Your mind is not a computer

Your mind is not a computer

by Jon Rappoport

June 3, 2013

www.nomorefakenews.com

Researchers, pundits, and academics look for metaphors to describe the mind. For at least 50 years, the favorite analogy has been the computer.

Well, both the mind and a computer employ logic. They store data. They use strategies to solve problems.”

Is that it? The mind is merely a problem-solving machine? Of course not.

That’s where the metaphor breaks down.

By the way, a metaphor is way of describing one thing in terms of another. It’s not literal. People used to learn that in school.

Two days ago, I wrote and posted an article headlined: “150 million Americans go to Mexico, swim back, become instant millionaires.” Some people apparently thought I was reporting a fact. Or misreporting it.

It’s called satire. That’s when you take a metaphor and stretch it beyond the breaking point of exaggeration. In that case, I was commenting on current immigration/welfare policy.

Metaphor isn’t fact.


The metaphor of “mind as computer” isn’t a fact, no matter how hard technocrats wish it were true.

Behind the moronic and childish presumptions of technocracy, there are indeed people who want to treat the mind as a computer for a very simple reason: they want to control it.

Looking at the mind as an input-output machine suggests tactics for modifying, controlling, and weakening it.

That’s what Pavlov was after. Applying a stimulus and getting a predictable and unvarying response. That was his holy grail.

There are projects underway to build a simulated model of the human brain. This takes us one step further away from the truth, because the brain is not the mind.

The mind (consciousness) isn’t a physical object. It isn’t a container. It isn’t a machine. It isn’t a thing.

The CIA’s infamous MKULTRA mind-control program is widely misunderstood. Its original experiments were much more about controlling behavior through coercion. High-dose panic-inducing LSD, threats, intimidation, hypnosis applied in a climate of fear.

Of course that can work on many people, but it’s not sophisticated or mysterious. You can pound somebody with a hammer and make him obey orders if you keep it up long enough.

Waterboarding can control behavior. So can long periods of isolation.

And when it comes to electromagnetic stimuli or creating “voices in the head,” the elements of fear and disorientation play a central role.

On the other hand, take a capable hypnotist and give him 30 people. Stage an experiment in a friendly non-threatening atmosphere. A certain number of very suggestible people will respond. Others won’t. They’ll just sit there and listen to the hypnotist and refuse to go under.

Psychiatric electroshock, which is a form of naked torture, “works” on some people because they experience very heavy trauma and come out of it with a more accepting (submissive) attitude. They now fit in. They now accept the status quo. They understand the primitive terms of the setup: obey or experience more pain.

Yes, conditioned reflex can be induced. It’s done by attacking one small corner of consciousness.

Through threats, pain, disorienting practices (flashing lights, putting people on spinning tables, etc.) MKULTRA fascists could drive people into surrendering states in which “programming” could then be accomplished.

That’s not a difficult feat. It just takes a killer to do it.

What happens in a kidnapping? The criminals achieve “mind control” by telling the family they have to pay or their loved one will die.

Whole populations can be “mind-controlled” by domestic armies under the rule of a dictator.

Does that mean the mind is a computer?


The Matrix Revealed


The mind is a potentially unlimited faculty. It has no boundaries. The only walls on it are those which people build to hem themselves in.

It’s time we understood that.

There is a certain amount of propaganda aimed at calling that fact “reaching too far.” “The mind is an unlimited capacity? Oh, if you accept that, then you’re saying humans aren’t humans anymore.”

Baloney. Humans aren’t humans anymore when they put so many limitations on themselves that they live like somber machines. Take a good look at how large bureaucracies function. Every worker in his own cubbyhole exists and munches like a little parasite.

You want a real education? Watch a TV soap opera for a few months. The characters all live in a rank puddle of overlapping goo. Every time a character threatens to make a decision that might conceivably offend others, they descend on him like angry flies.

They live to meddle. It’s a collective. It’s mutually upheld limitation executed by interference.

You agreed to be limited. We all have. You just stepped outside the circle. Now we’re going to punish you and make you feel guilty.”

In case you hadn’t noticed, many families operate this way.

If the mind (consciousness) is going to open up new space, its owner has to be an independent individual. That’s the first requirement. Without that, nothing happens.

Again, we have propaganda aimed at defeating that proposition. “Oh, if you try to elevate people to the level of independent individual, there won’t be any social or political movements to liberate the oppressed. You’ll just have selfish greedheads.”

Baloney. That’s so wrong its absurd. First of all, the whole purpose of social and political movements is to achieve freedom for every INDIVIDUAL. It isn’t to “form a better group.”

Second, you’d damn well better have some independent individuals inside a valuable social and political movement, or the whole thing will collapse. A hundred thousand robots of one mind aren’t going anywhere.

The mind is not a thing. It is CREATIVE POTENTIAL. That’s what it is. Problem-solving is just one capacity of that potential.

A potential doesn’t come alive unless somebody (the you, the spirit at the center of it all) gives it the green light with energy and purpose and desire.

Put together that creative potential, pushed to the foreground, plus memory (which doesn’t and can’t exist in the brain), and you really have something. You have power, joy, and the ability to reinvigorate love.

What I’m talking about here is non-material. It doesn’t exist as atoms or waves or quarks. It isn’t subject to some provincial laws of physics. It most certainly has nothing to do with computers.

The mind as computer is a fantasy and a metaphor and a sold-out dream, driven by people who are still wondering what happened to their own creative force.

Behind the silly metaphor of mind as computer is a dead-end philosophy of materialism: everything everywhere is just an effect of some prior physical cause. Utter insupportable nonsense.

Philosophic materialism means freedom doesn’t exist. It means there is no such thing as choice. It means nothing is alive.

It means any experimentation on humans, no matter how heinous, is permissible, because what difference does it make? You and I are just collections of whirling particles, and an experiment simply rearranges those particles.

This is the real underpinning of totalitarianism. It’s the input-output machine-view of society.


Exit From the Matrix


I’ve been after these people for a long time, since I put a lid on my study of the history of Western philosophy, in 1958. What I saw then and see now is an attempt to obscure the fatal flaws in materialism.

Starting at the end of the 19th century, materialists claimed they were applying the scientific method to the world, civilization, and the human being, and through their “lens of understanding,” they could definitively say: there were no leaks; all life at every level was made of physical matter.

The mumbo-jumbo intentionally distorted and reduced Asian philosophy that was imported into America in the 1960s did nothing to slow down these materialists. They went to work on the brain—and they are just getting started.

They aim for control. They love the idea. They want to put the brain through paces, ruling it from their elite perches, and they use “the mind is a computer” as their cover.

They promote that lie over and over. They use collectivism as the social justification for their “research.”

That’s what they’re talking about when they say “we’re all in this together.” On the far shore of their ambition, they see brains linked as computers would be linked.

When the subject of true individual and human potential arises, they try to discredit it by calling it some kind of heresy against The Group.

