Yearly Archives: 2020

The Matrix Revealed: The collective experiment on planet Earth

by Jon Rappoport

When all obsessive group-consciousness on Earth is finished, exhausted, when it admits defeat, then a different era will emerge. But for now, we are in the middle of the collective experiment.

High-flying cloying sentiment, profound dependence on others, covert repression—these are the order of the day.

How long until the collective age is over? A hundred years? A thousand years? The answer is, as long as it takes for every human to realize that the experiment has failed, and why.

The why is clear—the individual has been overlooked. He has been demeaned. He has been grabbed up and drafted into groups. His creative power has been compromised in order to fit in.

The majority of the world still believes in this approach, as if from good groups will flow the ultimate and final solutions we have all been seeking.

This is sheer mind control, because good groups morph into evil, and vice versa, in the ongoing stage play called reality.

Ideals are twisted, infiltrators subvert plans, lessons are ignored, and the whole sorry mess repeats itself again.

What constituted a triumph of good over evil at one moment is guided into yet another collective, whose aims are “a better kind of control.”

The most deluded among us believe we are always on the cusp of a final breakthrough.

But there is no “we” to make the breakthrough.

It comes to every person on his own. And it does not arrive as the thrust of an external force, but from one’s own struggle, accompanied by insights for which there is no outside agency to lend confirmation.

If indeed it will take a thousand years to bring this collective illusion to a close, that is no cause for despondent reaction.

On the contrary, it is simply an understanding that all experiments come to an end, as does the method of thought on which they are based.

One or ten or a hundred collapses of civilization, and the resultant rebuilding, are not enough.

The pattern endures.

It can only dissolve when overwhelming numbers of individuals, each in his own way, absent self-deception, sees its bankruptcy.

The “we” and the “us” are merely postponements and cover stories splashed on the front pages of the mind.

Fighting for what is right, here and now, is vital. But it does not preclude the knowledge that, as long as people are fixated on groups as the Answer, the underlying problem will persist.

Therefore, as part of my research over the last several decades, I have explored what is now commonly called the Matrix, from the point of view of freeing the individual from it.

The first step is understanding Matrix as an ongoing perverse “work of art” and viewing the nuts and bolts of it.

That is the purpose of my first collection, The Matrix Revealed. You can order the collection here.

the matrix revealed

Here are the contents of The Matrix Revealed:

* 250 megabytes of information.

* Over 1100 pages of text.

* Ten and a half hours of audio.

The 2 bonuses alone are rather extraordinary:

* My complete 18-lesson course, LOGIC AND ANALYSIS, which includes the teacher’s manual and audio to guide you. I was previously selling the course for $375. This is a new way to teach logic, the subject that has been missing from schools for decades.

* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst. I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.

The heart and soul of this product are the text interviews I conducted with Matrix-insiders, who have first-hand knowledge of how the major illusions of our world are put together:

* ELLIS MEDAVOY, master of PR, propaganda, and deception, who worked for key controllers in the medical and political arenas. 28 interviews, 290 pages.

* JACK TRUE, the most creative hypnotherapist on the face of the planet. Jack’s anti-Matrix understanding of the mind and how to liberate it is unparalleled. His insights are unique, staggering. 43 interviews, 320 pages.

* RICHARD BELL, financial analyst and trader, whose profound grasp of market manipulation and economic-rigging is formidable, to say the least. 16 interviews, 132 pages.

Also included:

* Several more interviews with brilliant analysts of the Matrix. 53 pages.

* The ten and a half hours of mp3 audio are my solo presentation, based on these interviews and my own research. Title: The Multi-Dimensional Planetary Chessboard—The Matrix vs. the Un-Conditioning of the Individual.

(All the material is digital. Upon ordering it, you’ll receive an email with a link to it.)

Understanding Matrix is also understanding your capacity and power, and that is the way to approach this subject. Because liberation is the goal. And liberation has no limit.

I invite you to a new exploration and a great adventure.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Exit From The Matrix: Yes, I keep writing about imagination

by Jon Rappoport

Imagination is as natural and real as breathing. People who don’t know this or forget it come up against a brick wall.

Some of them then go to booze and drugs, some to violence, some to despair, some to the straitjacket of a severely repetitive mechanical life, some to the dull, dull ground of passivity.

Life is not a machine. Humans are not machines, although they often play one day after day.

Humans are creative.

They can step on that, try to grind it into dust, make up a thousand excuses, but the fact remains.

Societies and civilizations are never creative, after a certain point in their development. They opt for standard shapes and standard patterns of thought and standard organizations.

This devolution isn’t just the “the strong controlling the weak.”

It’s a subconscious impulse that spreads like a disease. Throughout history, you see it manifest in many forms.

These days, we have the massive Surveillance State. It’s an expression of “the standard human who must think and act in certain ways.”

Imagination puts the lie to all this.

Imagination goes anywhere you want it to, and in the process, you discover ideas and realms and dimensions and power that would otherwise have remained invisible to the end of time.

This is the natural state of affairs.

Everything else is programming.

Programming comes in two forms: what is done to the individual, and what he does to himself.

Every spiritual system and spiritual teaching, down through history, has initially or eventually discarded imagination and thrown it on the junk-heap.

It’s long past the time to reverse that trend.

The creative power of the individual, which is the key to his future, his happiness, his freedom, flows from his imagination.

For this reason, over the last 20 years, I’ve developed hundreds of imagination exercises, about 50 of which are included in my collection, Exit From The Matrix.

Here are the full contents of my mega-collection Exit From The Matrix. You can order it here:

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Here are the contents of Exit From The Matrix:

First, my new audio presentations:

* INTRODUCTION: HOW TO USE THE MATERIALS IN EXIT FROM THE MATRIX

* EXIT FROM THE MATRIX

* 50 IMAGINATION EXERCISES

* FURTHER IMAGINATION EXERCISES

* ANESTHESIA, BOREDOM, EXCITEMENT, ECSTASY

* ANCIENT TIBET AND THE UNIVERSE AS A PRODUCT OF MIND

* YOU THE INVENTOR, MINDSET, AND FREEDOM FROM “THE EXISTENCE PROGRAM”

* PARANORMAL EXPERIMENTS AND EXERCISES

* CHILDREN AND IMAGINATION

* THE CREATIVE LIFE AND THE MATRIX/IMAGINATION

* PICTURES OF REALITY AND ESCAPE VELOCITY FROM THE MATRIX

* THIS WOULD BE A VERY DIFFERENT FUTURE

* MODERN ZEN

* THE GREAT PASSIONS AND THE GREAT ANDROIDS

Then you will receive the following audio seminars I have previously done:

* Mind Control, Mind Freedom

* The Transformations

* Desire, Manifestation and Fulfillment

* Altered States, Consciousness, and Magic

* Beyond Structures

* The Mystery and Magic of Dialogue

* The Voyage of Merlin

* Modern Alchemy and Imagination

* Imagination and Spiritual Enlightenment

* Dissolving Stress

* The Paranormal Project

* Zen Painting for Everyone Now

* Past Lives, Archetypes, and Hidden Sources of Human Energy

* Expression of Self

* Imagination Exercises for a Lifetime

* Old Planet, New Planet, New Mind

* The Era of Magic Returns

* Your Power Revealed

* Universes Without End

* Relationships

* Building a Business for Success

I have included an additional bonus section:

* My book, The Secret Behind Secret Societies (pdf document)

* My book, The Ownership of All Life (pdf document)

* A long excerpt from my briefly published book, Full Power (pdf document)

* My 24 articles in the series, “Coaching the Coaches” (pdf document)

And these audio seminars:

* The Role of Medical Drugs in Human Illness

* Longevity One: The Mind-Body Connection

* Longevity Two: The Nutritional Factors

(All the audio presentations are mp3 files and the documents and books are pdf files. You download the files upon purchase. There is no physical ship.)

