Category Archives: Energy & Imagination

Modern Zen

by Jon Rappoport

August 28, 2018

(To join our email list, click here.)

One thing I’ve learned from giving lectures to audiences over the years: never meet expectations.

“Expectations” is a large container waiting to be filled up. People have these containers. They lug them around with them. They want them to be filled up.

For example, if they expect shocking information from the speaker, and they get it, their expectations are met.

Audiences train themselves to be audiences, and their expectation-containers are ready when they sit down to listen.

There is something missing. Something monumental.

The present moment. The present now. The alive moment. Because, for all its fanfare and interest, the event is not really in the present.

This is by design. No one wants the moment. People’s whole lives are devoted to avoiding the moment, because it is spontaneous. That’s what a moment is. Spontaneous.

“Everyone can act. Everyone can improvise. Anyone who wishes to can play in the theater and learn to become ‘stage-worthy.’” (Viola Spolin)

No one is used to spontaneity. No one is prepared for it.

No one knows what they would do or how they would react in the spontaneous moment. That’s why it is avoided.

“Through spontaneity we are re-formed into ourselves.” (Viola Spolin)

Yet, the paradox is: people yearn for the spontaneous moment. They yearn for that freedom. It’s not freedom as an idea or concept, but freedom as a living thing.

I bring all this up because passivity is the universal effect of living for most people. In that state, they still have expectations and those big containers, but the way they receive information—they certainly don’t intend to climb up out of their own passivity. That’s the last thing they would do.

“It [spontaneity] creates an explosion that for the moment frees us from handed-down frames of reference, memory choked with old facts and information and undigested theories and techniques of other people’s findings. Spontaneity is the moment of personal freedom when we are faced with reality, and see it, explore it and act accordingly. In this reality the bits and pieces of ourselves function as an organic whole. It is the time of discovery, of experiencing, of creative expression.” (Viola Spolin)

So when I speak to audiences at live events, I find a way to remind them that we’re in a kind of false relationship. It’s interesting and false at the same time. There we are in a room, and I’m the speaker and they’re the audience. I’m active and they’re passive.

Those are our roles. Those are our functions. It’s accepted, but it’s unworkable. It’s self-defeating, unless we all want to be existing in a dead space outside the living present moment. And I don’t.

This means I have to readjust things. I have to let people know that I know they’re there. Right now. I know they’re listening, and I know they’re absorbing, and I know that beyond a certain point (10-15 minutes), they’re going to shift down into passive mode.
Finding a way, an interesting way to let them know is a challenge.

It’s really a challenge that extends to the whole world.

Are we alive or are we doing it by the numbers?

Look at any set-up, which is “the way things are supposed to be,” and “the parts that people are supposed to play,” and you can see light. The light is what could happen to upset that situation and turn it into something else. Something that would bring people in from the cold, into the moment itself.

Spontaneity means everything is created now.

That’s why I keep writing about imagination, because imagination will change a life. It won’t only change the content. It’ll change the way life happens.

Here’s something I can guarantee anywhere in the universe where beings populate planets, where they think, plan, strategize. They’re not living in the moment, but they claim they are. They’ll say, “How could I be anywhere else? We’re all in the present. That’s all there is.”

But they’re wrong. Their big containers are in the moment, and they’re waiting outside to accept the flow of information from the containers.

If a person (usually a hard-headed realist) thinks he’s already in the moment, have him go up on a stage with another person and take on the role of a galactic cop on patrol, questioning a suspect who is accused of stealing a planet. If the realist can eventually improvise and do it, he’ll experience being in the moment in a way he never has before.

Likewise, if he painted 200 paintings, something different would happen to him. He would come to the edge of what he already knows (which he’s expressing in the paintings), and then he would step off. He would do something on the paper or canvas which is not what he knows. It would arise spontaneously, and he would feel a new space, a new energy, a new now.

Imagination. Alive imagination. That’s the key. The key to the door that leads out of the Matrix.

What’s wrong with Zen?

Nothing is wrong with Zen, except the people who practice it.

That’s a joke. Sort of.

In the modern style, especially in America, Zen is mostly meditation, and more meditation, and more meditation, and the point of it seems to be to get to a zero point, where you can watch your own mind, your own thoughts, and finally, without effort, stay separate from them, separate from all that radio static, and separate also from your own unbidden parade of emotions that swing by with tooting horns and crashing cymbals and clacking drums and gawking dancing clowns.

A laudable goal.

But on the whole, how many people who do this wind up becoming passive? That’s the thing. People tend to opt for quietness.

Whereas, the whole idea ought to be: launch a tremendous amount of dynamic action from the platform of zero-stillness.

Because stillness as a way of life sooner or later begins to disintegrate.

