Podcast: War Game Planning against the Population

Economic Destruction on the Table; States of Emergency; Putting Nations on Wartime Status; False Shortages; Energy Is the Key; the Preparatory Conditioning and Behavior Modification were the COVID Lockdowns; the “Rescue Plan From Above”; Controlling Resistance and Rebellion

by Jon Rappoport

November 6, 2022

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The headline and sub-headline above describe this podcast.

From my extensive research on the pandemic fraud—particularly the economic, social, and mind control factors—I’m going to war-game the war gamers in the podcast.

What are they planning? How can they launch an economic and political “COVID 2”?

What are their scenarios for dramatically lowering the curtain on the civilization we’re used to living in?

How have they set the stage?

Obviously, all this is vital to understand.

My aim: to “run the numbers” the planners are running; to show you their real and doable and executable plot lines, which could be launched on a moment’s notice.

I hope you’ll listen to this podcast and think it through with me. We may be closer to the Edge than we realize.

“The US is down to a 25-day supply of diesel … and if the diesel stops, the 18-wheeler trucks stop … and if the 18-wheeler trucks stop, the country stops.” (Willis Eschenbach, “Big Oil, Small Oil” — writing for WattsUpWithThat[dot]com)

— Jon Rappoport


The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)


To read Jon’s articles on Substack, click here.


The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Dispatches from the War: the trial of John Q Citizen

by Jon Rappoport

August 21, 2020

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John Q found himself in a small courtroom. The lighting was dim. He’d been brought there to stand trial for a minor offense. He was trying to remember what it was. Not wearing his mask? Not keeping his distance? Breaking curfew? The judge was sitting behind a table on an elevated platform.

The judge began speaking—

You think you’ve been arrested because of some little item. You’re wrong. What we’re talking about here is reality. The picture frame and your place in the picture. Your life is INSIDE. That’s the deal. Whether you agreed to the terms is beside the point.

Once you’re inside the picture, you’re expected to take on all the duties of a law-abiding citizen. That’s your ID package. No exceptions. It doesn’t matter what the rules are, you follow them. You’re supposed to get a haircut and a shave, that’s what you do. You’re supposed to wear a suit, you wear a suit. You’re supposed to fall in line, you get in line and wait. If one day the crap hits the fan and everything goes blooey, you wait for orders.

Some days are sunny, sometimes it rains. You have other dreams, you ignore them. You’re carved down into a shape. You assume that shape. You live according to what that shape is supposed to do. You’re a CITIZEN. You aren’t anything else.

This is a one-time offer. Today we fine you. If you show up here again, we stick you in jail. You and all other citizens put together are a PATTERN. We don’t expect you to understand it, we just expect you to do your part.

What else do you think this IS? Stop testing the limits. The limits aren’t going to move. Everybody starts out thinking he’s a foreigner to reality. He’s taking a look-see. He’s checking out the situation. But that’s not the way it is. We’re here to make sure everyone gets the message. Once you’re in, you’re in.

We’re not interested in speculation. We’re interested in facts. We make the facts. Somebody has to. You didn’t wear a mask. We don’t care about the mask. Can’t you see that? We only care about the rule. Tomorrow we say don’t wear a mask. Then that’s the rule.

You’re shaved down and carved down to be a citizen who follows orders. That’s why you’re HERE—Earth, reality, America, whatever you want to call it. You don’t understand reality. We do. That’s the difference between you and us.

We thrive because you’re powerless. We want you to forget about power. You’re up against a whole lot of good citizens who believe they’re powerless. Get it? That’s their religion. It makes perfect sense to them.

Remember the Old Testament story of Joseph? During the seven-year famine, he was chief advisor to the Pharaoh. He sold back, to the people, part of the wheat he had already collected from them. Then finally, he distributed one more pile, in return for the people selling THEMSELVES to the Pharaoh. There is nothing new about our current arrangement.

What kind of show did you think we were running? I’m not just a petty bureaucrat. We know there is power. We know the individual secretly has power. We work to keep that fact away from him. We want to make him forget, to feel shame and guilt.

When we see he’s convinced he’s lost and we’ve won, we feel our own juice. We want to see him defeated. That’s our goal. That’s why we run things the way we do. Every citizen who gives up is a feather in our cap.

This is our movie, we’re the producers, and you’re in crowd scenes. That’s it. We don’t want you sticking out from the crowd or wandering off. Virus, no virus, epidemic, no epidemic, do you think we care about any of that? We only care about BEHAVIOR.

