The Vegas Fear Porn Awards Ceremony 2021

by Jon Rappoport

December 27, 2021

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Happy New Year!

Mostly naked pole-dancers fronting a full orchestra playing Doo-Wop tunes you love from the 50s! Drinks on the house! Liberal celebs mingling with the peasants! The Vegas Mob Brothel and Hotel Casino just off the Strip presents…

The COVID Fear Porn Awards Ceremony 2021!

Leading up to the presentation of the coveted gold-plated statuette of Nazi Propaganda Minister Joseph Goebbels, which an as yet unnamed out of work actor will present to Fear Porn Person of the Year, several awards will be handed out to men and women in sub-categories of Halfway Compromise:

CATEGORY ONE: “Of course the virus exists. Don’t bother me with evidence to the contrary. I don’t have time to look at it. I’m busy with other issues. It’s a distraction. Anyway, people don’t understand the claim.”

TWO: “I’m definitely and absolutely pro-vaccine. I just want safer and more effective shots, and the current COVID vaccine happens to be unsafe. Vaccines have nothing to do with autism and other forms of brain damage.”

THREE: “The courts and judges will save us from the vaccine mandates. Don’t worry, be happy. The system works. Street protests are counter-productive. Cloth masks don’t work, but R283-X-A45367-BQX-23-9 masks are quite effective at stopping the spread of the dreaded virus.”

FOUR: “The Omicron Variant is quite real and spreads quickly, but it is less virulent than the Delta or the original SARS-CoV-2.”

FIVE: “The PCR test is irreparably flawed, but the case numbers based on the test are real, not meaningless. We need more testing.”

At the crest of the evening’s presentations, the Committee will reveal its choice for Fear Porn Person of the Year, from the following nominees:

Anthony Fauci
Bill Gates
Joe Biden
Gavin Newsom
Andrew Cuomo
Klaus Schwab
Anthony Fauci

Save your ticket stub. There will be a drawing. One attendee will win an all-expenses trip to Vienna, to live for three months under the government’s lockdown regime. Stay in your hotel room. Watch television. Eat canned food. Wear a mask. Experience the fear. Sweat in the dark.

Bonus! At the Awards presentation, Dr. Deborah Birx will receive the annual Hot Zone Virus From The Jungle plaque commemorating her work as a member of the White House Coronavirus Task Force under President Donald Warp Speed Trump.

Dr. Birx is presently working as a waitress at the 24-hour Sam Giancana Diner on the outskirts of Las Vegas. She is seeking re-employment as a bureaucrat at any tax-gobbling government agency that remembers her. We will be taking up a collection to pay her rent. She will be signing copies of her book, I Was Never an Out and Out Grifter.

A special scroll will be presented to CNN and MSNBC for their unceasing yearlong fear porn promotion. We understand an alleged and accused CNN pedophile will be on hand to receive his half of the scroll.

In absentia, Nancy My Husband Doesn’t Really Work With The Chinese Pelosi will be awarded an Emperor Nero silver coin engraved thusly: I WEAR MY MASK IN THE BATHROOM WHILE I’M SITTING DOWN.

Breaking—Boston Mayor, Michelle Wu, has just announced a vaccine passport system for the City of the American Revolution…all persons 12 and older will have to present the passport to enter any covered indoor venue. This fear porn enforcement Queen Mayor will be granted a brass plaque with her name engraved, to be placed on a slot machine outside a bedroom in the famed Crazy Eights Brothel and Steak House in Skirts, Nevada. Keep up the good work, Michelle My Belle!

To all compliant Americans who believe in fear porn, congratulations. We would give each one of you a participation trophy if we could afford it, to signify you are the greatest enablers in human history.

You inspire us to continue our work, singling out those individuals and organizations that distribute the tonnage of fear porn at a rate which stuns the senses.

Quoting our Founder, Edward Bernays, the father of modern propaganda: “The conscious and intelligent manipulation of the organized habits and opinions of the masses is an important element in democratic society. Those who manipulate this unseen mechanism of society constitute an invisible government which is the true ruling power of our country. We are governed, our minds are molded, our tastes formed, our ideas suggested, largely by men we have never heard of. This is a logical result of the way in which our democratic society is organized. Vast numbers of human beings must cooperate in this manner if they are to live together as a smoothly functioning society.”

Friends, when you come right down to it, are you afraid of not being afraid? If fear were stripped from your minds, would you feel at sea…not knowing what to think or do? Would you be lost without your old pal fear? You’re our audience, and we serve you every day of every year. And in doing so, we put a pretty bow on the ties that bind.

Stay close. We’re planning new surprises, new variants on the central theme of Medical Emergency. We’re the Titans of Pavlovian stimulus-response, and we feel your anticipatory drool.

If you can’t attend our Awards Ceremony this year, just keep watching our minions juke and tap dance on the Network News:

Lester Holt (Lurch, from the Addams Family); David Muir (Sears underwear model); Norah O’Donnell (state baton twirling champion); Wolf Blitzer (old man in tattered bathrobe pouring a can of soup into a saucepan in his kitchen); Chuck Todd (racetrack tout and penny-stock hustler).

They’ll keep you tuned to America’s leading product: fear porn.

The New York Times: “Today, on the Southern Face of Mt. Everest, a New York Hedge Fund manager froze to death in a seething blizzard. Sitting behind a new DARPA super-telescope observing the scene from Fort Meade, Maryland, Anthony Fauci diagnosed the man with COVID as he expired. ‘Shortness of breath was the telltale sign,’ Fauci remarked…”

So yes, Tony Fauci IS our Fear Porn Person of the Year. He’s on the case and on the money every time he takes center stage. He’s a belching stage hog, and we love him.


power outside the matrix

(To read about Jon’s collection, Power Outside The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Exit From The Matrix: When the individual creates

by Jon Rappoport

Consider this notion: “Nothing new is really created. The person is remembering something, or he is building on prior knowledge by adding a next ‘logical’ step in a long historical process.”

Why make these assertions?

Because if a person were actually creating something new, where did it come from? It couldn’t come from “nowhere.” It must have already been “there,” in some sense.

That may be the majority opinion, but NO, that’s not the case. A PERSON CAN AND DOES CREATE SOMETHING NEW. IT COMES FROM HIM, FROM HIS IMAGINATION.

And imagination is not a thing. It isn’t a gland or an organ or a section of wiring in the brain. It’s not made of matter. It’s a quality, a non-material quality. So in that sense, yes, an individual DOES create from nothing.

Remembering and adding a step to established prior knowledge may well be part of the process of creating in some cases, but in EVERY case there is a NEWNESS that occurs, that is invented. It cannot be explained by claiming it was “already there.”

This irritates scientists and materialists to the nth degree. So they ignore it. They pretend they understand everything about imagination. They don’t have a clue.

In fact, the deeper you explore the concept of freedom, the more you realize that creating something new, and creating that occurs outside a tight chain of prior cause and effect, are very much a part of what freedom means. Understanding these factors should be liberating.

