Interviewing the dead Albert Einstein about free will

by Jon Rappoport

September 24, 2021

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Note: I wrote this piece as an introduction to the scientific tyranny which has overtaken us: the premise that we are machines, and we can be decoded and transformed by genetics.

This is a lie on every possible level.

For many people, their first taste of this insanity is the COVID vaccine—a genetic treatment. However, that treatment comes out of the conviction that life is “mechanism.”

For 35 years, I’ve been waging war against this conviction. I continue to do so—not because I have some quirky mystical alternative, but because FREEDOM VERSUS THE MACHINE is the Big One, the big battlefield under the surface of our civilization.

I’m talking about today, tomorrow, the next hundred, the next five hundred years.

OK, here we go—a piece of fiction to make the truth known:


It was a strange journey into the astral realm to find Albert Einstein.

I slipped through gated communities heavily guarded by troops protecting dead Presidents. I skirted alleys where wannabe demons claiming they were Satan’s reps were selling potions made from powdered skulls of English kings. I ran through mannequin mansions where trainings for future shoppers were in progress. Apparently, some souls come to Earth to be born as aggressive entitled consumers. Who knew?

Finally, in a little valley, I spotted a cabin, and there on the porch, sitting in a rocker, smoking a pipe and reading The Bourne Ultimatum, was Dr. Einstein.

He was wearing an old sports jacket with leather patches on the elbows, jeans, and furry slippers.

I wanted to talk with the great man because I’d read a 1929 Saturday Evening Post interview with him. He’d said:

“I am a determinist. As such, I do not believe in free will…Practically, I am, nevertheless, compelled to act as if freedom of the will existed. If I wish to live in a civilized community, I must act as if man is a responsible being.”

Dr, Einstein went inside and brought out two bottles of cold beer and we began our conversation:

Q: Sir, would you say that the underlying nature of physical reality is atomic?

A: If you’re asking me whether atoms and smaller particles exist everywhere in the universe, then of course, yes.

Q: And are you satisfied that, wherever they are found, they are the same? They exhibit a uniformity?

A: Surely, yes.

Q: Regardless of location.

A: Correct.

Q: So, for example, if we consider the make-up of the brain, those atoms are no different in kind from atoms wherever in the universe they are found.

A: That’s true. The brain is composed entirely of these tiny particles. And the particles, everywhere in the universe, without exception, flow and interact and collide without any exertion of free will. It’s an unending stream of cause and effect.

Q: And when you think to yourself, “I’ll get breakfast now,” what is that?

A: The thought?

Q: Yes.

A: Ultimately, it is the outcome of particles in motion.

Q: You were compelled to have that thought.

A: As odd as that may seem, yes. Of course, we tell ourselves stories to present ourselves with a different version of reality, but those stories are social or cultural constructs.

Q: And those “stories” we tell ourselves—they aren’t freely chosen rationalizations, either. We have no choice about that.

A: Well, yes. That’s right.

Q: So there is nothing in the human brain that allows us the possibility of free will.

A: Nothing at all.

Q: And as we are sitting here right now, sir, looking at each other, sitting and talking, this whole conversation is spooling out in the way that it must. Every word. Neither you nor I is really choosing what we say.

A: I may not like it, but yes, it’s deterministic destiny. The particles flow.

Q: When you pause to consider a question I ask you…even that act of considering is mandated by the motion of atomic and sub-atomic particles. What appears to be you deciding how to give me an answer…that is a delusion.

A: The act of considering? Why, yes, that, too, would have to be determined. It’s not free. There really is no choice involved.

Q: And the outcome of this conversation, whatever points we may or may not agree upon, and the issues we may settle here, about this subject of free will versus determinism…they don’t matter at all, because, when you boil it down, the entire conversation was determined by our thoughts, which are nothing more than atomic and sub-atomic particles in motion—and that motion flows according to laws, none of which have anything to do with human choice.

A: The entire flow of reality, so to speak, proceeds according to determined sets of laws. Yes.

Q: And we are in that flow.

A: Most certainly we are.

Q: The earnestness with which we might try to settle this issue, our feelings, our thoughts, our striving—that is irrelevant. It’s window dressing. This conversation actually cannot go in different possible directions. It can only go in one direction.

A: That would ultimately have to be so.

Q: Now, are atoms and their components, and any other tiny particles in the universe…are any of them conscious?

A: Of course not. The particles themselves are not conscious.

Q: Some scientists speculate they are.

A: Some people speculate that the moon can be sliced and served on a plate with fruit.

Q: What do you think “conscious” means?

A: It means we participate in life. We take action. We converse. We gain knowledge.

Q: Any of the so-called faculties we possess—are they ultimately anything more than particles in motion?

A: Well, no, they aren’t. Because everything is particles in motion. What else could be happening in this universe? Nothing.

Q: All right. I’d like to consider the word “understanding.”

A: It’s a given. It’s real.

Q: How so?

A: The proof that it’s real, if you will, is that we are having this conversation. It makes sense to us.

Q: Yes, but how can there be understanding if everything is particles in motion? Do the particles possess understanding?

A: No they don’t.

Q: To change the focus just a bit, how can what you and I are saying have any meaning?

A: Words mean things.

Q: Again, I have to point out that, in a universe with no free will, we only have particles in motion. That’s all. That’s all we are. So where does “meaning” come from?

A: “We understand language” is a true proposition.

Q: You’re sure.

A: Of course.

Q: Then I suggest you’ve tangled yourself in a contradiction. In the universe you depict, there would be no room for understanding. Or meaning. There would be nowhere for it to come from. Unless particles understand. Do they?

A: No.

Q: Then where do “understanding” and “meaning” come from?

A: [Silence.]

Q: Furthermore, sir, if we accept your depiction of a universe of particles, then there is no basis for this conversation at all. We don’t understand each other. How could we?

A: But we do understand each other.

Q: And therefore, your philosophic materialism (no free will, only particles in motion) must have a flaw.

A: What flaw?

Q: Our existence contains more than particles in motion.

A: More? What would that be?

Q: Would you grant that whatever it is, it is non-material?

A: It would have to be, but…

Q: Then, driving further along this line, there is something non-material which is present, which allows us to understand each other, which allows us to comprehend meaning. We are conscious. Puppets are not conscious. As we sit here talking, I understand you. Do you understand me?

A: Of course.

Q: Then that understanding is coming from something other than particles in motion. Without this non-material quality, you and I would be gibbering in the dark.

A: You’re saying that, if all the particles in the universe, including those that make up the brain, possess no consciousness, no understanding, no comprehension of meaning, no freedom, then how can they give birth to understanding and freedom. There must be another factor, and it would have to be non-material.

Q: Yes. That’s what I’m saying. And I think you have to admit your view of determinism and particles in motion—that picture of the universe—leads to several absurdities.

A: Well…perhaps I’m forced to consider it. Otherwise, we can’t sit here and understand each other.

Q: You and I do understand each other.

A: I hadn’t thought it through this way before, but if there is nothing inherent in particles that gives rise to understanding and meaning, then everything is gibberish. Except it isn’t gibberish. Yes, I seem to see a contradiction. Interesting.

Q: And if these non-material factors—understanding and meaning—exist, then other non-material factors can exist.

A: For example, freedom. I suppose so.

Q: And the drive to eliminate freedom in the world…is more than just the attempt to substitute one automatic reflex for another.

A: That would be…yes, that would be so.

Q: Scientists would be absolutely furious about the idea that, despite all their maneuvering, the most essential aspects of human life are beyond the scope of what they, the scientists, are “in charge of.”

A: It would be a naked challenge to the power of science.

Einstein puffed on his pipe and looked out over the valley. He took a sip of his beer. After a minute, he said, “Let me see if I can summarize this, because it’s really rather startling. The universe is nothing but particles. All those particles follow laws of motion. They aren’t free. The brain is made up entirely of those same particles. Therefore, there is nothing in the brain that would give us freedom. These particles also don’t understand anything, they don’t make sense of anything, they don’t grasp the meaning of anything. Since the brain, again, is made up of those particles, it has no power to allow us to grasp meaning or understand anything. But we do understand. We do grasp meaning. Therefore, we are talking about qualities we possess which are not made out of energy. These qualities are entirely non-material.”

He nodded.

“In that case,” he said, “there is…oddly enough, a completely different sphere or territory. It’s non-material. Therefore, it can’t be measured. Therefore, it has no beginning or end. If it did, it would be a material continuum and we could measure it.”

He pointed to the valley.

“That has energy. But what does it give me? Does it allow me to be conscious? Does it allow me to be free, to understand meaning? No.”

Then he laughed. He looked at me.

“I’m dead,” he said, “aren’t I? I didn’t realize it until this very moment.”

I shook my head. “No. I would say you WERE dead until this moment.”

He grinned. “Yes!” he said. “That’s a good one. I WAS dead.”

He stood up.

“Enough of this beer,” he said. “I have some schnapps inside. Let me get it. Let’s drink the good stuff! After all, I’m apparently Forever. And so are you. And so are we all.”


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The Last Performance

by Jon Rappoport

September 23, 2021

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You’re sitting in a theater.

The actors on stage are engaging in some kind of dispute, but you can’t make head or tail of it. An invisible THING appears to be the issue, and it won’t go away.

One actor wants to build a church to it. Another actor wants to run and hide.

At moments you almost grasp the THING, but then it slips away.

Perhaps it’s a lost relative.

