mind surgery.

But now we can guarantee the result. The science has advanced majestically. The surgery is extremely specific and comprehensive.

Central Planning for Planet Earth must restructure brains so they perform, in various ways, to produce what we call The Whole X.

What is The Whole X? It’s the meshing of all human thought and function that will indeed produce the greatest good for the greatest number.

Whole X is the plan from above.

It calculates every move and every thought-pattern the billions of Earth inhabitants undertake, during every hour of every day.

Whole X dispenses justice and goods and services and sustainability and shared thoughts from Nome to Tierra Del Fuego.

How can these elements be parceled out unless, at the level of mind, the rational processes of every human are coordinated?

Yes, we’ve come a long way from Spy Headquarters. That was then; this is now.

We’ve walked the path from the Bill of Rights to the Bill of the Mind.

Use your gifts wisely.

To those who lament the loss of freedom, privacy, and imagination, consider that those qualities led us to the brink of extinction. We turned the corner and found enduring peace in our time.

For more information, log on to The Church of Absolute Inescapable Unity.

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The Pandemic Planners: Conversations in the Dark

by Jon Rappoport

September 15, 2021

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A SIGN LIGHTS UP: JULY 10, 2017.

Do we have a launch date set for the pandemic?

Looks like December of 2019, or January 2020.

I’m still confused about the virus.

There is no virus.

Why not?

We’re selling A STORY ABOUT A VIRUS—that’s a winner. That’s all we need.

How do we sell it? Won’t people catch on right away?

Are you kidding? Our people will develop a diagnostic test for the virus that isn’t there. How they build that test determines the outcome. It’ll register positive much of the time, along with some negatives. And here’s the important point: the technical details involved in constructing the PCR test are very dense. Even many professionals don’t understand them. It’s like speaking Icelandic to a South American tribe in the rain forest. Don’t worry, we’ll get away with it.

And the lockdowns? The quarantines?

They’ll come, trust me. The Chinese will start the ball rolling. They have the force to pull it off. They’ll lock down a few cities right away. Wuhan, for example. Maybe 60 million people. Overnight. It’ll be a startling development. The UN and the WHO will climb on board quickly and praise China for its handling of the crisis. China will become THE MODEL for the rest of the world. Other countries will follow suit.

Who is going to step forward in the West? Italy?

Yes. They’re next in line for big lockdowns. The Chinese regime has enormous clout with the Italian government. So Italy will become the first beachhead in the attack on the West.

America is the key. If they join the club, we’re in. How do we convince Trump to play along?

He’ll cave. We’ll feed him a computer projection of deaths in America. Something huge, like two million. Trump isn’t good with details. He’ll buy in.

But the lockdowns will decimate the US economy. Trump’s whole presidency rests on economic success.

He’ll give in to Fauci and Gates.

Why?

Because he doesn’t have the stomach for this battle. He won’t go up against the medical experts. He’s bold in some respects, but on this issue, he’s a wobbler. That’s our calculation.

The news media are ready?

With wall to wall messaging, 24/7. PANDEMIC. Cases. Deaths. There are no dissenters among them. We’ve got that all sewed up. Medical experts pontificating on-air. Fear.

Where will the deaths come from?

We’ll relabel and repackage all sorts of traditional lung infections and count them as “pandemic deaths.” We’ll label anything we want to “pandemic.” We’ll be counting the elderly, who die for all sorts of reasons. We’ll use treatments that kill the elderly.

I’m nervous about this. Will it really sell? I mean, how can they construct a PCR test if they don’t have a virus, if there is no virus?

It’s easy, trust me. We’ve done it before. Anyway, your part of the operation comes after the lockdowns. You’ve made a few hundred million doing business with China. You’ll be able to make a few BILLION soon, buying up distressed properties after the lockdowns gain traction.

I’m going to bankroll social justice movements. Protests, riots, burning, looting, assault, in major cities across America. It’s a terrific issue, and it’ll be a major distraction from the lockdowns.

I know all about that. I’m copied in on every aspect of the operation. Just make sure all those riots are focused on racism and police brutality. We don’t want any leakage about inner city gangs and drug cartels and banks.

No problem. The gangs distribute drugs for the cartels, the cartels wash their money through banks. It’s a tight fit. Nobody is going to prosecute the gangs as continuing criminal enterprises. That’s off the table completely. The protests will have no mention of gangs as a problem. We’ve got the foot soldier protestors all sewed up. Hell, some of them ARE gang members. Are you sure the 2020 presidential election is in the bag?

Biden is our man. We need someone with SEVERE cognitive deficits in the Oval Office. Only a completely dim bulb, mentally speaking, would sign some of the orders we’re going to put in front of him. Harris is being prepped to step in if Biden has to resign for health reasons. She knows enough of the score. She won’t try to go off on her own. Give her a whiff of the presidency and she’ll do somersaults for us.

Here’s the thing. Forget about Trump. The real danger is all the people who support him. The millions of deplorables out there. They still think the American Republic and freedom are on the table.

I agree. They’re a problem. But there are solutions. We’re going to put a label on all their heads. ‘They’re very bad people. They all want to destroy the government.’ That’s how we’re going to paint them. Our modelers believe there are enough Americans who are beholden to the federal government…they’ll view Trumpers as a serious threat. Very serious. We’ll have that issue covered.

Is the QAnon op going to keep going?

We’ll keep it going forever. After Trump leaves the White House, we’ll have people saying he’s still president and he’s arresting every high-level evil person in the world.

BLACKOUT

The lights come back up.

Wow, THAT was a hell of a dream—who are you?

