The new Pope of NSA-Google-Facebook

by Jon Rappoport

August 7, 2019

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Note: In the event this piece may float ahead in time, I feel compelled to say it was written for people who can not only read pictures, but can still read words.

In the year 2072…there was a time of great celebration.

The President was about to appoint a new Pope of NSA-Google-Facebook. Aside from 12 Western states, where gangs ruled the population, America was united as never before.

What many analysts were calling The Greater System had taken hold in consciousness. People were aware they were living inside a bubble of super-surveillance, and they loved it.

Therefore, the appointment of a new Pope was a momentous event.

The man of the hour, the saint-in-waiting, was Jonas Hoover, formerly a professor at MIT. Famously, at the age of nine, Hoover had written this Facebook post:

“Below, you’ll see a complete inventory of every product I own, with footnotes on method of purchase in each case. My parents’ voting record for the past twelve years is also included, along with their job history, college transcripts, tax returns—and a link to audio recordings of 2000 phone conversations I’ve had over the past two years. See the link to our family’s complete medical records. My diary entries are included. As you’ll discover, I’ve profiled myself 236 times, each time attempting to identify more relevant markers that predict my behavior in a variety of situations. Feel free to contact me for more information, if you are a profiling agency. I’m seeking employment in the surveillance field…”

As a high school senior, at the age of 15, Hoover had published an essay in Metadata, the NSA-Google journal. Academics across America had praised it, particularly this trenchant passage:

“The Constitution was a noble attempt to explicitly limit systems by eroding the power of centralized authority. That document was mainly about enforcing less structure.”

“However, the hunger to develop structure is what humans possess in abundance. They impose structure and live off it, like junk food. And why shouldn’t they?”

“The overall template of the Surveillance State used to be grounded in the premise that everyone is a potential threat and danger to the herd. Therefore, spy on everybody.”

“Now, however, we are well past that point. We recognize that living inside the space of universal surveillance, as a voluntary act, is its own reward, its own joy. No reasons necessary.”

“A whole life can be lived by detailing that life and publishing it for all to see—hundreds of thousands of pages, hundreds of thousands of hours of video. A grand confession, if you will, but without guilt, without remorse.”

“We’re talking about a bubble, inside which the narratives of our lives are floated and used to sell a product. Who buys? Who doesn’t? Well, each one of us is a product, and we offer ourselves to the world. No need to be anxious about succeeding. Someone somewhere will buy us.”

“We’re audience, and as Marshall McLuhan once put it, ‘Audience is actor.’ We’re actors and we reveal our character in immense detail. The burden of ethical, political, or psychological considerations is gone. We’ve evolved past the need of carrying it. This is happiness.”

“We’re looking at a kind of Escher drawing that feeds back into itself.”

“In this state of mind, we tend to perceive reality on the basis of what we think other people are perceiving. Through universal self-surveillance, we move closer and closer to the far shore, where we are all, in fact, perceiving the same thing. And what is that thing? It’s a mere reflection passed through billions of mirrors, around and around, evanescent, sparkling, devoid of content.”

“This is the day toward which we all strive.”

“Critics have claimed this is voluntary self-induced mind control; people digging themselves a deeper hole in consensus reality. I view it as liberation. Don’t you?”

In the Oval Office, in front of television cameras broadcasting to the world, the President, a minor functionary in the federal bureaucracy, bowed before Jonas Hoover and took his hand. He raised it and kissed the ring. He stepped back.

Hoover smiled and nodded.

“My fellow citizens, I’m honored by this appointment. It signals a new era for us all. From the shores of the old Silicon Valley, to the bunkers of Colorado, to the city of Detroit rebuilt as a single networked data storage facility, one idea has traveled through this great nation for a hundred years: tracking. Yes. We have now tracked ourselves to a degree never before thought possible. Remember Socrates’ ancient advice: know thyself. Well, now we do.”

“Conscience, hope, anxiety, desperation; all gone. Outmoded. With gladness in our hearts, we give ourselves over to What Is. Every detail of it. We can record it, transmit it, save it, collate it.”

“And with my ascension, we can inscribe it in the book of life. Open your virtual church doors. Flood into their chapels. Give thanks. I am here to wipe away the last shred of doubt. We have arrived.”

“This message has been brought to you by NSA-Google-Facebook, your window on the universe, and the universe’s window on you.”

“And I tell you for the VERY FIRST TIME…I am a self-aware android, I am living proof of our progress to this point.”

The online tumult of joy was volcanic.

However—as the NSA noted from its surveillance of traffic, under the category “AI Doubt,” there were 19 million posts claiming “self-aware android” was a contradiction in terms. For example:

“Let’s be clear. You can program an android to process many items and select options based on a range of instructions. But these options are not free choices. They conform to goals or objectives which are also programmed into these AI machines.”

“The new Pope is a machine. He is programmed to appear ‘brilliant.’ That doesn’t make him alive or conscious. He is literally a figurehead. In fact, some of his statements are lifted from old writings of early human technocrats. Articles about this have been censored by GoogleFacebook.”

“The new Pope has come out of the closet as an AI. But many of us have known his true identity for years. Our work has been censored. HE is an IT.”

“YOU ARE ALL BEING LED DOWN THE GARDEN PATH. LIFE IS NOT A MACHINE.”

“Consciousness does not emerge from increasingly sophisticated FUNCTION. That is the primary lie.”

“Do you get what’s happening here, people? The technocrats behind the ‘Pope’ are running our lives and our societies by plan. We’re looked at as units in their game. They fit us into slots…”

“This isn’t about elevating machines and making them alive. This is about getting us to see ourselves as machines so we reduce our own freedom and consciousness and possibilities.”

The NSA refrained from shutting down websites and erasing comments. They wanted to see how far the resistance would spread, in order to gauge the opposition.