They preach a numbing “equality” as the final solution. And it is. For them.

Here’s another metaphor: “There is a very large room. And it’s filled and crowded with an astonishing number of objects. They’re piled up on the floor, on shelves, hung from the walls, suspended from the ceiling. They interact with one another in wondrous but very specific ways. It’s a fascinating mystery. We’re just beginning to understand the processes involved. We haven’t even cataloged all the things in the room yet. But we’re making progress. Soon we’ll have a handle on the basic algorithms of the operation. Then, we’ll make miracles occur…”

That’s how brain researchers and psychiatrists and technocrats see the mind. That’s their picture. It’s about as accurate as a map of Europe drawn by a microbe that lives a hundred miles under the surface of Jupiter.

When they stall, when they suffer a setback and can’t successfully float lies about “breakthroughs,” they fall back on: “Everything is connected to everything, we just don’t know quite how yet.”

No, Virginia, everything isn’t connected to everything. The principal thing that isn’t connected is the unlimited creative potential of the individual.

And neither is freedom connected to everything. Freedom is the power of choice. It isn’t in the causal chain. It’s free.

That absolutely upsets the apple carts of physicists and brain researchers. They want to draw all of reality into their net. But it doesn’t work.

If it did work, and if your mind were nothing but your brain, and if your brain were nothing more than atoms in motion, atoms like all other atoms floating around the universe, you wouldn’t be able to read anything on this page. You wouldn’t be able to understand meaning at all. Atoms don’t possess understanding. In fact, there wouldn’t be a you or a me.

But there is you. There is me.

We’re here. We aren’t just atoms.

We’re not made out of matter.

That’s what happens when you strip away the lies of materialism.

The danger, to the status quo, is human beings becoming what they are actually are.

You can pretend you’re a bunch of atoms for only so long, and then it becomes tiring. Foolish. Self-defeating. Stunningly crazy.

The cooking vessel of the soul takes in everything, everything can become soul; and by taking into its imagination any and all events, psychic space grows.

James Hillman, co-author, “We’ve Had a Hundred Years of Therapy—and the World’s Getting Worse”

Jon Rappoport

The author of two explosive collections, THE MATRIX REVEALED and EXIT FROM THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

Virtual life in the future Matrix

Virtual life in the future Matrix

by Jon Rappoport

June 1, 2013

www.nomorefakenews.com

Television news is already a form of virtual reality. The hypnotic flow of stories, the elite anchors with their easy air of knowing and authority, the absence of context, the bald lies, the false sense of unity/community between viewer and broadcaster.

But it barely scratches the surface of the potential of the technology.

The addiction of the viewer is a mere shadow of what it will be when he can live, for an hour a day, inside the news, selectively inhabit the environments, and experience what a non-human simulated anchor “knows.”

That will no longer be television. It will be a full-on tactile ride in the river.

The pixels of the virtual anchor will be built from the ground up, imbued with an “inner sense” of utter conviction, just as the perfect android is programmed to believe in the psyop called reality.

Viewers will feel all the artificial emotions of this anchor, as they experience what he synthetically “experiences.”


What about rebellion against the Virtual?

Let’s start here. The lid on rebellion is sealed through the distribution of pleasure.

Force works, but in the long run pleasure is the greater method of control.

Science fiction novels describe futures in which citizens access virtual experience to an extraordinary degree. The video games and holograms of today are stone wheels bumping along a dirt road by contrast.

In the years ahead, people will plug in and see, know, explore, and most importantly, feel synthetic worlds.

You want to be a star among star athletes? You can inhabit the mind and body of one. You can play the game as he does. You can live inside his body. You can feel what he feels, move as he moves, catch the overdrive of his extra reserve of adrenaline.

You want to struggle to the top of Mt. Everest? You’re plugged in. You’re there in the cutting wind and snow, you feel the oxygen running out, hear the ice cracking, strain to peer through the fog, inch your way forward with every quantum of effort a human can muster…and finally…you arrive in triumph. You’re there, at the roof of the world. While you’re in your crackerbox apartment.

You want to sit in a richly embroidered carriage, as slaves carry you through the cacophonic sights, sounds, and smells of a crowded marketplace in Bombay, all the way to an emerald palace, where you suddenly find yourself in the dim high-ceilinged bedroom of the most famous and beautiful creature on Earth…

You live it.

Pleasure.

A million different ways.


The Matrix Revealed


Today’s technocrats strive and search to build the ultimate immersion event.

Living in a time when this is possible, the overwhelming number of people will opt for pleasure, regardless of what happening in the outside world, regardless of who is running the world or how.

Because they believe they are on this earth to choose pleasure over pain. That’s the pragmatic goal. Everything else is secondary.

They’ll no longer need to imagine the life they want. They can choose from a full deck of virtual threads and live this one or that one in the blink of a connection.

The actual planet and what it offers will become merely the default interlude between expertly simulated excursions.

Eventually, some people will be able to enter these holo-experiences in a boiled down fashion. They’ll bathe in a ten-second “trailer” and absorb all the sensation and feeling in a flash. When they come back, they may not remember what took place, but they’ll still bask in the afterglow.

No thought required.

Pleasure wins over pain.

That’s how the formula will be presented to the mind. Choose one or the other. Nothing else exists.

No principles, no basic freedoms.

The familiar scene in a thousand TV shows and movies, where the suspect is arrested, and then the cops offer him an immunity deal to roll over on his bosses? On the level of the nervous system, this is the deal that is struck:

Gain immunity from pain and confusion by the simple act of rolling over on yourself and choosing pleasure as your single ambition.

This is what Pavlov was after in his experiments. The conditioned-reflex human. The missing piece he needed was the human’s assent to “a meal of pleasure” as his sole and overwhelming choice. After that, everything follows.


In his masterful 1986 novel, Count Zero, William Gibson describes an immersion in virtual life: “The JAL steward offered her a choice of simstim cassettes…She put the plastic trode set on, jacked it into the seat arm, sighed, and slotted the cassette in the opening beside the jack. The interior of the JAL shuttle vanished in a burst of Aegean blue, and she watched the words TALLY ISHAM’S TOP PEOPLE expand across the cloudless sky in elegant sans-serif capitals.

…Now Marly found herself locked into Tally’s tanned, lithe, tremendously comfortable sensorium. Tally Isham glowed, breathed deeply and easily, her elegant bones riding in the embrace of a musculature that seemed never to have known tension…[It] was like falling into a bath of perfect health, feeling the spring in the star’s high arches and the jut of her breasts against the silky white Egyptian cotton of her simple blouse. She was leaning against a pocked white balustrade above the tiny harbor of a Greek island town, a cascade of flowering trees falling away below her down a hillside built from whitewashed stone and narrow, twisting stairs. A boat sounded in the harbor.