Agent Jones. Federal Domestic Terrorism Task Force.

What are you doing in my bedroom?

I’ve been recording your dream.

What?

We have it all. Two pandemic planners. Why were you dreaming about them?

I have no idea. Who—

It reflects a certain state of mind. A dangerous mindset. Why weren’t you dreaming about a television show or a garden in the forest? Have you been reading conspiracy literature?

I read newspapers. WHAT ARE YOU DOING HERE?

Something in you must have triggered this dream. A psychological predisposition. A latent dissatisfaction.

I’m not dissatisfied.

That was not the dream of a normal man. Thoughts and dreams lead to conclusions, and conclusions lead to action.

I once had a dream about jumping off a building. I haven’t jumped.

Not yet.

Why are you here?

Checking up on a potential defector.

A defector from what?

What the rest of us know.

I’m like everybody else.

Everybody else doesn’t dream about a plan to make billions of dollars buying up distressed properties.

Is that a joke? I wouldn’t know where to start, even if I had that ambition. Which I don’t.

You start from where you are. A man with his thoughts. We need to explore your life thoroughly. You may have connections you’re unaware of. A distant relative. A casual acquaintance. Something may have slipped through the cracks.

I have to be at the office in a few hours. And I want to speak with a lawyer.

About your dream?

About you. This situation. Am I being charged with a crime?

No.

Then I’m free to—

You’re not free. Your status is “suspended, depending on outcome.”

What status?

Who told you Kamala Harris would cooperate in a plot to subvert the government?

No one.

Where did you get the idea that Biden is disabled?

Nowhere. It was a just a statement a man in my dream made. I wasn’t speaking at all. I was watching and listening.

I wouldn’t advise trying to deny responsibility. I didn’t have the dream. Your neighbor didn’t. You did.

Do you dream?

No.

Never?

The kind of dream you had was aberrant. What makes you think there’s going to be a pandemic and it’s some sort of plan?

Why do you care about my dream?

Because some fantasies are dangerous.

And some are meaningless.

The key is the content. You were constructing a conspiracy scenario. Do you have an opinion about viruses?

No.

I’m going to leave now. By tomorrow, you’ll wonder whether this conversation actually took place. If you reject my existence, think of this event as a warning from your subconscious.

What are you going to do?

You’re on a list.

Meaning what?

A more thorough background investigation. Increased surveillance.

Even while I’m asleep?

Listen carefully, sir. You’re always asleep. In the dream, you woke up for a minute or two.

BLACKOUT

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The Individual vs. the digital platform; the global rebellion vs. the machine

Washing away the stink of obedience

by Jon Rappoport

September 8, 2021

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Using fascist vaccine mandates and passports, governments are expanding their digital platform, which is a surveillance and control system.

The excuse is: “We have to keep track of everyone who receives the vaccine…we have to make sure they update their booster shots…we have to know the people who are refusing the vaccine… ”

Of course, the platform reaches out into, and collects, all sorts of personal information about every person. Medical records, social media presence, consumer habits, political preferences, etc.

Underlying this massive and ongoing effort is the assumption that The Individual is a social construct. A unit. An assemblage of data.

This unit is entered into algorithms governing millions of units.

Thus, the living individual disappears. He is now an abstraction.

The repressive State takes on the shape of a technocracy:

“We regulate what units (humans) can and can’t do. We fit these units into an overall pattern of enforced behavior that achieves the greatest good for all…”

It turns out that many people, badly educated, trained to think of themselves as eternal victims, and resentful toward Constitutional liberties, are content to be plugged into systems that track them and tell them what to do.

These are the people who are always thinking about what other people are thinking of them. They are the foot soldiers of the Great Reset.

On the other hand, The Individual who knows he is alive, independent, and far more than a biological machine, who wants freedom…that Individual has a vision of his existence that outstrips any platform, algorithm, or fetid version of “greatest good.”

That Individual is who I write for.

I don’t write for ant colonies of the 21st century.

In 1928, the father of modern propanda, Edward Bernays, stated: “This is an age of mass production. In the mass production of materials a broad technique has been developed and applied to their distribution. In this age, too, there must be a technique for the mass distribution of ideas…The conscious and intelligent manipulation of the organized habits and opinions of the masses is an important element in democratic society. Those who manipulate this unseen mechanism of society constitute an invisible government which is the true ruling power of our country. We are governed, our minds are molded, our tastes formed, our ideas suggested, largely by men we have never heard of. This is a logical result of the way in which our democratic society is organized. Vast numbers of human beings must cooperate in this manner if they are to live together as a smoothly functioning society.”

For Bernays, and his political descendants, “smoothly functioning society” has meant mass mind control.

Indeed, Bernays also wrote: “It is sometimes possible to change the attitudes of millions but impossible to change the attitude of one man.”

The one man is the disrupter of the machinery.

The vaccine mandates and the passports are a large jump in the direction of mass/group surrender.

In this expanding technocracy, it’s no accident that the main component of propaganda is “science.” Technocracy itself is based on the misapplied “scientific” notion that, since a properly functioning machine is composed of many connected and integrated parts, human society should be built in the same fashion.

COVID “science” is a structure made up of interconnected facts—all of which turn out to be gross lies. I’ve spent the past year exposing those lies (see here and here for boil downs).

The best propaganda appears to be true to those who can’t think, who can’t summon up the desire and will to break out of the system.

The life-force inside every person, whether he knows it or not, wants to break out.

Rock-bottom materialists, who try to deny this force exists, will sooner or later succumb to some piece of propaganda and surrender to The Group.