What has been called The Matrix is a series of layers. These layers compose what we call Reality. Reality is not merely the consensus people accept in their daily lives. It is also a personal and individual conception of limits. It is a perception that these limits are somehow built into existence. But this is not true.

What I’ve done here is remove the lid on those perceived limits. This isn’t an intellectual undertaking. It’s a way to open up space and step on to a new road, with new power.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Anthony Fauci and the Galactic Museum

~ a short story ~

by Jon Rappoport

August 28, 2020
(To join our email list, click here.)

“Governments throw money at a problem. Bill Gates directs money at a problem. But what problem is he seeing? You’d better figure that out, because, would you take an injection from this man?” (Notes for The Underground.)

My friend Charlie recently sold a painting to the Gregorian Museum out on Galactic Park.

They hang his painting in one of the upstairs rooms for a week, and then trouble starts. Charlie gets a phone call in the middle of the night from the director. Charlie can’t believe his ears. He rushes over to the museum.

Upstairs, the director is in his pajamas pacing back and forth. Charlie goes up to his painting, looks at it for a few minutes and sees it.

People have walked into the painting and taken up residence there.

Holy crap.

They’re in there.

Law suits, the director says. Their families could take us to the cleaners.

When Charlie calls out to the people inside his painting, they don’t hear him. They don’t seem to be able to get out. At least no one’s trying.

What do you want me to do, Charlie says.

Get them the hell out of there, the director says. Pick up the picture and shake it if you have to. Turn it upside down. I don’t care.

Charlie doesn’t think this is a good idea. Somebody could get hurt.

So for the next few hours, he sits in front of his painting, drinks coffee, and tries to talk to the people inside.

No dice. Even when he yells, they don’t notice him.

By this time, the chairman of the museum board has shown up. He’s agitated. He’s yabbering about containing the situation.

Charlie asks him how he proposes to do that.

Blanket denial, the chairman says. Pretty soon, the cops are going to link these disappearances to the museum—but then we just throw up our hands and claim we know nothing about it.

A lot of good that’ll do, the director says. Even if we wiggle out of the law suits, our reputation will be damaged. People won’t want to come here. They’ll be afraid somebody will snatch them.

Okay, the chairman says, we’ll shut down for repairs. New construction. That’ll buy us a few weeks and we can figure out something. We’ll say the building needs an earthquake retrofit. Not a big one. Just some shoring up.

…So that’s what happened. They closed the museum and hoped for the best.

Charlie was upset. If word got out, how could he ever sell another painting? His agent told him he was nuts. He’d become the most famous person in the world, and people would be lining up trying to get inside his pictures. You’ll be a phenomenon, he said.

Yeah, Charlie said, until some nut tries to take me out.

A week later, while Charlie and I were having breakfast at a little cafe over by the river, he told me the people inside his painting were building yurts. They were digging a well. And for some reason, they were all wearing cloth masks.

What are they eating, I asked him.

Beats me, he said. But they don’t seem worried. They look okay.

But they can’t get out, he said. At least they don’t want to. They’re settling down in there!

I asked him the obvious question about shrinkage.

I know, he said. They’re a hell of a lot smaller. But no one’s complaining, as far as I can tell.

They like your work, I said.

He looked at me like he was going to kill me, so I let it drop.

Okay, I said. Here’s what you need to do. Go over there and add something to the painting.

He blinked.

What?

Paint on the painting. See what happens.

Sure, he said, and drive them into psychosis. Who knows what effect it would have?

Paint a nice little country road that leads them right out into the museum. They’ll see it, they’ll walk on it.

No, he said. Don’t you get it? They’ve already taken things a step further. They’re not really living in my landscape. That was just the initial draw. They’re building their own stuff in there. They’re…poaching!

Silence.

Then there’s only one thing you can do, I said.

I leaned across the table and whispered in his ear. He listened, then jumped back.

No, I said. You have to. Don’t be a weak sister. Go for it.

The next day, I learned later, Charlie showed up and went upstairs in the museum and cleared everybody out. He unpacked the little suitcase he’d brought and set up a player and a speaker. He shoved in a disc and turned on the music. Some sort of chanting. A chorus.

He took out a change of clothes from the suitcase and put on a long robe and a crazy hat. He eventually showed it to me. It was from a costume party he’d had at his house. Tall red silk hat with tassels hanging from it.

He stood in front of the painting and said:

HELLO, INHABITANTS. I AM CHARLIE. I’M YOUR CREATOR. YOU’RE LIVING IN MY WORLD, THE WORLD I MADE.

They all looked toward the sound of his voice.

THAT’S RIGHT, he said. I’M RIGHT HERE. THIS IS A REVELATION. I DON’T DO MANY OF THESE SO LISTEN UP. I AM YOUR CREATOR, YOUR GOD. DO YOU UNDERSTAND?

All 30 or so of them were now gathered together, outside one of the half-finished yurts, with their masks on.

They were nodding and saying yes.

GOOD. WE NEED TO GET A FEW THINGS STRAIGHT. YOU DIDN’T OBTAIN MY PERMISSION TO ENTER MY WORLD. SO YOU’RE GOING TO HAVE TO COME OUT SO WE CAN DISCUSS DETAILS. MY WORD IS LAW. UNDERSTAND? STOP THE BUILDING. STOP THE DIGGING. WALK TOWARD ME. WALK TOWARD THE SOUND OF MY VOICE.

They hesitated, looked at each other, and started to walk toward Charlie.

THAT’S RIGHT. KEEP GOING. YOU’RE DOING FINE. I’M GOING TO SHOW YOU WHERE I LIVE.

This was apparently quite a perk, so they walked faster. They broke into a trot.

Finally, they emerged from the painting and, Charlie said, they swelled back to normal size right away.

It was quite a thing to see, he said, like balloons blowing up—and then there they were, all around me, in the museum. First thing, I took the painting off the wall and laid it on the floor, face down. Enough of that stuff.

Charlie told them who he was, the painter. It took a few hours of intense conversation before they understood and accepted the situation. All in all, they seemed sad.