There are several other phenomena that are closely related to “creating from nothing.” They are spontaneous insight and spontaneous invention. They occur in a flash, in the moment. They can’t be reduced to “logical implications in a chain of cause and effect.” They can’t be reduced at all.

And then there is this—I’ll refer to it through an experience I had in 1963, when I was living and painting in a small studio in Los Angeles. One night I was sitting at my table staring at a blank sheet of paper. I had a pencil in my hand. Suddenly, my mind was empty and crystalline. I knew in my bones, as clearly as I knew I was sitting there, that I had unlimited choices. There was no boundary on what I could draw. I was ecstatic. I made a shape on the paper. The immediate novelty of it was overwhelmingly joyous. I kept making shapes on the paper. The emerging drawing held, for me, the core of what I needed to know about life: every moment could be marvelously unhindered and free. I was always on the cusp of being able to choose a future; and being in that position, in the moment, was an experience of unrivaled beauty. Never again would I think of freedom in a dry clinical way.

These are some of the reasons why I assembled my collection, Exit From The Matrix. The imagination exercises I include, which I developed over a period of 15-20 years, are intended to illuminate the experience of CREATING and FREEDOM.

Here are the full contents of my mega-collection Exit From The Matrix. You can order it here:


exit from the matrix


First, my audio presentations:

* INTRODUCTION: HOW TO USE THE MATERIALS IN EXIT FROM THE MATRIX

* EXIT FROM THE MATRIX

* 50 IMAGINATION EXERCISES

* FURTHER IMAGINATION EXERCISES

* ANESTHESIA, BOREDOM, EXCITEMENT, ECSTASY

* ANCIENT TIBET AND THE UNIVERSE AS A PRODUCT OF MIND

* YOU THE INVENTOR, MINDSET, AND FREEDOM FROM “THE EXISTENCE PROGRAM”

* PARANORMAL EXPERIMENTS AND EXERCISES

* CHILDREN AND IMAGINATION

* THE CREATIVE LIFE AND THE MATRIX/IMAGINATION

* PICTURES OF REALITY AND ESCAPE VELOCITY FROM THE MATRIX

* THIS WOULD BE A VERY DIFFERENT FUTURE

* MODERN ZEN

* THE GREAT PASSIONS AND THE GREAT ANDROIDS

Then you will receive the following audio seminars I have previously done:

* Mind Control, Mind Freedom

* The Transformations

* Desire, Manifestation and Fulfillment

* Altered States, Consciousness, and Magic

* Beyond Structures

* The Mystery and Magic of Dialogue

* The Voyage of Merlin

* Modern Alchemy and Imagination

* Imagination and Spiritual Enlightenment

* Dissolving Stress

* The Paranormal Project

* Zen Painting for Everyone Now

* Past Lives, Archetypes, and Hidden Sources of Human Energy

* Expression of Self

* Imagination Exercises for a Lifetime

* Old Planet, New Planet, New Mind

* The Era of Magic Returns

* Your Power Revealed

* Universes Without End

* Relationships

* Building a Business for Success

I have included an additional bonus section:

* My book, The Secret Behind Secret Societies (pdf document)

* My book, The Ownership of All Life (pdf document)

* A long excerpt from my briefly published book, Full Power (pdf document)

* My 24 articles in the series, “Coaching the Coaches” (pdf document)

And these audio seminars:

* The Role of Medical Drugs in Human Illness

* Longevity One: The Mind-Body Connection

* Longevity Two: The Nutritional Factors

(All the audio presentations are mp3 files and the documents and books are pdf files. You download the files upon purchase. There is no physical ship.)

What has been called The Matrix is a series of layers. These layers compose what we call Reality. Reality is not merely the consensus people accept in their daily lives. It is also a personal and individual conception of limits. It is a perception that these limits are somehow built into existence. But this is not true.

What I’ve done here is remove the lid on those perceived limits. This isn’t an intellectual undertaking. It’s a way to open up space and step on to a new road, with new power.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The Extraterrestrial, the self-important Earth Person, and the Pig

by Jon Rappoport

December 24, 2021

(To join our email list, click here.)

There was no ship and no landing.

The ET just coalesced as a shining stick figure in the living room of James Smyth III, the chairman of the International Association of Art Museums. It was late in the evening, and Smyth was alone.

The chairman registered no shock. The ET said, “I chose you as my initial contact, because you have connections in politics and media.”

“I might be able to sponsor a conference.”

“I want private talks.”

“Oh. Yes. Of course.”

Then this interchange occurred:

You know, Mr. Smyth, the most significant subject I could broach is Reality.

I’ve often thought about it while walking the lonely halls of an empty museum late at night—

Reality is elastic. But in order to see that, a person has to deploy his imagination. Otherwise, Reality can appear to be a block of steel.

You know, I’ve seen and talked with very famous celebrities. Some of them seem to have a glow around them. Is there a way to change my DNA so I can emit that glow?

Mr. Smyth, if Reality had a plan, it would be to stay where it is and say it can’t change. Reality is a form of propaganda. The deeper you drill into the propaganda, the more you realize the very basics—for instance, space and time—are provisional.

One of our former presidents, Bill Clinton, was very interested in UFOs. I know Bill. I might be able to arrange an event at one of the museums here in New York. The publicity would be enormous. I could introduce you; make a short speech. It would be a charity fundraiser.

Some of the most convincing and oppressive Realities, Mr. Smyth, are built on nothing. That’s what you find at the bottom of your search, if you go deep enough. When you expose this, people have a chance to wake up. The hypnotic trance they’re in tends to dissipate.

I visit my barber every week. I have a standing appointment. My tailor has made several different kinds of British suits for me. But something in my persona is lacking. Are there any tricks you could teach me? I want to convey a sense of…I want people to come to attention when I enter a room.

Humans specialize in Reality-addiction. They’re convinced that what they see and feel is all there is. The One Reality. But there are a potentially unlimited number of Realities that can be invented. The individual invents them.

I once contemplated a run for a seat in the Senate. I had financial backers. But in the end, our team decided I just didn’t have the name recognition. We had Jimmy Carter come in and talk with us. He said he didn’t think I was a good fit for politics. It would have been quite a different career path than the one I finally chose. I think my family was disappointed. Our daughter had taken a tour of the White House as a child, and she was in love with the idea of actually living there…

Some of the biggest discoveries a person makes come from imagining how Reality COULD be, contrasted against how it IS. Seeing both, side by side…then perception and thought change.

Sixty years ago, the Metropolitan Museum bought a minor Rembrandt. It never drew the crowds the Board expected. Now the most important donors want to sell it. They’ve asked for my opinion. Rather than write a report, I’m going to make a video presentation. I’m trying to decide whether to bring the film crew here to the house, or speak against the background of the River and the majestic skyline of the city.