A wind blows across the stage. A pile of leaves stir. Autumn. The trees in the forest are going to enter mock-death. The two actors, against their better judgment, are weeping. They seem to be looking past the footlights at you for an answer. This is silly and sentimental. Why are you here? You could be walking the dog or cleaning out the cellar.

Somewhere—was it an office—there was a clock on the wall and you were there watching it, waiting for a clerk to come out of the back room and hand you a folder.

You were young and you were running on a playground for no reason. It was early in the morning. July.

Now on the stage, a doctor appears in a surgical gown. The two actors giggle. They roll up their sleeves and he gives them an injection. They strut around, as if they’ve won a prize. Through a window at the rear of the stage, you can see a deserted city street. A policeman walks out of a bar, sits down at the curb, and taps his night stick on his leg.

You can’t remember how you got into the theater. Did a friend give you a ticket? Did you receive a message ordering you to watch the play?

You take out your cell phone. You check to make sure you clicked the lock on the drone in the garage. You scan the battle cruiser in the China Sea. All quiet on that front. There is a message from the President’s aide. Don’t forget the meeting tomorrow morning.

Now you realize you’re having an episode.

You stand up and move along the row, walk up the aisle and come out into the empty lobby. You call the White House doctor.

He says, “You took the second shot this morning. You’re having an adverse reaction. Where’s your driver?”

You walk outside. Your driver is standing next to the car. You wave at him. He takes out his phone. The doctor is telling him to take you to Walter Reed.

You’re on a gurney. They’re wheeling you along a corridor.

You hear a voice. “Mark it down as a COVID aneurysm.”

They’re injecting you with Versed. They’re going to intubate you.

In a moment of extreme clarity, you realize you’re not going to wake up. They’re not going to let you. They’re going to put you on a ventilator, and you’re going to stay under and check out of this life.

Your 63 years seem very brief. You were on a stage arguing with someone, and that was that. What was the issue? Something about a germ, a virus. Ridiculous.

You were supposed to be an expert on the subject. But there was nothing to be expert about. There was only a small fading idea.

It’s all right. You’re immortal. But it seems quite mad to have been guiding the nation on its response to a vaporous notion.

How did that happen?


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The blockbuster movie called Reality

by Jon Rappoport

September 23, 2021

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There is always a certain amount of whining and remorse as one enters the theater to see the movie called Reality.

“Is this a good idea?” “Why did I buy the ticket?”

But you can already feel a merging sensation. The electromagnetic fields humming in the theater, even before the movie starts, are drawing you in.

Your perception of x dimensions is narrowing down to three.

You take your seat. You look at the note you’ve written to yourself, and you read it again:

“Don’t forget where you came from. Don’t forget this is just a movie. Don’t fall asleep. The serial time in the movie is an artifact. The binding feeling of sentimental sympathy is a trance-induction. It’s the glue that holds the movie fixed in your mind.”

“The movie will induce nostalgia for a past that doesn’t exist. Don’t surrender to it.”

“You’re here to find out why the movie has power.”

“You want to undergo the experience without being trapped in it.”

“The content of the movie will distract you from the fact that it is a construct.”

The lights dim.

On the big screen, against a gray background, the large blue word REALITY slowly forms.

Suddenly, you’re looking at a huge pasture filled with flowers. The sky is a shocking blue. You can feel a breeze on your arms and face.

You think, “This is a hypnotic weapon.”

Now, the pasture fades away and you’re standing on an empty city street at night. It’s drizzling. You hear sirens in the distance. A disheveled beggar approaches you and holds out his trembling hand.

He waits, then moves on.

You look at the wet shining pavement and snap your fingers, to change it into a lawn. Nothing happens.

You’re shocked.

You wave your hand at a building. It doesn’t disappear.

Incredible.

You reach into your pocket and feel a wallet. You walk over to a streetlight and open it. There’s your picture on a plastic ID card. Your name is under the picture, followed by a number code. On the reverse side of the card, below a plastic strip, is a thumbprint.

There are other cards in the wallet, and a small amount of paper money. You look at the ID card again. There’s an address.

Though it seems impossible, you remember the address. In your mind’s eye, you see a small cottage at the edge of an industrial town. There’s a pickup parked in the driveway.

It’s your truck. You know it. But how can that be?

You walk toward larger buildings in the distance.

Three men in uniforms turn a corner and come up to you. Behind them emerges a short man in a business suit. He nods at you and holds out his hand.

You know what he wants. You pull out your wallet and give it to him. He looks at the ID card, at you, at the card again.

“You were reported missing,” he says.

“Missing from what?” you say.

“Your home. Your job. What are doing here? Are you all right?”

“I’m fine,” you say. “I was…taking a short trip. I’m just out for some air.”

“In this part of the city?” he says. “That’s not smart. We’ll take you home. Our car is right over there.”

One car sits on a side street. In large red letters printed on the trunk is the word Concern.

You walk with the men to the car.

Waves you’ve never felt before are emanating from it.

Mentally, you try to back up from them. You feel a haze settle over you.

In the haze dance little creatures.

You look at the short man in the suit. He’s smiling at you.

Suddenly, his smile is transcendent. It’s so reassuring, tears fill your eyes.

You’re thinking, “They built this so I would be lost, and then they found me. I’m supposed to be rescued. I’ve never experienced being rescued before. I never knew what it meant.”

You hear faint music.

It grows louder. As you near the car, you realize you’re listening to a chorus and an orchestra. The rising theme is Victory.

One of the uniformed men opens the car door.

You nod at him.

“My pleasure, sir,” he says.

The music fades away.

The scene shifts.

You’re standing next to the pickup in your driveway alongside your cottage.

You’re home.

Think, you tell yourself. What’s going on?

Now, as you walk into your cottage and instantly remember the rooms and the objects in these rooms, the sensation of Familiarity, slightly out of phase, grows stronger.

You realize you’re supposed to feel tremendous relief. This is what’s expected of you.

It’s expected of everyone. They live with one another through the touchstone of the Familiar. They share it like bread.

They keep coming back to it. The Familiar is a sacrament.

It’s built in. It’s invented through…it’s stamped on every object in this space…

…In order to suggest you’ve been here before. To suggest you belong here.

You see pure space that…

Has been placed here. For you.

And at that moment, there is a small explosion behind your head.

And you’re sitting in the theater again.

The movie is playing on the screen. All around you, in the seats, people are sitting with their eyes closed.

You feel a tap on your shoulder. You turn. It’s an usher.

“Sir,” he says. “Please follow me.”

He leads you up the aisle into the lobby, which is empty.

An office door opens and a young woman steps out. She strides briskly over to you.

“You woke up and came back,” she says. She gives you a tight smile. “So we’re refunding your money. It’s our policy.”

She drops a check in your hand.

“What happened in there?” you say. “What happened?”

She shrugs.

“Only you would know that. You must have done something to interrupt the transmission.”

“And the rest of those people?”

She looks at her watch. “They’re probably into their second year by now. The second year is typically a time of conflict. They rebel. Well, some of them do. They rearrange systems. They replace leaders. They promote new ideals.”

“I had such a strong feeling I’d been there before.”

She smiles. “Apparently it wasn’t strong enough. You’re back here.”

“How do you do it?” you say.

“I’m sorry,” she says. “That’s proprietary information. Did you meet your family?”

“No,” you say. “But I was in a cottage. It was…home.”

She nods.

“If you hadn’t escaped, you would have been subjected to much stronger bioelectric bonding pulses. Do you have a family here?”

You start to answer and realize you don’t know.

She looks into your eyes.

“Go out to the street,” she says. “Walk around. Take a nice long walk for an hour. You’ll reorient. It’ll come back to you.”

“Why do you do it?” you say.

“Do what?”

“Sell this trip.”

“Oh,” she says. “Why does a travel agent book a vacation for a client? We’re in that business.”

You turn toward the exit. The sun is shining outside. People are walking past the doors.

You take a deep breath and leave the theater.

The street is surging with crowds. The noise is thunderous.

You notice you’re carrying a rolled up sheet of paper in your hand.

You open it.

It’s a non-disclosure agreement.

“If you return from your movie experience, you will not reveal or discuss, under penalty of law, anything about its nature, substance, or duration…”

You look at the sheet of paper, make up your mind, and it bursts into flames.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Pandemics are staged on Television

Network: the last great film about The News

by Jon Rappoport

September 22, 2021

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The official COVID narrative—more absurd with each passing day—is being transmitted on television. That is a cardinal fact.

The absurdity called TELEVISION NEWS was depicted in a giant of a film, NETWORK (1976)…


When a new epidemic is launched and promoted, despite the absence of good science and good evidence, it is jacked up on television screens. Images begin to flow:

An emergency medical vehicle on a street. EMT personnel, in hazmat suits, load a man strapped down to a stretcher, into the van. On another street, a man collapses on the sidewalk. We see a quarantined man sitting inside a huge plastic bubble on a third street. Cut to an airport lobby. Soldiers are patrolling the space among the crowds. Cut to a lab. Close-up of vials of liquid. Camera pulls back. Techs in light green scrubs are placing the vials into slots of a table-top machine. Auditorium—a man on a platform, wearing a doctor’s white coat, is pointing a wand at a large screen, on which a chart is displayed, for the audience. Back to the street. People are wearing face masks.