People above us in the pecking order wrote the script, and then other people sold it, and now we’re producing it. On a day to day basis. It’s our job and our calling. As long as you pretend you have no power, as long as you do whatever you need to do, in order to keep pretending, we’re good. We sell amnesia, and you’re the customer.

We don’t care whether you’re rich or poor, whether you work at some menial job, or you’re a high-brow, as long as you toe the line. You can salute whoever and whatever you want to—the flag, the country, the president, God, it doesn’t matter, as long as you stay in your place.

At some point in life, everyone gets a glimpse of the fact that reality is elastic. It’s invented. Our job is to make sure everyone shoves that moment down into his memory and below his memory into the dark and forgets about it.

If he bows down to Something he thinks is telling him that he can’t change reality, that it isn’t up to him, all the better. If he worships doom, all the better. If he believes he’s coming to a rational conclusion that reality is permanently fixed in place, all the better. If he believes inventing new reality is a sin, good. If he thinks real rebellion is impossible, good.

We want realists. A realist is a person who says, “What can I do? Nothing.” That person is a little fleck of gold in our account.

We’ve studied enough history to know the evidence is ABUNDANT: pushed down inside the individual is enormous creative power to invent new reality. We also know his hostile, vicious, rabid denial of that fact is a chronic disease. Have you ever thought about—

John Q Citizen clears his throat and says, “How much do I owe, Your Honor?”

“Two thousand dollars.”

“Where do I pay?”

“The clerk’s office down the hall.”

His eyes dull, Citizen turns and walks out of the court room.

As he’s about to place his hand on the knob of the door to the clerk’s office, a spontaneous question forms in his mind. He’s asked himself this question before, but never with such immediate clarity.

“What am I?”

He feels an explosion at the back of his head.

Suddenly, he looks around…makes up his mind, and then walks toward the entrance of the building.

He feels light on his feet. Alive.

However, before he can walk outside, he notices the scene around him has reshaped itself. He’s no longer in a courthouse. It’s a theater. He has a ticket in his hand.

He sees a door. He goes over and opens it. Moves inside, into warm darkness.

“Is this a good idea?” “Why did I do it?”

He can already feel a merging sensation. Electromagnetic fields are humming, even before the movie starts.

The theater is filled with people. John Q takes his seat. Crystal clear thoughts move through his head.

“Don’t forget where I came from. Don’t forget this is just a movie. Don’t fall asleep. The movie creates nostalgia for a place that doesn’t exist. Don’t surrender. I’m here to find out why the movie has power.”

The lights dim.

On the big screen, against a gray background, the large blue word REALITY slowly forms.

Suddenly, he’s looking at a huge pasture filled with flowers. The sky is a shocking blue. He can feel a breeze on his arms and face.

He thinks, “This is a hypnotic weapon.”

Now, the pasture fades away and he’s standing on an empty city street at night. It’s drizzling. He hears sirens in the distance. A disheveled beggar approaches and holds out his trembling hand. He waits, then moves on.

John Q looks at the wet shining pavement and snaps his fingers, to change it into a lawn. Nothing happens.

He’s shocked.

He waves his hand at a building. It doesn’t disappear.

Incredible.

He reaches into his pocket and feels a wallet. He walks over to a streetlight and opens it. There’s his picture on a plastic ID card. His name is under the picture, followed by a number code. On the reverse side of the card, below a plastic strip, is a thumbprint.

There are other cards in the wallet, and a small amount of paper money. He looks at the ID card again. There’s an address.

He remembers the address. He remembers a small cottage at the edge of an industrial town. There’s a pickup parked in the driveway.

It’s his truck. He knows it. But how can that be?

He walks toward larger buildings in the distance.

Three men in uniforms turn a corner and come up to him. Behind them emerges a short man in a business suit. He nods at John Q and holds out his hand.

John pulls out his wallet and give it to him. The man looks at the ID card, at John Q, at the card again.

“You were reported missing,” he says.

“Missing from what?” John Q says.

“Your home. Your job. What are doing here? Are you all right?”

“I’m fine,” John Q says. “I was…taking a short trip. I’m just out for some air.”

“In this part of the city? That’s not smart. We’ll take you home. Our car is right over there.”

One car sits on a side street. In large red letters printed on the trunk is the word Concern.

John walks with the men to the car.

Waves he’s never felt before are emanating from it.