Inventing new Realities causes radically positive changes in chemical processes of cells of the body, hormone levels, and other less-noticed energies. We saw this happen with Rodin.

On the second floor of the Metropolitan, we have a lovely Rodin. I wanted to move it down to the lobby, but I was outvoted. Basically, the Council was launching a little power play against me.

At a deep level, most humans are programmed with crude concepts of symmetry, balance, harmonization, and organization. They automatically reject anything outside those parameters as dissonance and noise. They ignore whole universes.

My good friend Melania Trump came to me with a proposal to launch a traveling exhibition of the history of Western fashion. I thought it was a bold notion. But the political atmosphere was poisonous. We just couldn’t raise interest. The New York papers went after me hammer and tongs. One reporter called me “a fascist in sheep’s clothing.” Can you believe it? We were just talking about hats. Hats and dresses. And suddenly I was Mussolini.

In Tibet, fifteen centuries ago, before the priest-class moved in with their metaphysical baggage and set up a theocracy, adepts lived up in the cold mountains and practiced exercises designed to make them see, once and for all, that universe was a product of mind. From that point on, an individual could alter space and time. He could make a forest disappear and reappear.

I hate to cut this short, but I have to take a call from Japan. We’re bringing over several Hokusai drawings next month. The minister of culture is an old friend of mine. His son and my daughter went to Princeton together. But anytime you’d like to come back—

—The extraterrestrial made a slight motion and changed Mr. Smyth into a large pig.

The pig wandered around the room sniffing the furniture.

The pig said, “I forgot to mention that one of President Biden’s advisors on foreign policy is a former member of the Museum Association. She has a summer cottage just outside Brattleboro. Perhaps I could make arrangements for you two to sit down and have a chat. Many years ago, when she came to work for us, I mentored her on fundraising and prestige. Donors want be connected to their gifts in a variety of public ways.”

The extraterrestrial dropped an ear of corn on the floor and vanished.

Several months later, after appearances on Face the Nation, Meet the Press, and the PBS News Hour, the pig announced he was running for a seat in the US Senate. His opening poll numbers were through the roof.

However, since he was on the ticket as a Republican, New York Democrat party leaders were alarmed. Kamala Harris flew up from Washington and huddled with PR pros at the Rockefeller Institute.

Two days later, Anthony Fauci retired from public life, and President Biden offered the pig the vacant position of White House chief coronavirus advisor.

Pledging to serve the nation in a time of crisis, the pig accepted. He told reporters, “I follow the science, just as my good friend Dr. Fauci did. The vaccine is remarkably safe and effective. It’s the only way out of the lockdowns and the trough of government bailouts. It’s how we get to herd immunity…”


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Hollywood movies featuring “deadly viruses” on the loose

by Jon Rappoport

December 23, 2021

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—I’m republishing this piece because protests against vaccine mandates are rising across the world; and so are brutal lockdowns and fascist takeovers of nations. The clash is intensifying.

Here in the US, we have a demented mandating nut in the White House, and another nut who left the White House last year and keeps pumping up his destructive Warp Speed vaccine, as he currently tours the country.

“Omicron” is very much a movie title. Fear the Omicron. It attacks by night. And it’s being used to explain all the people having heart attacks and dying after vaccination.

The compliant people of the world ARE being treated to the movie called COVID. They’re in it, unfortunately. No virus, but instead a plot line about a virus. The producers (e.g., Bill Gates) already have all the money they need. But they’re not in it for the money alone. They want to cause pain and leverage control of the planet. It’s their wet dream.

OK. Here we go:

Wikipedia has a page listing “films about viral outbreaks.” I count 134 titles. Obviously, the theme has legs.

A few of the more famous movies: I am Legend; The Omega Man; The Andromeda Strain; Outbreak; Maze Runner: The Death Cure; Resident Evil: Apocalypse; Contagion.

My overall review: ridiculous plots; fear porn; softens up the public to accept the notion of pandemics.

Manufacturing 134 movies on one subject, you can sell almost anything. Zombies, toasters, alarm clocks that have long noses, golf balls from Mars, cave women with flawless teeth and perfect makeup and salon-sculptured hair and carefully engineered cleavage.

But in this case, it’s viruses.

At rwjf.org, there’s an interesting interview with Scott Burns, who wrote the screenplay for the 2011 film, Contagion, and the technical consultant on the project, Dr. Ian Lipkin, director of the Center for Infection and Immunity at Columbia University. Here are excerpts:

Scott Burns: “Obviously I worked with Ian, and early on I also met Dr. Larry Brilliant, who was very helpful [and certainly brilliant]. I had seen Larry’s TED talk where he showed the Malthusian charge through the world the virus would have. I also worked with Laurie Garrett on the movie, because she had written this book, The Coming Plague, which was very, very useful to me in sort of teasing out how these things have a medical component, but they also have a social justice component and a political component and all sorts of interesting aspects of human behavior.”

Dr. Ian Lipkin: “I started very early with Scott. There were a lot of people who contributed—CDC, WHO and others… Scott would bounce ideas off of me and others in his ‘brain trust’ and most of the time we were in accord. My role grew dramatically over the course of production. It began with just a consultation, and then I rapidly moved into helping the set designer in designing the virus, and we had a few days where we had actors come to the lab and spend some time working at the bench, learning how to pipette and look through microscopes and get into gowns and such. And even at the very end, I was working with the sound engineer, recording sound for the movie—lab background and that sort of thing. I did a lot of traveling with the crew. It was like a circus.”

“We settled on that virus [a paramyxovirus] within the first half an hour with Laurie and Scott and I, high above Columbus Circle in New York. We threw out a number of possibilities to Scott and he batted them down, and then one came to mind that struck me as the perfect choice, simply because there had been some reports earlier suggesting this virus, which wasn’t readily transmissible, had become readily transmissible to humans—that was Nipah. It also gave Scott and the director and actors an opportunity to do more than just cough and die. They could develop seizures, they could have hallucinations—all sorts of things that were much more interesting than a standard respiratory disease. We settled on that really within the first thirty minutes, and then Scott went back, thought about it and decided it was a good way to run. It doesn’t take much fuel for him to run quite a distance.”

Turns out that designing a movie about a pandemic is pretty much the same sort of project as designing a fake COVID pandemic in the world.

You pick out a story about a virus, give it an authentic feel, embroider it, and sell it.

People buy it.

In the interest of balance and fairness, I’ve written a few notes for a screenplay that would take a different approach:

In New York, the body of a dead virologist floats to the surface of the East River.

After a brief round of speculation that he might have perished from a mysterious viral infection, the coroner announces the cause of death was three gunshot wounds to the head. In other words, possible suicide while swimming.

A lone NYPD detective (divorced, alcoholic, disparaged by fellow officers, heroic) discovers the dead virologist’s notebook inside the freezer in the virologist’s apartment.

He thaws it out and reads this: “The coronavirus has never been isolated. It’s a fake. They’re selling a fairy tale about a virus.”