In these times, The Group wants a digital platform to control their actions. The Group wants to submit to authorities who claim to have altruistic motives. The Group wants to fight for the right to be slaves.

However, as the vise tightens on the population, more and more individuals are realizing the mass and the group and collective and the digital platform and the prevailing propaganda narrative are spelling doom for them. They made a mistake in joining up and surrendering.

The altruism they’ve been supporting is a fake.

Their false gods have gone too far.

Before they slip into the final Big Sleep, more and more Individuals are stirring and waking up.

Their mind shackles are loosening.

More and more Individuals are realizing the talking news heads and the governors and presidents and prime ministers and premiers are puppets. The governments and bureaucracies are Police States. The promised new day is really a long night.

And so comes the rebellion. It is widening.

There is now a clear choice. Be a free and independent Individual, or be a loser, an ally of inhuman technocracy and tyranny.

History.com: “’These are the times that try men’s souls; the summer soldier and the sunshine patriot will, in this crisis, shrink from the service of his country; but he that stands it now, deserves the love and thanks of man and woman. Tyranny, like hell, is not easily conquered; yet we have this consolation with us, that the harder the conflict, the more glorious the triumph’.”

“When these phrases [written by Thomas Paine] appeared in the pages of the Pennsylvania Journal for the first time, General George Washington’s troops were encamped at McKonkey’s Ferry on the Delaware River opposite Trenton, New Jersey. In August, they had suffered humiliating defeats and lost New York City to British troops. Between September and December, 11,000 American volunteers gave up the fight and returned to their families. General Washington could foresee the destiny of a rebellion without an army if the rest of his men returned home when their service contracts expired on December 31. He knew that without an upswing in morale and a significant victory, the American Revolution would come to a swift and humiliating end.”

“Thomas Paine was similarly astute. His Common Sense was the clarion call that began the revolution. As Washington’s troops retreated from New York through New Jersey, Paine again rose to the challenge of literary warfare. With American Crisis, he delivered the words that would salvage the revolution.”

“Washington commanded that the freshly printed pamphlet be read aloud to his dispirited men; the rousing prose had its intended effect. Reciting Paine’s impassioned words, the beleaguered troops mustered their remaining hopes for victory and crossed the icy Delaware River to defeat hung-over Hessians on Christmas night and on January 2, the British army’s best general, Earl Cornwallis, at the Battle of Princeton. With victory in New Jersey, Washington won not only two battles, but also the love and thanks of man and woman.”

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

“If there is no virus, why are all these people dying?”

by Jon Rappoport

August 3, 2021

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As my readers know, for the past year I’ve been demonstrating—with much evidence and proof—that the SARS-CoV-2 virus doesn’t exist.

Some people reply: “So why are all these people dying?” “What is the cause?”

I’ve answered those questions at length. I’m going to answer them again.

First of all, if someone says, “I know a family where three people died, so what else could it be, besides the virus,” the answer is:

I have no idea why these three people died. I’m not doing remote viewing. The person who asked the question has no idea, either.

But because we have no idea, that doesn’t mean it must be the virus. Think it through. It could be exposure to an environmental toxin. It could be the effects of a vaccine. It could be several different reasons acting in concert.

But that person says, “It wasn’t a toxin or a vaccine. They were all healthy until last month.” How does he know it wasn’t a toxin? And again, just because we don’t know, there is no reason to skip from there to: “It must have been the virus.”

Does “we don’t know” equal “the virus”? No.

Does “we don’t know” equal “let’s accept the official propaganda about the virus”? No.

Does “we don’t know” equal “let’s accept the preponderance of opinion”? No.

All right. Moving on—the most important thing to know about so-called COVID is: THERE IS NO SINGLE CAUSE OF ALL THESE PEOPLE DYING.

It isn’t one cause.

I’ve been explaining this basic principle to people since 1988 (the example then was AIDS), and it’s the hardest piece of truth to deliver with success, because…

People are always looking for THE ONE.

They want THE ONE THING.

They’re predisposed (hypnotized, conditioned) to demand THE ONE CAUSE.

“If it isn’t the virus, what is it?”

There is no “it.”

The basic con involves stitching together a quilt of people dying for different reasons, and inventing a story that makes it seem they are all dying for one reason. That’s the game. That’s the trick. That’s the sleight-of-hand.

Now I’m going to list the main reasons “all these people are dying.” I’ve covered each reason, in detail, in previous articles. Here I’m just giving the summary version.

ONE: The relabeling of flu-like illness as COVID. (Estimate—there are 1 billion flu cases a year, 300,000-500,000 flu deaths per year, worldwide)

TWO: The relabeling of pneumonia as COVID. (Estimate—there are 1.7 million adult pneumonia deaths per year, worldwide)

THREE: Relabeling lung infections. (Estimate—there are 3 million chronic obstructive pulmonary disease (COPD) deaths per year, worldwide)

Note: Air pollution is a significant cause of death in the above three categories.

FOUR: Writing “COVID” as the cause of death on patient files, when it’s clear the patient died for some other reason.

FIVE: Terrifying (with a COVID diagnosis) and isolating old people who are already ill and frail with a variety of long-term conditions. These people then fold up and die. This is murder.

SIX: Killing old people with devastating and toxic treatments—ventilators plus sedation, and remdesivir.

SEVEN: Prior toxic vaccine campaigns.

EIGHT: The COVID vaccines.