Mentally, he tries to back up from them. For a moment, he’s in a haze.

He looks at the short man in the suit. The man is smiling.

Suddenly, the smile is transcendent. Tears fill John Q’s eyes.

John thinks, “They built this so I would be lost and they could find me. I’m supposed to be rescued. I’ve never been rescued before. I never knew what it meant.”

He hears faint music.

It grows louder. As he nears the car, he realizes he’s listening to a chorus and an orchestra. The rising theme is Victory.

One of the uniformed men opens the car door.

John nods at him.

“My pleasure, sir,” the uniformed man says.

The music fades away.

The scene shifts.

John Q is standing next to the pickup in his driveway alongside his cottage.

He’s home.

Think, he tells himself. What’s going on?

He recognizes his mind has sections. The first part registers this new reality.

The second part of his mind sees problems and solves them.

He was never aware of these two sectors of his mind before.

Where did they come from?

Now, as he walks into his cottage and instantly remembers the rooms and the objects in these rooms, a separate accompanying sensation of Familiarity, slightly out of phase, grows stronger.

He realizes, without knowing how, that he’s supposed to feel tremendous relief. This is what’s expected of him.

It’s expected of everyone. They live with one another through the Familiar. They share it like bread.

They keep coming back to it. The Familiar.

It’s built in. It’s invented through…it’s stamped on every object in this space…

…In order to suggest he’s been here before. To suggest he belongs here.

As he looks around the cottage, he notices a third sector of his mind. He struggles to identify it.

It’s the start of a different kind of perception.

Yes.

He keeps staring at the cottage and he sees space.

He sees pure space that…

…Has been placed here. For him.

And at that moment, there is a small explosion behind his head.

And John Q is sitting in the theater again.

The movie is playing on the screen. All around him, in the seats, people are sitting with their eyes closed.

John feels a tap on his shoulder. He turns. It’s an usher.

“Sir,” he says. “Please follow me.”

He leads John up the aisle into the lobby, which is empty.

An office door opens and a young woman steps out. She strides briskly over to John.

“You woke up and came back,” she says. She gives him a tight smile. “So we’re refunding your money. It’s our policy.”

She drops a check in John’s hand.

“What happened in there?” John says. “What happened?”

She shrugs.

“Only you would know that. You must have done something to interrupt the transmission.”

“And the rest of those people?”

She looks at her watch. “They’re probably into their fifth month by now. It’s typically a time of conflict. They rebel. Well, some of them do. They rearrange systems. They replace leaders. They promote new ideals.”

“I had such a strong feeling I’d been there before.”

She smiles. “Apparently it wasn’t strong enough. You’re back here.”

“How do you do it?” John says.

“I’m sorry,” she says. “That’s proprietary information. Did you meet your family?”

“No. But I was in a cottage. It was…home.”

She nods.

“If you hadn’t escaped, you would have been subjected to stronger bonding pulses. Do you have a family here?”

John starts to answer and realizes he doesn’t know.

She looks into John’s eyes.

“Go out to the street,” she says. “Walk around. Take a nice long walk for an hour. You’ll reorient. It’ll come back to you.”

“Why do you do it?” John says.

“Do what?”

“THIS.”

“Oh,” she says. “Why does a travel agent book a vacation for a client? We’re in that business.”

John turns toward the exit. The sun is shining outside. People are walking past the doors.

He takes a deep breath and leaves the theater.

The street is surging with crowds. The noise is thunderous.

He notices he’s carrying a rolled up sheet of paper in his hand.

He opens it.

It’s a non-disclosure agreement. It has his signature on it.

“If you return from your movie experience, you will not reveal or discuss, under penalty of law, anything about its nature, substance, or duration…”

He looks at the sheet of paper…

Makes up his mind…

…And it bursts into flames.

He looks behind him. The theater has vanished.

In its place sits a small stone building. Engraved over the door in gold letters: BOARD OF EDUCATION.

The door opens and young man walks out holding a large plastic bag. He comes up to John. He reaches into the bag and pulls out a thin envelope and hands it to John.

“It’s a mask,” the young man says. “Did you watch the news? We’re all supposed to wear them and hide behind them.”

He walks away.


The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Beyond the Deep State

Beyond the Deep State

by Jon Rappoport

November 12, 2015

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

These are wide-ranging quotes from my work-in-progress, The Underground.