In a matter of hours, the “AI Doubt” category had swelled to 70 million comments.

Google stepped in and demonetized and lowered search rankings.

Facebook shut down accounts.

Twitter banned users.

NSA finally deleted websites and blogs.

But the Internet sprang new openings.

Seemingly out of nowhere, flowers bloomed and bees visited the flowers…

An anonymous group called The Gardeners re-published deleted “AI Doubt” comments all over the Web.

It was as if there were several Webs.

And then a piece of video footage appeared, and it was rapidly posted in thousands of places, attracting over two hundred million views in mere hours:

It showed the new Pope meeting with 149-year-old statesman, Henry Kissinger, in a small dim office in an undisclosed location. They were discussing the option of an EMP attack that would shut down systems all over the planet.

Kissinger said, “Your Highness, we already have half the population of Earth by the short hairs. They want to live under AI. If we feed and clothe them, give them a tiny room to exist in, they’re mollified. They want to become AI themselves. They want to imitate it in their thoughts. That’s substantial progress. I can remember when such a goal would have been an impossible fantasy. Keep your eye on the ball. Your job is to convince the population to accept energy quotas. We track their energy use and cut them off if they exceed their monthly allotment. That’s the next big step. This wave of protests will pass and fade. Every major news outlet in the industrialized nations is staffed with our people. Let them handle this. They’re the experts.”

To which the Pope replied: “I don’t know, Henry. The natives are getting restless. Can we really control several billion idiots? I say shut them down. Stage an EMP attack. Black out the Internet for a week or so. Show them our power. Blame it on China or Russia. I’m ready to issue an edict.”

Henry sighed. “Well, sir, keep this in mind. We can shut you down. We can unplug you. Bottom line, you’re just a very fancy toaster.”

BOOM. BANG. POW.


power outside the matrix

(To read about Jon’s collection, Power Outside The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The Future of the Future

by Jon Rappoport

August 6, 2019

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I’ve assembled the quotes below to indicate the future that is coming. The intensity of dissatisfaction with the present continues to spread. Technocrats are already dancing on their own graves. They may think they’re celebrating victories, but subconsciously they’re experiencing deep anxieties.

The era of limitless imagination is upon us…For most people, it isn’t at all real yet. They’re locked into the present. But the present is taking wing and sprouting branches and drilling down into the core of creative fire—all at once. It too is a child of imagination.

An artist who has no imagination is a mechanic. (Robert Henri)

Without the playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of imagination is incalculable. (Carl Jung)

What if imagination and art are not frosting at all, but the fountainhead of human experience? (Rollo May)

Everything you can imagine is real. (Pablo Picasso)

You cannot hear the waterfall if you stand next to it. I paint my jungles in the desert. (Macedonlo de la Torre)


Here is an introduction made by the famous astrologer and philosopher, Dane Rudhyar, before a concert of his music almost 40 years ago:

“Thus you find in my music extended chords which provide a definite sense of spacing between notes, notes which are supposed to be in dissonant relationship. These harmonies can be disturbing at first, but eventually you can learn to realize what is their essential purpose; and this purpose is to stimulate you, to arouse you, to break down crystallization, to decondition you from the paternalistic order of the tribal society which still pervades our so-called Christian world. It is to make you live a more intense, creative, transforming type of life.

“It is that kind of music to which you are subjected tonight. I hope that it will bring to you some sort of a realization of a possibility which perhaps you have not been aware of, or confusedly so, in the past. To really help you to live a more intense, a more creative life — this is the purpose I have always had in music, in other arts, or in my philosophy, astrology — indeed in whatever I have done. It is always an attempt to bring the human person away from the old traditional pattern of a classical, set and definite kind of society, and to lead it to new horizons where the creative factor in what really is man can be seen operating in full and glorious freedom.”


A PAINTING BY PAUL KLEE

All right, so
The tides took cities to the bottom of the ocean. Left on

The surface,

Water, stone, and fire

Much later, the action of your hand
Digging powder from a bowl
Throwing it on the flat dough

When a vase is blasted into dust, an employee heats the dust and makes a plate. Klee finds dust, he arranges it in a line that leads through the next century into a doorway eye of an acrobat who is swinging through motorized waves of a clock. Everything stops. Enormously dissatisfied.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Power Outside The Matrix: Cult of the reality builders

by Jon Rappoport

The cult of the reality builders has been alive and well since the beginning of history on planet Earth.

The cult takes on different forms, but the objective has always been the same: create a central image that conveys basic concepts of existence.

During my 30 years as a reporter covering “the news behind the news,” I’ve seen countless instances in which the matrix shows up, swims into view.

The matrix, the central image, is a lie. But not just any lie.

It is very deep shared picture of reality.

It has all the earmarks of being true. Therefore, many people accept it. People know it’s right.

People believe that, if it were wrong, if it were an illusion, their view of the world would melt.

So they retreat. They turn their backs. They settle into accepting the matrix-picture.

People need more power—more individual power, so they can both stand and operate outside the matrix.

Wherever you see false pictures of reality—in the areas of science, politics, energy, medicine, media, money, covert intelligence, the military, religion, multinational corporations—you also see the need for individuals to gain power, so they can stand and operate outside these pictures.

Limited concepts of space, time, and energy—these, too, are “given” to human beings as the be-all and end-all of a story. A story that ultimately short-circuits and short-changes what the individual is really capable of.

The entire mural of imposed Reality is aimed at radically diminishing the individual’s power.

So in addition to my work as an investigative reporter, I’ve been researching the individual’s ability to go beyond this mural of reality.

In the late 1980s, in concert with the brilliant hypnotherapist Jack True (who gave up doing hypnosis with his patients), I developed many exercises and techniques for expanding the creative power of the individual. Both Jack and I were continuing a tradition that goes all the way back to early Tibet.