NINE: Note—wherever a person has symptoms that resemble the list of so-called COVID symptoms (cough, chills, fever, lung congestion, pneumonia), a positive PCR test seals the deal for a diagnosis of COVID-19. The PCR test is meaningless, for many reasons, and therefore spits out false-positives like water from a fire house. Since the SARS-CoV-2 virus doesn’t exist, the test has zero validity from the get-go.

In different areas, in different pockets and clusters of people, there may be other reasons why people labeled “COVID” are getting sick and dying. None of these deaths has anything to with a fake virus called SARS-Cov-2.

COVID is a complete fraud. It was a fraud from the beginning.

FURTHER READING:

Who needs a fake virus when we’ve got opioids?

Understand that one of the cardinal effects of opioids is suppression of breathing. During the so-called COVID pandemic, you’ve heard this referred to as “hypoxia.”

blog.nomorefakenews.com/2021/06/02/who-needs-a-fake-virus-when-weve-got-opioids/

The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Disrupting the story line of the mechanical mind

Piero della Francesca, Antoni Gaudi, and Salvador Dali

by Jon Rappoport

July 30, 2021

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What city is this
Whose moments tremble
Azure sky and lime lights
Walking in the intersections
Through the squares of paradise

People are solidly addicted to story line. Beginning, middle, end. They want to have it, over and over, in different guises.

The ultimate payoff of that addiction? There is none. Except the need for more.

Propaganda, media, announced government policy, education, religious messages, hundreds of medical treatments—the underlying theme is polished story line. Wrapped up and sold. When the wrong ending looms like a thundercloud, an order to goes out to hide it or lie about it.

When a relentlessly creative individual disrupts story lines, an unlimited number of universes opens up. And every one of them causes tremors in the addict.

“Don’t do that. I don’t understand what you’re doing. Stop. It makes no sense. You’re crazy. Where is the ending? Civilization is going to fall into the sea. What is your message? I can’t find it. Boil down what you’re saying. God will punish you.”

The addict feels his mind is cracking. He runs screaming in the night looking for his next fix.

For example, the open and basically endless poetry of Pablo Neruda, Walt Whitman, William Carlos Williams, and Arthur Rimbaud can have that effect.

So many new worlds moving through the old one.

Why does a story have to have a recognizable plot and a tuned-up climax? Same question: Why does a person need to inject heroin?

Look at Piero della Francesca’s 1464 fresco, Legend of the True Cross—perhaps the greatest painting of the Renaissance. In a series of episodic panels, it traces the mythical history of the wooden cross on which Jesus was crucified. However, there are a number of puzzling “non-linear” representations in Piero’s work, the most famous of which is the panel titled, King Solomon Receiving the Queen of Sheba. What does that meeting have to do with the purported journey of the timber on which Jesus hung?

The Roman Church would claim it is symbolic of an archetypal super-event called The Arrival, and refers to the birth of the Messiah or his later entrance into public life as a teacher; or Sheba had precognitive knowledge of the tree whose wood would be used to make the cross. That’s an extraordinary stretch, to say the least. But it’s typical of a strategy down through the ages: when a promoted story line breaks down, invent a way of claiming it’s still coherent.

Buttress conventional story at all costs.

Mechanical minds will always reduce events, data, history, science, etc., to manageable stories.

Oceanic artists go the other way: they proliferate their work beyond any mechanical limit or summarized interpretation.

Why does that matter? Because, for these artists and their committed audiences, routine day-to-day experience is cracked open like an egg, out of which emerge vital energies of concealed dimensions. Life becomes LIFE.

When I was 21, a friend showed me photos of the architectural productions of the Spanish genius, Antoni Gaudi, scattered throughout Barcelona. My first reaction was, these buildings came from another planet. My second reaction: how was he allowed to build these structures?

Gaudi was a technical innovator of the first order. He developed forms and methods of construction that surpassed the engineering rationale of the great cathedrals of Europe. At the same time, he confounded old ideas of space. The experience of seeing or standing in one of his buildings yielded up the sensation of living in a DIFFERENT KIND OF CONTINUUM.

That new continuum disrupts the story line of consciousness by proliferating a new narrative that has no convenient ending. The old way of seeing has been given a bath in some mysterious dynamo and is vitalized.

Habitual categories and compartments of perception have dissolved.

Who would have known this was possible, unless Gaudi (1852-1926) had lived?

Our world, contrary to all consensus, is meant to be revolutionized by art, by imagination, right down to its core.

That this has not happened is no sign that the process is irrelevant. It is only a testament to the collective resistance.

Who knows how many such revolutions have been shunted aside and rejected, in favor of the consensus-shape we now think of as central and eternal?

We are living in a default structure, the one that has been left over after all the prior revolutions have been put to sleep.

Occasionally, an artist will take on the role of actor and performer, in order to deal with the denizens and mental dwarves of ministries of truth. Over the past hundred years, it would be hard to find an artist who carried out such a program with more skill and verve than Salvador Dali.

Let’s start here. To absorb a work of imagination, one has to use his own imagination.

Since this is considered unlikely, pundits earnestly help us with step-down contexts, so we can understand the work in pedestrian terms. In other words, so we can reduce it to nothing.

Salvador Dali was not content to allow this to happen.

The critics would have declared Dali a minor lunatic if he hadn’t possessed such formidable classical painting skills.

He placed his repeating images (the notorious melting watch, the face and body of his wife, the ornate and fierce skeletal structures of unknown creatures) on the canvas as if they had as much right to be there as any familiar object.

This was quite troubling to many people. If an immense jawbone that was also a rib or a forked femur could rival a perfectly rendered lamp or couch or book (on the same canvas), where were all the accoutrements and assurances of modern comfortable living?