‘The tourists are hurrying back to their cruise ships now,’ Tally said, and smiled; when she smiled, Marly could feel the smoothness of the star’s white teeth, taste the freshness of her mouth, and the stone of the balustrade was pleasantly rough against her bare forearms…”

And here is a brief exchange from Aldous Huxley’s 1932 novel, Brave New World:

Don’t you wish you were free, Lenina?”

I don’t know what you mean. I am free. Free to have the most wonderful time. Everybody’s happy nowadays.”

The joys of endless shopping, buying, and consuming are merely an introduction to a far more extensive pleasure dome of the future, in which the notion that there is anything else becomes absurd.

From an unfinished novel of mine, The Magician Awakes, here is a State medical doctor instructing his patient:

“It’s like a drug, Carl, but we don’t need chemicals. This is electromagnetic adjustment. You want well-being, so you’re going to feel it at the cellular level. Synapse, neuron, transformed. Just relax. No need to do anything. You’ll perceive you’re smaller for a few minutes. It may be unpleasant, but you’ll get used to it. A certain amount of shrinkage is necessary. We’re smoothing away the rough edges. You’ll come back in a marvelous cocoon. You’ll feel supported. Your present sense of isolation will disappear. We can delete that. You’ll see Wisdom all around you. Things as they are will make more sense to you than they ever have. You see, in World One, the world you’re in right now, desire always leads to suffering, as the Buddha taught. In World Two, where you’re going in a few seconds, there is no desire. You’re liberated.”

The dynamics of mind control in a pleasure-oriented society are built on channeling pleasure and making it more absorbing. The “shrinkage,” as mentioned above, doesn’t have to be radical because people have already brought it on themselves. They’ve glued themselves solidly to the five senses.

Past and present US military experiments, using electromagnetic stimulation, to create soldiers who can function at high levels over an extended period on very little sleep, are just the rough beginnings of a technology that will be applied to civilian life.


Exit From the Matrix


What is the best antidote to the addiction to virtual experience?

The designers of the dystopian future are enlisting a small fragment of a human being’s imagination to put him in an externally fashioned simulation.

Give us just a bit of your imagination, and we’ll do the rest for you.”

What’s called the suspension of disbelief in the theater is an imaginative act on the part of the audience: “Yes, what’s on the stage is real. Yes, I’m here and I’m involved.”

This is a clue to the titanic force that inherently exists in every human. Already, in 2013, we see it massively sacrificed on the altar of entertainment. They give us drama and we buy it.

As opposed to inventing realities ourselves, full-bore.

Imagination creates reality. The only question is: whose?

Reality in modern civilization is a straight psyop. It surrounds us, even though the technology, by future standards, is primitive.

The hook has been sunk; it needs to be removed.

The psyop says: “Experience THIS; feel it; then ask yourself whether you have the power to invent a more convincing world; the answer is no, isn’t it; so just sit back, relax, and take it all in; you can’t approach what we can do for you.”

The stakes are high. If you believe you can’t exceed the power of the Reality Manufacturing Company, if you keep postponing the day when you become the artist beyond and against the System, then you’re already prepped for the simulacra of the virtual future.

The world is largely populated by the “IS” PEOPLE. These are the humans who accept and surrender, on many levels, to what already exists, without realizing that it comes to them as a package.


Here is the conclusion to the above section of The Magician Awakes:

At his post-treatment checkup, the doctor asked Carl, “How are you adapting to the changes? Any problems?”

Everything’s good, Doc,” Carl said. “I had headaches, but they went away after a week or so. I can look at things longer now. Do you know what I mean? I can sit and watch a flower for an hour and it doesn’t make me jittery. I could never do that before. The only thing I notice is that the birds don’t sing.”

Yes,” the doctor said, “we’re working on that. It’s apparently a cross-canceling sequence in the software.”

An omission?”

As I told you, you’re in World Two now. It’s a different landscape. It looks exactly like World One, but your responses are linked to it.”

You mean it’s a single loop?”

I wouldn’t put it exactly that way, Carl, but yes. The world comes to you in a way you’re prepared for. We’ve achieved an integration, an overall connection.”

What was happening in World One then?”

Well, in that situation, there was disharmony. It was basically caused by what you wanted. What you wanted and what the world was were out of sync. We’re teachers of acceptance. But we can back it up with science. We can give acceptance to you.”

So I’m good?”

Yes, you’re good. You’re in a state of equilibrium now. For the first time in your life. This is what seekers have been after, for thousands of years. This is what the sages spoke of.”

When will the birds sing?” Carl asked.

A few months. That’s what we’re hoping. We’re working on it.”

I especially like the mockingbirds.”

Don’t worry. They’ll sing.”

For a moment, Carl thought he should feel sad about the mockingbirds, but he didn’t. Sadness wasn’t there. He went to the old place to find it, but it was gone.

As you know, Doc,” Carl said, “I was a sculptor.”

Yes, Carl, we know. We’ve seen your studio. People have been there. They cleared the place out.”

Carl thought this might be shocking, but he didn’t feel shocked.

You don’t need to worry,” the doctor said. “You would have gotten rid of all that work yourself. It was a reflection of your dissatisfaction. All that’s gone now.”

Yes,” Carl said. “It is gone.”

He felt a wave of relief. A burden had flown away.

Jon Rappoport

The author of two explosive collections, THE MATRIX REVEALED and EXIT FROM THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

The attempt to destroy the individual

The attempt to destroy the individual

by Jon Rappoport

May 27, 2013

NoMoreFakeNews.com

What is finished is the idea that this great country is dedicated to the freedom and flourishing of every individual in it. It’s the individual that’s finished. It’s the single, solitary human being that’s finished. It’s every single one of you out there that’s finished. Because this is no longer a nation of independent individuals. It’s a nation of some two hundred odd million transistorized, deodorized, whiter-than-white, steel-belted bodies, totally unnecessary as human beings and as replaceable as piston rods.” — Howard Beale, in Paddy Chayefsky’s 1976 film, Network

But that was only a movie. Who cares about that? You go into a theater, sit there in the dark for a couple of hours, walk out, and think about something else.

For several years now, I’ve been writing about the decline of the individual. The wipeout.

Every time I write an article on this subject, I receive suggestions. I should go back and re-read Marx. I need to understand the difference between “communal, communitarian, community, communist.” I should research worker-owned businesses. What about trans-substantial transpersonal sub-brain algorithmic psychology? How about the pygmies? Ego? Superego? Id?

I appreciate these and other remarks, but I’m talking about the individual, about Self, beyond any construct, beyond citizenship, beyond membership, beyond sociology or anthropology or archeology.

The individual is enshrined in various political documents, but his rights don’t originate there. Neither does courage nor imagination.

I’ve laid out the enormous psyop designed to submerge the individual in unconscious goo. This psyop depends on the repetition of words like: unity, love, caring, community, family. And phrases like “we’re all in this together.”

The individual is characterized as: lone, outsider, selfish,greedy, inhumane, petty. Turn him into an exile, excommunicated from the great body of humanity.