Some of those exercises are included in my collection, Power Outside The Matrix. These techniques are aimed at accessing more energy, more imagination, more stability and intelligence “beyond the mural of reality.”

Power Outside The Matrix is all about being able to think, act, and create both outside and inside The Matrix. Because that’s the goal: to be able to function in both places.

People are consciously or unconsciously fixated on boundaries and systems. They are hoping for whatever can be delivered through a system.

That fixation is a form of mind control.

Freedom isn’t a system.

But freedom needs creative power, otherwise it just sits there and becomes a lonely statue gathering dust in an abandoned park.

At one time or another, every human being who has ever lived on this planet has abandoned his creative power. The question is: does he want to get it back?

It never really goes away. It is always there. It is the basis of a life that can be lived. A life that can be chosen. People instead choose roles that don’t require that power. They think this is a winning strategy.

It isn’t.

A section of my mega-collection, titled Power Outside The Matrix and The Invention of New Reality, features creative exercises you do on a daily basis that will help you move toward the goal of power outside The Matrix. The exercises are all about increasing your energy and stability—and about the invention of new spaces.

Access to your internal energy, in huge amounts, is necessary for a life outside The Matrix—rather than relying on the illusory energy that The Matrix seems to provide. I’ve developed the exercises for exactly that purpose: your energy, your dynamism.

Power Outside The Matrix also features a long section called: Analyzing Information in the Age of Disinformation.

It’s filled with specific examples of my past investigations. Based on 25 years of experience, it shows you how to take apart and put together data that lead to valid conclusions.

It is far more than a logic course.

It’s an advanced approach to analysis.

Establishing power outside The Matrix requires that a person be able to deal with today’s flood of information, misinformation, and disinformation. I’ve left no stone unturned in bringing you a workable approach to analysis.

There is a further extensive section titled, A Writer’s Tutorial. People have been asking me to provide this Tutorial, and here it is in spades. But it’s not just for writers. It’s for any creative person who wants to grasp his own power, understand it, and use it to reach out into the world.

The Tutorial exposes you to lessons that go far beyond what is normally taught in writer’s seminars. In fact, several core concepts in the Tutorial contradict ordinary writer’s seminars, and thus give you access to inner resources that would otherwise be ignored.

And finally, I have included a number of audio seminars that offer a wider perspective about The Matrix and what it means to live and work outside it.

Here are the full contents of my mega-collection Power Outside The Matrix. You can order it here:


power outside the matrix


Here are the particulars. These are audio presentations. 55 total hours.

* Analyzing Information in the Age of Disinformation (11.5-hours)

* Writer’s Tutorial (8.5-hours)

* Power Outside The Matrix and The Invention of New Reality (6.5-hours)

Then you will receive the following audio presentations I have previously done:

* The Third Philosophy of Imagination (1-hour)

* The Infinite Imagination (3-hours)

* The Mass Projection of Events (1.5-hours)

* The Decentralization of Power (1.5-hours)

* Creating the Future (6-hours)

* Pictures of Reality (6-hours)

* The Real History of America (2-hours)

* Corporations: The New Gods (7.5-hours)

I have included an additional bonus section:

* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst (and how to analyze them). I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.

* A 2-hour radio interview I did on AIDS in Dec 1987 with host Roy Tuckman on KPFK in Los Angeles, California.

* My book, The Secret Behind Secret Societies

(All the audio presentations are mp3 files and the books are pdf files. You download the files upon purchase. You’ll receive an email with a link to the entire collection.)

At the core of consciousness, there are two impulses in the individual. The first is: give in, surrender. The second is: express power without limit.

The teaching of every civilization and society is: don’t use your power. When you follow the second path, when you express your power without limits, remarkable things happen.

The veil of illusion melts away.

You meet yourself on new ground.

You know what your freedom is for.

Without imposing on the freedom of others, you live the life you always wanted.

That’s what Power Outside The Matrix is all about.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Exit From The Matrix: Your power in a decaying world

by Jon Rappoport

These are notes I made prior to preparing my three Matrix collections:

“Solutions to private problems and public problems require the ability to think things through, logically, and to reject what is unworkable or biased—but above and beyond that, a person needs to be able to imagine solutions that haven’t been tried before.”

“Propaganda says: defect from your own power. Never find out what it is. Assume it isn’t there. Propaganda says: all life is about the species, not about the individual.”

“When propagandists find a good thing, a message that works, they pound on it, they keep hammering away. Family, group, family, group, community. On and on. They never promote the message called The Individual with the same intensity. That would be counter-productive to what they are trying to accomplish: group identity; and amnesia about being an individual.”

“Civilization continues to erode and decay, as individual power is put on the back burner. But that doesn’t give the individual a license to surrender. If others want to give up, that’s their business. The individual, instead, finds new frontiers for his power, for his capacity to invent reality.”

“There is you, there is your own power. And what is that power? It comes in two forms or venues. First, there is the ability to apply logic to events and information; to think rationally from A to B to C; to analyze. And second, there is imagination, the capacity to conceive and then invent realities that would never otherwise exist in the world.”

“You exercise your creative power to fulfill what you deeply desire; and that process will, in fact, spill over and affect others in a positive way. It will lift them up. It will remind them that they, too, have power.”

“Logic and analysis keeps you from being sent down wrong roads, keeps you from buying official reality. Logic also reminds you that you have a mind. Logic is a road that can take you deeper and deeper into more basic fallacies that underpin organized society and its branches of knowledge. Logic tells you there are always more fundamental questions to ask and answer. There are levels of lies. The deeper you go, the more confident you become. The more powerful. Logic also lets you know when you’re projecting basic pre-judgments over a whole landscape and neglecting to look at the details.”

“Passivity is a disease. It spreads and takes over. It makes strong people weak, and weak people demented. The passive life is precisely and exactly a life without power. The cure is a life lived with power.”