Where was the pleasantly mesmerizing effect of a predictable existence?

Where was a protective class structure that depended on nothing more than money and cultural slogans?

Dali invented vast comedies on canvas. But the overall joke turned, as the viewer’s eye moved, into a nightmare, into an entrancing interlude of music, a memory of something that had never happened, a gang of genies coming out of corked bottles. A bewildering mix of attitudes sprang out from the paintings.

What was the man doing? Was he mocking the audience? Was he simply showing off? Was he inventing waking dreams? Was he, God forbid, actually imagining something entirely new that resisted classification?

Words failed viewers and critics and colleagues and enemies.

But they didn’t fail Dali. He took every occasion to explain his work. However, his explications were handed out in a way that made it plain he was telling tall tales—interesting, hilarious, and preposterous tall tales.

Every interview and press conference he gave, gave birth to more attacks on him. Was he inviting scorn? Was he really above it all? Was he toying with the press like some perverse Olympian?

Critics flocked to make him persona non grata, but what was the persona they were exiling? They had no idea then, and they have no idea now.

It comes back to this: when you invent something truly novel, you know that you are going to stir the forces trapped within others that aspire to do the very same thing. You know that others are going to begin by denying that anything truly NEW even exists. That DOES make the situation a comedy (among other things), whether you want to admit it or not.

It is possible that every statement ever uttered in public by Dali was a lie. A fabrication. An invention dedicated to constructing a massive (and contradictory) persona.

Commentators who try to take on Dali’s life usually center on the early death of his young brother as the core explanation for Dali’s “basic confusion”—which resulted in his bizarre approach to his own fame.

However, these days, with good reason, we might more correctly say Dali was playing the media on his own terms, after realizing that no reporter wanted the real Dali (whatever that might mean)—some fiction was being asked for, and the artist was merely being accommodating.

He was creating a self (or selves) that matched his paintings.

It is generally acknowledged that no artist of the 20th century was superior to Dali in the ability to render realistic detail.

But of course Dali’s work was not about realism.

The most complex paintings—see, for example, Christopher Columbus Discovering America and The Hallucinogenic Toreador—brilliantly orchestrated the interpenetration of various solidities/realities, more or less occupying the same space.

At some point in his career, Dali saw (decided) there was no limit to what he could assemble in the same space—and there was no limit to the number of spaces he could corral into the same canvas. A painting could become a science-fiction novel reaching into several pasts and futures. The protagonist (the viewer) could find himself in such a simultaneity.

Critics have attacked the paintings relentlessly. They are offended at Dali’s skill, which matches the best work of the meticulous Dutch Renaissance masters.

They hate the dissonance. They resent Dali’s mordant wit and rankle at the idea that Dali could carry out monstrous jokes in such fierce extended detail.

But above all, the sheer imagination harpoons the critics. How dare a painter turn reality upside down so blatantly, while rubbing their faces in it.

The cherry on the cake was: for every attack the critics launched at Dali the man (they really had no idea who he was), Dali would come back at them with yet another elaborate piece of fiction about himself. It was unfair. The scholars were “devoted to the truth.” The painter was free to invent himself over and over as many times as he fancied.

Dali was holding up a mirror. He was saying, “You people are like me. We’re all doing fiction. I’m much better at it. In the process, I get at a much deeper truth.”

Dali was the hallucinogenic toreador. He was holding off and skirting the bull (shit) rushes of the critics and the historians. They charged at him. He moved with his cape—and stepped out of the way.

The principles of organized society dictate that a person must be who he is, even if that is a cartoon of a cartoon. A person must be one recognizable caricature forever, must be IDed, must have one basic function. Must—as a civilization goes down the trail of decline—be watched and recorded and profiled.

When a person shows up who is many different things, who can invent himself at the drop of hat, who seems to stand in 14 different places at the same time, the Order trembles.

(Fake) reality declares: what you said yesterday must synchronize absolutely with what you say today.

This rule (“being the only thing you are”) guarantees that human beings will resonate with the premise that we all live and think and work in one continuum of space and time. One. Only one. Forever. The biggest joke of all. The big lie.

Whatever he was, however despicable he may have been in certain respects, Dali broke that egg. Broke the cardinal rule.

He reveled in doing it. He made people wait for an answer about himself, and the answer never came. Instead, he gave them a hundred answers, improvised like odd-shaped and meticulous reveries.

He threw people back on their own resources, and those resources proved to be severely limited.

How harsh for conventional critics to discover that nothing in Dali’s education produced an explanation for his ability to render an object so perfectly on the canvas. It was almost as if, deciding that he would present competing circumstances inside one painting, he perversely ENABLED himself to do the job with exacting skill, “making subversive photographs come to life.”

That was too much.

But there the paintings are.

Imagination realized.

Like it or not, Dali paved the way for many others. He opened doors and windows.

And the pressure has been building. The growing failure of major institutions (organized religion, psychology, education, government) to keep the cork in the bottle signals a prison break in progress.

The pot is boiling. People want out. Even if they don’t know where out is.

Somewhere along the line we have to give the green light to our own creative force. That is the first great day. That’s the dawn of no coerced boundaries. Everything we’ve been taught tells us that a life lived entirely from creative power is impossible. We don’t have it within us. We should maintain silence and propriety in the face of greater official power and wisdom. We must abide by the rules. We must, at best, “surrender to the universe.”

But what if, when we come around the far turn, we see that the universe is us? Is simply one part of imagination? Is a twinkling rendition we installed to keep us titillated with dreams that would forever drift out of reach? What if it turns out that we are the perverse ones and a Dali is quite normal?