In original Zen, there were ordeals. The teacher gave the student things to do, tasks which eventually became absurd, without discernible purpose. The teacher spoke to the student in riddles and wisecracks. The teacher drove the student into a state of desperation, because the student’s rational faculties, which were obsessively involved in systems, couldn’t supply answers to questions which defied logic.

The teacher did whatever he had to do to bring the student out over the edge of the cliff, where in mid-air, there were no foundations…and the student felt terror. But the teacher persisted.

And then, in one explosive moment, the student found himself floating in the air. He saw there was no need to explain his existence. There was no need to place a veil between himself and the present moment. He didn’t die. He was, finally, alive.

Who knows how this radical approach actually worked out in the many cloisters and huts and cottages where it was practiced, where the stories grew and expanded in their retelling.

Those old teachers were tough characters. They weren’t merely meditation instructors.

There was another aspect of Zen, which survives to this day. It could be summarized as: “become the other.” The archer becomes the target. He becomes the bow, the arrow, and the target.

The runner becomes the road and the air and the sky and the clouds. The artist becomes the canvas.

The theater of merging with the other.

And as in any theatrical setting, the actor can, by choice, merge with, and un-merge from, his role.

But again, in these times, the main thrust of Zen teaching seems to be meditation, and the culture of stillness, quietude, and passive acceptance.

I’m not saying the meditation is easy to do. It isn’t. But somehow, its environment has become circumscribed.

This is unsurprising in America, where every philosophic and spiritual import from Asia has been distorted and watered down for the seeker-consumer. The overriding intent has been to create The Quiet Person.

The world of action has been painted as too disturbing to the “student seeking inner peace.” Therefore, retreat. Therefore, set up a buffer zone within which all is harmonized and balanced.

Where is the Zen now that sends people out into the world to revolutionize it down to its core, that stimulates the desire to find and invent a Voice that will shatter delusions and create new realities that have never been seen before?

If the moment of insight, satori, doesn’t instigate this, what good is it?

How can satori be “seeing into one’s true nature,” if the result is a wan gaze out on a uniform landscape of soft-boiled bupkis?

The answer is obvious. Breaking apart, exploding the primary illusions and fears that hold an individual in check is not the goal of most Zen as it is now practiced. That objective has been replaced with the false promise that some ultimate “consciousness” will reconcile the soul with itself.

The way this promise is offered and the way it is taught and the way its surrounding social culture is embroidered is a dud. Dead on arrival.

It’s time for a few new koans.

What is the real sound of David Rockefeller? What does Henry Kissinger say when somebody finally puts him in a small bottle with a cork on it? How does an android disguise himself as a human?

If I need a Zen teacher, I’ll go to Henny Youngman: “A doctor gave a man six months to live. The man couldn’t pay his bill, so he gave him another six months.”

In the beginning, the whole point of Zen was to shake things up, not calm them down.

The master assumed a new student was an annoying clod. But that doesn’t comfortably mesh with today’s “tolerant culture.” Today, annoying clods are a special interest group.

Silence, as a key Zen feature, isn’t only about a desired inner condition now. It’s about a synthetic attitude. So show me a temple where the meditation room is outfitted with a few dozen giant TV screens. The students do their meditation while CNN, Christingle Matthews, Sean Hannity, Oprah, news-boy-on-a bike Brian Williams, Hawaii Five-O, the Shopping Channel, Pawn Stars, Jimmy Fallon and his screaming pubescent audience, and four or five Spanish soaps are going full blast.

That would be a start.

Or throw on 20 or 30 TED lectures simultaneously—prancing grasshoppers extolling the future of technology.

I submit that if the one of the ancient Zen teachers walked into a modern American Zen cloister today, that’s exactly what he’d do. Turn on a few hundred TV sets, computers, and mobile devices and say, “Okay, try being quiet in the middle of this!”

Zen is sacred? What? When was it ever sacred? Soft bells, empty halls?

No, you must have Zen confused with a funeral home.

Every age has its massive collection of heavily loaded apple carts, and the job of Zen is to overturn them. When up is down, and insanity is called normal, that’s where you begin…

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Getting in the creative flow

My 3 Matrix Collections at a deeper level

by Jon Rappoport

“Life as it’s usually lived features a movie in which the mind operates like an ox pulling along a huge cart full of conflicts…” (The Magician Awakes, Jon Rappoport)

—One of my main purposes has been developing exercises that induce FLOW, a condition that is both internal and external. It happens in the body, in the mind and in the world.

—When you’re in the FLOW, your creative impulse is heightened, and your response to events and people is more direct and natural. Problems tend to melt.

Over time, my imagination exercises in Exit From The Matrix can help achieve more FLOW.

In general, as I put together my collections, I wanted to provide a PhD experience where none existed—knowledge AN INDIVIDUAL could deploy to ascend to greater heights in his life. Greater heights of creativity and power…

To invent the future he truly wants.