And there was one other thing. They were calling him FAUCI. They repeated the word over and over, as if it were a chant. He told them to stop. They did.

What were you going to do, he asked them. Live in there forever? Couldn’t you see how to get out?

We didn’t want to get out, one of the men said. We liked it in there.

And that was pretty much that, except for the signing of waivers and non-disclosure agreements with the museum. For which the people were granted lifetime platinum memberships and some vouchers and coupons for the museum store and restaurant.

Charlie went into a funk. He didn’t go into his studio for a few months.

One night, I dropped over to his house with a bottle of bourbon and we had a few drinks out on his porch.

You know, I said, you can start a church if you want to. I know a guy who writes fake scriptures and peddles them. He’s good.

You really do want me to kill you, he said.

We drank in silence for a while.

I told him: those people with their wells and yurts and ritual masks? Sooner or later, they’re going to hypnotize themselves and fall for another strange deal. Nobody’s going to stop them.

Charlie looked grim. That’s the thing, he said. They liked living in my picture. It wasn’t a problem for them. And I took them out. I conned them.

Well, I said, if that’s the case, and there’s nothing wrong with them, they’ll find another painting. See? Someday, you’ll read about a bunch of people disappearing, and that’ll be what it is.

Yeah, he said, maybe.

A week later, he got back to work.

Universes. Some weird things happen in that area.

Like, for example, the whole business we’re having now with the landing party out at Sandy Port. Four couples, a bible and some gift boxes of mints. They say there’s lots of room in their universe and they’re looking for new settlers.

Here’s the twist. They claim they’re living in a permanent pandemic. Some sort of virus. As if this would be an inducement for people here to join up and sign on and emigrate.

They’re…I guess you could say, devoted to this pandemic of theirs. It seems to be a major part of their religion. Hard to tell.

A few of our scholars were able to take a look at their bible. It’s composed of studies. The language is strange and convoluted. All about tests, viruses, projections, models, injections, and containment measures. Apparently, where they come from, they have to keep away from each other, at a distance of several yards. At first, our scholars thought this was to prevent disease transmission, but it seemed more like a ceremony. Anyway, we began to believe they’re trying to infect us with their disease. Of course, it isn’t working. We’re healthy. We don’t get sick very often. In their bible, there’s quite a lot of language about mask-wearing. It’s mandatory for them—but here, they’re not bothering, which adds to our suspicion that they’re trying to infect us.

Then—our people found, in their bible, mention of a man named Fauci. He was some kind of prophet. They still revere him. He lived long ago. He foretold a time of great pestilence. They’ve built monuments and even shrines to him back home.

I called Charlie right away and told him about Fauci. He didn’t want to know about it. Look, I said, maybe these people come from that world inside your painting. Maybe they’re actually a lot smaller than they appear to be here. This is fantastic.

He blew up and started cursing at me.

I guess I can understand his reaction. He paints a painting and everything is just fine, and then other people look at it, and then they walk into it. That’s the farthest thing from what he intended.

This is one of those problems artists face, I guess. What are they going to do? They paint a painting or write a novel, and the audience puts their own twist on it.

It can even become a religion. Of course, I don’t have an issue with that. I’m a businessman. I see an opportunity, I take it. If you can sell a product, and people decide to use it in their own way, so what? As long as they like it, who cares?

This guy Fauci probably saw things that way. He was selling disease. A lot of customers bought in. They went whole hog and started a church. What was he going to do? Abdicate? Maybe he enjoyed playing the prophet.

In our world, we have all sorts of laws against corruption, double-dealing, fraud, and so on, but most people ignore the rules. Commerce at any cost, no matter what, is the tradition.

I’ve told Charlie to wise up. Selling and buying—what more do you expect? Sure, people get hurt in the process, but it’s what we’re stuck with. May as well make the most of it.

I‘ve been around the block a few thousand times. As a hobby, I study societies, civilizations. Freedom? Honor? They’re always trampled on.

Why? Because people won’t keep fighting for what they believe in. Then they stop believing.

I don’t blame them. I’m sympathetic. I accept their weak attitude. In fact, I use it. Wouldn’t you, if you could, when all is said and done?

I’ve lived in a lot of times and places.

My name is Bill Gates, and I like to think of myself as a practical man.

This Fauci. I feel I know him from somewhere. Maybe a long time ago, we worked together. I’ve worked with so many people. They might start out with a few honorable principles that cause them trouble. Then I show them they need to get real. Then things go much better for them.

One day I said to Charlie, look, you’re inventing new worlds all the time. It’s terrific. But somehow, people take it the wrong way. They don’t see how pure your ideas are. So you have a problem. I can straighten that out for you. You just need to make an adjustment. Don’t expect so much from people. Relax. Just that little change, and you’ll be on the road to fame and fortune. Don’t fight them. Cater to their weaknesses.

He couldn’t see it.

But I keep trying.

Charlie, I say, let people have their illusions, just get rid of yours. Join the majority and play the game. The only game there is. Control, or be controlled. Am I right? Come on. Sure I’m right. See a problem, solve a problem. What else is there?

When I find someone who won’t give in, I do everything I can to turn him.

If you don’t like me, fight me. Let’s see who wins.

When I notice a certain kind of…LIGHT, it irritates me. I try to turn off the switch. That’s my thing. I operate on a certain level. I want everybody to live on that level.

The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

COVID: save the planet, save the virus

by Jon Rappoport

August 27, 2020

(To join our email list, click here.)

Think of a propaganda story as a Vegas casino. The casino wants you there gambling at the tables, losing your money. But that central premise isn’t enough. They have to add features. The endless buffets. The shows. The pools. The art exhibits. The dolphins. The illuminated fountains. The story has to keep sprouting new dimensions and variations. In other to keep people gambling.

In recent articles, I’ve presented compelling reasons to reject the notion that a new COVID virus exists.

Of course, many people are determined to save the virus-story, so they embellish it. They add features based on no evidence. They fantasize.

Here is a low-level attempt to save the virus:

“SARS-CoV-2 isn’t, all by itself, very dangerous. But the elderly are extraordinarily SUSCEPTIBLE to it.” As if, somehow, the virus calculates the numerical age of its potential victims. “This man is over 65. I’ll swoop down on him.”

Now we come to more strenuous efforts. “You see, 5G technology has a unique ability. It ACTIVATES the otherwise dormant virus and transforms it into a killer. The virus was on an extended fast. But now, it must munch food all day and all night, and its food is human cells…”

“The virus doesn’t defeat the immune system. It has an opposite effect. It forces the immune system to go into overdrive, and this produces a cascade of misdirected attacks against organs of the body…”

“The virus is a shapeshifter. It not only mutates rapidly, as all viruses do, it adopts disguises and thereby evades detection by antibodies…”

“The immune system can only counteract the virus temporarily. It comes back. You could test negative one day and positive the next day…”

“There are actually three strains of the virus. The first two are relatively minor threats. But the third is the real danger…”

Save the virus. Save THE STORY ABOUT THE VIRUS. Keep it going. Don’t let it slip away.