“The famous American mystic, Edgar Cayce, used to do readings for patients while he was lying down in a state superficially resembling sleep. Perhaps you could say he dreamed the solutions to their problems. This is not entirely different from what the artist does. He dreams in ways that unhook him from the whole System in which we live. He dreams of solutions to problems that don’t yet exist. The Deep State is secretly devoted to boundaries, beyond which the mind is not supposed to go. Because Beyond is where freedom and power live. They don’t live like some sort of principled architecture. They live like great rivers, and you can travel on them forever.”

“The System in which we live is a kind of mutual admiration society: each interconnected piece confirms all the other pieces. People take this as ‘proof’ that the System is correct. What a marvelous delusion! But remove one piece, look at it, examine it closely, turn it over in your hands, notice its flaws, and the whole System trembles, because here is an element that doesn’t fit. Suddenly, it triggers a circuit-breaker. The lights go out. In the darkness, you discover you have night vision. You are able to see things you’ve never seen before. For example, the System’s skeleton. It is a kind of rigging; welded shapes thrown up to block off open space, endless space of the psyche that holds the potential for creations never before conceived, against which the skeleton is an old fatuous scarecrow in a churchyard…”

“The Deep State is a concoction of shadow deals among men that end up in the morning news, but in an entirely different form. Heroes and villains in the news are there to satisfy the public hunger for one kind of story, while the men in the shadows want their own sort of story…”

“It’s hard to imagine a time before history began piling up like a layer cake. I’m not talking about primitive periods; quite the opposite. I mean epochs of great sophistication and art and science—but with no particular impetus toward recording events. Centralization in general had not yet taken hold. There were many branches and rivers of learning. History really began when profound and secret deal-making began. History was invented as a means of covering that up.”

“At some point I decided I would be a fool if I wrote only for today. I also had to write for the future, and not simply the near-future. Time is not a straight line. It grows in many directions. Only when humans become robots operating at the behest of empires does time appear as one moving stripe. I’ve asked myself, why bother to crack open illusions if so many people want to embrace them? There is no Sunday school answer to that question. But there is exploration. There is a fleet of ships you can send out, and they go to many places. The only reason you would hold the fleet back is sheer and obstinate laziness. Otherwise, you send, and you go. The future is there. Nothing is decided. The glazed mind stays behind. And where he stays is fascism: control over details and more details. I make forays into details, in order to expose ongoing crimes. But that is a visit. Where I live, and where many other people secretly live, is in the undecided and entirely open future, which is as long as you want to make it.”

“The Deep State has no poetry, and that is the most important thing to understand about it. It has no poetic rhythms, and therefore it drives itself mad. It has technicians, and as they move closer to becoming full-fledged robots, they seek to make humans over in that image. I’m here to tell you that many people who consider themselves rebels against the State are actually expressions of it. They think in solid blocks. They organize and over-organize. They search for one hyper-rational solution after another, digging themselves deeper into cold space. They’re geometricians in their own prisons. They embrace the underlying matrices of those they consider their mortal enemies.”

“Logic and rational analysis are indispensable tools, when you need them, when they are called for. But there is something else in the human psyche, and it has no easy definition. It is the impulse to reach out through time, beyond time, to ideas and feelings and images that feed back to the soul an endless series of circumstances and inventions that have no counterpart in highly organized and centralized society. Great artists tap into that ocean. They tap into and create that ocean. They surpass all so-called ‘laws of the mind.’ You could say they are pointing to enormous decentralization, where power rests with the individual, who is not a citizen, not a member, not a piece, not a cog, but unique. Each individual, unique, if he wants to be.”

“Build a better organization to take over from the old organization? And this is the future we’re supposed to embrace with caterwauls of enthusiasm? This is the best we have to offer? You want an example of mind control? That would be mind control in its most precise form. Ignorance is the idea that you can take one oppressive structure and replace it with the same architecture, but drained of all malicious content. The architecture was the problem all along.”


the matrix revealed


“Let’s say, theoretically, a full investigation of the Deep State would take you 1000 miles. But there is a limiting factor. Once you pass a certain point, say, 500 miles, you become so wrapped up in details that you lose your own spontaneous life-energy. It drains away. You become the captive of your own investigation. And there is another thing. Beyond that 500-mile border, what you’re really dealing with is your own perception. That becomes the true subject, because the Deep State is doing everything it can to alter and shrink the dimensions of perception. So now your subject and intent should be: what can I do to expand my vision? My vision of what is possible. My vision of my own creative force. My vision of my own limitless access to the poetic nature of consciousness, freed from the platitudes of fools and buffoons. You know, even the word ‘freedom’ can be a platitude. And it is, when it is carried forward by humans who, unknown to themselves, view life as a series of blocks. They pick out one block and hold it up, as if it were a shining pair of wings. But a block doesn’t fly. It can’t. Holding it aloft can build a few muscles, but that’s all. Strongmen in a circus aren’t going to lead us or themselves out of the labyrinth, the System, the Deep State. They’re going to recreate yet another fascism, no matter what they call it.”