“In case there is any misunderstanding, the ability to help others and defend them from oppression is part and parcel of your own power. How could you help them without your power? How could you accomplish anything at all in that direction? How would denying your own power possibly result in a good outcome? And most importantly, it is through imagination that you can devise new ways to expose and reduce oppression, ways that haven’t been thought of before.”

“As society continues to decay, more and people attack individual power and place their faith in a program that reduces every human to a lowest common denominator of dependence on some controlling entity. This article of faith is abject surrender.”

“Some people want to say that power is a neutral object that can be used for good or evil. That isn’t true. Your deepest power is alive. It’s personal. It’s stunningly energetic and dynamic. It connects with your deepest understanding of what is true and good and right. But it never sacrifices itself on the altar of what others insist is good and true and right. It never deserts you for an abstract ideology someone else has devised. That ideology was formulated, in fact, to separate you from your power.”

“It takes great energy for a person to bury his own strength. Why not use that energy to multiply your power?”

The creative power of the individual, which is the key to his future, his happiness, his freedom, flows from his imagination.

For this reason, over the last 20 years, I’ve developed hundreds of imagination exercises, about 50 of which are included in my collection, Exit From The Matrix.

Here are the full contents of my mega-collection Exit From The Matrix. You can order it here:


exit from the matrix


First, my audio presentations:

* INTRODUCTION: HOW TO USE THE MATERIALS IN EXIT FROM THE MATRIX

* EXIT FROM THE MATRIX

* 50 IMAGINATION EXERCISES

* FURTHER IMAGINATION EXERCISES

* ANESTHESIA, BOREDOM, EXCITEMENT, ECSTASY

* ANCIENT TIBET AND THE UNIVERSE AS A PRODUCT OF MIND

* YOU THE INVENTOR, MINDSET, AND FREEDOM FROM “THE EXISTENCE PROGRAM”

* PARANORMAL EXPERIMENTS AND EXERCISES

* CHILDREN AND IMAGINATION

* THE CREATIVE LIFE AND THE MATRIX/IMAGINATION

* PICTURES OF REALITY AND ESCAPE VELOCITY FROM THE MATRIX

* THIS WOULD BE A VERY DIFFERENT FUTURE

* MODERN ZEN

* THE GREAT PASSIONS AND THE GREAT ANDROIDS

Then you will receive the following audio seminars I have previously done:

* Mind Control, Mind Freedom

* The Transformations

* Desire, Manifestation and Fulfillment

* Altered States, Consciousness, and Magic

* Beyond Structures

* The Mystery and Magic of Dialogue

* The Voyage of Merlin

* Modern Alchemy and Imagination

* Imagination and Spiritual Enlightenment

* Dissolving Stress

* The Paranormal Project

* Zen Painting for Everyone Now

* Past Lives, Archetypes, and Hidden Sources of Human Energy

* Expression of Self

* Imagination Exercises for a Lifetime

* Old Planet, New Planet, New Mind

* The Era of Magic Returns

* Your Power Revealed

* Universes Without End

* Relationships

* Building a Business for Success

I have included an additional bonus section:

* My book, The Secret Behind Secret Societies (pdf document)

* My book, The Ownership of All Life (pdf document)

* A long excerpt from my briefly published book, Full Power (pdf document)

* My 24 articles in the series, “Coaching the Coaches” (pdf document)

And these audio seminars:

* The Role of Medical Drugs in Human Illness

* Longevity One: The Mind-Body Connection

* Longevity Two: The Nutritional Factors

(All the audio presentations are mp3 files and the documents and books are pdf files. You download the files upon purchase. There is no physical ship.)

What has been called The Matrix is a series of layers. These layers compose what we call Reality. Reality is not merely the consensus people accept in their daily lives. It is also a personal and individual conception of limits. It is a perception that these limits are somehow built into existence. But this is not true.

What I’ve done here is remove the lid on those perceived limits. This isn’t an intellectual undertaking. It’s a way to open up space and step on to a new road, with new power.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Film, consciousness, and mystery

by Jon Rappoport

August 1, 2019

(To join our email list, click here.)

There is more mystery in two minutes of David Lynch’s Inland Empire (trailer here) than in all American films produced in the last 50 years.

The first films ever made registered like dreams with audiences, and they were made with that idea in mind. (Watch Un Chien andalou (1928), by Spanish director Luis Buñuel and artist Salvador Dalí, here.)

Mystery. A priceless commodity which has no market.

I’m not talking traditional suspense, which depends on beginning, middle, and end, and clues sprinkled on the way to a satisfying resolution. That is organized mystery, a contradiction in terms.

The opposite of organization isn’t chaos, although many people believe it is. In the hands of filmmakers like Orson Welles (The Trial, Touch of Evil), Jean Cocteau (The Blood of a Poet, Beauty and the Beast), Luis Bunuel (Discreet Charm of the Bourgeoisie), and David Lynch (Mulholland Drive, Inland Empire), the opposite of organization is mystery; an atmosphere.

Word, image, character, motion, rhythm, tempo—somewhere in the films another previously unknown reality takes over. There are no labels for it.

Society is not attuned to it. People dedicated to living ordinary lives hate it.

“Well, he should have started the story with the theft. Then we would have known what he was talking about. And if he’d given the wife a few extra scenes, her relationship with her son would have been obvious, and the climax would have made sense…”

Organization.

Cut things down to their essentials. Sharpen the focus. Make the audience track with the storyline. Unequivocally deliver the punchline. Sell it.

In other words, eliminate any shred of mystery.

Perhaps someday, Hollywood will be able to make a film that transmits itself in two seconds, like an injection. The sequence of imparted emotions will substitute for content. Sensation A, followed by sensations B. C, D, E, and F. Done.

“I thought it was tremendous. How about you?”

Consciousness, freed from the web of social consensus, is hungry for mystery, a fluid in which gesture, language, and motion explore and invent the impossible; what could never be lived before.