These images wash over the television viewer. Meanwhile, the anchor is imparting his prepared meaning: “The government today issued a ban on all travel into and out of the city…hundreds of plane flights have been cancelled. Scientists are rushing to develop a vaccine…”

The television audience has an IMPRESSION of knowing something. They’re in the flow, the flow of the news…they’re in the images…

Network, the 1976 film written by Paddy Chayefsky, reveals what media kings would do if they unchained their basic instincts and galloped all the way into the madness of slash-and-burn Roman Circus.

The audience is jaded beyond recall. It needs new shocks to the system every day. The adrenaline must flow. The line between reporting the news and inventing it? Erase it. Celebrate the erasure. Watch ratings soar.

Why pretend anymore? Why spend countless hours preparing and broadcasting synthetic artificial news, as if it were real? Does the audience care about such niceties? The audience just wants action.

The film proceeds from these premises.

Arthur Jensen, head of the corporation that owns the Network, speaks to unhinged Network newsman, Howard Beale, who has revealed, on-air, a piece of the real planetary power structure in a few moments of sanity: “You have meddled with the primal forces of nature, Mr. Beale, and I won’t have it!! Is that clear?!… You are an old man who thinks in terms of nations and peoples. There are no nations. There are no peoples. There are no Russians. There are no Arabs. There are no third worlds. There is no West. There is only one holistic system of systems, one vast and immane, interwoven, interacting, multivariate, multinational dominion of dollars. Petro-dollars, electro-dollars, multi-dollars, reichmarks, rins, rubles, pounds, and shekels. It is the international system of currency which determines the totality of life on this planet. That is the natural order of things today. That is the atomic and subatomic and galactic structure of things today! And YOU have meddled with the primal forces of nature, and YOU WILL ATONE!”

Head of programming for the Network, Diana Christensen, shifts the whole news department over to the entertainment division.

Thus emerge new shows with soaring ratings: Howard Beale, [Religious] Prophet of the Air Waves; The Mao Tse-Tung Hour, in which a guerrilla group films itself carrying out armed bank robberies; and Sybil the Soothsayer, a Tarot reader.

Diana becomes the network’s new executive star.

There is no longer even a pretense of a need for news anchors to appear authoritative, objective, or rational.

Diana Christensen is unstoppable. She sees, with burning clarity, that audiences are bored to the point of exhaustion; they now require, as at the end of the Roman Empire, extreme entertainment. They want more violence, more insanity, out in the open. On television.

In promoting her kind of news division, she tells network executives:

“Look, we’ve got a bunch of
hobgoblin radicals called the
Ecumenical Liberation Army who
go around taking home movies
of themselves robbing banks.
Maybe they’ll take movies of
themselves kidnapping heiresses,
hijacking 747’s, bombing bridges,
assassinating ambassadors.
We’d open each week’s segment
with that authentic footage,
hire a couple of writers to
write some story behind that
footage, and we’ve got
ourselves a series…

“Did you see the overnights on the
Network News? It has an 8 in New
York and a 9 in L.A. and a 27 share
in both cities. Last night, Howard
Beale went on the air [as a newscaster] and yelled
‘BULLSHIT’ for two minutes, and I
can tell you right now that tonight’s
show will get a 30 share at least.
I think we’ve lucked into something…

“I see Howard Beale as a latter-day
prophet, a magnificent messianic
figure, inveighing against the
hypocrisies of our times, a strip
Savonarola, Monday through Friday.
I tell you, Frank, that could just
go through the roof…Do you want to figure out
the revenues of a strip show that
sells for a hundred thousand bucks
a minute? One show like that could
pull this whole network right out
of the hole! Now, Frank, it’s being
handed to us on a plate; let’s not
blow it!”

Television in the “real world” isn’t all the way there yet, but it’s close.

In Network, Diana Christensen personifies the news. She is the electric, thrill-seeking, non-stop force that is terrified of silence.

She lives and feeds on adrenaline. So does the viewing public. Nothing else ultimately matters. Ratings are the top line and the bottom line. The individual and his thoughts are completely irrelevant.

Howard Beale, over the cliff, a news man screaming on-air about the insanity of the news, is perfectly acceptable, because the audience is simply responding to Beale’s inchoate outrage and their own. Nothing deeper is explored. What could have resulted in a true popular rebellion is short-circuited. Beale becomes a crazy loon, a novelty item. Yet one more distraction.

When, in a brief interlude of clarity, he begins telling his audience about the takeover of society by mega-corporations and mega-money, his show droops. Ratings collapse. Diana is no longer interested in him; she wants to sack him.

However, Arthur Jensen, the head of the corporation that owns the television network, wants to keep Beale on the air, as a messenger of the “galactic truth” about the beneficial integration of all human activity under the rubric of global money and global power. He converts Beale to his cause.

Diana sees only one way out of this ratings disaster: kill Beale; on-air; during his show. And so it is done.


Network also shows us the audience becoming actor, player, participant. The audience is jumping out of its skin to be recognized, courted, and adored as a mighty rolling force embodying no particular meaning.

Audience wants to be a star. Audience wants to BE news; audience wants its actions to be shown on television. That establishes its legitimacy. Nothing else is necessary.

Diana knows it, and she is more than willing to accommodate this frantic desire, if only her bosses will let her go all the way.

The best film ever made about television’s war on the population, Network stages only a few minutes of on-air television.

The rest of the film is dialogue and monologue about television. Thus you could say that, in this case, word defeats image. Which was scriptwriter Paddy Chayefsky’s intent.

Even when showing what happens on the TV screen, Network bursts forth with lines like these, from newsman Howard Beale, at the end of his rope, on-camera, speaking to his in-studio audience and millions of people in their homes:

“So, you listen to me. Listen to me! Television is not the truth. Television’s a god-damned amusement park. Television is a circus, a carnival, a traveling troupe of acrobats, storytellers, dancers, singers, jugglers, sideshow freaks, lion tamers, and football players. We’re in the boredom-killing business… We deal in illusions, man. None of it is true! But you people sit there day after day, night after night, all ages, colors, creeds. We’re all you know. You’re beginning to believe the illusions we’re spinning here. You’re beginning to think that the tube is reality and that your own lives are unreal. You do whatever the tube tells you. You dress like the tube, you eat like the tube, you raise your children like the tube. You even think like the tube. This is mass madness. You maniacs. In God’s name, you people are the real thing. We are the illusion.”

It is Beale’s language and the passion with which he delivers it that constitutes his dangerous weapon. Therefore, the Network transforms him into a cheap religious figure, whose audience slathers him with absurd adoration.

Television’s enemy is the word. Its currency is image.

Beale occasionally breaks through the image and defiles it. He cracks the egg. He stops the picture-flow. He brings back the sound and rhythm of spoken poetry. That is his true transgression against the medium that employs him.

The modern matrix has everything to do with how knowledge is acquired.

Television, in the main, does not attempt to impart knowledge. It strives to give the viewer the impression that he knows something. There is a difference.

The impression of knowing is a feeling, a conviction, a belief the viewer holds, after he has watched moving images on a screen and listened to a narrator. THIS is what the viewer prefers. He wants no part of knowledge.

A basic premise of modern age is: “everything is (connected to) everything.” This fits quite well with the experience of watching video flow.

Example: we see angry crowds on the street of a foreign city. Then young people on their cell phones sitting in an outdoor café. Then the marble lobby of a government building where men in suits are walking, standing in groups talking to each other. Then at night, rockets exploding in the sky. Then armored vehicles moving through a gate into the city. Then clouds of smoke on another street and people running, chased by police.

A flow of consecutive images. The sequence, obviously, has been assembled by a news editor, but the viewing audience isn’t aware of that. They’re watching the “interconnected” images and listening to a news anchor tell a story that colors (infects) every image: “This is revolution for democracy, created by the technology of cell phones…”

Viewers thus believe something. Television has imparted a sensation to them.

Therefore: a short circuit occurs in the mind.

When you export this pattern out to a whole society, you are talking about a dominant method through which “knowledge” is groped and held close.

“Did you see that fantastic video about the Iraq War? It showed that Saddam actually had bioweapons.”

“Really? How did they show that?”

“Well, I don’t remember. But watch it. You’ll see.”

And that’s another feature of the modern acquisition of “knowledge”: amnesia about details.

The viewer can’t recall key features of what he saw. Or if he can, he can’t describe them, because he was inside them, busy building up his impression of knowing something.

Narrative-visual-television story strips out and discards conceptual analysis. To the extent it exists, it’s wrapped around and inside the image and the narration.

Paddy Chayefsky made his pen a sword, because he was writing a movie about television, against television. He was pitting Word against Image.

When a technology (television) turns into a method of perception, reality is turned inside out. People watch TV through TV eyes.

Mind control is no longer something merely imposed from the outside. It is a matrix of a self-feeding, self-demanding loop.

Willing Devotees of the Image WANT images, food stamps of the programmed society.

The triumph of Network is that it makes its words win over pictures, IN a picture, IN a film.


A pandemic, the false pandemic I’ve been rejecting in many articles, is delivered through video flow and narration. Stacked and cut images.

There is no challenge to the flow in any basic way, through the intrusion of actual knowledge, because that would shut down the parade of images and nullify the reasons for broadcasting them in the first place.

The old theater adage, “the show must go on,” when adapted for television, becomes, “the flow must go on.” Once its course is set, there can be no turning back.

The television audience, imprisoned in homes, rides the river…


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Buying a New Mind

by Jon Rappoport

September 22, 2021

(To join our email list, click here.)