Inside the Church of the Virus, the LAB is the holy of holies. That’s where the deepest ceremonies are conducted. The LAB must be protected. Since no one ever proved the virus actually exists, the LAB has potential problems.

So keep spinning out those stories about SARS-CoV-2 and keep roping in the audience. Make each story sound credible. People out in the world will help. They’ll make up their own variations of the tale. They can’t let go.

If you must, resort to older versions: “God has brought down the virus on us, as punishment for drifting away from His Word…”

“In the bowels of Hell, Satan devised the coronavirus and carried it up to Earth, to attack us…”

Then there is this: “SCIENCE says we have to fear the virus and stay on lockdown until the vaccine arrives.” Science is defined as ‘the opposite of anything Trump thinks’.” That’s the result of $300,000 and a Masters degree in something or other, from an elite university.

When you punch a hole in one of these bloated and enhanced virus-stories, someone will probably reply, “But it’s possible. It’s possible that the microwave in your kitchen alerts SARS-CoV-2 that it’s time to attack your liver…”

Yes, and in the same way it’s possible your entire blood supply is actually made up of trillions of tiny torpedoes, and it just so happens that the unique timbre of Trump’s voice arms these torpedoes and launches them against your lung tissue.

But that doesn’t mean you can take this hypothesis to the bank and cash it. Although it might mean you can land a job at the World Health Organization.

In days of old, a tyrant who ruled his people with an iron fist would consult his high priests when it was time to float a story that would advance his power and control.

“Okay, boys, what have you got for me?”

The highest priest would say, “Well, Your Greatness, there are traitors among us. That story plays well. Then there is, we are under threat from an outside enemy. Always rallies the troops…”

The priests and the rulers would come up with their best effort.

In modern times, the people who need to sell stories hire large agencies to promote their narratives. Or the agencies are on permanent retainers, like the CDC, who hype vaccine myths to the public, on behalf of the federal government and pharmaceutical companies.

“Okay, boys, what have you got?”

“How about this? The virus is very complex. We’re still learning about it. It attacks the body in several different ways.”

“Can you say it attacks the brain?”

“Why not? How about: the virus causes depression. It may be responsible for several types of mental disorders.”

“Sounds good. Give it a whirl. Come up with a few studies. And while we’re at it, we need a new story line: anti-vaxxers are creating widespread fear of vaccination and this could cause ‘good people’ to experience psychological trauma when they actually receive the shot. The trauma could bring on physical collapse. It’s a little tricky, but try to sell it…we’re going to need to explain a slew of very nasty adverse effects when the COVID vaccine hits the market.”

Night and day, every day, stories are sold and bought. The addiction to story is solid and deep. Discernment on the part of the buyer has never been known for its keenness.

Recently, a reader wrote to assure me the SARS-CoV-2 virus is real. Her proof? A small group of doctors she admires know it’s real. Talk about buying story.

Doctors? Are you kidding? 99.99999 percent of doctors in the world are absolutely clueless about how a new virus should be proved to exist.

Trusting doctors on that score is trusting a parrot who’s been trained to say, “Polly want a virus.”

The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Why didn’t researchers do a proper study to discover whether the COVID virus exists?

by Jon Rappoport

August 26, 2020

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Imagine this fantasy: “After the published results of a new comprehensive study, which rejected the theory that a new pandemic coronavirus exists, a thousand infectious disease experts claimed they never said there was a new virus. One of these veteran researchers stated, ‘Virus? I was misquoted. I said “tires.” I was talking about car problems. I had a flat tire on the highway. Germs? Bacteria? Fungi? These are gossamer entities. No one is sure where they are or what they do. It would be irresponsible to assert they infect people. I need to find a job. I have two kids matriculating at Harvard. Do you have any idea how much that costs? Please visit my GoFundMe page. The money will be forwarded to me in my bunker at an undisclosed location…’”

I’ve been going back to the beginning of this “pandemic,” to examine the root of the fraud.

I’ve described, in full, what a proper, large-scale study would look like, if researchers were actually interested in knowing whether there is a new and unique virus causing illness and death across the world. A study using a thousand volunteers, and electron microscope photographs of samples taken from human tissue.

This study was never done. It will never be done.

Here is why.

The official symptoms of COVID-19 line up with many traditional conditions: flu, pneumonia, TB, other lung infections, common colds.

Millions of so-called “COVID cases” are not anything new. I’ve been writing about this for months. Traditional illnesses are being re-packaged under the meaningless “COVID” label.

So what do you think would happen in a large-scale study of such “COVID” patients?

The fraud would be exposed. You would eliminate these people from any association with a new virus. There would be no sign of a new virus.

“Let’s do a really correct, electron microscope study of a thousand patients, and settle, once and for all, the question of whether or not there is a new coronavirus causing people to fall ill and die.”

“Are you kidding? Do you know what the result would be? We’d land in prison.”

Take, for example, all the elderly people in nursing homes and other long long-term facilities, in hospitals, in their lonely isolated apartments. You know, people who have been suffering from multiple serious health conditions for decades, who’ve been treated with loads of toxic drugs, whose immune systems are already on the verge of collapse—who have been labeled “COVID.” Take tissue samples from them. Put them under an electron microscope.

“This is amazing, Fred. We see no signs of a new virus.”

“Yes, it’s so amazing, we’re going to bury this study. Otherwise, you and I will be hung from a lamppost.”

When you have no sign of a new virus, you have no diagnostic tests, because all those tests are aimed at registering a virus that isn’t there. And therefore, you have no meaningful case numbers or death numbers. What you have is a house of cards out in the open, in a strong wind.

You have millions of public health officials and politicians and computer modelers and medical journal editors and researchers and doctors and PR people and television talking heads and foundation funders and mask-wearing devotees all desperately trying to grab hold of NOTHING.

Yes, I’m predicting what would happen if a truly proper study were done. But this prediction can be confirmed or denied by DOING THE STUDY…

…NOT by affirming that labs all over the world have “sequenced the virus”…

…NOT by referring to five or ten electron microscope photos of five or ten patients’ tissue samples. THAT’S NOT A LARGE-SCALE STUDY.

I’m saying to the experts: put up or shut up. You claim there are millions of people who are infected with a new virus; so pick a thousand of them, line them up, and under close observation from truly independent non-conflicted expert observers, run through all the correct steps of removing tissue samples from them and placing relevant bits of that material under electron microscopes, take the photos, and examine the photos.

Do you see, side by side in all thousand photos, many, many particles of the same unique virus which you’ve never seen before? Yes or no?

And if you do, then have other researchers do another three or four such large studies and see if they replicate those original findings.

THIS IS CALLED THE SCIENTIFIC METHOD.