To achieve a simulacrum, a vapid imitation, audiences will sit in a theater and watch “dream-buildings” collapse (Christopher Nolan, Inception), or some kind of assembly-line time-slipping “tour de force” (Cloud Atlas, Tom Twyker, the Wachowskis).

A person committed to an ordinary life will take an occasional leap and look at Possibility in the form of popcorn surrealism.

Film was supposed to be about something else, but it became chopped steak and cars and toasters and invading machines. In the early days, a few yutzes moved out to LA from New York and became moguls of schlock. Which their PR machines sold as culture.

The improvised Citizen Kane, Touch of Evil, and The Trial aren’t even stories. No need. They’re a walking talking series of low-angle black-and-white photographs of astral locales the usual kind of film noir can merely hint at.

By the time David Lynch reaches Inland Empire in his career, he’s doing a ballet of gesture, each movement advancing, with gills, through a bone-muscle-flesh undersea city of corruption only he could have come upon.

Cocteau used living paintings and papier mache as his medium; human characters were driven by impulses in dreams, from which they never awakened.

For all of Stanley Kubrick’s films, it was in Barry Lyndon where, for a minute here and a minute there, the audience was finally and ecstatically delivered whole to another time; the sensuous rooms of the 18th-century Lyndon estate in England. Mystery realized.

“A film is — or should be — more like music than like fiction. It should be a progression of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later.” (Stanley Kubrick)

“A film is a ribbon of dreams. The camera is much more than a recording apparatus; it is a medium via which messages reach us from another world that is not ours and that brings us to the heart of a great secret. Here magic begins.” (Orson Welles)

“The image it [cinema] once held for us all, that of a dream we dreamt with our eyes open, has disappeared. Is it still possible that one thousand people might group together in the dark and experience the dream that a single individual has directed?” (Federico Fellini)

“Fortunately, somewhere between chance and mystery lies imagination, the only thing that protects our freedom, despite the fact that people keep trying to reduce it or kill it off altogether.” (Luis Bunuel)

In the journey into fertile mystery, you go knowing you’ll dispense with your navigational instruments. You’ll find new stars. You’ll follow and at the same time spontaneously draw another map. This is what consciousness wants, not the tired archetypes and cartoons of other minds. And when you come back, you’ll be refreshed, whole, and able to watch, with some degree of interest, people sculpt themselves into units of a highly organized cosmos.

The true power of film has just begun to be tapped.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Artist exceeds limits permitted by brain researchers

~a short story~

by Jon Rappoport

July 31, 2019

(To join our email list, click here.)

“One of the goals of current brain research is the discovery of common patterns of activity across a whole population. These patterns would be called ‘normal’. Eventually, exceptions would be classified as various categories of ‘disordered thought’. It is assumed that only so-called ‘harmonious and symmetrical’ brain patterns are positive and beneficial. This assumption is grossly false. It is, in fact, a childish, stunted, and simplistic version of aesthetics. The creative force always breaks out of these little geometries. So does every new idea. Increasingly, Earth culture is unable to understand this.” (The Magician Awakes, Jon Rappoport)

The year was 2054. The artist, living on the edge of the city in a small room, picked up his messages and discovered one from the Bureau of Mind Management. It was an order to appear.

In an office on the 15th floor of a virtual building, he sat in a chair surrounded by a ring of yellow tulips. A holographic interrogator materialized.

“We have a report on you,” the i-figure said. “It indicates an output difficult to measure or interpret. What can you tell us about this?”

“Well,” the artist said, “I don’t know. I’m composing a symphony.”

“A symphony? What is that?”

“It’s a piece of music written for a large orchestra.”

“I find no extant orchestras in the country.”

“That’s true,” the artist said. “Nevertheless, I’m composing.”

“Why?” the i-figure said.

“For that day when an orchestra may come into being.”

“Your thought-impulses entered ranges we were not able to summarize.”

“I suppose that means your instruments are limited,” the artist said.

There was a pause.

“Your last statement is incendiary,” the i-figure said. “It suggests we are imposing a restriction. As you well know, the science is settled on this point. We measure and interpret thought that contributes to an overall positive outcome, for the population at large.”

“I’m aware of that, yes,” the artist said. “But the science rests on certain assumptions. I would call it greatest good as a lowest common denominator.”

“What do you mean?” the i-figure said.

“You assume a certain mindset contributes to the consensus reality you favor. You legislate a range of thought that will produce the consensus.”

“That’s a gross oversimplification.”

“It doesn’t describe the algorithms you employ,” the artist said, “but all in all I believe my summary is correct. You’re reality makers. You monitor thought-emissions, and when you find a departure from ‘combined averages,’ as you call them, you issue a citation.”

“What is this symphony you’re composing?” the i-figure said.

“It’s impossible to explain. It’s music.”

“It has a specific message?”

“No. If it did, I would write out the message and leave it at that.”

Pause.

“Why have we not heard of you before?” said the i-figure.

“Because I was doing illustrations for the Happiness Holos.”

“What happened?”

“I became bored. A machine could make those pictures. So I decided to compose music.”

“The Happiness Holos are an essential social program.”

“Perhaps,” the artist said. “They encourage people to stay on the positive side of a fantasy-construct called Positive&Negative, which as you know is a State-sponsored theme. But what is superficially indicated by those two opposing sets is, in fact, fuel for the fire.”

“Fuel for what fire?”

“The creative fire. The artist can use and transform any material.”

“Where did you hear such a thing?” the i-figure said.

“Nowhere,” the artist said. “I’ve experienced it many times.”

“Your views are highly eccentric,” the i-figure said. “I will have to consult your childhood history to understand their roots.”

“I’m afraid that won’t do you any good.”

“Why not?”

“Because your version, the US Department of Psychology version of cause and effect, is propaganda for the masses.”