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Psychiatric fascism: notes from the underground

by Jon Rappoport

November 12, 2015

(To join our email list, click here.)

These are wide-ranging quotes from my work-in-progress, The Underground. They take up the subject of psychiatry, the absurd pseudoscience licensed by the State.

Since there are no definitive physical tests for any of the 300 officially certified mental disorders—no blood tests, no urine tests, no brain scans, no genetic assays—what we’re left with is a phantasm-map of Nowhere Land, a philosophy of limitation. A translation of human problems and suffering into a professional liar’s language, a made-up nonsensical technical gibberish. And the federal government licenses this as a monopoly.”

“Whenever you come across a pseudoscience, you’re looking at a mask that covers an ideology. And that ideology intends to limit freedom, the free person, the free soul, the free mind, the free psyche, the free creative impulse.”

“Modern psychiatry is an updated version of the CIA’s MKULTRA mind-control program, adjusted for the masses.”

“Psychiatry is basically a mechanism to control people who are dissatisfied, disaffected, rebellious, independent, thoughtful; and then, secondarily, a mechanism to control those who just want to surrender their lives to an external authority and can’t believe in religion anymore. Instead of a priest and a church, they have drugs.”

“If Huxley’s Brave New World is the mountaintop of controlled society, with its genetic manipulations and laboratory births, psychiatry is its ancestor, rambling around in the foothills, pretending to define so-called mental disorders, handing out toxic drugs, giving people electric shocks, performing lobotomies. Psychiatry is the crazy grandfather.”

“Psychiatry is a system of arbitrary definitions. When you get past all the pseudo-technical nonsense, you’re looking at mind control—the attempt to make people believe consciousness is composed of 300 disorders.”

“Psychiatry is a state-of-mind prison for society. You can have this state of mind or that one, and after we treat you, you can have a normal state of mind.”

“But, actually, consciousness is up for grabs. You can have any state of mind you want to. No labels. Does that sound frightening? You’re supposed to feel frightened and crawl back into a little hole. That’s the game.”

“Psychiatry is just another organized religion. Instead of a wafer and a sip of wine, they have drugs. Lots of drugs. Their cosmology is a picture they paint, the subject of which is a paradise called Normal. Sane. Average. By their average definitions.”

“Psychiatry would like to be known as some kind of ultimate information theory. But information theory is what the loser in a poker game is left with. It’s all he’s got, so he has to go out on the street and try to sell it, hypnotize people with it. Pure scrubbed data, as empty and dead as the face of an old politician.”

“Today’s psychiatrists are playing around with brain signals. They have no idea what the mind is. No idea what consciousness is. No idea what freedom is. They have no idea how different individuals would be from one another if they broke out of the collective prison of The Normal.”

“The Wizard of Psychiatry is a hustler from way back. His job is to make Normal plausible.”

“Everything a human being is starts to come into view when he gets rid of Normal.”

“Psychiatry and its government, media, and intelligence-agency allies are saying, ‘See that crazy killer over there? Anybody could turn into that. Even you. So we have to treat the whole population before somebody starts spraying bullets in your neighborhood. We have to sculpt everybody into a good citizen, an average person.’”

“Psychiatry is the Surveillance Society of the brain. The NSA with toxic drugs.”

“Psychiatry is State control of emotion and thought. And its poor cousin, psychology, has become sentimental hokum for the rubes. Slop.”

“At the bottom of his titanic pile of nonsense, the Wizard of Psychiatry is saying, ‘You’re not free.’ But you are.”

“Sixty years ago, a hundred years ago, there was an idea in America. The Open Road. Travel the open road. Adventure. Psychiatry is one of the disciplines that’s tried to shut it down.”

“There never was, and never will be, a science of consciousness, because by its very nature, consciousness is free and unpredictable. Many people find this hard to swallow, because they fear freedom and hate it. They know they’ve lost it somewhere, and they don’t want anyone else to have it.”