Here, in the usual prose, is a familiar formulation of the grand psyop: “We can no longer afford the luxury of thinking of ourselves as individuals. The stakes are too high. Finally, we must all come together and realize our presence on this planet is a shared experience. The decimation of our resources, through hatred and divisive behavior, the denial of love and community, the cold greed and excessive profit-making, the whole range of social and political injustices—all this can ultimately be laid at the door of the individual who refuses to join the rest of humanity…”

Is this manifesto valid? It’s a deception, BECAUSE it’s aimed at making the individual extinct.

And once that happens, the collective, managed by Globalist princes, will have a clear path to the control of Earth, at the expense of the rest of us. And the cruelties we now witness will pale in comparison to what is in store for us.

When hopes and dreams are loose in the streets, it is well for the timid to lock doors, shutter windows and lie low until the wrath has passed. For there is often a monstrous incongruity between the hopes, however noble and tender, and the action which follows them. It is as if ivied maidens and garlanded youths were to herald the four horsemen of the apocalypse…The less justified a man is in claiming excellence for his own self, the more ready he is to claim all excellence for his nation, his religion, his race, or his holy cause…Collective unity is not the result of the brotherly love of the faithful for each other. The loyalty of the true believer [who surrenders Self] is to the whole — the church, party, nation — and not to his fellow true believer. True loyalty between individuals is possible only in a loose and relatively free society.” — Eric Hoffer, The True Believer, 1951

Wait. Isn’t that a bit harsh? Isn’t that too “critical and negative?” Where is the cosmic share-and-care we need to spread like butter over the whole universe? I mean, Eric Hoffer was a wonderful writer, and he was a working man, a longshoreman for his whole life, so we should admire him, but today’s prophets are wired directly into the Unity that will save us all automatically—like a toaster popping up with toast every time…right?


On some mid-west college campus, a wide-eyed kid of 19, full of hope and optimism, is studying political science. His professor is running down the catalog of stunning injustices that populate far-off regions of the planet.

The boy wants to help. His professor gives him the name of a humanitarian group that runs operations in Africa. The boy, in some sort of “personal crisis,” drops out of school and signs on with the group.

Little does he know that the charity he is now working with in Africa has ties to USAID, which in turn is a solid CIA front. The real mission of the charity, unknown to most or all of its members, is gathering information that can be used as intelligence.

Under the banner of justice, help, hope, and unity of all peoples, the charity is providing actionable intell to CIA-backed “rebel forces” who are carrying out assassinations and bombings in advance of a political coup.

The coup will pave the way for new deals with multinational scum, organized as corporations, to enter the scene and plunder natural resources and labor at more formidable levels.

Five years later, the boy leaves the charity and returns to the US. He is confused, looking for another group in which he can submerge himself. He’s hooked on groups…

The naïve have given up the ghost on their own independent existence. That is the key.

Think of some of the messages of recent pathetic presidents. Bush the Elder: “Kinder, gentler.” Clinton: “I feel your pain.” Bush 2: “No child left behind.” Obama: “We’re all in this together.”

Judging by these presidents’ murderous actions, it’s clear they were selling unity and caring and togetherness as cover stories for oppressive business as usual.

The op? Make the individual extinct, present him as a useless and dangerous and outmoded construct. Then, whatever real unity that might exist between individuals will vanish, because the population will take on the shape of a coagulated mass melted down into a cosmic glob of androidal harmony.

Artists have warned about all this. Their so-called supporters say, “Oh yes, he was a wonderful writer. Misunderstood, of course, but brave in the face of utter rejection.” The usual claptrap. Point is, these gushing advocates conveniently and easily forget what the artists actually wrote.


Here is another reminder from an Outsider who was glad to be outside. He was a hero to some. He was reviled by many.

A bureau operates on opposite principles of inventing needs to justify its existence. Bureaucracy is wrong as a cancer, a turning away from the human evolutionary direction of infinite potentials and differentiation and independent spontaneous action to the complete parasitism of a virus…Bureaus die when the structure of the state collapse. They are as helpless and unfit for independent existence as a displaced tapeworm, or a virus that has killed the host.”

After a shooting spree, they always want to take the guns away from the people who didn’t do it. I sure as hell wouldn’t want to live in a society where the only people allowed guns are the police and the military.”

There is simply no room left for ‘freedom from the tyranny of government’ since city dwellers depend on it for food, power, water, transportation, protection, and welfare. Your right to live where you want, with companions of your choosing, under laws to which you agree, died in the eighteenth century with Captain Mission. Only a miracle or a disaster could restore it.”

The author? William S. Burroughs. But not to worry, he was crazy. Of course he was. He didn’t profess utter loyalty to the mass of humanity. He didn’t prostrate himself before “the greater good.” He didn’t preach unity and togetherness.

He was an individual. Therefore, he is obsolete. A cherished memory of a time now wiped from the mind. Now we are all dancing and marching in the psyop.

Here’s another psyop and cultural theme: the distortion of money and the free market.

The psyop goes this way: The making of $$ is a religious event comparable to the arrival of Jesus or the appearance of the Great Buddha. Indeed, isn’t Christmas the season measured by consumer sales?

A life justified is a life of the bottom-line cash register, a poem to make Shakespeare turn pale with envy.

It doesn’t matter what a product is. If it sells, it must be good. It must mean something profound.

Nail polish, a new plastic toy, a little robot that sings songs—they’re Walt Whitman and Michangelo and Bach because they jumped off store shelves.

Bill Gates and Warren Buffet are geniuses because they and their companies amassed billions. It has to be so.

The team that put together Goofy Bird III, the summer blockbuster hit, are the Chaucers of our time. The box office proved it.

What product makes more money than any other? War. Therefore, Jesus wore a white leisure suit and played golf with generals and made deals for weapons systems.

If a young man or woman today wants to express his true individuality and succeed with other like-minded individuals who have no fear of failure, the two businesses to go into are war and banking. My father told me that, and it’s stood me in good stead all these years. It’s the apotheosis of America…”

An artist named Paddy Chayefsky, in his film, Network, covered this waterfront pretty well:

You are an old man who thinks in terms of nations and peoples. There are no nations. There are no peoples. There are no Russians. There are no Arabs. There are no third worlds. There is no West. There is only one holistic system of systems, one vast and immane, interwoven, interacting, multi-variate, multi-national dominion of dollars. Petro-dollars, electro-dollars, multi-dollars, reichmarks, rins, rubles, pounds, and shekels. It is the international system of currency which determines the totality of life on this planet. That is the natural order of things today. That is the atomic and sub-atomic and galactic structure of things today! And you have meddled with the primal forces of nature, and You Will Atone!”

Hail to the collective, managed from the top. Ah, but as I said, Network was just a movie.


Who cares about American artists? They need monuments and grants here and there, if they’re still alive, but…taking them seriously? Who would want to do that? They’re just…INDIVIDUALS.