“Sign up now and get on the list for a new mind!”

The technical description of the surgery is over your head, but the basics are thrilling.

Two solid post-op improvements are speed and accuracy. You will think 20 times faster, and your rate of mistakes will drop to .01%. Your IQ will rise by a minimum of 50 points.

There is also an automatic signal when a problem you’re working on won’t resolve. Your left ear lobe burns. This informs you that, no matter how hard you try, you won’t be able to come to a useful conclusion.

You’ll save a great deal of time.

The new mind you’re getting contains several basic elements:

157,893 subconscious generalizations (or premises) deemed to be truthful;

a subconscious deductive logic program;

an instantly accessible technical library adjusted to your job.

The library automatically generates, collates, and summarizes the best available information re the problem you’re working on, in line with the previously installed generalizations (premises) and the logic program.

It produces an answer, a solution. Your solution.

For an additional fee, you can opt for a social program that will enable you to shift out of work-mode and communicate effectively with colleagues, friends, and family.

The left-ear-lobe burn signal will go live whenever social conversations touch on controversial issues. This is your cue to back away and seek other company.

Your new mind will be monitored 24/7 from a combined NSA-DHS node that ensures proper functioning. If repairs are needed, a partial shutdown will deploy. Corrections will normally take less than three hours.

There is also a bullpen function. Persistent questions for which there is no available answer; personal reflections and contemplations; and any instance of social, political, financial, or existential claustrophobia will all be funneled to a dead space where they will linger and progressively fade.

A tiny but important Grand Slam Package will translate any thoughts once deemed to be creative into a sludge-mesh, where the velocity of transmission will slow to one synaptic flash per hour. In other words, you’ll achieve close to a zero rate on imagination.

At the perimeter of your new mind is the Cattle Farm. Slow moving, meaningless, and random tautologies circulate there, efficiently blocking exit from the overall programmed space of consciousness.

You’re centered where you’re most needed, where you can perform usefully and swiftly.

Throughout the day, you’ll think thoughts that trigger a carefully groomed and modulated pleasure-quotient. The overall effect will stimulate you to conclude you are satisfied.

Thought-forms called Border Collies will continuously roam the space of your mind and organize stray electrical effects, bringing them into symmetrical, simplistic, geometric wholes. These wholes will automatically constitute your “aesthetic sense.”

At night, while you sleep, regions of mind unreachable by the surgery will naturally expend extraordinary energies of outrage, resentment, resistance, and pure hatred. This is quite normal.

Scooper Drones will siphon off those energies and their attendant emotional wildfires, and beam them directly into the minds of our soldiers on the battlefield, to help them wreak destruction on the enemy.

It’s estimated that, with your new mind in tow, you’ll require full overhauls every three years. During these periods, you’ll experience total shutdown.

Your families, friends, and co-workers will be notified in advance.

As an historical note of interest, you recall, I’m sure, the so-called spying, the so-called Surveillance State, back in the old days. Yes?

Most people didn’t realize the program was the first attempt to create a single Universal Mind.

The Surveillance State was really the first crude new-mind surgery.

But now we can guarantee the result. The science has advanced majestically. The surgery is extremely specific and comprehensive.

Central Planning for Planet Earth must restructure brains so they perform, in various ways, to produce what we call The Whole X.

What is The Whole X? It’s the meshing of all human thought and function that will indeed produce the greatest good for the greatest number.

Whole X is the plan from above.

It calculates every move and every thought-pattern the billions of Earth inhabitants undertake, during every hour of every day.

Whole X dispenses justice and goods and services and sustainability and shared thoughts from Nome to Tierra Del Fuego.

How can these elements be parceled out unless, at the level of mind, the rational processes of every human are coordinated?

Yes, we’ve come a long way from Spy Headquarters. That was then; this is now.

We’ve walked the path from the Bill of Rights to the Bill of the Mind.

Use your gifts wisely.

To those who lament the loss of freedom, privacy, and imagination, consider that those qualities led us to the brink of extinction. We turned the corner and found enduring peace in our time.

For more information, log on to The Church of Absolute Inescapable Unity.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Wuhan: back to the beginning, where the whole fraud started; buried revelations

by Jon Rappoport

September 21, 2021

(To join our email list, click here.)

I recently went back to my original articles on COVID. They contain very significant information about the situation in Wuhan, in early 2020, when the false pandemic was first declared.

Readers need to grasp a central point I’ve been making for the past year and a half: what is being called COVID is not one disease. For the most part, it is a relabeling of older traditional lung conditions—flu, COPD, pneumonia, etc. I have explained this point in many articles.

I repeat it now, because the relabeling began in Wuhan. And the cause of illness there was not and is not a virus. No one discovered a new virus. I’ve detailed that fact as well in many articles.

So…what WAS happening in Wuhan, in 2019 and early 2020?

A very common and widespread illness, called pneumonia, was suddenly repackaged as the cardinal symptom of a “new disease,” COVID.


Here are excerpts from my very early COVID articles—

JANUARY 25, 2020: Wuhan, a city of 11 million, is called “the Chicago of China.” It is both an economic juggernaut and a transportation hub—railroads, roads, highways connecting travelers to other Chinese cities.

Several sources list the annual GDP of Wuhan at a staggering $220 billion dollars.

230 foreign Fortune 500 companies have offices in Wuhan and do business there. All in all, 80 foreign countries are funding companies in the city.

The Chinese New Year is now underway. It lasts from January 25 to February 10. During this period, Chinese people travel. They journey far and wide. In fact, this is the largest annual human migration on the planet. We’re talking about hundreds of millions of people on the move.

It provides a perfect pretext for saying a new virus is spreading uncontrollably, and requires unprecedented lockdowns of 50 million people in China.

Then there is this, from Bloomberg News, January 23, 2019: “When Premier Li Keqiang declared a ‘war against pollution’ in 2014, a few hundred residents of the city of Wuhan in central China took it as a cue.”

“They printed Li’s words on a six-meter (20 foot) banner and protested outside a foul-smelling incinerator plant they feared was causing illness in the community. Buoyed by the conviction they were answering the leadership’s call, the residents were instead harassed by local police officers who tore down the sign and trampled on it.”

“’We were worried and angry when we realized what was causing the stench and making our kids sick’,” said Zhang Xijiao, 44, who was detained for a week for making the banner. ‘But we are like ants, the local government can crush us as they please’.”

“Ren Rui, 40, quit her apartment in 2017 after her son developed a lung condition that required repeat surgery. She said smoke from the plant would blow her way under certain conditions. She tried to rent it out, ‘but no one wants to move here. Sometimes my mood depended on the direction of the wind,’ said Ren. Despite the financial pressure since, ‘I never regretted moving away’.”

Faulty incinerator. Illness. Pollution. Lung problems.

Let’s move on to another description of Chinese protests—in Wuhan.

CNN, July 11, 2019: “…Recent weeks [in Wuhan] have seen major protests there — in themselves a rarity in China — over plans for a new garbage incineration plant.”

“Holding banners with slogans such as ‘we don’t want to be poisoned, we just need a breath of fresh air,’ thousands [!] of people took to the city’s streets over two weeks in June and July calling for the suspension of plans to build the plant.”

“’We are fearful that the plant is too close to residence area,’ one protester in the city of 10 million people told state media. Others expressed concern that emissions could worsen air pollution and harm residents’ health.”

“Local officials were apparently surprised by the scale and size of the protests, which came after several similar waste plants were reportedly found to be giving off dangerous emissions. Photos and videos shared on social media showed large crowds marching in the streets near where the plant was to be built, and police arresting numerous protesters.”

“The government has since suspended building of the plant, which locals said had halted protests, but a heavy police presence remains in the city where the situation is tense.”

“Public pressure has been the driving force of pollution policy in China, and it shows no sign of letting up.”

“In 2016, protesters took to the streets of Chengdu wearing face masks to demand action to tackle smog, while other demonstrations have targeted power and chemical plants in Sichuan, Jiangsu and Heilongjiang provinces in recent years.”

“The Chinese government is highly sensitive to the threat of protests like those in Wuhan, with the shadow of the 1989 Tiananmen massacre looming large. Calls for collective action are among the most censored subjects online, and people organizing protests or working for civil society groups can face harassment and imprisonment.”

In other words, protests against pollution in one Chinese city can inspire protests in other cities. A very dangerous situation for the Chinese government. Furthermore, it is generally acknowledged that official and corporate reports on pollution levels are being faked, to make “dangerous” into “improving.”

Grist.org, June 12, 2012: “At about 2 a.m. local time Monday morning, a dense smog began to cover the province. By early afternoon, it reached its peak density in the land-locked city of Wuhan itself…The demonstrable danger is to lungs and bloodstreams.”

Yale Environment 360, April 17, 2018: “The foul air of dozens of fast-expanding cities across China contains cocktails of toxic contaminants unprecedented in the range of pollutants they contain at high concentrations. Now, new research into these swirling maelstroms of gases and tiny particulates suggests that they may be incubating chemical reactions that compound the health effects in ways not seen before – effects that doctors say are cutting five years off the expected lifespan of half a billion people in northern China…China has the world’s most dangerous outdoor air pollution.”

“Three other cities listed as regularly suffering dangerous levels of four or five of the pollutants are Jining, also in Shandong, Wuhan in Hubei province, and Jiayuguan and Jinchang in Gansu. None of the seven appear in the lists of the ten most polluted Chinese cities published by the WHO or Chinese environment ministry.”