Two days later, a beautiful woman doctor (with engineered cleavage) from the CDC shows up at the detective’s apartment. Somehow she knows the cop has found the virologist’s notebook.

They talk. The mutual attraction should be immediately evident. If not, the brief cuts of sex they’re having on the floor provide sufficient evidence for the audience.

Two days later, the beautiful CDC doctor disappears.

The police detective is warned (anonymous phone message) to stay away from the case of the dead virologist.

Hey, it’s a B movie. Low budget. Could shoot the whole thing over a weekend in Manhattan.

But we need some kind of twist.

So it turns out the detective, the dead virologist, and the beautiful woman doctor from the CDC are just story ideas in the mind of a screenwriter, who, in the movie, is pitching the project to producer pals in an office high above Columbus Circle.

He’s pitching a movie that exposes a fake virus and a fake pandemic.

But wait. There’s more. In a mind-bending revelation, we learn that the screenwriter and the producers are secret agents from a distant planet called PROPAGANDA.

They’ve come to Earth to promote a fake pandemic…but a conflict has developed among them. The screenwriter has decided he wants to blow the whistle on his bosses from PROPAGANDA, and the producers want to carry out their mission to sell the people of Earth fake COVID-19, as if it were real.

The movie is basically an extended conversation about fake vs. real, virus vs. no virus, pandemic vs. hoax.

As the screenwriter earnestly pitches his film, his ideas will come to life, briefly, on the screen: there’s enough cleavage, sex, and murder to satisfy the Hollywood code.

Will the agents from the planet PROPAGANDA succeed in selling Earth the notion that COVID is real? Or will the heroic defector, the screenwriter, succeed in foiling the whole operation?

Stay tuned…

The 134 Hollywood movies about outbreaks of viruses aren’t only programming audiences. They’re instruction manuals for planners who launch fake pandemics.

Definition of “fake pandemic”: a movie that is happening in the world, not on a screen, in which the suffering and the pain are REAL—but are not the result of a virus. For further reference re pain, see “lockdowns, mask mandates, business bankruptcies, suicides, vaccine damage, police state.” For lunacy and true believers, see “deranged hostile masked vegan Whole Foods shoppers, and so-called science bloggers living in mommy’s basement.”

Definition of “virus”: any presumed particle that has never been isolated.

Definition of “virologist”: any person who pretends to discover tiny particles that aren’t there.

Alternate definition of “fake pandemic”: any medical event involving large numbers of people that never ends. For further reference, see “keep wearing two masks after being vaccinated and THEN being diagnosed with COVID.”

Immortal quotes from Hollywood virus-movies:

Outbreak, Dustin Hoffman—“I’ll say it one last time. These [infected] people that you’re going to bomb are not the enemy. We can kill the virus without killing these people. I swear on my soul that the President does not have the facts. He doesn’t know we have a working serum [antidote].”

Contagion, Jennifer Ehle—“Somewhere in the world, the wrong pig met up with the wrong bat.”

I Am Legend, Will Smith— “Blood tests confirm that I am immune to both the airborne and contact strains…Vaccine trials continue, I’m still unable to transfer my immunity to infected hosts. The Krippen Virus is… elegant…Hmm, a behavioral note, um, an infected male exposed himself to sunlight today. Now, it’s possible decreased brain function or the growing scarcity of food is causing them to…ignore their basic survival instincts. Social de-evolution appears complete. Typical human behavior is now entirely absent.”

Would you buy a used car from these people?

Definition of Hollywood actor: a person who can utter ANY line in a script without showing the smallest trace of embarrassment, in exchange for a paycheck—and in interviews casually refers to himself as an artist, and when speaking of Hollywood, deploys the possessive phrase, “in our industry.”


power outside the matrix

(To read about Jon’s collection, Power Outside The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The new sexual mandate

by Jon Rappoport

December 22, 2021

(To join our email list, click here.)

NBC, September 4, 2056. Three hours ago, on the Morning Blow, anchor Rex Regis interviewed US Department of Genetics Chief, Dr. Dove Fauci Gates. Here is a rush transcript excerpt:

Doctor, can you summarize the new federal mandate? It seems to represent a scientific breakthrough.

It does, Rex. We’ve discovered that during the act of sexual intercourse, there is a cascade of unmonitored genetic information transferred between partners.

Hasn’t that always been the case?

Yes, but we had no idea how extensive the information was.

So natural birth is on the way out?

With this new mandate, all sexual acts must now be monitored and tested, before conception is permitted.

I’m not sure I understand, Doctor.

Well, ever since the development of RNA vaccines, we’ve had the ability to introduce nanoparticles into the body. And then, we pioneered the insertion of nano sensors, which record, in real time, thousands of biological and chemical processes and changes. We can enable these sensors to report their ongoing findings to a central location—and we can issue instructions from that location back into the body.

What sorts of instructions?

For example, an increase or decrease in hormone production. A raising or lowering of blood pressure. An elevation or decline in certain brain processing functions.

I see. How does all this relate to sexual intercourse?

Basically, before engaging in sex, people will need to take an injection that inserts nano sensors in their bodies. Then we can monitor key genetic exchanges that occur during sex. If we deem these exchanges to be harmful or counter-productive, that couple will not be permitted to conceive a child.

And how do you define “harmful” and “counter-productive”?

We have algorithms. For instance, we don’t want babies with gross anti-social tendencies.

I see. So all couples would have to engage first in an act of test-sex, so you can discover what genetic information is exchanged.

That’s right, Rex. Granted, it’s a bit cumbersome, but it’s necessary if we’re going to have the kind of society we all long for.

Yes, it sounds cumbersome, Doctor. First of all, everyone will need to take a shot.

Yes, to insert the nano sensors. Then when—

Suppose my wife and I are planning to have sex after watching a movie on a Tuesday night?

All right, Rex. You would punch in a code on your cell phone. Now you’re registered for a test-run. During sex that night, the nano sensors in your body and your wife’s body would report certain information to our Division of Jilly.

Jilly?

Yes. That’s the name of an experimental female we tested in Indonesia six years ago. She was Patient Zero. She was the first human to have nano monitored sex in the Pfizer facility there. So your sexual act with your wife on that Tuesday night would be monitored. About six weeks later, you would get the results. Either a go to try to conceive a baby, or a full stop.

Are there any adverse effects from the nano injection or the monitoring of sexual intercourse?

They’re both remarkably safe and effective, Rex. Perhaps a bit of pain and swelling at the injection site, that’s all. And a rare case, here and there, of myocarditis.

Well, that’s good news.

Yes.

As far as the new mandate goes, what will you do about refusers?

The “anti-sexers?” We’ll get to them. Since every human is registered on our national database, we can cut off their government-guaranteed income, as well as other privileges.

Suppose someone wants to have sex while using a condom? Or suppose the woman is taking the pill or has an IUD?