Who would want to keep the individual alive, especially the free, independent, and creative individual? We can learn all we need about that by listening to TED lectures!

Here is another quote from an American artist. This one is REALLY not in the politically correct mode. I mean, how dare he!:

Tomorrow you may bring about the destruction of your world. Tomorrow you may sing in Paradise above the smoking ruins of your world-cities. But tonight I would like to think of one man, a lone individual, a man without name or country, a man whom I respect because he has absolutely nothing in common with you—MYSELF. Tonight I shall meditate upon that which I am.” — Henry Miller, Black Spring, 1936

And this! From the most celebrated American poet of all! Is this what he really wrote?

I CELEBRATE myself, and sing myself/And what I assume you shall assume/For every atom belonging to me as good belongs to you/I loafe and invite my soul/I lean and loafe at my ease observing a spear of summer grass/…Creeds and schools in abeyance…I will go to the bank by the wood and become undisguised and naked…The smoke of my own breath/Echoes, ripples, buzz’d whispers, love-root, silk-thread, crotch and vine…The delight alone or in the rush of the streets, or along the fields and hill-sides/The feeling of health, the full-noon trill, the song of me rising from bed and meeting the sun.” — Walt Whitman, Song of Myself, I, II, VI & LII

A celebration of self, and self expanded out into limitless dimensions?

And this is is our real poet laureate?

Something must be wrong.

Yes, the individual, the self—these individual artists—far too messy, too uneven, too unpredictable, too complex to fit into a scheme of the future in which we’ll all be subsumed in a cosmic order.

No, the individual, the self, must be shaved and carved so we can all meld together in a simplified enlightenment.

Here, from the universally acclaimed author of Moby Dick, Herman Melville, another quote that sticks out from the great uniform mass of group-think:

There is the grand truth about Nathaniel Hawthorne. He says NO! in thunder; but the Devil himself cannot make him say yes. For all men who say yes, lie; and all men who say no,—why, they are in the happy condition of judicious, unincumbered travellers in Europe; they cross the frontiers into Eternity with nothing but a carpet-bag, — that is to say, the Ego. Whereas those yes-gentry, they travel with heaps of baggage, and, damn them! they will never get through the Custom House.”

There is no doubt; these Individuals are too thorny, too different—and even different from each other. How can we build a world of unity and unified enlightenment if we let them in the door?

We must erase the memory that these people ever existed. We need to cut down space and time, leave them out, and outfit a new continuum so it will accept only the brainwashed and reduced and harmonized desires of the collective.

Yes. That’s it.

Let’s cause everyone to accept one of two things. We are either “all in this together forever,” or money is the supreme and final god of all time and space. Those are the two choices. They both flatten out the soul and prepare it for the endless gray day.

The Individual must be put into permanent exile. We can’t even say what he is. We can’t define him. We can’t hold him within borders. We can’t know what he’ll do.

Sometimes he’s up, sometimes he’s down, sometimes he’s sideways. Sometimes he embraces the whole cosmos, sometimes he’s alone in a room.

The new world can’t have him. For sake of the coming glory, he has to exit.

The Great Psyop hath spoken.


So, you see, when it comes to freedom, I’m not talking about columns and columns of people marching in one direction, most of them moving ahead together, and a few dropping out and scattering. I’m not talking about a billion androids, among whom a few thousand defect.

I’m not talking about androids or columns of marchers at all. I’m talking about Self. The individual apart from any coordinated picture, apart from any tedious idea about what a human being is.

I don’t care whether he chooses to live in a one-room apartment in New York or a commune in Georgia. I don’t care whether he votes Republican or Democrat or the Party of Golden Lucifer. I don’t care about any of those distinctions, because they all proceed from some horrendous and mutilated idea, some shrunken desiccated idea of what the Self IS in the first place.

Well, we’re really all the same, so the choices a person has aren’t that important…”

We’re really all the same AFTER the great curtain has lowered on the individual and his psyche and his imagination and his daring. Yes, THEN we’re all the same. And then it doesn’t matter what the individual thinks or does, or whether he goes left or right or stays down the middle. THEN he begins to concoct systems and counter-systems and parochial visions he wants to impose on everyone else.

The truth is, we’re all different, astonishingly different. So different, in fact, that left to our own devices, over a long enough span of time, how each one of us would express his deepest thoughts and inventions would make the world into a completely different place.

The individual, the Self, isn’t just a little different or moderately different or quite different. The individual is a revolution all his own, a living breathing revolution.

He can become and identify with any other thing or creature in the universe—or not. He can think with seventeen brains and walk on eight legs if he wants to. He can be Self inventing more Self. He can destroy all forms and shapes of slavery—most importantly his own.

He can love and he can hate. He can experience and create emotions that have never been dreamed of. He can dance with the angels on the head of a pin or drift off past the stars.

He knows freedom is real, and he doesn’t have the slightest interest in interfering with another’s freedom.

This is what political and social movements are FOR: to establish enough freedom for the individual, any individual, so that he can then, if he wants to, become what he is, which is to say, invent his existence entirely according to his own fecund imagination. It will not be a copy of anyone else’s existence. It will not even be close.

After enough time has elapsed, it will be astonishing.

I know many people who believe they are already free and are already living life exactly the way they want to. This is preposterous. At a superficial level, yes. But beyond that, there are oceans of potential expression and invention they haven’t begun to fathom. If by “free” they mean relatively unencumbered by outside forces, but locked down tight as a drum from the inside, then yes, they are free, and good luck to them.

I’ve quoted artists in this essay because I want to impart at least some sense of how different we are from each other. This doesn’t mean we can’t bridge the gulf; of course we can. In fact, it becomes far easier when each of us is speaking with a Voice uncoupled from the “wisdom” of this joke of a society in which we currently live.

The ultimate and permanent fusion of all things is a myth and fairy tale. It’s a fairy tale bought by people who have never ventured off the reservation to discover and invent their own Voice.


Exit From the Matrix


If all this is true, then why do I write about the crimes of the medical cartel, the crimes of Monsanto, the corrosive destruction wrought by television? Why bother with any of this? Because I’m for authentic movements to end these crimes. The mafias of this world are out to gain as much control as possible…and finally and ultimately, this means a war against the freedom of every individual. It means writing the individual and his enormous untapped potential out of existence.

When the android-uniformity of all individuals is being sold as marvelous unity, that needs to be pointed out. When millions of people believe uniqueness=uniformity=unity, that’s more Orwellian than Orwell, and it needs to be pointed out.

Jon Rappoport

The author of two explosive collections, THE MATRIX REVEALED and EXIT FROM THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

The individual vs. the collective in the Matrix

The individual vs. the collective in the Matrix

by Jon Rappoport

May 24, 2013

www.nomorefakenews.com

In the 1950s, before television had numbed minds and turned them into jelly, there was a growing sense of: the Individual versus the Corporate State.