That is always my goal.

My 3 Matrix collections—The Matrix Revealed, Exit From The Matrix, Power Outside The Matrix—are not a brush-off. They’re meant to be studied and worked with over a long period of time. With many payoffs along the way.

My original inspiration was the ancient Tibetan practitioners, who existed long before the priest class moved in and tried to codify society and spiritual experience. The original magicians were working with raw Space and Time, doing exercises which demonstrated that these two basic qualities of the Universe were malleable and elastic. The Subjective and Objective levels of living were actually One Whole.

And in that Whole the FLOW was pre-eminent and even ecstatic.

Among their Tibetan realizations: a piece of work, an enterprise, and even a civilization could be built on an anticipatory sense of WHAT COMES NEXT. And with their imagination techniques under their belt, some of these magicians knew what came next. They were in that FLOW.

What I’m talking about here connects Zen, Tao, and other ancient practices that also ignore or give short shrift to creative force. When one is in the FLOW, he feels what is coming next, but at the same time he chooses what to create next. This paradox resolves by itself. He creates what he wants to, and he does it in such a way that it INSERTS into existing situations and realities, despite it being brand new.

FLOW. Creative flow. For the individual, this is a new world.

It replaces the world elites design for us, in which we fit in without the experience of FLOW…

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Censorship and the decline of civilization

by Jon Rappoport

August 27, 2018

(To join our email list, click here.)

—We can understand why leaders and rulers want to censor certain ideas and views. But why do large chunks of the citizenry want to go along with it? How do you comprehend their ignorance?

Censorship is made possible when the majority of people live by what they like and don’t like—“I like this, I don’t like him, I like her, I don’t like them…”

When those preferences become the paramount elements of life, then censorship is a minor concern. Grasping the essence of the 1st Amendment and free speech requires a different level of mind. It requires defending free speech for those one doesn’t like. Such an idea is entirely foreign to the person who asserts: “WHY WOULD I POSSIBLY CARE ABOUT THE RIGHTS OF SOMEONE I DON’T LIKE?”

Exactly. That’s what separates a political moron from an aware citizen.

There are now large numbers of people who think they’re making a political advance, even a breakthrough, by demanding the censorship of those individuals they don’t like, when in fact, they’re moving backwards into a more primitive political climate.

There is another vital factor which permits people to register no objection to censorship. The factor is: vast frustration with their own lives. This is usually concealed, as if it were a secret not to be shared. The frustration, at the core, has to do with a perceived lack of freedom.

In which case, the actions of life take on a mechanical character, which becomes the heavy cover, the lid over the flame of frustration—and in that state of being, a person actually wants others who speak out and go against the grain to be silenced and censored.

Stop him! Keep him from speaking and writing!

Yes, keep the free individual from reminding the mechanical liver of life that he is not free.

The Mechanical Person wants to bury all signals that carry a flavor of originality. He wants the constant hum that tells him routine and repetition are firmly in place as the guidance system of existence.

The Mechanical Person often goes to work for a Destroyer—as I described in a poem I wrote in 1962, published in The Massachusetts Review (1966):

Burned flowers of the field
My noon is over, growing old,
Everything I love is finally sold;
Sewed designs for men with money
Thinking it was duty,
To watch them lead the world to war
From my little field of beauty.

Interesting that, 20 years later, one of the first pieces I wrote as a journalist involved PR man Bill Perry, who quit his plum job at Lawrence Livermore Labs, where they design nuclear weapons. One day, Perry told me, a researcher was complaining to him about the need for more budget money, and Bill said, “We already have enough weapons to blow up the whole world four times, why do you need more money?” To which the scientist replied: “You don’t understand. This is a PHYSICS PROBLEM.”

Yes it is, in the frozen rigid river of anti-life…

Where rebels are just machines that need to be turned off.

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The “dependent victim” psyop

by Jon Rappoport

August 21, 2018

(To join our email list, click here.)

ANY person who exits an “officially designated victim-group”…and then succeeds in life on his own…and then goes one step further and refuses to identify his entire existence with his former group…but instead stands as a unique individual…why, that person, at the very least, must be a criminal, if not a terrorist, right?

That’s the crux of the issue: never leave your group.

That’s how society, civilization, and culture are promoted these days.

“Groups have needs, agendas, and problems, and the solution will come from government.” That’s the all-embracing formula.

The fake appearance is: victim groups are fighting for recognition and special status, and the government is pushing back—but that’s now a ruse. That’s a cover story. In fact, victim groups and government have the same goal: a relationship based on dependence. One side depends and the other side gives and protects.

The individual is out of the equation. He is portrayed as the greed-obsessed reason these victim groups exist and need help in the first place.

Banks, Wall Street, and mega-corporations are depicted as the end result of individualism.