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


“We live in a wilderness of bad poetry and overblown sentimental attachments. Or to put it another way, more and more people are attaching themselves to heraldic promises of salvation and rescue from their problems and the problems of the world. The theme is constant: some thing, some force, some being, some power is going to appear and change the world. This is entitlement on a grand scale. At the core it’s surrender of self and surrender of creative power. ‘I want to read the book of my life, I don’t want to write it.’”

“Psychiatry is the action of painting false pictures inside the mind, and obtaining obedience to those images. It’s imposed reality-invention. Meanwhile, under the tons of false information and propaganda that pervade life, the individual is, in fact, intensely creative; he is perfectly capable of inventing and fleshing out his own reality.”

“The real future, the future people run away and hide from, isn’t one state or condition or cosmology. It’s open. It’s the paralleling and intersecting of millions and millions of realities consciously invented by free individuals. No one can predict what this looks like. It isn’t a system. It isn’t an overall design. It isn’t a planned society. It has zero value for the meddlers who fervently believe in one unified shape.”


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The rule of law, language, and the invention of fact from fiction

The rule of law, language, and the invention of fact from fiction

Making solid bodies from vaporous ghosts

by Jon Rappoport

June 9, 2015

(To read about Jon’s mega-collection, Power Outside The Matrix, click here.)

This piece is about how language is used in the matrix. Here I present notes from a work-in-progress, The Underground:

“Previously, I have established that psychiatry, a government-protected group, exists on the basis of pseudoscience. None of the 300 officially certified mental disorders has a defining laboratory test for diagnosis. Instead, committees of psychiatrists meet and consider clusters of behaviors, group them, and assign labels, which are arbitrary nouns: bipolar, clinical depression, ADHD, and so on. Because people feel they may ‘have these conditions,’ they accept the unproven assertion that they are suffering from ‘a chemical imbalance’ in the brain. By and large, the public resents interference with this faith-based conviction.

“Psychiatric researchers use terms like ‘breakthrough’, ‘possible link’, ‘enormous progress’, ‘emerging theory’, all of which are fictional. These words don’t denote authentic science; they are advertisements. Prostitutes trolling for grant money.”

“The government has no legal basis for supporting the pseudoscience called psychiatry. It arbitrarily issues licenses to practice. These licenses merely express a preference for one kind of diagnosis and drugging. With the same degree of legal propriety, licenses could be granted to card readers, astrologists, dowsers, and channelers. However, the government has no legal basis for issuing permission to any group that diagnoses mental states. In this area, the word ‘license’ is a fraud.”

“Currently, the federal government, through its trade representatives, is negotiating a secret 12-nation treaty called the Trans-Pacific Partnership (TPP). Since the US Congress must vote in favor of the TPP in order for it to pass, the term ‘secret treaty’ is a self-contradiction. Congress does not legally vote on measures whose contents are secret. Staging such a vote is a crime. All Representatives and Senators who participate are acting outside their defined duties and responsibilities and are committing a major felony. Citizens have no obligation to accept the vote or the legitimacy of those who cast a vote.”

“The notion that government can invent a term, fail to define it clearly, and yet use it to adopt and legally enforce draconian measures, is a promoted illusion. Unfortunately, most people accept the illusion. Take the term “National Security.” Its definition is sufficiently vague to render it useless. Yet government invokes it every day and acts on it. Refusing to clarify it in any given situation, and refusing to justify its use automatically takes government out of the realm of ‘Republic’ or even ‘Democracy’, and into the realm of Autocracy.”

“Case law, precedent, and the Constitution rely on language, and language relies on definition of terms. However, lawyers (in and out of government) depend on vague terms, in order to make their living. They can argue about meanings, change meanings, ‘update’ meanings, in an endless debate billed at hourly wages.”

“A proper characterization of government work would sound something like this: ‘A US Senator, John Smith, acting outside his Constitutional description and therefore surrendering his role as a legitimate elected representative, cast an illegal vote for a Treaty whose language has yet to be fully revealed, because “National Security,” a term vague enough to be useless, has been invoked to maintain the secret contents of the Treaty which is, owing to its secrecy, no Treaty at all. Senator Smith could seek psychiatric help for his “condition”. However, no defining scientific test exists for any so-called psychiatric disorder, all such disorders being invented fictions utilizing non-scientific terms.’”