Something needed to be done. People were fitting into slots. They were surrendering their lives in increasing numbers. They were carving away their own idiosyncrasies and their independent ideas.

Collectivism wasn’t merely a Soviet paradigm. It was spreading like a fungus at every level of American life. It might fly a political banner here and there, but on the whole it was a social phenomenon and nightmare.

Television then added fuel to the fire. Under the control of psyops experts, it became, as the 1950s droned on, the facile barrel of a weapon:

What’s important is the group, the family, peers. Conform. Give in. Bathe in the great belonging…”

Recognize that every message television imparts is a proxy, a fabrication, a simulacrum, an imitation of life one step removed. It isn’t people talking in a park or on a street corner or in a saloon or a barber shop or a meeting hall or a church.

It’s happening on a screen, and that makes it both fake and more real than real.

Therefore, the argument that television can impart important values, if “directed properly,” is specious from the ground up. Television tells lies in its very being. And because it appears to supersede the real, it hypnotizes.

When this medium also broadcasts words and images of belonging and the need to belong, it’s engaged in revolutionary social engineering.

The very opposite of living as a strong, independent, and powerful individual is the cloying need to belong. And the latter is what television ceaselessly promotes.

This is no accident. After World War 2, psychological-warfare operatives turned their attention to two long-term strategies: inculcating negative stereotypes of distant populations, to rationalize covert military plans to conquer and build an empire for America; and disseminating the unparalleled joys of disappearing into a group existence.

When, for example, television promotes “family,” it’s all on the level of fictitiously happy, desperate, yearning, last-chance, problem-resolving, melted-down, trance-inducing, gooey family.

This isn’t, by any stretch, an actual human value. Whether it’s the suburban-lawn family in an ad for the wonders of a toxic medical drug, or the mob family going to the mattresses to fend off a rival, it’s fantasy time in the land of mind control.

Television has carried its mission forward. The consciousness of the Individual versus the State has turned into: love the State. Love the State as family.

The political Left of the 1960s, who rioted against Democratic President Lyndon Johnson, at the Century Plaza Hotel, and ended his hopes to run again in 1968…that Left is now all about the State and its glories and gifts. The collective.

A great deal of the television coverage of mass shootings is now dedicated to bringing home the spurious message: we all grieve together and heal together.

In the only study I have been able to find, Wictionary partially surveys the scripts of all television shows from the year 2006, to analyze the words most frequently broadcast to viewers in America.

Out of 29,713,800 words, including the massively used “a,” “an,” “the,” “you,” “me,” and the like, the word “home” ranks 179 from the top. “Mom” is 218. “Together” is 222. “Family” is 250.

This usage reflects an unending psyop.

Are you with the family or not? Are you with the group, the collective, or not? Those are the blunt parameters.

When you get right down to it, all you have is family.” “Our team is really a family.” “You’re deserting the family.” “You fight for the guy next to you.” “Our department is like a family.” “Here at Corporation X, we’re a family.” “Above all, this is a community.”

The committee, the group, the company, the sector, the planet, the family.

The goal? Submerge the individual and tie him inexorably to a group.

Individual achievement, imagination, creative power? Not on the agenda. Something for the dustbin of history.

All you need to do is fall into the arms of a group. After that, everything is settled. You can care exclusively about the collective.

Aldous Huxley, Brave New World: “‘Ninety-six identical twins working ninety-six identical machines’! The voice was almost tremulous with enthusiasm. ‘You really know where you are. For the first time in history.’”

George Orwell, 1984: “The two aims of the Party are to conquer the whole surface of the earth and to extinguish once and for all the possibility of independent thought.”

Television seeks to emphasize one decision: inclusion or exclusion. Exclusion is portrayed as the only condition that is possible if you aren’t part of the group. And exclusion carries the connotation of exile, excommunication, and criminality.

The soap opera is the apotheosis of television. The long-running characters in Anytown are irreversibly enmeshed in one another’s lives. There’s no escape. And with that comes mind-numbing meddling.

I’m just trying to help you realize we all love you (in chains).”

Your father, rest his soul, would never have wanted you to do this to yourself…”

How dare you set yourself apart from us. Who do you think you are?”


The Matrix Revealed


Of the three elite network anchors, the one who fictionally conveys the sense that “we’re all in this together” is Brian Williams (NBC). He’s also the number-one-rated anchor on the evening news.

Am I saying that no groups anywhere can achieve important objectives? Of course not. I’m talking about a state of mind wherein the individual surrenders his own life-force.

There is an indissoluble link between the artifact called “we” and “limited context.” This is precisely what television news gives to the public. With each story that fails to explore the deeper players and their motives, the news speaks to a collective consciousness, which is to say, the sharing of a fabrication.

What “we” shares is foreshortened perspective, lies, misdirection, and superficial gloss. Those qualities are built for the group, and the group digests them automatically.

The group needs something to focus on, to claim is of the greatest significance. So it settles on those deceptions fed to it. It works with those deceptions, rearranges them, voices them, troubles itself over them, massages them, sculpts them, complains about them, praises them.


Retired psyops specialist Ellis Medavoy once said to me, “I think we’ve reached the point where the collective doesn’t even need a leader anymore. It can take all its cues from television.”

For some people, “we” has a fragrant scent, until they get down in the trenches with it. There they discover odd odors and postures and mutations. They find self-distorted creatures running around doing bizarre things with an exhibitionist flair.

The night becomes long. The ideals melt. The level of intelligence required to inhabit this cave-like realm is lower than expected, much lower.

Perceptions formerly believed to be the glue that holds this territory together begin to crack and fall apart, and all that is left is a grim determination to see things through.

As the night moves into its latter stages, some participants come to know that all their activity is taking place in a chimerical universe.

It is as if reality has been constructed to yield up gibberish.

Whose idea was it to become deaf, dumb, and blind in the first place?


The heart and soul of THE MATRIX REVEALED are the text interviews I conducted with Matrix-insiders, who have first-hand knowledge of how the major illusions of our world are put together. One of those Matrix-insiders is ELLIS MEDAVOY, master of PR, propaganda, and deception, who worked for key controllers in the medical and political arenas. 28 interviews, 290 pages.


And then perhaps one person in the cave suddenly says: I EXIST.

That’s starts a cacophony of howling.

The spell is being broken.

People dimly wonder whether, beyond this night, there is another whole world where individuals live, where some of them do, in fact, join together, but not in a desolate way.

Where individuals finally separate from the sticky substance of coordinated defeat.

The “we” that television gives us is a fiction designed to make the independent individual extinct. That is its job.

In the aftermath of the 1963 assassination of JFK and the 1995 bombing of the Federal Building in Oklahoma City, the covert theme was the same: a lone individual did this.

A lone individual, detached from the group, did this. See what happens when the group is rejected? Lone individuals are really no different than individuals. They are people who left the fold. They wandered from the communal hearth. They thought for themselves. This is what happens when individuals assert their independent existence. They become killers. They lose their way. They break the sacred bond. They are heretics who fall away from the collective.