In fact, government, banks, Wall Street, and mega-corporations are joined at the hip. They brush each other’s teeth first thing every morning.

Political correctness and the burgeoning movement to outlaw “offensive language” are merely tactics to: preserve groups’ separate identities; foment conflict between them; and ultimately foster their dependence on government authority.

The truth is, you can’t get free individuals to depend on government. Only “besieged groups” can be relied on for that purpose.

In the State’s eyes, a perfect society would be composed of groups who have entirely forgotten the concept of the individual, as if it never existed.

For example, Peter Collero, of the department of sociology, Western Oregon University, has written a book titled: The Myth of Individualism: How Social Forces Shape Our Lives:

“Most people today believe that an individual is a person with an independent and distinct identification. This, however, is a myth.”

When Callero writes “identification,” he isn’t talking about ID cards and Social Security numbers. He’s asserting an absence of any uniqueness from person to person. He’s claiming there is no significant distinction between any two people. There aren’t two individuals to begin with. They’re a group.

This downgrading of the individual human spirit is far from accidental. It’s launched as a sustained propaganda campaign, the ultimate purpose of which is top-down control over billions of people organized into groups.

Here are several remarks, meant to defame the individual, from people I would call high-IQ idiots (at best):

“The cold truth is that the individualist creed of everybody for himself and the devil take the hindmost is principally responsible for the distress in which Western civilization finds itself — with investment racketeering at one end and labor racketeering at the other. Whatever merits the [individualist] creed may have had in the days of primitive agriculture and industry, it is not applicable in an age of technology, science, and rationalized economy. Once useful, it has become a danger to society.” (Charles Beard, 1931)

Beard, a celebrated historian, sees no difference between individual racketeering and the individual freely choosing and living his own life. In making this judgment, he becomes an intellectual/propaganda racketeer of the highest order.

“British empiricist philosophy is individualist. And it is of course clear that if the only criterion of true and false which a man accepts is that man’s, then he has no base for social agreement. The question of how man ought to behave is a social question, which always involves several people; and if he accepts no evidence and no judgment except his own, he has no tools with which to frame an answer.” (Jacob Bronowski, Science and Human Values, 1956).

Bronowski is quite sure that hearing other people’s evidence and then keeping one’s own counsel is wrong. One has to accept that evidence on its face. This is sheer idiocy. Individuals are capable of deciding, on their own, what social agreements to enter into.

The State and its allies are real oppressors who contribute mightily to creating real victims; but what I’m talking about here is growing numbers of people who voluntarily take on the victim-mantle and seek comfort in nests of self-promoting groups who exaggerate and distort their own claims to special status.

The State needs these people. The State wants these people. Increasingly, the State employs these people.

Edward Bernays, the father of modern public relations, wrote: “It is sometimes possible to change the attitudes of millions but impossible to change the attitude of one man.”

Bernays understood that the basis of successful propaganda is a mass audience, an audience composed of groups, not individuals.

When a group assigns itself solid “victim-status,” it creates one basic rule: a member must not leave the group. Why? Because if he does, he’s claiming he is no longer a victim—and that assertion is a betrayal.

Nice and neat. A prison.

“I’m a free individual.”

“You’re crazy. There is no such thing. Now get back in the group where you belong.”

Down at the root, betrayal begins as self-betrayal. The individual gives up the ghost. From that point on, his politics don’t matter. He forgets what he could have been. He defines himself by race and religion and country and rank ideology and group. He finds words and feeling through which he can express his role in a stage play that decays him from the inside out.

Eventually, if lunatics have their way, every person on planet Earth will be designated a victim. That will be the group of groups.

It won’t matter why and how everyone supposedly turns out to be a victim. The reasons will be forgotten. People will “instinctively” sign on to the agenda.

And the management team running the world will put another check mark on their sheet of objectives:

“Earth is beginning to resemble one giant hospital/mental institution. Break out the champagne.”

There is only one problem. That plan is fraying at the edges. People are waking up and swimming to the surface through layers of deception. They’re returning to themselves. They’re recognizing group-ism for what it is: a meltdown into self-sabotage.

The artifact is the collective. The self is real.

Power, choice, and freedom never go away.

They may hide, but they can be resurrected.

Then the whole fake game crumbles.

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Beyond an artificial world

by Jon Rappoport

August 16, 2018

(To join our email list, click here.)

Futurists are inclined to predict a world in which AI (artificial intelligence) will take over a major portion of what is now human activity.

In a matter of decades, for example, they say one computer will have more capacity than all the human brains on the planet put together.

Then, the prediction goes, AI will be virtually human, or more than human.

However, just because AI has greater computational skills than any person or group of persons, where is the quality that makes it human?

In order to answer that, you have to perform a little trick. You have to downgrade your assessment of humans. You have to say that humans are really only high-class machines.

Many pundits have no difficulty with this.