Not “I talked to my doctor and he said…”

Not “I spoke with a very smart virologist and he said…”

Not “What do you think of this single electron microscope photo…”

Not “Here is what Wikipedia says…”

Not “But Doctor Blah-Blah is an expert…”

Not “I have a framed photo of Anthony Fauci in my kitchen…”

If conventional researchers are so sure their “sequencing of the genetic structure of the virus” is proof that the new virus exists, they should be very calm and confident about doing the large-scale study I insist on.

Sure. You bet. They’re so confident and calm they’re not doing the study, and they will never do the study.

As far as that study is concerned, they’re so calm they’re paralyzed.

And under the paralysis, there is fear.

Fear that the titanic exposure of a titanic fraud will visit them and sweep them away in the blink of an eye.

“How can you possibly say all these experts are wrong and their work in the lab is misguided and irrelevant?”

DO. THE. STUDY.

The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

“No need to isolate the new virus, we have its genetic sequence”: Really?

“Isolate” means: “There it is, we see DIRECT evidence of it, it’s not attached to anything else, it’s not possibly hidden in a glob of cellular material, it’s not just a piece of some decaying old virus, it’s not a random chunk of DNA or RNA, it’s not a Maybe floating in a soup of cells in a dish, it’s not an assumption based on what we’re predisposed to find…”

by Jon Rappoport

August 25, 2020

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The headline of this article is a typical defense offered to “prove” researchers actually discovered a new pandemic virus, SARS-CoV-2.

It’s laughable.

They have the genetic sequence of the virus? Well, where did they get it? From the man in the moon? An old 10,000-dollar bill in Bill Gates’ wallet?

You need a pure specimen of the virus to start with, if you want to make sure you’re fleshing out its genetic sequence.

A piece of RNA, as a starting sample, doesn’t work. It’s somewhere between a random shot in the dark and a preconceived notion.

Let’s say, instead of a purified and isolated virus, separated from all surrounding material, we’re talking about a gun used in a crime. At trial, a lab technician from the vaunted FBI lab is testifying.

Defense Attorney: So you’re sure the gun was recovered from my client’s car?

FBI tech: Absolutely.

Defense Attorney: Please explain how you located the gun.

FBI tech: It was in the junkyard.

Defense Attorney: Excuse me?

FBI tech: Well, you see, the defendant’s car was in an auto junkyard, along with about a thousand other cars. His car wasn’t actually in one piece. It had been taken apart. And then there was the dog.

Defense Attorney: The dog?

FBI tech: The watch dog. He roams over the whole junkyard. He picks up objects in his mouth and runs around with them. We found his saliva on the gun.

Defense Attorney: The gun used in the crime.

FBI tech: As far as we know. The weapon was pretty banged up. Apparently, it had been in a car that was crushed in one of those machines.

Defense Attorney: I see. Did you actually discover DNA from my client on the gun?

FBI tech: Yes. Well, I mean, we found human DNA on the gun. The sample was mixed with other DNA from an unknown source. It was difficult to separate the two samples from each other.

Defense Attorney: How difficult?

FBI tech: Isolation wasn’t possible. We couldn’t make a positive ID. But we did find a tiny piece of red thread on the gun. We determined it came from a shirt.

Defense Attorney: My client doesn’t own a red shirt.

FBI tech: He might have discarded a red shirt. And he does own shirts. Generally speaking.

At this point, the judge leans over and says to the FBI lab tech, “Are you drunk?”

FBI tech: Certainly not, Your Honor. I might have had a few drinks with lunch. I sometimes do.

So much for isolation of the gun.

Or the virus.

Intelligent researchers, where they exist, do talk about isolation and purification of a new virus from surrounding material. And if they understand what those two terms mean, they know how important this process is.

It’s the difference between saying WE HAVE DIRECT EVIDENCE OF THE VIRUS and WE HAVE SOME STUFF THAT MIGHT CONTAIN A VIRUS IF WE’RE LUCKY.

In past articles, I’ve detailed how large coherent studies should be done (but aren’t), using electron microscopy, to determine a) whether or not a new virus has been discovered, and b) how probable it is that the virus, if it exists, is causing harm to some people (whose immune systems are already compromised).

Nothing is riding on all this except the immediate future of the human race—since political leaders have decided to destroy untold numbers of jobs, businesses, and lives, all based on a story about a new pandemic virus.

Talk about a sell-job. They don’t have to isolate the virus because they’ve found its genetic sequence. That’s called putting the cart before the horse.

Based on this reasoning, I believe I could say I’ve discovered a thousand viruses in my cellar. I have “their genetic sequences.” Meaning: I’ve found sequences from who-knows-what listed in old public reports.

In elementary logic, students are taught that inferences flow from prior premises and propositions and simple rules. If you erase those premises and propositions and rules, you have nothing. You have conclusions whose basis is missing.

The statement, “We have the genetic sequence,” is meant to hypnotize the uninformed, who have been trained to salute any claim which refers to genes, as if they’re magic.

For example, there was a period during which researchers tried to pass off the idea, “one disease, one gene is the cause.” Eventually, they were forced to admit this notion didn’t fly. It was a simpleton’s fantasy. They then retreated and concocted a different hypothesis: any given disease was caused by a collection of genes, acting in concert. This soupy assertion had the advantage of vagueness; it was hyped as a moving target. If one collection of genes didn’t work (and it inevitably didn’t), researchers, with a straight face, could say the cause must be another collection.

Junkyard science.

“We might have found something that resembled a gun near a piece of what was once someone’s car, in a location filled with tens of thousands of pieces of cars. And there was a dog.”

Brilliant precision.

“We’ve narrowed down the search for the killer, Chief. There’s a twelve-percent chance he was in New York last Thursday.”

“How many people were in New York last Thursday?”

“About seven million.”

“Keep going. You’re getting somewhere.”

The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Where is the virus? Fear is the only virus.

by Jon Rappoport

August 24, 2020

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Conventional researchers “discover new viruses” in their hidden labs, without independent observers watching and filming every step and move, so virology has become a mystical farce.

They SAY they’ve found a new coronavirus that is infecting and killing people, justifying the fear and the lockdowns and economic and human devastation. But they may as well be saying they’ve found a pink and purple ghost in a closet, and we should huddle in the dark until it goes away.

Longtime friend, colleague, and relentless independent investigator, Harry Blazer wrote this in a blistering email to his list:

“…science has even co-opted and bastardized the term ‘isolated’ to mean putting a sample [from a patient] in a cell culture, adding various agents to create a reaction including antibiotics and various caustic chemicals to see if the cells die – REALLY!!! How could you possibly know what caused what to happen when you are adding all kinds of shit to cause something to happen? It is like adding adjuvants (poisons) to a vaccine in order to produce an antibody response to prove that the vaccine works. REALLY!…”

Yes, in that mystical lab ritual, researchers are putting together a cell culture, which includes what they claim is the new virus; and then to “prove” this supposed virus is harmful and kills those cells, they add caustic substances that do, indeed, cause harm to cells.