“All the five major pollutants in smogs – SO2, NOx, ozone, PM10 and PM2.5 — are known to be linked individually to increased risk of strokes, heart disease, lung cancer and asthma, and to rising hospital admissions and death rates during smogs. What is disturbing is that there is growing evidence of synergistic effects between these different pollutants that make the whole worse than the sum of the parts.”

Lung disease, pneumonia—and no need to invoke a virus to explain it.

Getting the picture?

We have a major clue here. The use of a “coronavirus” cover story to obscure huge pollution dangers and put down protests against that pollution, through mass lockdowns and quarantines.

“It’s all about the virus and nothing else.” How many times have I seen that cover story deployed?

Too many times to count them. Wherever in the world you see extraordinary chemical pollution, grinding poverty, war, starvation, lethal dehydration, absence of basic sanitation, overcrowding in cities, horrendously contaminated water supplies, corporate takeover of farm land from the people—you will find the virus cover story publicized to the sky as the explanation for suffering, illness, and death.


On FEBRUARY 20, 2020, I wrote: At the very beginning of my coverage of the “China epidemic,” I cited evidence that the air quality in Wuhan is chronically dangerous.

Among other sources, I referred to a Yale review which stated that the mixture of toxic elements in the air is unprecedented in human history. The synergistic effects of these individual toxins is unknown.

I also mentioned the large street protests against air quality in Wuhan that took place last summer [2019]. These protests were also carried out in other Chinese cities. The government was obviously alarmed at the nascent rebellion.

Those protests are now gone. Because the cities are locked down. It’s all about “the virus” as the cause of illness.

Horrific air quality brings on lung infections of all kinds, including pneumonia. Pneumonia is THE illness attributed to the coronavirus. How convenient.

Air quality? Brushed aside.

Assessing studies of annual pneumonia deaths in China—covering years long before the supposed emergence of the new human coronavirus—I settled on the estimate of 300,000 deaths a year, countrywide.

Assuming this death rate is more or less constant, hundreds of thousands of people could now be called deceased “coronavirus cases” without a flicker of interest in the actual cause of their illness.

Recently, I found an article from cambodiacapital.com, dated February 7, 2020. It makes some astonishing comments about Wuhan air quality in the time-window when the “pandemic” was declared:

“…three factors. First, the increase of static wind in the horizontal direction, which is not conducive to the diffusion and dilution of atmospheric pollutants. Second, the emergence of a temperature inversion layer in the vertical direction, which makes it difficult for pollutants to move upwards and are blocked at low altitudes and near the ground. Third, the increase of suspended particulates in the air. These three conditions are all available during the high incidence period of Wuhan pneumonia.”

“According to data released by the Wuhan Bureau of Ecology and Environment, the moment when a large number of pneumonia cases emerged in Wuhan was during the period from Jan 19, 2020, to Jan 23, 2020, and the Wuhan air during this period was at the stage of serious pollution. The indices are all higher than 100. This means that the outbreak period of Wuhan pneumonia coincides with the severe period of air pollution and this is one of the reasons. The second supporting reason is that the high incidence areas of Wuhan pneumonia coincide with the severe air pollution areas. We observed by randomly taking one day as a sample and found out that the area with the highest level of air pollution in Wuhan was Huanan Wholesale Seafood Market. This shows that even in ‘normal weather’, the air pollution in the seafood market area was the relatively worst area in Wuhan…Therefore, it is not accidental that Wuhan Huanan Wholesale Seafood Market has become a high-incidence area of Wuhan pneumonia…”


On FEBRUARY 25, 2020, I wrote: Here is more information on China’s air pollution and its destructive effects—The Lancet, November 19, 2005; CHINA: THE AIR POLLUTION CAPITAL OF THE WORLD, by Jonathan Watt:

“Over 400 000 premature deaths a year in China are blamed on air pollution levels…”

“According to the European Space Agency, Beijing and its neighbouring north-east Chinese provinces have the world’s worst levels of nitrogen dioxide, which can cause fatal damage to the lungs.” [The so-called “coronavirus disease” is pneumonia.]

“At a recent seminar, Zhang Lijun, deputy director of the environmental protection agency, said that pollution levels could more than quadruple within 15 years unless the country slows the rise in energy consumption and car use.” [15 years later, it’s a “coronavirus epidemic.” How convenient.]

“A recently published study, conducted by the Chinese Academy on Environmental Planning, found that a third of China’s urban residents were exposed to harmful levels of pollution. More than 100 million people live in cities where the air reaches levels considered ‘very dangerous’.”

“The academy blamed air pollution for 411,000 [yearly] premature deaths—mostly from lung and heart-related diseases.”

“’It’s a conservative figure. The real figure could be higher’, Wang Jin’nan, a chief engineer of the academy, told the AFP news agency. ‘These figures all exist, but the local governments do not want us to reveal them.’ Asked for an interview with The Lancet, academy officials declined, saying the matter was ‘too sensitive’.”

“The political implications of worsening pollution are becoming more apparent. Although it does not publish figures on the link between pollution and health, the [Chinese] government admits that respiratory diseases are the leading cause of death in China…” [Pneumonia is called THE “coronavirus” disease.]

“Such health concerns, particularly regarding cancer and birth defects thought to be caused by chemical factories, have been a major factor in a recent wave of protests. Among the latest was the demonstration last month by hundreds of people living in a Beijing suburb against plans to build a factory in their neighbourhood. But similar outbreaks [protests] are occurring nationwide on an almost weekly basis.” [All the protests are gone now in 2020; key cities are locked down.]

“This situation is not unique to Beijing. Frequent dirty grey skies are taken for granted in Shanghai, Wuhan, Chongqing, Guangzhou, Shenzhen, and Hong Kong…Water has suffered the same fate as air. Increasingly likely to be exploited for dams and dumpsites, it is estimated that three-quarters of the rivers running through Chinese cities are so polluted that they cannot be used for drinking or fishing.”

“In 2008, it is quite possible that this authoritarian government will restrict traffic and close factories to ensure blue skies for the month of the Olympics. But it will only be a temporary fix. Unless more drastic measures are taken soon, the health costs of pollution will be paid in China for generations to come.”

—I can think of a more drastic measure. Claim a new virus is killing people, lock down cities and quarantine 50 million people, and shove all the news about deadly pollution causing pneumonia far, far into the background.


It all started in Wuhan—the fake discovery of a new virus, the pretense of a new reason for disease actually caused by deadly pollution.

Without that central lie, the whole pandemic narrative would have collapsed before it was launched.

In other articles, I’ve accounted for “COVID” illness and death in other places around the world—no virus required. This article shows the first deception, the beginning of the monstrous fake.

Think about how thousands of obedient lying scientists and public health officials in many countries completely ignored what was staring them in the face in Wuhan; the deadly pollution.

I’ve analyzed claims that the early COVID patients in China (and other places) were displaying unusual symptoms and signs that didn’t indicate ordinary pneumonia. “COVID pneumonia” was supposedly different and unique.

I took up two familiar assertions: the COVID patients were coming to hospitals with extreme shortness of breath, and their X-rays revealed a strange “ground-glass” pattern.

Here is what I wrote on February 4, 2021:

Extreme shortness of breath. Hypoxia. That’s one of the “strange symptoms.”

But WebMD lists a number of obvious causes for hypoxia: asthma attack; trauma (injury); COPD; emphysema; bronchitis; pain medicines, “and other drugs that hold back breathing”; heart problems; anemia, “a low number of red blood cells, which carry oxygen.”

Among the drugs that can cause the oxygen deprivation known as hypoxia? From drugabuse.com: “…opiate [opioid] drugs also slow your breathing…and in case of an overdose, your breathing is slowed to a virtually non-existent and lethal level.”

Is anyone looking into THAT, in China?

I did. I discovered (and wrote about it) that Wuhan happens to be Opioid Central for worldwide drug trafficking. Particularly, when it comes to the lethal drug, fentanyl, and its designer offshoots.

Chinese criminals launching an opioid war against many countries from Wuhan is ANOTHER fact covered up by the fatuous claim that a pandemic caused by a virus started in Wuhan.

Now let’s consider the so-called “ground glass” phenomenon. From MEDPAGE Today: “The term [ground glass] refers to the hazy, white-flecked pattern seen on lung CT scans, indicative of increased density.”

“Chest radiologists adopted it [the term] in the 1980s, with a first appearance in the Fleischner Society Glossary of Terms for Thoracic Radiology in 1984.”

“’We see [ground-glass opacities] so often in chest imaging,’ Guo [‘Henry Guo, MD, PhD, of Stanford University in Palo Alto, California’] told MedPage Today. “They come in different shapes, sizes, quantities, and locations, and they can indicate many different underlying pathologies — including other viral infections, chronic lung disease, fibrosis, other inflammatory conditions, and cancers.”

So there’s nothing new or highly strange about the ground glass phenomenon.

But wait. There’s more. “Adam Bernheim, MD, of the Mount Sinai system in New York City, authored one of the early papers on chest CT findings in COVID-19. He and his colleagues studied images captured from 121 patients at four centers in China mostly in late January [2020].”

“’There are a lot of diseases that can cause ground-glass opacities, but in COVID-19, there’s a distinct distribution, a preference for certain parts of the lung,’ chiefly in the lower lobes and periphery, and it appears multifocally and bilaterally, Bernheim said.”