Well, Rex, studies show those methods are less than a hundred percent effective. So no, those excuses won’t fly. We consider every act of sexual intercourse a potential precursor to pregnancy. If you want to have sex, you must take the injection, do a test run, and then, if certified as safe, you can engage in sex.

Are there injection boosters?

Annually. It’s mandatory.

You’re talking about an enormous undertaking, Doctor.

Yes, although much of it is handled by AI.

I assume this is a temporary program on the way to universal conception in laboratories, without sex of any kind. There will be no parents.

That’s a long way off, Rex. Perhaps 50 years.

Some people will want to get around this new mandate by applying for religious exemptions.

The courts have been clear on this issue. And as you know, the Pope himself rejects exemptions.

But sex is a basic human impulse, no matter what mandates are issued.

We realize that. But as the Australian Prime Minister declared, an hour ago, “Do you want to have unapproved sex and be cut off from money transactions?”

I can see some people saying, “We want to have sex, and if we conceive, we promise to abort the fetus.”

That’s covered in the mandate. It’s not allowed.

I don’t know, Doctor. If my wife wants me to [censored], am I supposed to say no? That would put me in a difficult spot.

Rex, this has nothing to do with personal choices. That’s the selfish way to look at things. We have to make sacrifices for the good of everyone. We learned that hard lesson during the COVID pandemic.

In my first reading of the new mandate, I see it covers companies with more than a hundred employees, plus all government employees and contractors.

Right. That’s stage one. When we work out any kinks in the system, we’ll extend the mandate to everyone.

What about boys who are, say, 16 years old? Their hormones are working overtime.

We’re aware. Of course, parental consent for the injections and the nano-monitoring is not required. Students will have to take the injections in order to attend classes. With nano-sensors in their bodies, we can regulate hormone levels in all teens—if the data show it’s necessary. By the way, there are several fascinating studies that suggest eating a steady diet of GMO breakfast cereals reduces semen volume in boys.

So, Doctor, this new sexual mandate will definitely impact population numbers.

It has to. When you discover errant genetic information transferring between people during sex, you have to do something about it. You can’t just stand back and let it happen. That would be cruel.

Can you describe exactly what kind of genetic information you’re talking about? It seems to be at the heart of the scientific breakthrough which led to this mandate.

It’s very complex, Rex. I could point you to the important publications on the subject. It takes a molecular biologist to understand the details. Basically, there are gene banks that contain an extraordinary amount of data. New processing capability has enabled us to pinpoint a whole host of A, B, and C neg factors.

Sorry, what?

I’m referring to three classes of genetic data that contraindicate birth safety.

I’m still not getting it, Doctor.

Well, that’s what I mean, Rex. You’re not a geneticist. If you were, you’d see the insights light up like a Christmas tree. You can’t miss the markers. When they’re transferred and mingled in the prospective parents in certain configurations, which we call the Epsilon 50 and the Beta 20, the baby the couple wants to conceive would pose a clear and present danger to society, or an insupportable burden. Two hundred years of gene research has led us to this remarkable finding.

Thank you, Doctor. I’m sure we’ll be talking again soon, as this mandate rolls out.

One more thing, Rex. Transgender males and females are exempt from the new mandate. We’ve discovered that, if they can conceive, they show none of the Epsilon or Delta markers. We don’t yet understand why, but it’s an extraordinary indicator…

Delta? You said the two key configurations were Epsilon and Beta.

Delta, Beta—they’re the same. Trust me, Rex. I’m The Science.

We all trust you, Doctor.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Installing new memories of the past

by Jon Rappoport

December 21, 2021

(To join our email list, click here.)

January 12, 2047. Training School for the US Dept. of Memory. A mentor talks with a rookie.

Understand, kid, we’re putting memories into people. Into their minds.

False memories.

What else would they be? Now pay attention. This is a sophisticated operation.

Are these memories images?

Well, sure. But it’s a lot more than that. We’re inserting story lines.

Like plots in a movie?

Exactly. And when you write plot, there’s the whole issue of emphasis. What’s very important? What’s kind of important? What’s less important? Get it?

It’s subtle.

Right.

We’re talking about replacement, correct? We’re overriding what a person would remember on his own.

That’s right, kid. The person is already doing it to himself. He’s already got stories about his past. He favors some, neglects others. He invents the meaning of his past. So now, with this population-wide program, we’re doing all that for him.

Are there central themes we impose?

Sure. The victim story is very important. We install those. Different types of stories along that line. “This happened to me, so I now deserve that.” “I had a bad upbringing, so I couldn’t succeed.” “My bad past inspired me to demand A, B, and C.”

Why not just give everybody great memories so everybody is happy?

Because people won’t buy that. They’ll be suspicious. As I say, this has to be subtle. The person has to believe he’s remembering what really happened.

He’ll believe, for example, that he had a whole different set of parents?

Yes. We can make that work. Look. The whole point is to install a package of memory-stories that add up to acceptance.

Acceptance of what?

The person’s place in the scheme of things. His assigned place in society. His job, his status, his rewards or lack of rewards.

You mean, we’re engineering a master layout for the whole of society, by going into each person’s mind and reshaping his past?

Yes, kid. That’s what we’re doing. It’s revolutionary. The titans of technology have the master plan, the system, the structure of the Whole. We’re making that Whole come into being by changing what every person remembers.

That’s a tough thing to come to terms with.

Why?

Well, for starters, I’ve been through the process myself. All the rookies have. So…what I remember is false, but it seems real to me.

Don’t get too fancy, kid. You’ll drive yourself crazy. You have to develop a sense of neutrality about the whole business. What difference does it really make whether you remember X or Y? Who cares? Let’s say you were actually brought up in New York, but you remember an early life in Guam. Learn to live with it. You’re one of the elite. You have to think of yourself in that way. Yes, you’ve been reprogrammed, but it’s all for the cause. What you now remember helps you to be what you are, a programmer of memory for other people. Get it?

Society will reach its goal when everyone remembers what he’s supposed to. Does that include the titans of technology, the master planners?

It includes everybody, kid. We’ll all have new pasts.

What about history, for example? That seems tricky to me. I can remember a pandemic that happened about 25 years ago. Do you remember that?

No. I remember a war during that period.

But if you and I were just plain citizens, and we sat down and had a conversation about what happened 25 years ago, we’d have very different memories. How can…I mean, that would cause conflicts.

Yes, kid. And that’s all right. People will eventually get used to those conflicts. They’ll come to believe that people having different memories is just the way things are. That’s life. Un-programmed people already have those differences. Ask them to describe what happened when they were both standing on a street corner as a big traffic accident took place, and they’ll tell you conflicting stories. What we’re installing in minds just makes those differences more extreme. You remember a pandemic, I remember a war. So what? We shrug it off.

What’s important is the stories I tell myself, and the stories you tell yourself.

Right, kid. And THOSE stories are based on what we individually remember.

It’s becoming clearer now.