This reminds me of animal experiments back in the 1970s, at the US National Institutes of Health, where the obsessed (and failed) goal was proving viruses could cause cancer. To “prepare” the animals for injections of the purported viruses, all sorts of toxic chemicals were jammed into the animals—in an effort to weaken them to the point at which the viruses would hopefully “create uncontrolled cell growth,” the hallmark of cancer.

There’s a simple name for this sort of lunatic research: stacking the deck.

What Harry Blazer is referring to in his statement is just one piece of the arcane lab protocol designed to “find a new virus and prove it is harmful.” We need EVERY piece of the process brought out into the light for all to see and understand and analyze.

A hundred years of Rockefeller-medicine propaganda has entrained gullible populations to “fear the germ,” forget the inherent strength and resilience of their own immune systems, and forget what health is.

As I keep mentioning, if germs were the basic problem, we would all be dead a thousand times over, because the gigantic number of microbes in our bodies and the environment is incalculable.

In several key articles, I’ve described how a proper large-scale study should be done, utilizing electron microscopy, in order to demonstrate the likelihood that a new virus is present and causes illness. Such studies are never done. The reason is clear. The naked results would torpedo absurd hypotheses about supposed viral epidemics.

Expert propagandists know, and have stated, that the best lie to tell is a huge lie. Sell that one, and you’re in. For example, once the population has internalized religious faith in The Germ, reversing that belief seems preposterous.

“You mean they’ve been lying to us about THAT? No, that couldn’t be…”

Yes, it could be, and it is.

“You mean, they’re a selling a STORY about a virus?”

Bingo. We have a winner.

Back in the 1980s, when I was writing my first book, AIDS INC., I decided to check up on efforts to infect animals with (purported) HIV and produce AIDS. These animal experiments involved chimps kept in sealed facilities across the US.

Keep in mind, the chimps were no longer living in their native environments. They were no longer among their traditional communities. They were existing in cages, kept there for long periods. Years. In other words, every possible psychological assault on them was being deployed—in order to impair their immune systems.

I spoke with the scientist who was in charge of tracking every one of those lab chimps. I asked him whether the injections had caused any “AIDS effects.”

No, he said. Not in any of the animals.

Robert Gallo, the “co-discoverer of HIV,” was reported to have said: “Let me take a crack at those damn chimps! I’ll infect them!”

Who knows what horrors he would have unleashed on the animals, to make it appear their immune systems were failing from “the virus.”

Eventually, researchers did announce they had been able to “infect” some chimps. This is like saying, “We dropped bombs on the enemy and they continued to fight, so we dropped much, much bigger bombs, and then they gave in…”

Welcome to the science of virology.

The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The Matrix Revealed: My interviews on space-time manipulation

by Jon Rappoport

In my collection, The Matrix Revealed, I include interviews with retired propaganda master, Ellis Medavoy, and another set of interviews with brilliant hypnotherapist Jack True.

The total of these 71 text interviews is 610 pages.

Jack and Ellis provide startling insights into how space and time are manipulated in the Matrix, in order to produce mind-control effects that go deeper than deep.

At the same time, understanding how time and space are engineered leads to breakthroughs and revelations about how the individual can liberate himself from this labyrinth.

In that sense, The Matrix Revealed is really about consciousness and its operations—in a shacked and limited condition, and freed from limitations.

Everything I’ve written as a reporter for the past 34 years feeds into this exploration and discovery.

Eventually, all roads lead to mind control and mind freedom.

As a reporter, I’ve always kept my eye on the goal: liberation of individual power.

Space and time are elastic. The illusion that they must be accepted as they appear to be creates a self-defeating structure. That structure can be cracked and nullified.

the matrix revealed

Here are the complete contents of The Matrix Revealed:

* 250 megabytes of information.

* Over 1100 pages of text.

* Ten and a half hours of audio.

The heart and soul of this product are the text interviews I conducted with Matrix-insiders, who have first-hand knowledge of how the major illusions of our world are put together:

* ELLIS MEDAVOY, master of PR, propaganda, and deception, who worked for key controllers in the medical and political arenas. 28 interviews, 290 pages.

* JACK TRUE, the most creative hypnotherapist on the face of the planet. Jack’s anti-Matrix understanding of the mind and how to liberate it is unparalleled. His insights are unique, staggering. 43 interviews, 320 pages.

* RICHARD BELL, financial analyst and trader, whose profound grasp of market manipulation and economic-rigging is formidable, to say the least. 16 interviews, 132 pages.

Plus…:

* Several more interviews with brilliant analysts of the Matrix. 53 pages.

* The ten and a half hours of mp3 audio are my solo presentation, based on these interviews and my own research. Title: The Multi-Dimensional Planetary Chessboard—The Matrix vs. the Un-Conditioning of the Individual.

Also included are 2 bonuses — which alone are rather extraordinary:

* My complete 18-lesson course, LOGIC AND ANALYSIS, which includes the teacher’s manual and audio to guide you. I was previously selling the course for $375. This is a new way to teach logic, the subject that has been missing from schools for decades.

* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst. I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.

(All the material is digital. Upon ordering it, you’ll receive an email with a link to it.)

This work is all about reinstating individual power, above and beyond what the Matrix implies and stands for. It is about insight, yes—but it is also about liberating one’s consciousness from the habit of accepting life on the terms by which it is given to us.

Thought and action can align themselves with Matrix, or they can strike out in a far more adventurous and galvanizing direction. A thrilling direction unique to each individual.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Exit From The Matrix: The Individual returns to his creative fire

by Jon Rappoport

Through my articles and my Matrix collections, I have one goal: bringing individuals back to their very capable minds, back to their own formidable power, their own imagination, their own creative force, their own deep desires and purposes.

When I began NoMoreFakeNews.com 19 years ago, I wasn’t sure how many people could handle this message. But I decided to find out. I’ve been pleasantly surprised, to say the very least.

If there is a tradition I have been adding to, all these years, it is early Tibet—before the priest class moved in and took over. The magicians and their students were engaged in an enterprise of extraordinary dimensions.

My research revealed that this tradition was initiated, some 1400 years ago, by teachers from India, who came to Tibet after being expelled from universities for their radical views.

These teachers rejected the content and cosmology of all spiritual systems.

They essentially stated that such metaphysical “pictures” of existence were creative inventions—

And that the true subject for study, contemplation, enlightenment, and, above all, exercise was the individual creative impulse itself—

Creative power, imagination, and invention, at the level of the individual.

The Tibetan exercises were fashioned to expand individual creative power without limit.

In that tradition, and for these modern times, I developed hundreds of imagination/creative techniques. More than 50 of these are offered and explained in my collection, Exit From the Matrix.