“COVID-related ground-glass opacities also have a very round shape that’s ‘really unusual compared with other ground-glass opacities,’ he said.”

Aha. So maybe COVID patients ARE exhibiting a different outlier pattern of ground glass.

Alas, there are several problems with that assertion:

First of all, how do we define a “COVID patient?” Through a PCR test for a virus that has never been proved to exist. So there is no distinct group correctly labeled “COVID.”

The second problem with the doctor’s statement in the MEDPAGE article? All the patients came from China, and they were diagnosed very early, at the beginning of the “outbreak.” How were they diagnosed?

—“Guess what? We have 40 patients with unusual CT lung scans. We’re going to call them a unique cluster of ‘pandemic victims of a new virus.’ Why? Because they have unusual CT lung scans.” This is called fallacious circular reasoning. It’s a chapter in a subject called logic, which used to be taught in schools, before “I’m triggered” and “I want to cancel everything” became major courses on the way to a PhD in Grunge.

The other problem has to do with deadly pollution, and what lung X-ray patterns it can cause. In China, for example, above large cities like Wuhan, there is a unique mixture of early industrial and modern industrial pollutants—never before seen in human history.

The synergistic effects of these individually toxic compounds have never been studied. Therefore, it’s quite possible that the outlier ground glass patterns in X-rays are the result of this new and different air pollution mixture.

What I’m reporting, about “strange symptoms,” needs to be understood before making bald claims that a new virus, or some other esoteric cause, is responsible for “ground glass in COVID patients” or “low oxygen levels.”

Back in early 2020, a story about a virus was launched like rocket, out of Wuhan. It served the interest of elites who wanted to control populations and usher them into a Brave New World. It also allowed the Chinese regime to stop all citizen protests against deadly air pollution (through lockdowns), and to cover up the fact that Wuhan was the global center for opioid trafficking.

The whole pandemic story was a lie. Anyone with eyes to see knew lethal air pollution was causing the pneumonias suddenly re-labeled “COVID.”

The whole pandemic story is still a lie.


The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The failure to prove the virus exists

by Jon Rappoport

September 20, 2021

(To join our email list, click here.)

Over a year ago, I proposed (insisted on) a procedure to prove SARS-COV-2 exists.

This procedure is essential—and needless to say, it hasn’t been done, and will never be done.

Why? Because the outcome could completely and utterly destroy the COVID narrative.

Here is the procedure: You line up 500 people who have been diagnosed with COVID-19, and you take tissue samples from them.

You properly process these samples, through centrifuging, etc., in order to extract and arrive at what you believe is the virus.

You put that material under an electron microscope and photograph it.

You then place the 500 photos from the 500 “pandemic patients” side by side.

You ask yourself three burning questions.

One: In each and every photo, are there many identical viruses?

Two: Are these viruses in every one of the 500 photos?

Three: Is the virus one you’ve never seen before?

If the answer to question one and two is yes, you appear to have found a common virus for the 500 patients. If the answer to three is yes, it’s a virus never seen before.

If the answer to either question one or two is no, you’ve failed to find the common virus you’re looking for. You’ve failed to prove a viral cause for what you’re calling COVID-19.

If you see many identical virus particles in some, but not all, of the photos, you may or may not have found a virus. To decide that issue, you need three conditions: the researchers are honest and independent; a new team of such researchers will repeat the whole procedure, from the beginning, to see whether their findings match those of the original team; and you need truly qualified experts to determine whether the particles in the electron microscope photos are actually viruses or something else.

Note: This is why one or two photos from a study mean NOTHING.

All right. Moving on, there are other factors involved in the process of discovering a virus. These factors are ISOLATION and GENETIC SEQUENCING.

They’re both covered in a Statement on Virus Isolation, authored and published by Dr. Andrew Kaufman, Dr. Tom Cowan, and Sally Fallon Morell. I reprint it here in full:


Statement On Virus Isolation (SOVI) [1]

“Isolation: The action of isolating; the fact or condition of being isolated or standing alone; separation from other things or persons; solitariness.” — Oxford English Dictionary

The controversy over whether the SARS-CoV-2 virus has ever been isolated or purified continues. However, using the above definition, common sense, the laws of logic and the dictates of science, any unbiased person must come to the conclusion that the SARS-CoV-2 virus has never been isolated or purified. As a result, no confirmation of the virus’ existence can be found. The logical, common sense, and scientific consequences of this fact are:

* the structure and composition of something not shown to exist can’t be known, including the presence, structure, and function of any hypothetical spike or other proteins;

* the genetic sequence of something that has never been found can’t be known;

* “variants” of something that hasn’t been shown to exist can’t be known;

* it’s impossible to demonstrate that SARS-CoV-2 causes a disease called Covid-19.

In as concise terms as possible, here’s the proper way to isolate, characterize and demonstrate a new virus. First, one takes samples (blood, sputum, secretions) from many people (e.g. 500) with symptoms which are unique and specific enough to characterize an illness. Without mixing these samples with ANY tissue or products that also contain genetic material, the virologist macerates, filters and ultracentrifuges i.e. purifies the specimen. This common virology technique, done for decades to isolate bacteriophages [2a] and so-called giant viruses in every virology lab, then allows the virologist to demonstrate with electron microscopy thousands of identically sized and shaped particles. These particles are the isolated and purified virus.

These identical particles are then checked for uniformity by physical and/or microscopic techniques. Once the purity is determined, the particles may be further characterized. This would include examining the structure, morphology, and chemical composition of the particles. Next, their genetic makeup is characterized by extracting the genetic material directly from the purified particles and using genetic-sequencing techniques, such as Sanger sequencing, that have also been around for decades. Then one does an analysis to confirm that these uniform particles are exogenous (outside) in origin as a virus is conceptualized to be, and not the normal breakdown products of dead and dying tissues. [2b] (As of May 2020, we know that virologists have no way to determine whether the particles they’re seeing are viruses or just normal break-down products of dead and dying tissues.) [2c]

If we have come this far then we have fully isolated, characterized, and genetically sequenced an exogenous virus particle. However, we still have to show it is causally related to a disease. This is carried out by exposing a group of healthy subjects (animals are usually used) to this isolated, purified virus in the manner in which the disease is thought to be transmitted. If the animals get sick with the same disease, as confirmed by clinical and autopsy findings, one has now shown that the virus actually causes a disease. This demonstrates infectivity and transmission of an infectious agent.

None of these steps has even been attempted with the SARS-CoV-2 virus, nor have all these steps been successfully performed for any so-called pathogenic virus. Our research indicates that a single study showing these steps does not exist in the medical literature.

Instead, since 1954, virologists have taken unpurified samples from a relatively few people, often less than ten, with a similar disease. They then minimally process this sample and inoculate this unpurified sample onto tissue culture containing usually four to six other types of material — all of which contain identical genetic material as to what is called a “virus.” The tissue culture is starved and poisoned and naturally disintegrates into many types of particles, some of which contain genetic material. Against all common sense, logic, use of the English language and scientific integrity, this process is called “virus isolation.” This brew containing fragments of genetic material from many sources is then subjected to genetic analysis, which then creates in a computer-simulation process the alleged sequence of the alleged virus, a so called in silico genome. At no time is an actual virus confirmed by electron microscopy. At no time is a genome extracted and sequenced from an actual virus. This is scientific fraud.

The observation that the unpurified specimen — inoculated onto tissue culture along with toxic antibiotics, bovine fetal tissue, amniotic fluid and other tissues — destroys the kidney tissue onto which it is inoculated is given as evidence of the virus’ existence and pathogenicity. This is scientific fraud.

From now on, when anyone gives you a paper that suggests the SARS-CoV-2 virus has been isolated, please check the methods sections. If the researchers used Vero cells or any other culture method, you know that their process was not isolation. You will hear the following excuses for why actual isolation isn’t done:

1. There were not enough virus particles found in samples from patients to analyze.

2. Viruses are intracellular parasites; they can’t be found outside the cell in this manner.

If No. 1 is correct, and we can’t find the virus in the sputum of sick people, then on what evidence do we think the virus is dangerous or even lethal? If No. 2 is correct, then how is the virus spread from person to person? We are told it emerges from the cell to infect others. Then why isn’t it possible to find it?

Finally, questioning these virology techniques and conclusions is not some distraction or divisive issue. Shining the light on this truth is essential to stop this terrible fraud that humanity is confronting. For, as we now know, if the virus has never been isolated, sequenced or shown to cause illness, if the virus is imaginary, then why are we wearing masks, social distancing and putting the whole world into prison?

Finally, if pathogenic viruses don’t exist, then what is going into those injectable devices erroneously called “vaccines,” and what is their purpose? This scientific question is the most urgent and relevant one of our time.

We are correct. The SARS-CoV2 virus does not exist.

—end of Kaufman, Cowan, Morell Statement—


Finally, here is a repost of my article about a claim of virus isolation. Dr. Kaufman does a step-by-step analysis of a quote from a typical study that purports to describe how SARS-CoV-2 was isolated:

—Dr. Andrew Kaufman refutes “isolation” of SARS-Cov-2; he does step-by-step analysis of a typical claim of isolation; there is no proof that the virus exists—

The global medical community has been asserting that “a pandemic is being caused by a virus, SARS-Cov-2.”

But what if the virus doesn’t exist?

People have been asking me for a step-by-step analysis of a mainstream claim of virus-isolation. Well, here it is.