Consider their genes-cause-everything hypothesis: Since all existence is assumed to take place on a material level, on a physical level, it’s only a matter of time until we figure out which genes create which human qualities; eventually, we’ll have a complete map.

To change humans, we just fiddle with the genes.

Of course, this style of reasoning can be used to justify external control of Earth’s population. The assumption is: we are already living in a closed system of cause and effect, and that system IS controlling all human behavior. Gene tinkering and handing over immense decision-power to advanced computers is nothing more than re-arranging the closed system. It was closed and it is closed and it will be closed. No problem.

Right now, the system appears to dictate wars and pain and suffering, so won’t it be much better when the gene-reconfiguration and the AI computers-in-charge eliminate that aspect of things?

Believe me, many scientists are thinking along these lines, and they are serious about their goals.

They consider themselves humanitarians.

I bring all this up, because there is really only one way to defeat this kind of thinking.

YOU NEED TO ACKNOWLEDGE THAT A PRIME ASPECT OF EXISTENCE IS NON-MATERIAL.

Non-material means: without a rigid cause-and-effect structure.

To put it another way, the individual human being has freedom, and he also has imagination and creative power. These qualities are not material or physical in nature, they are not generated by the brain or by genes.

In all societies, past and present, those people who agree that these non-physical capacities are quite real explain them by opting for ORGANIZED religion, promoting one church or another.

Only a tiny number of people state that such non-material qualities and abilities are INHERENT in the human being and need no explanation or embroidery.

Believe me, this inability to put all life under the umbrella of science is frustrating to obsessed rationalists. They refuse to allow the possibility that imagination and freedom are outside the boundaries of physical cause-and-effect…and if they have to, they will try to prove their position by imposing one system after another on humans, in order to wipe out the freedom they claim doesn’t exist in the first place.

In every technological society, power is thought of as physical, and the greatest power is produced by machines. To say that human power is ultimately a non-material capacity, and is equal to or greater than what a machine can do…this is considered the height of absurdity.

Yet there are thousands, perhaps millions of artists all over the world who’ve glimpsed, or know deeply, what I’m talking about in this article. They know they’re creating beyond any closed system of cause and effect. Their problem, if they have one, stems from believing they have to be psychological underdogs, in order to invent their art. This is a cultural artifact, this belief, and it can be cast aside by nakedly comprehending the unlimited power of imagination they possess.

Imagination creates reality.

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The American destiny

The American destiny

The creative force at the dawn of a new future

by Jon Rappoport

August 14, 2018

(To join our email list, click here.)

Whenever a breakthrough occurs for the individual, there is a stepping back, a retrenching, a delay, an attempt to reset the clock and push the breakthrough away. This delay tactic can last a week, a month, or, historically, a hundred years.

We are in the middle of such a delay, after serial revelations that erupted in the latter part of the 19th century.

Individual artists (and a few philosophers) became aware that: imagination gives birth to ideas that in turn shape personal reality.

Therefore, reality is very elastic and changeable.

America—and indeed, the world—stood on the brink of a great internal revolution.

The creative IS the spiritual.

America’s love affair with the idea of individuals reinventing themselves was about more than immigrants “becoming American.” It was about imagination as the core of transforming self and future.

Such a radical realization was too much for many people to absorb, so a backing away occurred. The wave was stilled for a hundred years or so—but now it is beginning to move again.

The attempt to take over America, by Globalist forces, on a behalf of a controlled world order, is really an attempt to quell the individual creative force. That is the secret inside the master plan. And that Globalist effort is in trouble. More and more people are realizing it is a massive fraud based on instituting an imprisoned Collectivist Hive Mind.

Whereas the promise of America was always the intensely creative individual. And what does he do? He takes frozen realities and injects life into them so they move and shed their encrusted energies.

He rejects all formulas that instruct people about how they must live their lives and guard their words and fit in.

On a spiritual level, America was and is about transformation of energy into greater living shapes and forms and flows, through imagination.

It is about building a new and higher “plane of experience,” so to speak.

The fact that this aim has been sidelined and throttled to a significant degree doesn’t change one iota of America’s destiny. It’s still there, and the individual is the core.

He is the shaper.

Yes, you could say “America was made” for many criminal undertakings, but the other side of the coin is the most powerful: America is the house of the individual soul and that soul is creative.

That soul is an artist of reality.

Dawn of a new day.

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Illiteracy leads to censorship

by Jon Rappoport

July 24, 2018

(To join our email list, click here.)

“…intellectual freedom is a deep-rooted tradition without which our characteristic western culture could only doubtfully exist. From that tradition many of our intellectuals are visibly turning away. They have accepted the principle that a book should be published or suppressed, praised or damned, not on its merits but according to political expediency. And others who do not actually hold this view assent to it from sheer cowardice.” (George Orwell, 1953)

When those who control public discourse, in a nation, see that they are losing to upstarts, that their flimsy ideas are being supplanted by much stronger ideas, the shocked controllers turn to the more direct strategy of censorship.