What if we pop out of the fences of this culture and this continuum and this tired movie called Planet Earth?

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The unanimous News conforms

by Jon Rappoport

April 16, 2021

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The rise of television news, and its power over the mind, necessitated an agreement among the major networks:

On most issues, the networks would have to mirror each other’s coverage. Otherwise, the audience would experience an unacceptable level of confusion and cognitive dissonance.

This principle of agreement was basically about the rules of propaganda—and nowhere was it more evident than in matters of medical science.

For example, suppose, recently, the COVID PCR test became an occasion for disagreement among NBC, CBS, ABC, CNN, and FOX?

Three networks fell into line with the CDC and the WHO in claiming the test was accurate and meaningful, while the other two strenuously reported on the irreparable and fatal flaws in the test. (I’ve exhaustively detailed those flaws in many articles.)

The network dissonance would upset a huge apple cart smack in the middle of COVID “science.” The public wouldn’t know where to turn.

Therefore, the truth of the matter had to take a back seat to conformity. All the major networks robotically echoed the CDC/WHO.

And the network anchors had to sell the PCR lies. Lester Holt (Lurch/ the Addams family); David Muir (Sears underwear model); Norah O’Donnell (student council president); Wolf Blitzer (“smart bombs went right down chimneys in Iraq”); a collection of shiny suits at FOX; they all had to pretend they’d looked at more than the opening lines of public health press releases.

The guiding light of network news is unanimity, and social media have adopted that m.o. as well.

Truth is the first casualty of The News.

Long before television secured its hold on the public (1923-1928), Edward Bernays, the father of modern propaganda, wrote: “This is an age of mass production. In the mass production of materials a broad technique has been developed and applied to their distribution. In this age, too, there must be a technique for the mass distribution of ideas.”

“Domination to-day is not a product of armies or navies or wealth or policies. It is a domination based on the one hand upon accomplished unity, and on the other hand upon the fact that opposition is generally characterized by a high degree of disunity.”

“The conscious and intelligent manipulation of the organized habits and opinions of the masses is an important element in democratic society. Those who manipulate this unseen mechanism of society constitute an invisible government which is the true ruling power of our country. We are governed, our minds are molded, our tastes formed, our ideas suggested, largely by men we have never heard of. This is a logical result of the way in which our democratic society is organized. Vast numbers of human beings must cooperate in this manner if they are to live together as a smoothly functioning society.”

Today, vast numbers of people DO cooperate; they watch the news, which is a virtual construct.

The network editors, writers, on-air talent, and crews conspire and collaborate, every day, to fulfill Bernays’ prescriptions for society. And, for the most part, these plotters are true believers. They think they’re presenting fact.

This is what habit does to the mind.

The CIA has played its role in securing network unanimity of coverage. As soon as the Agency was created, in 1947, it set about researching mind control (MKULTRA). It planted agents in newsrooms. It followed the tenets of Bernays.

Human society had to be hypnotized. Otherwise, profound decentralization would occur.

Consider this simple fact about the PCR test—which any news reporter should be able to spot in a minute, but doesn’t: a person who tests positive is called “a case of COVID-19.”

That isn’t even done with HIV/AIDS. A person who tests positive is called “HIV positive.” If he develops symptoms, then he’s called “a case of AIDS.”

Imagine this conversation: “Hi, Phil, how’s your son?”

“He has the flu.”

Oh. Is he in bed?”

“No. He ran the marathon yesterday.”

“What? You said he has the flu.”

“He does. He tested positive for the virus.”

Absurd.

In 1913, political commentator Walter Lippmann wrote: “Ours is a problem in which deception has become organized and strong; where truth is poisoned at its source; one in which the skill of the shrewdest brains is devoted to misleading a bewildered people.”

If the CDC says the sky is falling, all the networks will report it—and will censor the fact that it isn’t falling.

“…in the big lie there is always a certain force of credibility; because the broad masses of a nation are always more easily corrupted in the deeper strata of their emotional nature than consciously or voluntarily; and thus in the primitive simplicity of their minds they more readily fall victims to the big lie than the small lie, since they themselves often tell small lies in little matters but would be ashamed to resort to large-scale falsehoods. It would never come into their heads to fabricate colossal untruths, and they would not believe that others could have the impudence to distort the truth so infamously.” Adolph Hitler, 1925

The distortion of the truth applies to the past as well as to the present. As George Orwell puts it, in 1984:

“The past, he reflected, had not merely been altered, it had been actually destroyed. For how could you establish even the most obvious fact when there existed no record outside your own memory?…To know and not to know, to be conscious of complete truthfulness while telling carefully constructed lies, to hold simultaneously two opinions which cancelled out, knowing them to be contradictory and believing in both of them, to use logic against logic, to repudiate morality while laying claim to it, to believe that democracy was impossible and that the Party was the guardian of democracy, to forget whatever it was necessary to forget, then to draw it back into memory again at the moment when it was needed, and then promptly to forget it again: and above all, to apply the same process to the process itself…That was the ultimate subtlety: consciously to induce unconsciousness, and then, once again, to become unconscious of the act of hypnosis you had just performed. Even to understand the word ‘doublethink’ involved the use of doublethink.”

Why all this subterfuge? In order to produce mass uniformity of belief and consensus. You can be sure that, in the future, the history of COVID will be transmitted in a way that covers up all the lies and obfuscations. COVID will be invoked to prove contradictory propositions (both A and not-A), when it suits the propagandists.