In 1995, after the Oklahoma City Bombing, President Bill Clinton made a speech to the nation. He rescued his presidency by essentially saying, “Come home to the government. We will protect you and save you.”

He framed the crime in those terms. The individual versus the collective.

Of course, he was an individual who had chosen to be a mouthpiece and a middleman for the elite players who run the collective from above. But that went unnoticed.

The strongest argument against the free and independent and powerful individual, and in favor of the collective is, simply: the collective has advanced to such a degree that there is no going back; the individual can’t win; the battle is over.

All I can say is, I’ve never accepted an argument on that basis, and never will. The liberation of the individual has existed as an aim since the dawn of time on this planet. That aim will not vanish.

Why? Because underneath all the programs for mind control, there is, obviously, something to control. Otherwise, why bother? The deeper you go in discovering what “must be controlled,” the more freedom and power and imagination you encounter in the individual.

There is no limit. These three qualities are endless.

It may not seem so. It may seem that all the propaganda about the inherent weakness and smallness of the human being is accurate. But that is a false dream.

The reality is far different.

A million psyops won’t change that reality.


Exit From the Matrix


Finally, here is a 1980 quote from author Philip K Dick. He is writing poignantly about another titan of science fiction, Robert Heinlein. The relevance of his words to the subject of this article? There are probably a number of interpretations. I won’t try to flesh it out. I’ll leave it to you to decide:

“Several years ago, when I was ill, Heinlein offered his help, anything he could do, and we had never met; he would phone me to cheer me up and see how I was doing. He wanted to buy me an electric typewriter, God bless him—one of the few true gentlemen in this world. I don’t agree with any ideas he puts forth in his writing, but that is neither here nor there. One time when I owed the IRS a lot of money and couldn’t raise it, Heinlein loaned the money to me. I think a great deal of him and his wife; I dedicated a book to them in appreciation. Robert Heinlein is a fine-looking man, very impressive and very military in stance; you can tell he has a military background, even to the haircut. He knows I’m a flipped-out freak and still he helped me and my wife when we were in trouble. That is the best in humanity, there; that is who and what I love.”

Okay, I can’t resist giving you one more from Philip Dick. I don’t agree with the “motive” part of the quote, but everything else? Perfect.

Because today we live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups…So I ask, in my writing, What is real? Because unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms. I do not distrust their motives; I distrust their power. They have a lot of it. And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing.”

The question is, in gaining freedom from these pseudo-realities, does the process happen for everyone at once, or is it one individual at a time? The answer is clear, and it tells us a great deal about the illusion of the collective.

Jon Rappoport

The author of two explosive collections, THE MATRIX REVEALED and EXIT FROM THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

Technology, consciousness, and how the universe is built

Technology, consciousness, and how the universe is built

by Jon Rappoport

May 15, 2013

www.nomorefakenews.com

In the early 1990s, hypnotherapist Jack True was trying to show me how perception operated in hypnotized subjects.

As a joke, well it was a half-joke, he said the following: “If you’re doing a scientific experiment on gravity, and you start dropping various objects from the top of a building, you’re going to find out some interesting things about the way gravity operates in the universe.

But if you don’t care about gravity and science, when you drop the objects from the roof, some will fall and others will float.”

What he meant was this: if you want to find out how to build things and run things and propel things and blow up things, you can look into the universe and eventually obtain that information.

The information will seem to be definitive about how the universe is built. It will seem to be the only model. It will seem to be the truth.

But that’s an illusion. Actually, competing models about the universe are available, and depending on your intent, you can discover and put together as many as you need.

They all work. They all look like mutually exclusive systems. But they aren’t.

The picture of tiny particles whirling through space and time is fine. It works. It enables the kind of technology we have now. It can be proved with mathematics. It can be verified until the cows come home. But it’s not the only choice.


Jack once had a patient who, three years earlier, had suddenly developed nearsightedness.

So Jack put him in a light trance and worked on it. Nothing.

Finally, after a number of sessions, Jack told him that perhaps his view or picture of the universe was standing in his way. Perhaps he needed to come up with another picture. Jack liked to try these radical approaches.

In ensuing sessions, Jack had his patient invent dozens of different models of how the universe was constructed. None of them were based on physics.

The patient was getting interested. He suddenly recalled that, as a very young boy, he’d thought the world was a kind of vacuum surrounded by extremely dense space, which was actually solid. He’d had dreams about this “reverse configuration.”

For no apparent reason, the patient now felt much better. He felt freer. His eyesight improved, nearly to its former level.

I had a chance to talk to the patient. “The most astonishing thing,” he told me, “is knowing that if I hadn’t invented these other models [of the universe], it’s likely I wouldn’t have regained my eyesight.”

Jack told me his experience with this patient was part of the reason he stopped doing hypnosis. He said that having one and only one model of the way things are is, in fact, the result of being in a core trance. He realized everyone is, to one degree or another, already in a hypnotic state. Therefore, his job should be to wake people up.


The Matrix Revealed

JACK TRUE, the most creative hypnotherapist on the face of the planet, is featured in THE MATRIX REVEALED. Jack’s anti-Matrix understanding of the mind and how to liberate it is unparalleled. His insights are unique, staggering. 43 interviews, 320 pages. That is just a faction of what THE MATRIX REVEALED has to offer.


I once had a consulting client who owned a small business. It had been successful, but it was now in an extreme condition of disrepair. Everything that could go wrong had gone wrong.

His books were a mess. His records were a mess. Employees were coming and going, and they were all failing at their jobs. Sales were down, and he was in debt.

He presented me with a list of everything he’d tried, to get things back on track. The list was formidable. This was a smart man. But nothing was working.

I told him he had no choice but to re-imagine the whole business from scratch. He had to find a completely different way to build it.

At first, he had no idea what I was talking about.

Then slowly, painfully, he began to write down all sorts of scenarios by which he could reconstruct his company.

Eventually, the mists cleared, and he began to feel better. He tore down everything and started over. He came up with a radically new way of doing business. And it worked.

It was an example of the One versus the Many. The One is the way a person chronically views reality. It’s the central perception which seems to be obvious, irrefutable, and permanent. The Many is the envisioning of multiple and different views of reality. It shakes up the status quo in the psyche and shifts into new territory.


Exit From the Matrix


Whether the universe is made of particles or waves, was produced by the Big Bang or the translation of lines of code from a two-dimensional surface, or as a result of vibrating Strings, it can be said to be a projection, a demonstration.

It can be viewed as an absolute unity, just as a stage play strives for absolute credibility. But of course, the stage play is wise enough to end. And then the audience walks out. But the universe is a projection that wants to impart the illusion of permanence.

This illusion is brought about by a scheme of interconnectedness, in which each particle or thing appears to be related to every other thing, or, from a different point of view, reflects every other thing, in a series of mirrors.