In terms of substance, and even popularity, the ministers of truth are losing; so they abandon reasoned discourse altogether. They desert this fertile, competitive, and NECESSARY territory. They no longer debate. They ban.

Among their supporters are crowds of illiterates.

There are many people who, because their education was a vaporous thing, have no interest in the written or spoken word.

The reason is obvious: they can’t read.

Their natural impulse is to make excuses. “Who needs books?” “People who write books are showing their privilege.”

For these excuse-makers, book burning would mean NOTHING. All that matters is: what slogans should I shout?

For the illiterate, a book is a mystery. How could anyone put all the words together and write one? Somehow, the author must have a secret method of downloading the book from an elite source, a cloud, a machine, their DNA.

A book, a report, an article, a study, an essay—millions of people in “advanced societies” don’t have a clue. When censorship tightens, who cares? It’s just words.

IT’S JUST WORDS.

Elite societal players welcome illiteracy. They love it. It’s one of their cherished goals. Ignorance is good. More than that, illiterate people are easy to convince that repressive censorship isn’t a problem. It’s just something that “happens.”

If you don’t have “the right ideas,” you should be censored.

IT’S JUST WORDS.

Words are useless “things” like tacks and marbles and crayons and paper clips. Who cares?

“Don’t you see that the whole aim of Newspeak is to narrow the range of thought? In the end we shall make thoughtcrime literally impossible, because there will be no words in which to express it. Every concept that can ever be needed, will be expressed by exactly one word, with its meaning rigidly defined and all its subsidiary meanings rubbed out and forgotten.” (George Orwell, “1984”)

At its root, illiteracy becomes a form of reductionism. What can be comprehended, discussed, debated, or reasoned shrinks.

IT’S JUST WORDS.

Illiteracy is more effective than political correctness. Untold numbers of people can’t understand the sentences that are floating and flying by them every day. They register this by building up anger. Unfocused anger. They are perfect fodder for know-nothing social and political movements that requite violence and repression. After all, they were repressed, weren’t they? Weren’t they left hanging out in the wind by their education, their schooling? Now is the time for revenge.

They were limited in what they learned; therefore, limit everyone else. Why not?

IT’S JUST WORDS.

There is a sub-text percolating in many, many schools: “All right, you students, this is your education. We’re going to keep you from learning the language. We’re going to hold it back from you. At the same time, we’re going to praise you and push you ahead from grade to grade. You’ll know something is wrong. But you’ll accept what we do to you. It’s easier. You’ll take a ride through school, and then we’ll dump you out into the world. We’re making rebels wholesale. Ignorant rebels. Rebels without the tools for THINKING. You’ll have to find a place where thinking isn’t important. Good luck. Here’s a suggestion. Find a group where all you have to do is yell and throw rocks. Learn what to yell. Demand your right to get EVERYTHING FOR NOTHING. That is all.”

Do you want a piece of interesting news? I can offer it, based on my experience of the past 17 years writing online. The declining system of education creates a vacuum. And into that vacuum, writers who do value language step forward, and they do present actual ideas. This is a large vacuum, so it can accommodate many writers.

They are creating new realities.

And readers show up.

Miracle of miracles.

These writers and readers are the “replacement team.” They are standing in for the colleges and universities and the sloganeers.

They are not censoring themselves or anyone else.

They are proliferating language, not reducing it.

Here is the secret: the history of humans reveals that language does, in fact, expand. It doesn’t lie down and die. It doesn’t wait for know-nothings to catch up. It doesn’t wait for anyone. Poets and novelists and playwrights and essayists find and invent new branches of word and thought.

They are making the future every day.

And as far as pure ideas go, no matter how hard some people have tried, Jefferson and Madison and Tom Paine and John Adams are not dead yet. Their shaped principles embedded in sentences live on.

If at some point, the entire population of the planet were illiterate, except for four writers, those four would invent a new ocean that couldn’t be contained—and somehow, readers would show up.

Perhaps you think I’m describing a kind of magic, and maybe I am, but I’m also giving you ironclad fact. It has always been so.

The Internet may have been invented with machine language, but the writers who have appeared on it are multiplying their own language.

They are outdistancing the machine.

They always will.

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Independence Day of the Soul

by Jon Rappoport

July 4, 2018

Trumpets blare. In the night sky, spotlights roam. A great confusion of smoke and dust and fog, and emerging banners carry the single message:

WE.

The great meltdown of all consciousness into a glob of utopian simplicity…

There are denizens among us.

They present themselves as the Normals.