Exit From the Matrix

Here are the contents of my collection, Exit From The Matrix:

First, my audio presentations:

* INTRODUCTION: HOW TO USE THE MATERIALS IN EXIT FROM THE MATRIX

* EXIT FROM THE MATRIX

* 50 IMAGINATION EXERCISES

* FURTHER IMAGINATION EXERCISES

* ANESTHESIA, BOREDOM, EXCITEMENT, ECSTASY

* ANCIENT TIBET AND THE UNIVERSE AS A PRODUCT OF MIND

* YOU THE INVENTOR, MINDSET, AND FREEDOM FROM “THE EXISTENCE PROGRAM”

* PARANORMAL EXPERIMENTS AND EXERCISES

* CHILDREN AND IMAGINATION

* THE CREATIVE LIFE AND THE MATRIX/IMAGINATION

* PICTURES OF REALITY AND ESCAPE VELOCITY FROM THE MATRIX

* THIS WOULD BE A VERY DIFFERENT FUTURE

* MODERN ZEN

* THE GREAT PASSIONS AND THE GREAT ANDROIDS

Then you will receive the following audio seminars I have previously done:

* Mind Control, Mind Freedom

* The Transformations

* Desire, Manifestation and Fulfillment

* Altered States, Consciousness, and Magic

* Beyond Structures

* The Mystery and Magic of Dialogue

* The Voyage of Merlin

* Modern Alchemy and Imagination

* Imagination and Spiritual Enlightenment

* Dissolving Stress

* The Paranormal Project

* Zen Painting for Everyone Now

* Past Lives, Archetypes, and Hidden Sources of Human Energy

* Expression of Self

* Imagination Exercises for a Lifetime

* Old Planet, New Planet, New Mind

* The Era of Magic Returns

* Your Power Revealed

* Universes Without End

* Relationships

* Building a Business for Success

I have included an additional bonus section:

* My book, The Secret Behind Secret Societies (pdf document)

* My book, The Ownership of All Life (pdf document)

* A long excerpt from my briefly published book, Full Power (pdf document)

* My 24 articles in the series, “Coaching the Coaches” (pdf document)

And these audio seminars:

* The Role of Medical Drugs in Human Illness

* Longevity One: The Mind-Body Connection

* Longevity Two: The Nutritional Factors

(All the audio presentations are mp3 files and the documents and books are pdf files. You download the files upon purchase. There is no physical ship.)

What has been called The Matrix is a series of layers. These layers compose what we call Reality. Reality is not merely the consensus people accept in their daily lives. It is also a personal and individual conception of limits. It is a perception that these limits are somehow built into existence. But this is not true.

What I’ve done here is remove the lid on those perceived limits. This isn’t an intellectual undertaking. It’s a way to open up space and step on to a new road, with new power.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Dispatches from the War: the trial of John Q Citizen

by Jon Rappoport

August 21, 2020

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John Q found himself in a small courtroom. The lighting was dim. He’d been brought there to stand trial for a minor offense. He was trying to remember what it was. Not wearing his mask? Not keeping his distance? Breaking curfew? The judge was sitting behind a table on an elevated platform.

The judge began speaking—

You think you’ve been arrested because of some little item. You’re wrong. What we’re talking about here is reality. The picture frame and your place in the picture. Your life is INSIDE. That’s the deal. Whether you agreed to the terms is beside the point.

Once you’re inside the picture, you’re expected to take on all the duties of a law-abiding citizen. That’s your ID package. No exceptions. It doesn’t matter what the rules are, you follow them. You’re supposed to get a haircut and a shave, that’s what you do. You’re supposed to wear a suit, you wear a suit. You’re supposed to fall in line, you get in line and wait. If one day the crap hits the fan and everything goes blooey, you wait for orders.

Some days are sunny, sometimes it rains. You have other dreams, you ignore them. You’re carved down into a shape. You assume that shape. You live according to what that shape is supposed to do. You’re a CITIZEN. You aren’t anything else.

This is a one-time offer. Today we fine you. If you show up here again, we stick you in jail. You and all other citizens put together are a PATTERN. We don’t expect you to understand it, we just expect you to do your part.

What else do you think this IS? Stop testing the limits. The limits aren’t going to move. Everybody starts out thinking he’s a foreigner to reality. He’s taking a look-see. He’s checking out the situation. But that’s not the way it is. We’re here to make sure everyone gets the message. Once you’re in, you’re in.

We’re not interested in speculation. We’re interested in facts. We make the facts. Somebody has to. You didn’t wear a mask. We don’t care about the mask. Can’t you see that? We only care about the rule. Tomorrow we say don’t wear a mask. Then that’s the rule.

You’re shaved down and carved down to be a citizen who follows orders. That’s why you’re HERE—Earth, reality, America, whatever you want to call it. You don’t understand reality. We do. That’s the difference between you and us.

We thrive because you’re powerless. We want you to forget about power. You’re up against a whole lot of good citizens who believe they’re powerless. Get it? That’s their religion. It makes perfect sense to them.

Remember the Old Testament story of Joseph? During the seven-year famine, he was chief advisor to the Pharaoh. He sold back, to the people, part of the wheat he had already collected from them. Then finally, he distributed one more pile, in return for the people selling THEMSELVES to the Pharaoh. There is nothing new about our current arrangement.

What kind of show did you think we were running? I’m not just a petty bureaucrat. We know there is power. We know the individual secretly has power. We work to keep that fact away from him. We want to make him forget, to feel shame and guilt.

When we see he’s convinced he’s lost and we’ve won, we feel our own juice. We want to see him defeated. That’s our goal. That’s why we run things the way we do. Every citizen who gives up is a feather in our cap.

This is our movie, we’re the producers, and you’re in crowd scenes. That’s it. We don’t want you sticking out from the crowd or wandering off. Virus, no virus, epidemic, no epidemic, do you think we care about any of that? We only care about BEHAVIOR.

People above us in the pecking order wrote the script, and then other people sold it, and now we’re producing it. On a day to day basis. It’s our job and our calling. As long as you pretend you have no power, as long as you do whatever you need to do, in order to keep pretending, we’re good. We sell amnesia, and you’re the customer.

We don’t care whether you’re rich or poor, whether you work at some menial job, or you’re a high-brow, as long as you toe the line. You can salute whoever and whatever you want to—the flag, the country, the president, God, it doesn’t matter, as long as you stay in your place.

At some point in life, everyone gets a glimpse of the fact that reality is elastic. It’s invented. Our job is to make sure everyone shoves that moment down into his memory and below his memory into the dark and forgets about it.

If he bows down to Something he thinks is telling him that he can’t change reality, that it isn’t up to him, all the better. If he worships doom, all the better. If he believes he’s coming to a rational conclusion that reality is permanently fixed in place, all the better. If he believes inventing new reality is a sin, good. If he thinks real rebellion is impossible, good.

We want realists. A realist is a person who says, “What can I do? Nothing.” That person is a little fleck of gold in our account.

We’ve studied enough history to know the evidence is ABUNDANT: pushed down inside the individual is enormous creative power to invent new reality. We also know his hostile, vicious, rabid denial of that fact is a chronic disease. Have you ever thought about—

John Q Citizen clears his throat and says, “How much do I owe, Your Honor?”

“Two thousand dollars.”

“Where do I pay?”

“The clerk’s office down the hall.”