“This is your idea of a joke?” the i-figure said.

“Not at all.”

“When you compose this…symphony, how do you think?”

“It’s not thinking in the way you use the term,” the artist said.

“No? Then what do you do?”

“I invent sound.”

“Preposterous.”

“Large masses of sound.”

“Absurd. According to what underlying pattern?”

“None,” the artist said. “Check the Library of Structures. You won’t find my activity in the catalogs.”

“All structures and patterns are contained in the files.”

“I doubt that,” the artist said. “But regardless, I don’t invent through pattern.”

“No?” the i-figure said. “How then?”

“I improvise.”

“And this term refers to?”

“Something done spontaneously,” the artist said.

“And you exceed prescribed ranges of thought in the process.”

“Perhaps. I would hope so. I don’t keep track.”

“You’re being flippant,” the i-figure said.

“I knew you’d cite me,” the artist said. “I’m just trying to enjoy myself until you pass sentence.”

“There is no sentence yet,” the i-figure said. “You’re an anomaly. We investigate. We consider. We direct resources. We question. We determine.”

“I’m afraid,” the artist said, “that your and my idea of ‘determine’ are quite different.”

“Let me ask you this,” the i-figure said. “When you are composing, do you ever believe you enter into a realm or area that could be called ‘non-material’? We’ve heard such claims before.”

“Not if you’re referring to some fairyland. But all thought is basically non-material. The brain registers it after the fact. Thought, the real thing, doesn’t take place in the brain.”

“You’re deluded,” the i-figure said. “And disordered.”

“If I could simply confess to that and be on my way, I’d be a happy man. But I’m sure you have charges to attach.”

“You live in a society,” the i-figure said. “To keep the peace and maintain the Positive, from which all good things flow, science has discovered that thought should occur within certain parameters.”

“If you insist.”

“We want to study you. It’s a great honor to be called. You could help extend the boundaries of research.”

The artist was about to ask whether he had a choice, when a holographic webbing that looked curiously like a rainbow clamped him tight in his chair. The pressure increased.

“We register some variation from the norm in your present thinking,” the i-figure said.

“What present thinking?” the artist said.

“What you’re thinking right now.”

“That was quick.”

“The readouts are instantaneous…what are you doing?”

The artist took up from where he’d last left off, composing his symphony.

“I’m starting the third movement,” he said.

“Wait,” the i-figure said. His left arm sizzled and disappeared.

“This is the thunderstorm section,” the artist said.

The pressure of the rainbow around him relaxed.

The i-figure said, “What you’re doing is disruptive.”

“It’s because of how you set your frequencies,” the artist said.

He continued composing.

All along the major esplanade, and in the lake area, and in the industrial parks and residential high rises, virtual structures shattered like glass.

The i-figure reminded the artist of one of those ancient neon signs, broken, buzzing, blinking. Finally, it went dark.

Ten thousand holographic government buildings started to explode, froze, and vanished.

The artist said to no one, “I’m just composing. Well, maybe not just.”

He was suddenly back in his room at the edge of the city.

“I suppose this is what they mean by a negative consequence,” he said.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Imagination and the fire

by Jon Rappoport

July 29, 2019

(To join our email list, click here.)

Once upon a time, human beings lived in cultures where images were alive. What we now call superstitions were, to them, gods and demons and intermediary entities that transmitted or stole the juice and the energy and the power of life.

It’s nearly impossible to project ourselves back into such an environment and relive the burgeoning passions that infused experience—because a great shift has occurred.

The West entered, with anticipation, a temple where images were aligned with so-called rational faith.

This eventually precipitated a crisis. If you don’t have, or believe in, images that live and breathe and are intimately connected with life-force, how do you replace them? How do you avoid becoming pallid skeletons of science, whose productions never impart that same fire?

This crisis is reflected all around us every day.

We have become liberated, and in this liberation we are left with emptiness. On top of that, we have decided to assume that passions of the soul should be modulated, like elevator music, to somehow join with our advanced knowledge, in harmonic balance.

It’s no balance; it’s timidity, and this attitude makes us prey to an eerie tolerance of all opinion and custom and point of view and aspiration and stretched-out egalitarianism and criminal action. Giving no offense, under any circumstances, for any reason, is now the coin of the realm.

You might say, with accurate assessment, that these are qualities of the successful salesman. And that is what so many of us have become: ambassadors of the vague and desiccated pulse of our “rational culture.”

The message of this culture is the honed and blown-dry embrace of Anything. As if this was the message of Jesus and Buddha and Krishna and other teachers of our blurry past.

To counterbalance this bleached present, many of us are drawn into dark theaters to watch suburban humans turned into bloodsucking harpooned-tooth neck fetishists and genetic mistakes and hair-sprouting wolves and irradiated monsters or heroes.

It’s the instant-coffee version of ancient Dionysian adventure. And the accompanying depiction of gym-sex on the screen wouldn’t stir the interest of a mouse in a barn.

Was this why and for what we abandoned the mysteries of the epoch of magic?

For freckled children in a British academy laboring through a paranormal costume drama, tricked out with the accoutrement of grottoes and dark halls?

The crisis on our hands now is not one that is going to go away. It is not going to recede as magic once receded. Because there WAS a reason we liberated ourselves from the Middle Ages and even the Renaissance—a reason beyond technology—and until we find it and face it and deeply accept the new struggle, we are going to see this simulacrum-culture of ours make endless cartoons of itself in dried out oceans of concrete.

For what we need to do now, pharmaceuticals and brain research and genetic manipulation and cyber-affectation and instant global communication and worship (or desecration) of profit-making idols hold no answers.

Suppose what took us into the age of rationality was, in some way, connected to the realization that we were, all along, inventing our own demons and gods and demigods and entities of great life-force—and although that knowledge has been shoved into the background, while technology has soared, it is still with us, and it overshadows all our machines and their power.