“We all use terms which are pure illusions, vague enough to be useless, or self-contradictory. We could, on occasion, preface these terms with an “f”, to denote “fiction” and remind ourselves who and what we’re dealing with. For example: ‘Citing fNational Security, fCongressman John Smith explained why he couldn’t discuss the terms of the fTPP in public. fPresident Obama defended his need for fFast Track Authority, stating that famendments to the fTreaty would stall and disrupt fnegotiations.”

“Notice that many fictional terms turn out to be nouns. This is no accident. Nouns denote people, places, and things. The invention (or gross distortion) of people, places, and things serves the function of expanding the number of signposts populating the map of consensus reality. Thus, ‘writing an endless work of fiction’ becomes ‘describing what exists’.


power outside the matrix


“There is a range of diseases whose names are fictions, because no known cause has been identified. Parkinson’s, for instance, is said to have several types. Idiopathic, meaning the cause is not known, and secondary, which is usually ascribed to the effects of various toxins. The secondary form should be called ‘poisoning’, which is not a disease. The former world heavyweight boxing champion, Muhammad Ali, has been diagnosed with Parkinson’s, whereas his condition should be labeled: ‘hit too many times by Joe Frazier’.”

“If you look up the official definition of autism, you’ll see there is no definitive test that diagnoses it. Instead, there is a menu of behaviors. Therefore, how can the US government claim there is no causative connection between vaccines and autism? Parents seeking government compensation after their children have been damaged by vaccination (happy child withdraws from the world, doesn’t speak, etc.) are in a quandary. If they claim their children have ‘autism’, the government will refuse payment. If, however, the parents claim their children have ‘encephalopathy’, which is a more general (and uselessly vague) term for ‘brain disease’, the parents stand a chance of compensation. All this word manipulation is a cover to obscure the fact that children are severely damaged by vaccines—and that’s what the label should be: ‘damaged by vaccination’. It’s simple, it’s accurate, it’s an unmistakable characterization.”

“The father of General Semantics, Alfred Korzybski, stated that humans have the unique ability of ‘time-binding’. By that he meant the capacity to pass down, to future generations, gained knowledge, and also to generate higher and higher levels of abstraction. Additionally, Korzybski famously pointed out a chronic misunderstanding: “The map is not the territory.” In other words, a series of connected symbols referring to objects or processes in the physical world is not the same thing as those objects and processes. Add to that the following: untold numbers of fictional terms represented as fact are transmitted from one generation of humans to another. The overall result? A titanic piling up of inherited language falsely pretending to describe reality. That language forms a networked perception which is entirely misguided.”

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his OutsideTheRealityMachine emails here.

Deeper investigations: notes from The Underground

Deeper investigations: notes from The Underground

by Jon Rappoport

May 22, 2015

Read about Jon’s mega-collection, The Matrix Revealed.

The Underground is a work-in-progress. I wrote some of the material in preparation for my three Matrix collections.

The following excerpts are about lessons learned during 30-plus years of investigating false realities:

“Living in a virtual bubble can be interesting, especially when you’re not aware of it. The question is, how extreme can a bubble be? How much of what we think of as reality can actually be the stuff of a bubble? Most people want to say a little bit of this and that is virtual and the rest is absolutely authentic. That’s as far as they want to go. But every bubble has its own space and time. This means space and time are far from exclusive, far from singular, far from absolute…”

“The Labyrinth is where most people are. They live their lives walking through paths that circle around to places they’ve already visited. They experience, over and over, a relatively small number of emotions. They think they need a map to escape. But a map is what got them into the Labyrinth in the first place. A map is a system. To leave the maze, they need something beyond systems.”

“Investigating a false reality has levels. The deeper you go, the closer you come to the basic assumptions that underpin a system. You need to examine those assumptions, those first principles, and discover in what sense they are false. When you understand that, all the dominoes begin to fall. The structure collapses. Then you see the enormity of the cover-up. You see the art of propaganda in full flower. You grasp how false realities are built from the bottom to the top.”


The Matrix Revealed


“Imagination is more than a tool. It colors all of consciousness. It involves itself with the understanding that What Already Exists is just a way-station into the future, and that future is open, without limits. Somebody may have already invented the future for everybody else, but he can be derailed, he can be superseded.”