His eyes dull, Citizen turns and walks out of the court room.

As he’s about to place his hand on the knob of the door to the clerk’s office, a spontaneous question forms in his mind. He’s asked himself this question before, but never with such immediate clarity.

“What am I?”

He feels an explosion at the back of his head.

Suddenly, he looks around…makes up his mind, and then walks toward the entrance of the building.

He feels light on his feet. Alive.

However, before he can walk outside, he notices the scene around him has reshaped itself. He’s no longer in a courthouse. It’s a theater. He has a ticket in his hand.

He sees a door. He goes over and opens it. Moves inside, into warm darkness.

“Is this a good idea?” “Why did I do it?”

He can already feel a merging sensation. Electromagnetic fields are humming, even before the movie starts.

The theater is filled with people. John Q takes his seat. Crystal clear thoughts move through his head.

“Don’t forget where I came from. Don’t forget this is just a movie. Don’t fall asleep. The movie creates nostalgia for a place that doesn’t exist. Don’t surrender. I’m here to find out why the movie has power.”

The lights dim.

On the big screen, against a gray background, the large blue word REALITY slowly forms.

Suddenly, he’s looking at a huge pasture filled with flowers. The sky is a shocking blue. He can feel a breeze on his arms and face.

He thinks, “This is a hypnotic weapon.”

Now, the pasture fades away and he’s standing on an empty city street at night. It’s drizzling. He hears sirens in the distance. A disheveled beggar approaches and holds out his trembling hand. He waits, then moves on.

John Q looks at the wet shining pavement and snaps his fingers, to change it into a lawn. Nothing happens.

He’s shocked.

He waves his hand at a building. It doesn’t disappear.

Incredible.

He reaches into his pocket and feels a wallet. He walks over to a streetlight and opens it. There’s his picture on a plastic ID card. His name is under the picture, followed by a number code. On the reverse side of the card, below a plastic strip, is a thumbprint.

There are other cards in the wallet, and a small amount of paper money. He looks at the ID card again. There’s an address.

He remembers the address. He remembers a small cottage at the edge of an industrial town. There’s a pickup parked in the driveway.

It’s his truck. He knows it. But how can that be?

He walks toward larger buildings in the distance.

Three men in uniforms turn a corner and come up to him. Behind them emerges a short man in a business suit. He nods at John Q and holds out his hand.

John pulls out his wallet and give it to him. The man looks at the ID card, at John Q, at the card again.

“You were reported missing,” he says.

“Missing from what?” John Q says.

“Your home. Your job. What are doing here? Are you all right?”

“I’m fine,” John Q says. “I was…taking a short trip. I’m just out for some air.”

“In this part of the city? That’s not smart. We’ll take you home. Our car is right over there.”

One car sits on a side street. In large red letters printed on the trunk is the word Concern.

John walks with the men to the car.

Waves he’s never felt before are emanating from it.

Mentally, he tries to back up from them. For a moment, he’s in a haze.

He looks at the short man in the suit. The man is smiling.

Suddenly, the smile is transcendent. Tears fill John Q’s eyes.

John thinks, “They built this so I would be lost and they could find me. I’m supposed to be rescued. I’ve never been rescued before. I never knew what it meant.”

He hears faint music.

It grows louder. As he nears the car, he realizes he’s listening to a chorus and an orchestra. The rising theme is Victory.

One of the uniformed men opens the car door.

John nods at him.

“My pleasure, sir,” the uniformed man says.

The music fades away.

The scene shifts.

John Q is standing next to the pickup in his driveway alongside his cottage.

He’s home.

Think, he tells himself. What’s going on?

He recognizes his mind has sections. The first part registers this new reality.

The second part of his mind sees problems and solves them.

He was never aware of these two sectors of his mind before.

Where did they come from?

Now, as he walks into his cottage and instantly remembers the rooms and the objects in these rooms, a separate accompanying sensation of Familiarity, slightly out of phase, grows stronger.

He realizes, without knowing how, that he’s supposed to feel tremendous relief. This is what’s expected of him.

It’s expected of everyone. They live with one another through the Familiar. They share it like bread.

They keep coming back to it. The Familiar.

It’s built in. It’s invented through…it’s stamped on every object in this space…

…In order to suggest he’s been here before. To suggest he belongs here.

As he looks around the cottage, he notices a third sector of his mind. He struggles to identify it.

It’s the start of a different kind of perception.

Yes.

He keeps staring at the cottage and he sees space.

He sees pure space that…

…Has been placed here. For him.

And at that moment, there is a small explosion behind his head.

And John Q is sitting in the theater again.

The movie is playing on the screen. All around him, in the seats, people are sitting with their eyes closed.

John feels a tap on his shoulder. He turns. It’s an usher.

“Sir,” he says. “Please follow me.”

He leads John up the aisle into the lobby, which is empty.

An office door opens and a young woman steps out. She strides briskly over to John.

“You woke up and came back,” she says. She gives him a tight smile. “So we’re refunding your money. It’s our policy.”

She drops a check in John’s hand.

“What happened in there?” John says. “What happened?”

She shrugs.

“Only you would know that. You must have done something to interrupt the transmission.”

“And the rest of those people?”

She looks at her watch. “They’re probably into their fifth month by now. It’s typically a time of conflict. They rebel. Well, some of them do. They rearrange systems. They replace leaders. They promote new ideals.”

“I had such a strong feeling I’d been there before.”

She smiles. “Apparently it wasn’t strong enough. You’re back here.”

“How do you do it?” John says.

“I’m sorry,” she says. “That’s proprietary information. Did you meet your family?”

“No. But I was in a cottage. It was…home.”

She nods.

“If you hadn’t escaped, you would have been subjected to stronger bonding pulses. Do you have a family here?”

John starts to answer and realizes he doesn’t know.

She looks into John’s eyes.

“Go out to the street,” she says. “Walk around. Take a nice long walk for an hour. You’ll reorient. It’ll come back to you.”

“Why do you do it?” John says.

“Do what?”

“THIS.”

“Oh,” she says. “Why does a travel agent book a vacation for a client? We’re in that business.”

John turns toward the exit. The sun is shining outside. People are walking past the doors.

He takes a deep breath and leaves the theater.

The street is surging with crowds. The noise is thunderous.

He notices he’s carrying a rolled up sheet of paper in his hand.

He opens it.

It’s a non-disclosure agreement. It has his signature on it.

“If you return from your movie experience, you will not reveal or discuss, under penalty of law, anything about its nature, substance, or duration…”

He looks at the sheet of paper…

Makes up his mind…

…And it bursts into flames.

He looks behind him. The theater has vanished.

In its place sits a small stone building. Engraved over the door in gold letters: BOARD OF EDUCATION.

The door opens and young man walks out holding a large plastic bag. He comes up to John. He reaches into the bag and pulls out a thin envelope and hands it to John.

“It’s a mask,” the young man says. “Did you watch the news? We’re all supposed to wear them and hide behind them.”

He walks away.

The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.