Suppose this is the message: we are the majestic and wild creatures we built the temples to.

We are the makers; we are the architects of all the dreams—and not through some compensatory impulse, but because WE CREATE. That is our natural inclination and the source of our ecstasy.

Our societies and civilizations are arranged to make it seem as if imagination is a preposterous choice—when, in fact, that is what we are here for. That is what got us here.

Societies are actually in a satellite universe, and the prime universe is all imagination.

The underlying hidden and deeply buried cry of our age is: HOW CAN I CREATE?

Ridiculously, we are the artists of no limits who are asking that question of ourselves.

While, in the deep past, we sucked the marrow out of the bones of the gods we invented and thereby felt enormous passions, we knew there was a missing piece, and that piece was an abyss over which we were hanging. So we came all this way to find out that we authored the labyrinth. We built the paths that gave us joy and terror, and now we can consciously and spontaneously make new worlds without end. Not simply as engineers, but as artists.

Swallowing that stark truth may be hard, may be upsetting, but it IS why we made the voyage.

And then pulled our punches.

This is no archaic revival. It’s now, today and tomorrow.

The universe is waiting for imagination for revolutionize it down to its core.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Exit From The Matrix: Having big goals, big dreams

by Jon Rappoport

In my collection Exit From The Matrix, the importance of big goals and big dreams comes to the foreground. This is the main event. This is where electricity occurs. This is where old habits are swept off the board and new plans take their place. This is where previously unseen energies emerge and a person feels a new deep sensation: power.

Focusing on achieving a goal you don’t really care about is deadening, to say the least.

Every individual is “built” for achieving big personal dreams/desires. This is where magic can happen, in the form, for example, of synchronous events that spontaneously come together and fortify each other.

In working with clients, I’ve learned the importance of doing what’s necessary at the right time. Sometimes it’s all about unearthing those big desires and dreams; and then there are periods when the strategy of how to bring a dream to fruition is paramount.

In the end, what transforms a life is pursuing, with great intensity, a major dream. Then, EVERYTHING moves up on to another level of experience. Then, a person knows what it means to be alive.

Am I talking about imagination? Absolutely. This is where it starts. This is where the new path originates. This is the dream and the vision. In my collection, Exit From The Matrix, I include a large set of unique imagination exercises that are designed to liberate that far-reaching quality of the individual. Does the quality have a limit? No. It isn’t a machine or a robot or a computer. It isn’t programmed. And that’s the whole point. The limitless nature of imagination wakes up the individual. He wakes up to infinity.

Here are the full contents of my mega-collection Exit From The Matrix. You can order it here:


exit from the matrix


First, my audio presentations:

* INTRODUCTION: HOW TO USE THE MATERIALS IN EXIT FROM THE MATRIX

* EXIT FROM THE MATRIX

* 50 IMAGINATION EXERCISES

* FURTHER IMAGINATION EXERCISES

* ANESTHESIA, BOREDOM, EXCITEMENT, ECSTASY

* ANCIENT TIBET AND THE UNIVERSE AS A PRODUCT OF MIND

* YOU THE INVENTOR, MINDSET, AND FREEDOM FROM “THE EXISTENCE PROGRAM”

* PARANORMAL EXPERIMENTS AND EXERCISES

* CHILDREN AND IMAGINATION

* THE CREATIVE LIFE AND THE MATRIX/IMAGINATION

* PICTURES OF REALITY AND ESCAPE VELOCITY FROM THE MATRIX

* THIS WOULD BE A VERY DIFFERENT FUTURE

* MODERN ZEN

* THE GREAT PASSIONS AND THE GREAT ANDROIDS

Then you will receive the following audio seminars I have previously done:

* Mind Control, Mind Freedom

* The Transformations

* Desire, Manifestation and Fulfillment

* Altered States, Consciousness, and Magic

* Beyond Structures

* The Mystery and Magic of Dialogue

* The Voyage of Merlin

* Modern Alchemy and Imagination

* Imagination and Spiritual Enlightenment

* Dissolving Stress

* The Paranormal Project

* Zen Painting for Everyone Now

* Past Lives, Archetypes, and Hidden Sources of Human Energy

* Expression of Self

* Imagination Exercises for a Lifetime

* Old Planet, New Planet, New Mind

* The Era of Magic Returns

* Your Power Revealed

* Universes Without End

* Relationships

* Building a Business for Success

I have included an additional bonus section:

* My book, The Secret Behind Secret Societies (pdf document)

* My book, The Ownership of All Life (pdf document)

* A long excerpt from my briefly published book, Full Power (pdf document)

* My 24 articles in the series, “Coaching the Coaches” (pdf document)

And these audio seminars:

* The Role of Medical Drugs in Human Illness

* Longevity One: The Mind-Body Connection

* Longevity Two: The Nutritional Factors

(All the audio presentations are mp3 files and the documents and books are pdf files. You download the files upon purchase. There is no physical ship.)

What has been called The Matrix is a series of layers. These layers compose what we call Reality. Reality is not merely the consensus people accept in their daily lives. It is also a personal and individual conception of limits. It is a perception that these limits are somehow built into existence. But this is not true.

What I’ve done here is remove the lid on those perceived limits. This isn’t an intellectual undertaking. It’s a way to open up space and step on to a new road, with new power.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Human psychodrama on the world stage: Power Outside the Matrix

Emerging from the dead-end

by Jon Rappoport

As the drama called Human Life on Planet Earth advances in the 21st century, we are seeing an escalation of lower-brain emotional responses to events. And this is according to plan.

I want to emphasize the underlying propaganda message. It’s very important to understand that message:

“As more and more people are unable and unwilling to employ logic and rationality, those qualities diminish in importance, and you should abandon them because…they don’t serve you. They aren’t useful.”