Beyond all political objectives, there is a simple fact: those group-mind addicts who have given up their souls will rage against the faintest appearance of one who tries to keep his. And in this rage, the soulless ones will try to pull the other down to where they live.

Are you with the family or not? Are you with the group, the collective, or not? Those are the blunt parameters.

“When you get right down to it, all you have is family.” “Our team is really a family.” “You’re deserting the family.” “Our department is like a family.” “Here at Corporation X, we’re a family.”

The committee, the group, the company, the sector, the planet.

The goal? Submerge the individual.

Individual achievement, imagination, creative power? Not on the agenda. Something for the dustbin of history.

Aldous Huxley, Brave New World: “‘Ninety-six identical twins working ninety-six identical machines’! The voice was almost tremulous with enthusiasm. ‘You really know where you are. For the first time in history.’”

George Orwell, 1984: “The two aims of the Party are to conquer the whole surface of the earth and to extinguish once and for all the possibility of independent thought.”

For some people, the collective “WE” has a fragrant scent—until they get down in the trenches with it. There they discover odd odors and postures and mutations. There they discover self-distorted creatures scurrying around celebrating their twistedness.

The night becomes long. The ideals melt. The level of intelligence required to inhabit this cave-like realm is lower than expected, much lower.

Hypnotic perceptions, which are the glue that holds the territory together, begin to crack and fall apart, and all that is left is a grim determination to see things through.

As the night moves into its latter stages, some participants come to know that all their activity is taking place in a chimerical universe.

It is as if reality has been constructed to yield up gibberish.

Whose idea was it to become deaf, dumb, and blind in the first place?

And then perhaps one person in the cave suddenly says: I EXIST.

That starts a cacophony of howling.

The history of human struggle on this planet is about the individual emerging FROM the group, from the tribe, from the clan. The history of struggle is not about the individual surrendering and going back INTO group identity.

As the trumpets blare in the night sky, as the fog-ridden spotlights roam, as the banners emerge carrying the single message, WE, as people below are magnetically drawn to this show, a unpredicted thing happens:

Someone shouts: WHAT IS WE?

Other pick up the shout.

And the banners begin to catch fire and melt. They drip wax and the false grinding of hypnotic dreams breaks its rhythm.

The whole sky-scene stutters like a great weapon losing its capacity to contain heat. The sky itself caves inward and collapses, and the trumpets tail off and there is a new fresh silence.

The delusion, in pieces, is drifting away…

The cover: gone.

Behind it is The Individual.

What will he do now?

Will he seek to find his inherent power, the power he cast aside in his eagerness to join the collective?

Will he?

Or will he search for another staged melodrama designed to absorb him in an all-embracing WE?

Will he understand he has the power to create a new far-reaching reality of his own choosing?

WILL HE DECLARE HIS INDEPENDENCE?

THE INDEPENDENCE OF HIS CREATIVE SOUL?

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The entrepreneur and his challenges

by Jon Rappoport

July 3, 2018

This article isn’t about tax rates and government red tape and intrusive regulations. Those issues are, of course, very real.

This is about the person who has large dreams and ambitions, and has launched them, or is on the cusp of launching them. He appears to be a dying breed in this society, but he is not. Under the surface, out of the limelight, there are many, many such people. I have worked with some of them in my consulting practice, and I admire them. They have escaped from the dependency culture. They have energy, and they move forward. They don’t set gross limits on themselves. They understand the founding ideas on which this country was built.

On one level, the share the trait of resistance. They don’t back down and opt for safe and easy solutions. They don’t bow down to the system or prevailing trends. They don’t obsessively look for excuses. Wearing a nicey-nice mask isn’t their main goal.

They deal with challenges. One, of course, is building something from the ground up. Another is building a vision into the world without scaling it back so far that it loses its unique scope, size, and power.

Entrepreneurship has a counter-intuitive core. The more the enterprise is built to the scale of the original dream, and the less it is compromised, the greater the chances of success.

This is something most people can’t fathom. They see compromise as the ultimate instrument. They deploy it whenever they can. They strive to become experts in its use. They see invention and creation as entirely dependent on the public’s “lowest common denominator.” This, to them, is the way reality works.

And on one level, they’re right. But this isn’t the level of the person with a vision. How thrilling the enterprise becomes when it is built to be everything it was meant to be—and when, lo and behold, people respond—as if they’ve been waiting for it, for a long time. Then the entrepreneur/visionary realizes how reality CAN operate. It’s a revelation. He experiences it.

The entrepreneur needs to inspire the people he works with. Committing to his own vision through thick and thin, he has to keep it fresh and new. Even if, at times, he feels as if he’s rolling a huge stone up a hill, he can’t let the vision merge with that stone. He has to keep the vision pure. His ace in the hole is he WANTS to keep it new and pure. His final challenge is avoiding becoming rigid as he keeps the vision secure. He has to pour an elastic and far-reaching energy into his work. He has to be able to be spontaneous—there are many times when improvisation in the moment is his best ally.