“Isolation” should mean the virus has been separated out from all surrounding material, so researchers can say, “Look, we have it. It exists.”

I took a typical passage from a published study, a “methods” section, in which researchers describe how they “isolated the virus.” I sent it to Dr. Andrew Kaufman [3], and he provided his analysis in detail.

I found several studies that used very similar language in explaining how “SARS-CoV-2 was isolated.” For example, “Severe Acute Respiratory Syndrome Coronavirus 2 from Patient with Coronavirus Disease, United States, (Emerging Infectious Diseases, Vol. 26, No. 6 — June 2020)” [4].

First, I want to provide a bit of background that will help the reader understand what is going on in the study.

The researchers are creating a soup in the lab. This soup contains a number of compounds. The researchers assume, without evidence, that “the virus” is in this soup. At no time do they separate the purported virus from the surrounding material in the soup. Isolation of the virus is not occurring.

They set about showing that the monkey (and/or human cells) they put in the soup are dying. THAT’S THEIR KEY “EVIDENCE.” This cell-death, they claim, is being caused by “the virus.” However, as you’ll see, Dr. Kaufman dismantles this claim.

There is no reason to infer that SARS-CoV-2 is in the soup at all, or that it is killing cells.

Finally, the researchers assert, with no proof or rational explanation, that they were able to discover the genetic sequence of “the virus” they never isolated. “We didn’t find it, we don’t know anything about it, but we sequenced it.”

Here are the study’s statements claiming isolation, alternated with Dr. Kaufman’s analysis:

STUDY: “We used Vero CCL-81 cells for isolation and initial passage [in the soup in the lab]…”

KAUFMAN: “Vero cells are foreign cells from the kidneys of monkeys and a source of contamination. Virus particles should be purified directly from clinical samples in order to prove the virus actually exists. Isolation means separation from everything else. So how can you separate/isolate a virus when you add it to something else?”

STUDY: “…We cultured Vero E6, Vero CCL-81, HUH 7.0, 293T, A549, and EFKB3 cells in Dulbecco minimal essential medium (DMEM) supplemented with heat-inactivated fetal bovine serum (5% or 10%)…”

KAUFMAN: “Why use minimal essential media, which provides incomplete nutrition [to the cells]? Fetal bovine serum is a source of foreign genetic material and extracellular vesicles, which are indistinguishable from viruses.”

STUDY: “…We used both NP and OP swab specimens for virus isolation. For isolation, limiting dilution, and passage 1 of the virus, we pipetted 50 μL of serum-free DMEM into columns 2–12 of a 96-well tissue culture plate, then pipetted 100 μL of clinical specimens into column 1 and serially diluted 2-fold across the plate…”

KAUFMAN: “Once again, misuse of the word isolation.”

STUDY: “…We then trypsinized and resuspended Vero cells in DMEM containing 10% fetal bovine serum, 2× penicillin/streptomycin, 2× antibiotics/antimycotics, and 2× amphotericin B at a concentration of 2.5 × 105 cells/mL…”

KAUFMAN: “Trypsin is a pancreatic enzyme that digests proteins. Wouldn’t that cause damage to the cells and particles in the culture which have proteins on their surfaces, including the so called spike protein?”

KAUFMAN: “Why are antibiotics added? Sterile technique is used for the culture. Bacteria may be easily filtered out of the clinical sample by commercially available filters (GIBCO) [5]. Finally, bacteria may be easily seen under the microscope and would be readily identified if they were contaminating the sample. The specific antibiotics used, streptomycin and amphotericin (aka ‘ampho-terrible’), are toxic to the kidneys and we are using kidney cells in this experiment! Also note they are used at ‘2X’ concentration, which appears to be twice the normal amount. These will certainly cause damage to the Vero cells.”

STUDY: “…We added [not isolated] 100 μL of cell suspension directly to the clinical specimen dilutions and mixed gently by pipetting. We then grew the inoculated cultures in a humidified 37°C incubator in an atmosphere of 5% CO2 and observed for cytopathic effects (CPEs) daily. We used standard plaque assays for SARS-CoV-2, which were based on SARS-CoV and Middle East respiratory syndrome coronavirus (MERS-CoV) protocols…”

STUDY: “When CPEs were observed, we scraped cell monolayers with the back of a pipette tip…”

KAUFMAN: “There was no negative control experiment described. Control experiments are required for a valid interpretation of the results. Without that, how can we know if it was the toxic soup of antibiotics, minimal nutrition, and dying tissue from a sick person which caused the cellular damage or a phantom virus? A proper control would consist of the same exact experiment except that the clinical specimen should come from a person with illness unrelated to covid, such as cancer, since that would not contain a virus.”

STUDY: “…We used 50 μL of viral lysate for total nucleic acid extraction for confirmatory testing and sequencing. We also used 50 μL of virus lysate to inoculate a well of a 90% confluent 24-well plate.”

KAUFMAN: “How do you confirm something that was never previously shown to exist? What did you compare the genetic sequences to? How do you know the origin of the genetic material since it came from a cell culture containing material from humans and all their microflora, fetal cows, and monkeys?”

—end of study quotes and Kaufman analysis—

My comments: Dr. Kaufman does several things here. He shows that isolation, in any meaningful sense of the word “isolation,” is not occurring.

Dr. Kaufman also shows that the researchers want to use damage to the cells and cell-death as proof that “the virus” is in the soup they are creating. In other words, the researchers are assuming that if the cells are dying, it must be the virus that is doing the killing. But Dr. Kaufman shows there are obvious other reasons for cell damage and death that have nothing to do with a virus. Therefore, no proof exists that “the virus” is in the soup or exists at all.

And finally, Dr. Kaufman explains that the claim of genetic sequencing of “the virus” is absurd, because there is no proof that the virus is present. How do you sequence something when you haven’t shown it exists?

Readers who are unfamiliar with my work (over 300 articles on the subject of the “pandemic” during the past year [6]) will ask: Then why are people dying? What about the huge number of cases and deaths? I have answered these and other questions in great detail. The subject of this article is: have researchers proved SARS-CoV-2 exists?

The answer is no.


SOURCES:

[1] https://www.andrewkaufmanmd.com/sovi/

[2a] Isolation, characterization and analysis of bacteriophages from the haloalkaline lake Elmenteita, KenyaJuliah Khayeli Akhwale et al, PLOS One, Published: April 25, 2019. https://journals.plos.org/plosone/article?id=10.1371/journal.pone.0215734 — accessed 2/15/21

[2b] “Extracellular Vesicles Derived From Apoptotic Cells: An Essential Link Between Death and Regeneration,” Maojiao Li1 et al, Frontiers in Cell and Developmental Biology, 2020 October 2. https://www.frontiersin.org/articles/10.3389/fcell.2020.573511/full — accessed 2/15/21

[2c] “The Role of Extraellular Vesicles as Allies of HIV, HCV and SARS Viruses,” Flavia Giannessi, et al, Viruses, 2020 May

[3] https://andrewkaufmanmd.com/

[4] https://wwwnc.cdc.gov/eid/article/26/6/20-0516_article

[5] https://www.thermofisher.com/us/en/home.html

[6] https://blog.nomorefakenews.com/category/covid/


The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The Matrix Revealed: The trick behind Occult systems

by Jon Rappoport

It should be obvious to readers who’ve been with me for a while that I attack delusion in more than one place. Political systems, medical systems…and so-called spiritual systems.

That’s because I happen to believe in legitimate limited government, healing, and the unbounded life of the individual spiritual being.

Occult systems, which propose they have a hidden secret at the core, which will be revealed after a long and exhaustive search, are, at best, deluded, because they are concealing CONTENT.

By content, I mean information, knowledge, pattern, some facet of what already exists. This is a dead-end.

There is nothing wrong with truthful information. But….

Suppose we had a secret society called The Inner Core Flame X42. And we sold our members on the idea that, after a series of ascending initiations, they would arrive at the X, the secret of secrets.

Well, what could X be? Some nugget of information, some formula or phrase or fact or made-up fact about existence that is supposed to solve problems and enlighten consciousness.

But consciousness is dynamic. It isn’t a key looking for a lock.

Consciousness is dynamic because it creates. It creates new realities.

It isn’t primarily a container for What Is, for what already exists.

If there is a secret about consciousness, that’s it. IT CREATES.

So no matter what X we cooked up, it would become obsolete, of minor value.

Humans are ripe for buying an X because they are trained, and train themselves, to place the highest value on What Already Exists.

That’s mind control par excellence.

Occult systems deliver what controlled minds expect, and that’s why they’ve flourished. That’s the only reason why.

But there is another way.

When a person sees the “artistic” blow-by-blow creation of these power structures, in progress—rather than the finished product—an entirely new consciousness arises.

“If they can create Reality for me, I can create my own.”

“If they are artists, I can be an artist, too—but in an entirely different direction.”

The Matrix ceases to be a monolith. It is revealed as an ongoing weave, and one can see the process at work.

Then, one’s own insight operates on behalf of liberation.

A person can actually see how he cooperates in the progression of accepting “the weave.”

And he sees other options.

Therefore, as I put together The Matrix Revealed, I made sure to show Matrix as a work in process, an ongoing enterprise, a work of art, as it were, that can be dismantled—as a person takes another road of his own.

This is vital. It transforms victimization into inspiration.

In my work, I was assisted by interviewees who profoundly understood all this.


the matrix revealed


Here are the contents of  The Matrix Revealed:

* 250 megabytes of information.