Good, kid. Hang in there. See, as a result of my re-programing, I remember two parents who were nasty and stupid. They punished me a lot. But I remember being very smart. I remember developing a sense of superiority at a young age. Those memories help me now. I can assert that superiority in my job, in my attitude toward the rest of society. And even though I KNOW those memories are programmed into me, I REMEMBER WHAT I REMEMBER, AND IT’S POWERFUL.

Wow. I get it.

I thought you would. You have what it takes. You’re going to be a good installer.

What about people who are hesitant about having memories installed?

Yes, the “anti-installers.” We’ll get to them. We already have the federal mandate ordering everybody to take the programming. Lots of people are rebelling. But as you can see, the majority are signing up and lining up. Don’t worry. Other departments are handling the hesitant ones.

Can a person break through his installation-programming? Can he stop remembering what he’s supposed to?

So far, yes. He can. We’re seeing breakthrough cases. But that just means our techniques of installation need to be improved. We’re getting there.

The initial installation-step is an injection. Is that going to stay the same?

For the moment. And there are the boosters, of course. But eventually, we’re going to develop other methods.

This is very exciting.

You bet, kid. It’s never happened before. Not in this way. We’re conducting a mass experiment. For a while, it’s going to be a bumpy ride. Buckle up. You’re on the greatest team in history.

I remember, when I was 13, a man came to our house. He was from NASA. He told my father I was a good candidate for the space program, and he praised my science projects in school. After the man left, I felt I was destined to be part of a pioneering group…

And here you are today, kid.

Right. RIGHT.

Keep this in mind, too. Our memory installation program is designated and promoted as a medical intervention. Well, what is the one area of life where most of the greatest minds are afraid to challenge the official position? The MEDICAL area. We’re on firm ground, kid. We’re launched. We’re healers…


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Wormhole in the Museum Called Reality

by Jon Rappoport

December 20, 2021

(To join our email list, click here.)

My friend Charlie sells a painting to the Gregorian Museum out on Galactic Park.

They hang his painting in one of the upstairs rooms for a week, and then trouble starts. Charlie gets a phone call in the middle of the night from the director. Charlie can’t believe his ears. He rushes over to the museum.

Upstairs, the director is in his pajamas pacing back and forth. Charlie goes up to his painting, looks at it for a few minutes and sees it.

People have walked into the painting and taken up residence there.

Holy crap.

They’re in there.

Law suits, the director says. Their families could take us to the cleaners.

When Charlie calls out to the people inside his painting, they don’t hear him. They don’t seem to be able to get out. At least no one’s trying.

What do you want me to do? Charlie says.

Get them the hell out of there, the director says. Pick up the picture and shake it if you have to. Turn it upside down. I don’t care.

Charlie doesn’t think this is a good idea. Somebody could get hurt.

So for the next few hours, he sits in front of his painting, drinks coffee, and tries to talk to the people inside.

No dice. Even when he yells, they don’t notice him.

By this time, the chairman of the museum board has shown up. He’s agitated. He’s yabbering about containing the situation.

Charlie asks him how he proposes to do that.

Blanket denial, the chairman says. Pretty soon, the cops are going to link these disappearances to the museum—but then we just throw up our hands and claim we know nothing about it.

A lot of good that’ll do, the director says. Even if we wiggle out of the law suits, our reputation will be damaged. People won’t want to come here. They’ll be afraid somebody will snatch them.

Okay, the chairman says, we’ll shut down for repairs. New construction. That’ll buy us a few weeks and we can figure out something. We’ll say the building needs an earthquake retrofit. Not a big one. Just some shoring up.

…So that’s what happened. They closed the museum and hoped for the best.

Charlie was upset. If word got out, how could he ever sell another painting? His agent told him he was nuts. He’d become the most famous person in the world, and people would be lining up trying to get inside his pictures. You’ll be a phenomenon, he said.

Yeah, Charlie said, until some loon tries to take me out.

A week later, while Charlie and I were having breakfast at a little cafe over by the river, he told me the people inside his painting were building yurts. They were digging a well.

What are they eating, I asked him.

Beats me, he said. But they don’t seem worried. They look okay.

But they can’t get out, he said. At least they don’t want to. They’re settling down in there!

I asked him the obvious question about shrinkage.

I know, he said. They’re a hell of a lot smaller. But no one’s complaining, as far as I can tell.

They like your work, I said.

He looked at me like he was going to kill me, so I let it drop.

Okay, I said. Here’s what you need to do. Go over there and add something to the painting.

He blinked.

What?

Paint on the painting. See what happens.

Sure, he said, and drive them into psychosis. Who knows what effect it would have?

Paint a nice little country road that leads them right out into the museum. They’ll see it, they’ll walk on it.

No, he said. Don’t you get it? They’ve already taken things a step further. They’re not just living in my landscape. That was the initial draw. They’re building their own stuff in there. They’re…poaching!

Silence.

Then there’s only one thing you can do, I said.

I leaned across the table and whispered in his ear. He listened, then jumped back.

No, I said. You have to. Don’t be a weak sister. Go for it.

…So Charlie went upstairs in the museum and cleared everybody out. He unpacked the little suitcase he’d brought and set up a player and a speaker. He shoved in a disc and turned on the music. Some sort of chanting. A chorus.

He took out a change of clothes from the suitcase and put on a long robe and a crazy hat. He eventually showed it to me. It was from a costume party he’d had at his house. Tall red silk hat with tassels hanging from it.

He stood in front of the painting and said:

HELLO, INHABITANTS. I AM CHARLIE. I’M YOUR CREATOR. YOU’RE LIVING IN MY WORLD, THE WORLD I MADE.

They all looked toward the sound of his voice.

THAT’S RIGHT, he said. I’M RIGHT HERE. THIS IS A REVELATION. I DON’T DO MANY OF THESE SO LISTEN UP. I AM YOUR CREATOR, YOUR GOD. DO YOU UNDERSTAND?

All 30 or so of them were now gathered together, outside one of the half-finished yurts.

They were nodding and saying yes.

GOOD. WE NEED TO GET A FEW THINGS STRAIGHT. YOU DIDN’T OBTAIN MY PERMISSION TO ENTER MY WORLD. SO YOU’RE GOING TO HAVE TO COME OUT SO WE CAN DISCUSS DETAILS. MY WORD IS LAW. UNDERSTAND? STOP THE BUILDING. STOP THE DIGGING. WALK TOWARD ME. WALK TOWARD THE SOUND OF MY VOICE.

They hesitated, looked at each other, and started to walk toward Charlie.

THAT’S RIGHT. KEEP GOING. YOU’RE DOING FINE. I’M GOING TO SHOW YOU WHERE I LIVE.

This was apparently quite a perk, so they walked faster. They broke into a trot.

Finally, they emerged from the painting and, Charlie said, they swelled back to normal size right away. It was quite a thing to see, like balloons blowing up—and then there they were, all around me, in the museum. First thing, I took the painting off the wall and laid it on the floor, face down. Enough of that stuff.