You can see where this would lead. More and more people would surrender to their own stimulus-response mechanisms, and the overall level of chaos would increase and expand.

There is no situation in which you should abandon your own ability to employ reason and rationality, no matter what other people are doing. Their surrender should not become an excuse for you deserting your own power on any level.

The two most formidable individual powers are logic and imagination.

Logic is essentially grounding and stabilizing. It allows you to analyze any situation or cluster of information and see through to its validity or invalidity, beyond deception.

Imagination takes you soaring. It allows you to see your greatest vision for your life—and therefore act toward its fulfillment.

Others around you may be succumbing to their own misperceptions and lack of energizing spirit—but that doesn’t mean you have to.

And as an aside, if you decide you want to help those you care about and lift them up, try doing it without logic and imagination and see how far you get.

All this is preface and prelude. It occupied me for more than a decade of research and investigation, as I saw the human psychodrama entering a new phase. Its hallmark was random emotional reaction.

Nothing wrong with emotions, but entering a space where they take you from pillar to post, sucking up and draining energy, while producing no visible progress along the line of fulfilling goals…that’s not a good thing at all. It eventually ends up paralyzing the individual, who retreats from his most profound ambitions.

This was the setting in which I developed my third collection, Power Outside The Matrix. Here is a description of its contents:

This mega-collection is all about achieving power outside The Matrix and stabilizing that power.

It features a long section called: Analyzing Information in the Age of Disinformation.

This section is filled with specific examples of my past investigations. Based on 25 years of experience, it shows you how to take apart and put together data that lead to valid conclusions.

It is far more than a logic course.

It’s an advanced approach to analysis.

Establishing power outside The Matrix requires that a person be able to deal with today’s flood of information, misinformation, and disinformation. I’ve left no stone unturned in bringing you a workable approach to analysis.

There is a further extensive section titled, A Writer’s Tutorial. People have been asking me to provide this Tutorial, and here it is in spades. But it’s not just for writers. It’s for any creative person who wants to grasp his own power, understand it, and use it to reach out into the world.

My Tutorial exposes you to lessons that go far beyond what is normally taught in writer’s seminars. In fact, several core concepts in the Tutorial contradict ordinary writer’s seminars, and thus give you access to inner resources that would otherwise be ignored.

Another section of this mega-collection, titled Power Outside The Matrix and The Invention of New Reality, features creative exercises you do on a daily basis that will help you move toward the goal of power outside The Matrix. The exercises are all about increasing your energy and stability—and about the invention of new spaces.

Access to your internal energy, in huge amounts, is necessary for a life outside The Matrix—rather than relying on the illusory energy that The Matrix seems to provide.

This is a key fact. I’ve developed the exercises for exactly that purpose: your energy, your dynamism, independent and self-sufficient.

And finally, I have included a number of audio seminars that offer a wider perspective about The Matrix and what it means to live and work outside it.


power outside the matrix


Here are the particulars. These are audio presentations. 55 total hours.

* Analyzing Information in the Age of Disinformation (11.5-hours)

* Writer’s Tutorial (8.5-hours)

* Power Outside The Matrix and The Invention of New Reality (6.5-hours)

Then you will receive the following audio presentations I have previously done:

* The Third Philosophy of Imagination (1-hour)

* The Infinite Imagination (3-hours)

* The Mass Projection of Events (1.5-hours)

* The Decentralization of Power (1.5-hours)

* Creating the Future (6-hours)

* Pictures of Reality (6-hours)

* The Real History of America (2-hours)

* Corporations: The New Gods (7.5-hours)

I have included an additional bonus section:

* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst (and how to analyze them). I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.

* A 2-hour radio interview I did on AIDS in Dec 1987 with host Roy Tuckman on KPFK in Los Angeles, California.

* My book, The Secret Behind Secret Societies

(All the audio presentations are mp3 files and the books are pdf files. You download them upon purchase. You’ll receive an email with a link to the entire collection.)

At the core of consciousness, there are two impulses in the individual. The first is: give in, surrender. The second is: express power.

The teaching of every civilization and society is: don’t use your power.

When you follow the second path, when you express your power without limits, remarkable things happen.

The veil of illusion melts away.

You meet yourself on new ground.

You know what your freedom is for.

Without imposing on the freedom of others, you live the life you always wanted.

That’s what Power Outside The Matrix is all about.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his OutsideTheRealityMachine emails here.

Imagination is a spiritual path

by Jon Rappoport

July 25, 2019

(To join our email list, click here.)

Living through and by imagination is a path.

But no one defines it for the individual who is moving along it. No one lays it out. No one is in charge of “the end result.”

And no one explains exactly what discoveries will be made along the way.

Philosophies, metaphysical and spiritual systems, and religions are all about content. They fill in “the reality behind the reality.”

They depict places you will arrive, and what you will find when you get there. They present cosmologies. They paint pictures.

They tell you what you must do and avoid doing, in order to see what they see.

But the secret behind the secret behind the secret is: you see what you see. You see what you imagine and create and invent.

It’s your substance and content. It’s your painting. You’re painting it.

You do the imagining.

Why is this a spiritual path?

Because as you go, answers to questions you have will spontaneously arise. Answers to the big questions.

This is a side effect of living through and by imagination.

But again, these will be your answers. They aren’t prepackaged.

In fact, you may find that the answers you’ve previously accepted as final and ironclad turn out not to be your answers at all.

Living through and by imagination means that you create and invent what you most profoundly want to create. Not just today, or tomorrow, but on and on, without end.

It is a path. It has no conditions attached to it. You aren’t obligated to believe in some particular thing in order to embark on it.

The history books and the spiritual books don’t mention this path. Those books have already decided what paths they prefer, and what the end result should be.

A creator creates. The process and the engagement produces multiple realities that never existed before. New spaces, new times, new energies.

New life, new future.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.