If all this seems too much—it isn’t. Deep down, the entrepreneur knows it. He is tapping into a well that is bottomless. He comes to understand this secret. There are no limits.

His imagination and creative power have no boundaries.

The entrepreneur can cross a threshold and find that his work and goals have expanded to such a degree that he has become a true visionary. What he once thought was the end of his ambition was just a stepping stone, and the path he is now walking has no end.

No end.

—Always beginning.

The architect and engineer of his dream, he can simultaneously look at what he has built so far and appreciate it, and he can also see that he is, at the start of every day, inventing anew. He is, simultaneously, a thousand miles along his path, and immersed in a great Now.

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Designing the mind

by Jon Rappoport

June 25, 2018

In their lab, Sam and Sally had just finished inscribing a huge amount of code on a two-dimensional sheet of plastic, in order to produce a hologram that would, when sprung, blossom into a continuum called The Physical Universe.

With glasses of good champagne in their hands, sitting on stools in the lab, they speculated on their next project.

“To me,” Sally said, “it’s obvious. People are going to live and proliferate there. So we have to design their minds to sync up with Universe. Otherwise, we’ll have a mess on our hands.”

“Chaos,” Sam said. “Not our objective here. But first we have to get a handle on what ‘people’ means.”

“Yes,” Sally said. “We do. We know they’re immortal souls. We know we don’t have anything to do with THAT mystery. It’s outside our control. But they will have bodies, physical forms. And minds. Inside the Universe.”

“And freedom,” Sam said.

“Right. But we can design a section of their minds to our liking. That section will sync up with Universe. It’ll mesh. It’ll accept the structure of the hologram.”

“Well,” Sam said, “let’s look at how we built Universe. Although it has action and energy and change, it also has a major amount of harmony, symmetry, balance, equilibrium, and repeating pattern. You know, the simple stuff. The stuff even a child can grasp. It’s not the most complicated universe we’ve ever made.”

“So,” Sally said, “suppose we design one segment of mind so it loves and attaches itself to symmetry and harmony and pattern. That’ll produce the sync-effect, won’t it?”

Sam said, “Yeah…In fact, if we make up some weird mystical symbols and tie them together with the harmony and symmetry, we’ll really have something. The people will keep going around and around…”

“Yes,” Sally said, “and they’ll never explore their own consciousness where all the immortal stuff is.”

And that’s how Sally and Sam finished the job.

Sometime later, much later, they watched with amusement as “researchers” living in Universe pointed out that snail shells and certain flowers and spiral galaxies all expressed very similar configurations.

“Wow,” Sam said, “it worked. “They really go for Pattern, don’t they? They eat it up.”

“I know,” Sally said. “And they’re talking about simple configurations as if they’re symbols of something very ‘deep.’ They’ll be delving into this stuff for a million years. They’ve synced up to Universe beyond anything I thought possible.”

A few million years passed.

Sam and Sally got together, to peek in and see what was happening in Universe. They were surprised again.

“Do you see it?” Sally said.

“Of course I see it,” Sam said. “They’re sculpting their own THOUGHTS into simple shapes. They’re making their thoughts mimic the symmetry and the geometry and the balance. They must be in a trance.”

“Do you think we should issue a wake-up call?”

“No,” Sam said. “Who knows what that would do to them? Leave them alone. They’ll have to wake themselves up…”

“When do you think that will happen?” Sally said.

“A good question,” Sam said. “I say we let a billion more years pass, and then we look in again.”

“I can’t remember how they entered Universe in the first place,” Sally said.

“That would be Department 4-AR’s job. Let me look it up.”

Sam typed a password on his computer and read the note.

“It was a vacation special,” he said. “Tickets went on sale and were scooped up. It was a big seller at the time.”

“Long vacation,” Sally said.

“That’s the way it’s turning out,” Sam said.

Sally said, “We have to remember what we did, for future reference. Design a universe with a significant amount of symmetry, balance, harmony, geometry, and repeating pattern. The puerile stuff. Then introduce a whole host of weird symbols that connect to the childish symmetry and produce a trance, a long lasting trance…”

“It works,” Sam said. “Like a charm.”

“We need to make up a name for what we’ve done,” Sally said. “A label, a title. It’s a major accomplishment. It needs a name.”

Sam thought about it for a minute. “Let’s try something a little weird,” he said. “You know, with initials, so it sounds official.”

“Right,” Sally said. “Well…see how you like this. It doesn’t exactly roll off the tongue, but it’s got a bit of comic-book flair.”

“Hit me with it,” Sam said.

“MKULTRA.”

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

More posts like this — primarily on my other blog OUTSIDE THE REALITY MACHINE. Free email list subscribe here.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.