* Over 1100 pages of text.

* Ten and a half hours of audio.

The 2 bonuses alone are rather extraordinary:

* My complete 18-lesson course, LOGIC AND ANALYSIS, which includes the teacher’s manual and audio to guide you. I was previously selling the course for $375. This is a new way to teach logic, the subject that has been missing from schools for decades.

* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst. I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.

The heart and soul of this product are the text interviews I conducted with Matrix-insiders, who have first-hand knowledge of how the major illusions of our world are put together:

* JACK TRUE, the most creative hypnotherapist on the face of the planet. Jack’s anti-Matrix understanding of the mind and how to liberate it is unparalleled. His insights are unique, staggering. 43 interviews, 320 pages.

* ELLIS MEDAVOY, master of PR, propaganda, and deception, who worked for key controllers in the medical and political arenas. 28 interviews, 290 pages.

* RICHARD BELL, financial analyst and trader, whose profound grasp of market manipulation and economic-rigging is formidable, to say the least. 16 interviews, 132 pages.

Also included:

* Several more interviews with brilliant analysts of the Matrix. 53 pages.

* The ten and a half hours of mp3 audio are my solo presentation, based on these interviews and my own research. Title: The Multi-Dimensional Planetary Chessboard—The Matrix vs. the Un-Conditioning of the Individual.

(All the material is digital. Upon ordering it, you’ll receive an email with a link to it.)

This work is all about reinstating individual power, above and beyond what the Matrix implies and stands for. It is about insight, yes—but it is also about liberating one’s consciousness from the habit of accepting life on the terms by which it is given to us.

Thought and action can align themselves with Matrix, or they can strike out in a far more adventurous and galvanizing direction. A thrilling direction unique to each individual.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Exit From The Matrix: When the individual creates

by Jon Rappoport

Consider this notion: “Nothing new is really created. The person is remembering something, or he is building on prior knowledge by adding a next ‘logical’ step in a long historical process.”

Why make these assertions?

Because if a person were actually creating something new, where did it come from? It couldn’t come from “nowhere.” It must have already been “there,” in some sense.

That may be the majority opinion, but NO, that’s not the case. A PERSON CAN AND DOES CREATE SOMETHING NEW. IT COMES FROM HIM, FROM HIS IMAGINATION.

And imagination is not a thing. It isn’t a gland or an organ or a section of wiring in the brain. It’s not made of matter. It’s a quality, a non-material quality. So in that sense, yes, an individual DOES create from nothing.

Remembering and adding a step to established prior knowledge may well be part of the process of creating in some cases, but in EVERY case there is a NEWNESS that occurs, that is invented. It cannot be explained by claiming it was “already there.”

This irritates scientists and materialists to the nth degree. So they ignore it. They pretend they understand everything about imagination. They don’t have a clue.

In fact, the deeper you explore the concept of freedom, the more you realize that creating something new, and creating that occurs outside a tight chain of prior cause and effect, are very much a part of what freedom means. Understanding these factors should be liberating.

There are several other phenomena that are closely related to “creating from nothing.” They are spontaneous insight and spontaneous invention. They occur in a flash, in the moment. They can’t be reduced to “logical implications in a chain of cause and effect.” They can’t be reduced at all.

And then there is this—I’ll refer to it through an experience I had in 1963, when I was living and painting in a small studio in Los Angeles. One night I was sitting at my table staring at a blank sheet of paper. I had a pencil in my hand. Suddenly, my mind was empty and crystalline. I knew in my bones, as clearly as I knew I was sitting there, that I had unlimited choices. There was no boundary on what I could draw. I was ecstatic. I made a shape on the paper. The immediate novelty of it was overwhelmingly joyous. I kept making shapes on the paper. The emerging drawing held, for me, the core of what I needed to know about life: every moment could be marvelously unhindered and free. I was always on the cusp of being able to choose a future; and being in that position, in the moment, was an experience of unrivaled beauty. Never again would I think of freedom in a dry clinical way.

These are some of the reasons why I assembled my collection, Exit From The Matrix. The imagination exercises I include, which I developed over a period of 15-20 years, are intended to illuminate the experience of CREATING and FREEDOM.

Here are the full contents of my mega-collection Exit From The Matrix. You can order it here:


exit from the matrix


First, my audio presentations:

* INTRODUCTION: HOW TO USE THE MATERIALS IN EXIT FROM THE MATRIX

* EXIT FROM THE MATRIX

* 50 IMAGINATION EXERCISES

* FURTHER IMAGINATION EXERCISES

* ANESTHESIA, BOREDOM, EXCITEMENT, ECSTASY

* ANCIENT TIBET AND THE UNIVERSE AS A PRODUCT OF MIND

* YOU THE INVENTOR, MINDSET, AND FREEDOM FROM “THE EXISTENCE PROGRAM”

* PARANORMAL EXPERIMENTS AND EXERCISES

* CHILDREN AND IMAGINATION

* THE CREATIVE LIFE AND THE MATRIX/IMAGINATION

* PICTURES OF REALITY AND ESCAPE VELOCITY FROM THE MATRIX

* THIS WOULD BE A VERY DIFFERENT FUTURE

* MODERN ZEN

* THE GREAT PASSIONS AND THE GREAT ANDROIDS

Then you will receive the following audio seminars I have previously done:

* Mind Control, Mind Freedom

* The Transformations

* Desire, Manifestation and Fulfillment

* Altered States, Consciousness, and Magic

* Beyond Structures

* The Mystery and Magic of Dialogue

* The Voyage of Merlin

* Modern Alchemy and Imagination

* Imagination and Spiritual Enlightenment

* Dissolving Stress

* The Paranormal Project

* Zen Painting for Everyone Now

* Past Lives, Archetypes, and Hidden Sources of Human Energy

* Expression of Self

* Imagination Exercises for a Lifetime

* Old Planet, New Planet, New Mind

* The Era of Magic Returns

* Your Power Revealed

* Universes Without End

* Relationships

* Building a Business for Success

I have included an additional bonus section:

* My book, The Secret Behind Secret Societies (pdf document)

* My book, The Ownership of All Life (pdf document)

* A long excerpt from my briefly published book, Full Power (pdf document)

* My 24 articles in the series, “Coaching the Coaches” (pdf document)

And these audio seminars:

* The Role of Medical Drugs in Human Illness

* Longevity One: The Mind-Body Connection

* Longevity Two: The Nutritional Factors

(All the audio presentations are mp3 files and the documents and books are pdf files. You download the files upon purchase. There is no physical ship.)

What has been called The Matrix is a series of layers. These layers compose what we call Reality. Reality is not merely the consensus people accept in their daily lives. It is also a personal and individual conception of limits. It is a perception that these limits are somehow built into existence. But this is not true.

What I’ve done here is remove the lid on those perceived limits. This isn’t an intellectual undertaking. It’s a way to open up space and step on to a new road, with new power.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Power Outside The Matrix: Analyzing Information in the Age of Disinformation

by Jon Rappoport

My “ordeal by fire” came in 1987, while I was writing my first book, AIDS INC.

I had dozens of sources telling me contradictory stories about HIV, what HIV really was and wasn’t; and that was just the beginning of the AIDS information/opinion flooding in from all quarters.

I had to find a way to judge all these data. I had to separate value from non-value. I had to discover a few bottom lines that would serve as context, against which I could make judgments.

When the dust cleared, I knew I had reached a high point. I knew I was launched. Never again would serious disinformation and misinformation cook my brain.

Fast-forward to the present: readers who have been with me the past year know I’ve dismantled every piece of the official COVID narrative. Factually. Scientifically. I knew from 30 years of experience — investigating HIV/AIDS, West Nile, SARS1, Swine Flu, Ebola and Zika — what to look for in the fake COVID science.

I’ve made extensive notes on “Analyzing Information in the Age of Disinformation”—which happens to be the title of one section of my collection, Power Outside The Matrix.


power outside the matrix


Here are the contents of Power Outside The Matrix:

These are audio presentations. 55 total hours.

* Analyzing Information in the Age of Disinformation (11.5-hours)

* Writer’s Tutorial (8.5-hours)

* Power Outside The Matrix and The Invention of New Reality (6.5-hours)

Then you will receive the following audio presentations I have previously done:

* The Third Philosophy of Imagination (1-hour)

* The Infinite Imagination (3-hours)

* The Mass Projection of Events (1.5-hours)

* The Decentralization of Power (1.5-hours)

* Creating the Future (6-hours)

* Pictures of Reality (6-hours)

* The Real History of America (2-hours)

* Corporations: The New Gods (7.5-hours)

I have included an additional bonus section:

* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst (and how to analyze them). I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.

* A 2-hour radio interview I did on AIDS in Dec 1987 with host Roy Tuckman on KPFK in Los Angeles, California.

* My book, The Secret Behind Secret Societies

(All the audio presentations are mp3 files and the books are pdf files. You download the files upon purchase. You’ll receive an email with a link to the entire collection.)

At the core of consciousness, there are two impulses in the individual. The first is: give in, surrender. The second is: express power without limit.

The teaching of every civilization and society is: don’t use your power. When you follow the second path, when you express your power without limits, remarkable things happen.

The veil of illusion melts away.

You meet yourself on new ground.

You know what your freedom is for.

Without imposing on the freedom of others, you live the life you always wanted.

That’s what Power Outside The Matrix is all about.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.