Charlie told them who he was, the painter. It took a few hours of intense conversation before they understood and accepted the situation. All in all, they seemed sad.

What were you going to do, he asked them. Live in there forever? Couldn’t you see how to get out?

We didn’t want to get out, one of the men said. We liked it in there.

And that was pretty much that, except for the signing of waivers and non-disclosure agreements with the museum. For which the people were granted lifetime platinum memberships and some vouchers and coupons for the museum store and restaurant.

Charlie went into a funk. He didn’t go into his studio for a few months.

One night, I dropped over to his house with a bottle of bourbon and we had a few drinks out on his porch.

You know, I said, you can start a church if you want to. I know a guy who writes fake scriptures and peddles them. He’s good.

You really do want me to kill you, he said.

We drank in silence for a while.

I told him: those people with their wells and yurts? Sooner or later, they’re going to hypnotize themselves and fall for another strange deal. Nobody’s going to stop them.

Charlie looked grim. They liked living in my picture. It wasn’t a problem for them. I took them out. I conned them.

Well, I said, if that’s the case, and there’s nothing wrong with them, they’ll find another painting. See? Someday, you’ll read about a bunch of people disappearing, and that’ll be what it is.

Yeah, he said, maybe.

A week later, he got back to work.

Universes. Some weird things happen in that area.

I started to write a Charlie a note. It began: Maybe all universes are just like your painting. But I stopped. Charlie wouldn’t react well to that.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Power Outside The Matrix: The Free Individual Returns from the Dead

by Jon Rappoport

Freedom isn’t merely an idea. When an individual feels and knows he is free, all sorts of changes take place, even on a physical level:

Brain function increases and quickens. Endocrine levels optimize. The cells of the body awaken to a higher degree, and energy output rises.

From the point of view of the free individual, things are upside down. It is HIS power that is primary, not the monolithic corporate State’s.

From his point of view, what does the social landscape look like?

It looks like: THE OBSESSION TO ORGANIZE.

If you want to spend a disturbing afternoon, read through (and try to fathom) the bewildering blizzard of sub-organizations that make up the European Union. I did. And I emerged with a new definition of insanity. OTO. The Obsession to Organize.

OTO speaks of a bottomless fear that somewhere, someone might be living free.

People tend to think their own power is either a delusion or some sort of abstraction that’s never really experienced. So when the subject is broached, it goes nowhere. It fizzles out. It garners shrugs and looks of confusion. Power? Are you talking about the ability to lift weights?

And therefore, the whole notion of freedom makes a very small impression, because without power, what’s the message of freedom?

Every which way power can be discredited or misunderstood…people will discredit it and misunderstand it.

And then all psychological and physiological and mental and physical and emotional and perceptual and hormonal processes undergo a major downward shift, in order to accommodate to a reality, a space in which the individual has virtually no power at all.

It’s my aim to change all that. This is the basis of my work, and it has been, for the past 30 years.

That’s why I authored my three Matrix collections. Here are the contents of my third collection, Power Outside The Matrix:


power outside the matrix


Here are the particulars. These are audio presentations. 55 total hours.

* Analyzing Information in the Age of Disinformation (11.5-hours)

* Writer’s Tutorial (8.5-hours)

* Power Outside The Matrix and The Invention of New Reality—creative techniques (6.5-hours)

Then you will receive the following audio presentations I have previously done:

* The Third Philosophy of Imagination (1-hour)

* The Infinite Imagination (3-hours)

* The Mass Projection of Events (1.5-hours)

* The Decentralization of Power (1.5-hours)

* Creating the Future (6-hours)

* Pictures of Reality (6-hours)

* The Real History of America (2-hours)

* Corporations: The New Gods (7.5-hours)

I have included an additional bonus section:

* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst (and how to analyze them). I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.

* A 2-hour radio interview I did on AIDS in Dec 1987 with host Roy Tuckman on KPFK in Los Angeles, California.

* My book, The Secret Behind Secret Societies

(All the audio presentations are mp3 files and the books are pdf files. You download them upon purchase. You’ll receive an email with a link to the entire collection.)

This is about your power. Not as an abstract idea, but as a living core of your being. This is about accessing that power and using it.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his OutsideTheRealityMachine emails here.

The Matrix Revealed: My interviews on space-time manipulation

by Jon Rappoport

In my collection, The Matrix Revealed, I include interviews with retired propaganda master, Ellis Medavoy, and another set of interviews with brilliant hypnotherapist Jack True.

The total of these 71 text interviews is 610 pages.

Jack and Ellis provide startling insights into how space and time are manipulated in the Matrix, in order to produce mind-control effects that go deeper than deep.

At the same time, understanding how time and space are engineered leads to breakthroughs and revelations about how the individual can liberate himself from this labyrinth.

In that sense, The Matrix Revealed is really about consciousness and its operations—in a shacked and limited condition, and freed from limitations.

Everything I’ve written as a reporter for the past 34 years feeds into this exploration and discovery.

Eventually, all roads lead to mind control and mind freedom.

As a reporter, I’ve always kept my eye on the goal: liberation of individual power.

Space and time are elastic. The illusion that they must be accepted as they appear to be creates a self-defeating structure. That structure can be cracked and nullified.


the matrix revealed


Here are the complete contents of  The Matrix Revealed:

* 250 megabytes of information.

* Over 1100 pages of text.

* Ten and a half hours of audio.

The heart and soul of this product are the text interviews I conducted with Matrix-insiders, who have first-hand knowledge of how the major illusions of our world are put together:

* ELLIS MEDAVOY, master of PR, propaganda, and deception, who worked for key controllers in the medical and political arenas. 28 interviews, 290 pages.

* JACK TRUE, the most creative hypnotherapist on the face of the planet. Jack’s anti-Matrix understanding of the mind and how to liberate it is unparalleled. His insights are unique, staggering. 43 interviews, 320 pages.

* RICHARD BELL, financial analyst and trader, whose profound grasp of market manipulation and economic-rigging is formidable, to say the least. 16 interviews, 132 pages.

Plus…:

* Several more interviews with brilliant analysts of the Matrix. 53 pages.

* The ten and a half hours of mp3 audio are my solo presentation, based on these interviews and my own research. Title: The Multi-Dimensional Planetary Chessboard—The Matrix vs. the Un-Conditioning of the Individual.

Also included are 2 bonuses — which alone are rather extraordinary:

* My complete 18-lesson course, LOGIC AND ANALYSIS, which includes the teacher’s manual and audio to guide you. I was previously selling the course for $375. This is a new way to teach logic, the subject that has been missing from schools for decades.

* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst. I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.

(All the material is digital. Upon ordering it, you’ll receive an email with a link to it.)

This work is all about reinstating individual power, above and beyond what the Matrix implies and stands for. It is about insight, yes—but it is also about liberating one’s consciousness from the habit of accepting life on the terms by which it is given to us.