“Look at a structure you have an intuition about. Now begin digging down into it. Think about the weirdest possible revelation you could uncover. The one nobody would believe. It’s possible you’re sniffing on the right track. For example, governments announce a new epidemic caused by a virus. And you eventually find out that this virus has never been found in a single human being. This has happened to me.”

“Painters like Kandinsky, Klee, Matisse, and Redon understood that what they inventing was at least as real as what people took to be reality. The painters understood that, but they didn’t talk about it. They didn’t express their insights in such bold terms. They realized it would open them up to intense ridicule. From whom? There is a large group on planet Earth who functions as the Guardians of Reality; and then there is a much larger group, the dupes of the Guardians. These two groups buy and sell Ordinary Reality.”

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

Individual power in a decaying world

by Jon Rappoport

May 9, 2015

(To join our email list, click here.)

Here are quotes from my work-in-progress, The Underground. I wrote this material in the lead-up to putting together my second collection, Exit From The Matrix.

“Solutions to private problems and public problems require the ability to think things through, logically, and to reject what is unworkable or biased—but above and beyond that, a person needs to be able to imagine solutions that haven’t been tried before. He can’t keep asking other people to invent solutions for him. This is the hardest lesson. The habit of demanding that others come up with answers, that others find a way out of the tunnel—this habit is based on the assumption that one’s own power of imagination is grossly limited, which is a lie. You might say it is the central lie.”

“The world says defect from your own power. Never find out what it is. Assume it isn’t there. The world says all life is about the species, not about the individual. The world says you should use every excuse in the book to define how small and helpless you are.”

“When propagandists find a good thing, a message that works, they pound on it, they keep hammering away. Family, group, family, group, community. On and on. They never promote the message called The Individual with the same intensity. That would be counter-productive to what they are trying to accomplish: group identity; and amnesia about being an individual.”

“Civilization continues to erode and decay, as individual power is put on the back burner. But that doesn’t give the individual a license to surrender. If others want to give up, that’s their business. The individual, instead, finds new frontiers for his power, for his capacity to invent reality.”

“A confession of helplessness doesn’t earn you a gold star on the blackboard. There is no gold star or blackboard. There is you, expanding the scope and range of your own power. And what is that power? It comes in two forms or venues. First, there is the ability to apply logic to events and information; to think rationally from A to B to C; to analyze. And second, there is imagination, the capacity to conceive and then invent realities that would never otherwise exist in the world.”

“Individual power doesn’t need to make rigid distinctions between what is done for self vs. what is done for others. Social engineers and propagandists make those separations. You exercise your creative power to fulfill what you deeply desire; and that process will, in fact, spill over and affect others in a positive way. It will lift them up. It will remind them that they, too, have power.”

“Logic and analysis keeps you from being sent down wrong roads, keeps you from buying official reality. Logic also reminds you that you have a mind. Logic is a road that can take you deeper and deeper into more basic fallacies that underpin organized society and its branches of knowledge. Logic tells you there are always more fundamental questions to ask and answer. There are levels of lies. The deeper you go, the more confident you become. The more powerful. Logic also lets you know when you’re projecting basic pre-judgments over a whole landscape and neglecting to look at the details.”


Exit From the Matrix


“Despair about the condition of society and the world is not a function of your power. It’s a moment of reflection, or it’s yet one more excuse for inaction and passivity. “What can we do about it all?” is a misdirected question. The actual target of that question is you. You’re asking yourself. And with your power, you can find an answer.”

“Passivity is a disease. It spreads and takes over. It makes strong people weak, and weak people demented. The passive life is precisely and exactly a life without power. The cure is a life lived with power.”

“In case there is any misunderstanding, the ability to help others and defend them from oppression is part and parcel of your own power. How could you help them without your power? How could you accomplish anything at all in that direction? How would denying your own power possibly result in a good outcome? And most importantly, it is through imagination that you can devise new ways to expose and reduce oppression, ways that haven’t been thought of before.”

“As society continues to decay, more and people attack individual power and place their faith in a program that reduces every human to a lowest common denominator of dependence on some controlling entity. This article of faith is surrender.”

“Some people want to say that power is a neutral object that can be used for good or evil. That isn’t true. Your power is alive. It’s personal. It’s stunningly energetic and dynamic. It connects with your deepest understanding of what is true and good and right. But it never sacrifices itself on the altar of what others insist is good and true and right. It never deserts you for an abstract ideology someone else has devised. That ideology was formulated, in fact, to separate you from your power.”

“It takes great power and energy for a person to bury his own power.”

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.