Over the years, in speaking with mainstream reporters, I’ve gleaned that some of them are aware they’re on an Orwellian path. They squelch that perception. But they know they’re a) believing what they report is true and b) disbelieving what they report.

They understand they’re parrot-performers on a stage under the lights, and yet they accept their roles as absolutely authentic reflections of honesty.

They rationalize this contradiction in the same way that Edward Bernays did in 1928: “Vast numbers of human beings must cooperate in this manner [by accepting propaganda as fact] if they are to live together as a smoothly functioning society.”

Under hypnosis.

Have you ever seen a first-class hypnotist perform his act? The basic requirement—he must appear to know exactly what he’s doing. That skill is paramount.

And this is the standard toward which all television news anchors aspire.

The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Dispatches from the War: Epidemics are staged on Television

Network: the last great film about The News

by Jon Rappoport

April 12, 2021

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When a new epidemic is launched and promoted, despite the lack of good science and good evidence, it is jacked up on television screens. Images begin to flow:

An emergency medical vehicle on a street. EMT personnel, in hazmat suits, load a man strapped down to a stretcher, into the van. On another street, a man collapses on the sidewalk. We see a quarantined man sitting inside a huge plastic bubble on a third street. Cut to an airport lobby. Soldiers are patrolling the space among the crowds. Cut to a lab. Close-up of vials of liquid. Camera pulls back. Techs in light green scrubs are placing the vials into slots of a table-top machine. Auditorium—a man on a platform, wearing a doctor’s white coat, is pointing a wand at a large screen, on which a chart is displayed, for the audience. Back to the street. People are wearing face masks.

These images wash over the television viewer. Meanwhile, the anchor is imparting his prepared meaning: “The government today issued a ban on all travel into and out of the city…hundreds of plane flights have been cancelled. Scientists are rushing to develop a vaccine…”

The television audience has an IMPRESSION of knowing something. They’re in the flow, the flow of the news…they’re in the images…

—Network, the 1976 film written by Paddy Chayefsky, reveals what media kings would do if they unchained their basic instincts and galloped all the way into the madness of slash-and-burn Roman Circus.

The audience is jaded beyond recall. It needs new shocks to the system every day. The adrenaline must flow. The line between reporting the news and inventing it? Erase it. Celebrate the erasure. Watch ratings soar.

Why pretend anymore? Why spend countless hours preparing and broadcasting synthetic artificial news, as if it were real? Does the audience care about such niceties? The audience just wants action.

The film proceeds from these premises.

Arthur Jensen, head of the corporation that owns the Network, speaks to unhinged Network newsman, Howard Beale, who has revealed, on-air, a piece of the real planetary power structure in a few moments of sanity: “You have meddled with the primal forces of nature, Mr. Beale, and I won’t have it!! Is that clear?!… You are an old man who thinks in terms of nations and peoples. There are no nations. There are no peoples. There are no Russians. There are no Arabs. There are no third worlds. There is no West. There is only one holistic system of systems, one vast and immane, interwoven, interacting, multivariate, multinational dominion of dollars. Petro-dollars, electro-dollars, multi-dollars, reichmarks, rins, rubles, pounds, and shekels. It is the international system of currency which determines the totality of life on this planet. That is the natural order of things today. That is the atomic and subatomic and galactic structure of things today! And YOU have meddled with the primal forces of nature, and YOU WILL ATONE!”

Head of programming for the Network, Diana Christensen, shifts the whole news department over to the entertainment division.

Thus emerge new shows with soaring ratings: Howard Beale, [Religious] Prophet of the Air Waves; The Mao Tse-Tung Hour, in which a guerrilla group films itself carrying out armed bank robberies; and Sybil the Soothsayer, a Tarot reader.

Diana becomes the network’s new executive star.

There is no longer even a pretense of a need for news anchors to appear authoritative, objective, or rational.

Diana Christensen is unstoppable. She sees, with burning clarity, that audiences are bored to the point of exhaustion; they now require, as at the end of the Roman Empire, extreme entertainment. They want more violence, more insanity, out in the open. On television.

In promoting her kind of news division, she tells network executives:

“Look, we’ve got a bunch of
hobgoblin radicals called the
Ecumenical Liberation Army who
go around taking home movies
of themselves robbing banks.
Maybe they’ll take movies of
themselves kidnapping heiresses,
hijacking 747’s, bombing bridges,
assassinating ambassadors.
We’d open each week’s segment
with that authentic footage,
hire a couple of writers to
write some story behind that
footage, and we’ve got
ourselves a series…

“Did you see the overnights on the
Network News? It has an 8 in New
York and a 9 in L.A. and a 27 share
in both cities. Last night, Howard
Beale went on the air [as a newscaster] and yelled
‘BULLSHIT’ for two minutes, and I
can tell you right now that tonight’s
show will get a 30 share at least.
I think we’ve lucked into something…

“I see Howard Beale as a latter-day
prophet, a magnificent messianic
figure, inveighing against the
hypocrisies of our times, a strip
Savonarola, Monday through Friday.
I tell you, Frank, that could just
go through the roof…Do you want to figure out
the revenues of a strip show that
sells for a hundred thousand bucks
a minute? One show like that could
pull this whole network right out
of the hole! Now, Frank, it’s being
handed to us on a plate; let’s not
blow it!”

Television in the “real world” isn’t all the way there yet, but it’s close.

In Network, Diana Christensen personifies the news. She is the electric, thrill-seeking, non-stop force that is terrified of silence.

She lives and feeds on adrenaline. So does the viewing public. Nothing else ultimately matters. Ratings are the top line and the bottom line. The individual and his thoughts are completely irrelevant.