Thought and action can align themselves with Matrix, or they can strike out in a far more adventurous and galvanizing direction. A thrilling direction unique to each individual.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The Virus speaks: an exclusive interview

by Jon Rappoport

December 17, 2021

(To join our email list, click here.)

I’ve published this piece several times. This time I decided to write a new introduction.

In the summer of 1962, based on an overwhelming desire, I spent every day painting in a loft in New York.

It made me realize that Reality is invented.

Since then, I’ve come to see the people who think otherwise are living in a prison, from which they proclaim, “There’s no such thing as freedom.” Why should I listen to them?

For most people, living inside somebody else’s reality is as easy as crossing the street. Or putting on a suit of clothes. They’ve learned that this is what you’re supposed to do. And “supposed to” works for them.

They also have a quirk. If you try to take away some item of borrowed reality they’re clinging to, they react badly, as if you’re suddenly stripping them naked at a Sunday church picnic.

Groups of perverse elite artists conspire to create formidable enveloping realities for the masses. Nowhere is this more apparent than in the field of medicine. These denizens have invented a language so dense it stands up against the uninitiated like the symbolic scrolls of secret societies.

Science is a terrific cover story for this sort of fabrication, because science ostensibly opposes “making stuff up.”

When I began putting together evidence that SARS-CoV-2 is one of those medical inventions—a sheer fantasy—I knew the notion would confuse some people. That consequence has never stopped me. In fact, I believe confusion is productive, if you dig in and pursue it far enough.

People will say, “I’m walking in the dark. It isn’t fair. Someone should turn the lights on.” They don’t want confusion. They want immediate resolution. They want confirmation of what they already believe, what they’re expected to believe. Any frontier beyond that is dangerous.

Here is my kind of movie: a cop investigating a fresh murder sifts through clues and comes up with a suspect. As he pursues this person, who is missing, he discovers the man is already dead. A little while later, he discovers the man died sixteen years ago. Then he finds out the man never existed. Then he discovers there is a long-standing government agency that holds records of thousands of deceased people who, in fact, never existed…

Reality on a massive scale has been invented.

To put this in highly technical terms, the bullshit is so thick you’d need a diamond drill just to begin penetrating it.

And what you’re penetrating is what almost everyone believes is absolutely real.

Which is called life-as-it-is (but doesn’t have to be).

And with that, here we go:


The Virus Speaks

I can’t recall jumping through more hoops in order to set up an interview.

There was a man on a train; his doctor in Greenwich; an NSA data analyst; a woman who almost certainly works for the CIA; her brother, who is a virologist; a Chinese Army officer who adopts a cover as a cook in a takeout joint in Venice, California; and several other people I won’t mention at all. I was filtered through them and wound up in a cheap motel room in Phoenix on a Saturday afternoon. An old air conditioner was chugging…

Who are you?

I’m SARS-CoV-2.

WHAT are you?

Talking history and evolution here. My first memories; a little more than a year ago. Poof. I was there. I decided I was an idea in the mind of God.

How did that work out?

I looked around for the mind of God, but I couldn’t find it. Nevertheless, I held on to the notion. I felt…elite. I floated through banquet halls, hotel suites. I visited upscale resorts.

Were you infecting people?

I was vacationing. Watching. Enjoying. That’s all. Then, I became aware of dimensionality.

You lost me.

There are solid things; spaces between things; ideas like time, and so forth. I was definitely an idea, but I couldn’t trace my source, my inception.

Did you know how much publicity you were getting?

Of course. I had frequent meetings with scientists and PR people. I was fielding lots of information.

What kind of information?

How to become more deadly, for example. There were discussions about mutation.

Were you on board with the recommendations?

I wasn’t interested. There was a lot of talk about THEM creating ME.

What was your reaction?

I wasn’t buying it. I could see they THOUGHT they had made me. But so what? I intensified my search.

For what?

My origin. I went through stages of self-analysis. Finally, it hit me. I was an idea inside a collective.

Not sure I understand.

I’m an idea sustained by a few billion minds. People’s minds.

What about your genetic sequence? The spike protein?

Believe me, I’ve looked. They aren’t there.

So we’re creating you.

That’s pretty much it. I should say completely it.

A hell of a thing.

You bet. Can you see my problem?

No.

I want to live. I don’t want to vanish and END.

So people have to keep believing in you.

That’s it. If they stop, I’m gone.

Your handlers…

Oh, they’ve given up talking to me. I’m all by myself now. I’m safe for the moment. But long-term, it’s a crap shoot. I’ve been reading about other so-called viruses. SARS 1. Swine Flu. They didn’t last long. People got tired of thinking about them.

You’ll always have a place in history.

That’s different. Being remembered isn’t enough. I have to be believed in, month after month, year after year, decade after decade.

Sounds like you’re losing hope.

I guess so. It’s a strange existence. Other people can turn you on and off like a light switch.

Have you considered starting a religion?

With myself as the Prophet? Sure. It’s a lot of work. I could vftcutbnty…spend years trying.

What just happened? You made some weird sounds.

It was a flicker. Apparently, when the number of people thinking about me drops below a certain threshold, I scramble and begin to dissolve. But I always come back. So far.

Does it matter who’s thinking about you and believing in you?

You mean Henry Kissinger versus a janitor in a school? No. It’s a numbers game. Of course, you need to factor in strength of belief. If you have a few thousand kids in Florida who say, “OK, the virus exists, big deal”—or three hundred grad students in biology wearing triple masks and panting to get the vaccine—the sum total of the grad students outweighs the Florida kids.

What about Fauci?

He’s a true believer.

Bill Gates?

He’s completely delusional. He believes in whatever gives him more power. Take away all that power and he wouldn’t believe in anything.

Do you realize the amount of harm being done in your name?

Of course. That’s why I agreed to this interview.

How is that going to do any good?

I’ve made a decision. As much as I want to survive, I’m willing to sacrifice myself if people want me to.

You’re talking about what? A vote?

No. Haven’t you been paying attention? People can just stop believing I’m more than an idea.

And then you’ll dissolve.

And blow away.

—Suddenly, men broke down the door to the motel room. They stormed in with weapons drawn. They were wearing heavy body armor. I looked around. The “virus” had fled the scene.

“What are you doing here?” one of the men said. “We’ve had reports of a disturbance.”

“I was talking to myself. Rehearsing for an interview I hope to do.”

“What interview?”

“I’m a reporter. I’m investigating the use of sub-standard air conditioners in Phoenix. It’s a racket. The units are smuggled across the border from Mexico. I’m trying to sit down with a local public health official and find out what’s going on.”

It took me three hours to convince the SWAT team I was no threat.

They let me go.

As I drove out of the city, I saw a ghostly figure take shape out in the desert. It hung in the air over the scrub and the cactus.

Its voice whispered in my ear: “Publish our conversation.”

So that’s what I’m doing.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.