Howard Beale, over the cliff, a news man screaming on-air about the insanity of the news, is perfectly acceptable, because the audience is simply responding to Beale’s inchoate outrage and their own. Nothing deeper is explored. What could have resulted in a true popular rebellion is short-circuited. Beale becomes a crazy loon, a novelty item. Yet one more distraction.

When, in a brief interlude of clarity, he begins telling his audience about the takeover of society by mega-corporations and mega-money, his show droops. Ratings collapse. Diana is no longer interested in him; she wants to sack him.

However, Arthur Jensen, the head of the corporation that owns the television network, wants to keep Beale on the air, as a messenger of the “galactic truth” about the beneficial integration of all human activity under the rubric of global money and global power. He converts Beale to his cause.

Diana sees only one way out of this ratings disaster: kill Beale; on-air; during his show. And so it is done.

Network also shows us the audience becoming actor, player, participant. The audience is jumping out of its skin to be recognized, courted, and adored as a mighty rolling force embodying no particular meaning.

Audience wants to be a star. Audience wants to BE news; audience wants its actions to be shown on television. That establishes its legitimacy. Nothing else is necessary.

Diana knows it, and she is more than willing to accommodate this frantic desire, if only her bosses will let her go all the way.

The best film ever made about television’s war on the population, Network stages only a few minutes of on-air television.

The rest of the film is dialogue and monologue about television. Thus you could say that, in this case, word defeats image. Which was scriptwriter Paddy Chayefsky’s intent.

Even when showing what happens on the TV screen, Network bursts forth with lines like these, from newsman Howard Beale, at the end of his rope, on-camera, speaking to his in-studio audience and millions of people in their homes:

“So, you listen to me. Listen to me! Television is not the truth. Television’s a god-damned amusement park. Television is a circus, a carnival, a traveling troupe of acrobats, storytellers, dancers, singers, jugglers, sideshow freaks, lion tamers, and football players. We’re in the boredom-killing business… We deal in illusions, man. None of it is true! But you people sit there day after day, night after night, all ages, colors, creeds. We’re all you know. You’re beginning to believe the illusions we’re spinning here. You’re beginning to think that the tube is reality and that your own lives are unreal. You do whatever the tube tells you. You dress like the tube, you eat like the tube, you raise your children like the tube. You even think like the tube. This is mass madness. You maniacs. In God’s name, you people are the real thing. We are the illusion.”

It is Beale’s language and the passion with which he delivers it that constitutes his dangerous weapon. Therefore, the Network transforms him into a cheap religious figure, whose audience slathers him with absurd adoration.

Television’s enemy is the word. Its currency is image.

Beale occasionally breaks through the image and defiles it. He cracks the egg. He stops the picture-flow. He brings back the sound and rhythm of spoken poetry. That is his true transgression against the medium that employs him.

The modern matrix has everything to do with how knowledge is acquired.

Television, in the main, does not attempt to impart knowledge. It strives to give the viewer the impression that he knows something. There is a difference.

The impression of knowing is a feeling, a conviction, a belief the viewer holds, after he has watched moving images on a screen and listened to a narrator. THIS is what the viewer prefers. He wants no part of knowledge.

A basic premise of modern age is: “everything is (connected to) everything.” This fits quite well with the experience of watching video flow.

Example: we see angry crowds on the street of a foreign city. Then young people on their cell phones sitting in an outdoor café. Then the marble lobby of a government building where men in suits are walking, standing in groups talking to each other. Then at night, rockets exploding in the sky. Then armored vehicles moving through a gate into the city. Then clouds of smoke on another street and people running, chased by police.

A flow of consecutive images. The sequence, obviously, has been assembled by a news editor, but most of the viewing audience isn’t aware of that. They’re watching the “interconnected” images and listening to a news anchor tell a story that colors (infects) every image: “This is revolution for democracy, created by the technology of cell phones…”

Viewers thus believe something. Television has imparted a sensation to them.

Therefore: a short circuit occurs in the mind.

When you export this pattern out to a whole society, you are talking about a dominant method through which “knowledge” is groped and held close.

“Did you see that fantastic video about the Iraq War? It showed that Saddam actually had bioweapons.”

“Really? How did they show that?”

“Well, I don’t remember. But watch it. You’ll see.”

And that’s another feature of the modern acquisition of “knowledge”: amnesia about details.

The viewer can’t recall key features of what he saw. Or if he can, he can’t describe them, because he was inside them, busy building up his impression of knowing something.

Narrative-visual-television story strips out and discards conceptual analysis. To the extent it exists, it’s wrapped around and inside the image and the narration.

Paddy Chayefsky made his pen a sword, because he was writing a movie about television, against television. He was pitting Word against Image.

When a technology (television) turns into a method of perception, reality is turned inside out. People watch TV through TV eyes.

Mind control is no longer something merely imposed from the outside. It is a matrix of a self-feeding, self-demanding loop.

Willing Devotees of the Image WANT images, food stamps of the programmed society.

The triumph of Network is that it makes its words win over pictures, IN a picture, IN a film.

A pandemic, the false pandemic I’ve been rejecting in many articles, is delivered through video flow and narration. Stacked and cut images.

There is no challenge to the flow in any basic way, through the intrusion of actual knowledge, because that would shut down the parade of images and nullify the reasons for broadcasting them in the first place.

The old theater adage, “the show must go on,” when adapted for television, becomes, “the flow must go on.” Once its course is set, there can be no turning back.

The television audience, imprisoned in homes, rides the river…

The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.