This is the overarching meaning of the ancient symbol of the maze. You move through the paths and arrive back at the beginning. The journey is always self-contained.


From the perspective I’m presenting here, the horse that finishes last in the race is named Truth, when truth is sought and found inside the continuum of this particular universe.

It’s not merely, as some physicists venture, that there are universes parallel to this one. There are universes everywhere. They are infinite in number. And then there is a “greater” infinity—those universes that have not yet been created.

Taking this as a starting point, and inventing multiple scenarios, multiple worlds, universes, and futures, one gains back power. Power beyond what one thinks, at any given moment, is possible.

Jon Rappoport

The author of two explosive collections, THE MATRIX REVEALED and EXIT FROM THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

More on Exit From the Matrix

More on Exit From the Matrix

by Jon Rappoport

May 4, 2013

www.nomorefakenews.com

Unhappy is the man, woman, or child who doesn’t live with imagination at the prow of the ship…

As my readers know, I recently launched another mega-collection, Exit From the Matrix. You can read the details here.

A little personal background. I had a passion for painting, and I started to work in a studio in the summer of 1962, when by “chance,” down to my last few bucks, with no place to live, having just returned to New York from Cape Cod, I went to the Metropolitan Museum straight from the bus stop, and…

I wandered through rooms I’d visited many times. But this time, I decided I needed something to eat and I walked into the Museum restaurant. I’d never done that before, in my dozens of visits to the Met, and…

There I ran into a painter I knew from a gallery in the city. He sat down and we had lunch. He told me he was leaving for the Cape the next day, and he had a problem. He hadn’t found anyone to live in his studio for the summer, and…

He asked whether I knew anybody who needed a place to stay. We’ll, I said, with the blood pounding in my ears, I would be happy to sublet it, but…

I had one problem: no money. He said, don’t worry, pay me what you can, I just need someone to live there while I’m away for the next two months.

And that’s how my new life began. Painting in that studio.

I don’t cut things that close to the edge anymore, but the theme remains the same. There is reality, and then there is imagination that creates reality.

Somehow, for me, painting is a touchstone. Doing it, looking at it, thinking about it. In unexpected ways, I take off from it, and life changes, becomes far better, becomes something quite different.

I was never trained as a painter. I can remember, in the second grade, my teacher telling my parents I had no discernible talent for it, and perhaps I should be excused from art class altogether.

So years later, when I was 24, I came to it out of the blue. I knew a painter in Connecticut, and when I visited his studio, I was immediately staggered at the notion that a human being could live in a place and paint in it every day. It wasn’t a vocation or an avocation. It was a life.

From that moment on, I had to do it.

Painting is imagination at work in space. Paul Klee would start one painting, go to town on it until he couldn’t decide what to do next, and move on to a second blank canvas. He’d paint on it until he couldn’t decide what to do next, and go to a third blank canvas. He’d do this with six or seven canvases…and then return to the first one, with fresh ideas.

Making new realities.

Whereas: the Matrix is frozen imagination.

The news is frozen disinformation (which is also a form of imagination).

Consensus reality is: everybody “paints one picture.”

In a way, these are all cosmic jokes we play on ourselves. Of course, they can get deadly serious, when we’re mired in them.

Abundance is imagination realized.

Scarcity is amnesia about imagination.

Michelangelo famously said that the final figure of a sculpture was already in the raw block of stone; all he had to do was remove everything that wasn’t the figure. If that isn’t imagination, I don’t know what is.

Our technological civilization seems intent on divorcing imagination from perception, in the name of science. It’s a deteriorating strategy, because the life drains out of perception—which is another good description of what the Matrix is.

In 1996, I formed a partnership with a publisher in San Diego, The Truth Seeker. Bonnie Lange was a bolt out of the blue. As head of Truth Seeker, she wanted new ideas, and she wanted to support them and back them to the hilt.

I had never met anyone like her in the publishing field, or anywhere else for that matter. She gave me the go-ahead for my 1999 book, The Secret Behind Secret Societies (*), after only hearing the title. And she paid me to write it.


(*) The Secret Behind Secret Societies book has been included as part EXIT FROM THE MATRIX as a .pdf e-book.


That book enabled me to examine history in the light of two themes I had developed: the formula of the secret society, and the tradition of imagination.

For as many centuries as you care to visit, there has always been a tradition of imagination on this planet. Scattered here and there, it is carried forward by men and women who’ve managed to cast off doctrine and orthodoxy in favor of exploring and living through their own creative power.

They carry the torch. They discover, in the process of invention, that the reality most people come to accept is a cover story laid over life-force, like rain over fire.

We were not meant for that reality.

There is no highly organized society that can afford to hold up individual imagination as a prime virtue. It is too damaging to the consensus. It is too alive. It deconstructs oppression on all fronts.

Imagination scoffs at minds that “already know it all.” Imagination is concerned with the infinity of futures that have not been yet created.

For some people, this idea creates great music in the mind. For others, who are dead in their knowing, it doesn’t register.

Here are a few of my original notes for The Secret Behind Secret Societies, made before I wrote the book:

“Musicians, the greatest improvisors in the world, gather and play in a cemetery. Some people emerge from their graves and live again. Some continue to sleep. There are different kinds of dead.”

People want Pattern. They think they live for it. At some level, it’s very pleasing. Pattern, balance, symmetry, harmony, geometry. It seems like an ultimate. But that is only true at a certain level of mind. At other levels, there is a greater hunger to imagine and create without guiding Pattern.”

Fractals, sacred geometry. Buried treasure in the investigation of this universe. But the primary and prior fixation is on this universe as The One. It isn’t. It’s just one space and time. It’s just one work of art, among many. Among an infinity. And then there is another infinity: the universes that haven’t yet been created. They’re all works of imagination.”

The secret society wants its members to get involved with secret Pattern. Ah, the mystery. The Pattern will be revealed. It’s just over the next hill. No it isn’t. There is no answer there. Pattern is something you can put in a work of art or a work of science. That’s all.”


At some point in my career as a journalist—which began in 1982, as an afterthought, because I was writing poetry and fiction—I realized I was taking apart consensus reality on a number of fronts. I was breaking down “works of (perverse) art” and revealing their foundations. I was exposing masquerades.

After that realization, I was far more comfortable with what I was doing.

The whole ticket to ride in this world is entry into what is created for you. It’s exciting, it buzzes, it sparkles. Unless you’re born in a place where it shoots and explodes and imprisons. But the gist of the message is: you’re here to take the trip.

That’s what keeps things going in the same way, eon after eon. If we were all artists and inventors, the whole premise and structure would break apart.

We could still take the trip. But we would be inventing far more exciting and illuminating realities.

In some ways, this universe and our minds do a tap dance in which many premises are generated, one after another. Then we follow down these premises and see what they yield. Eventually, the whole mechanism slows down. There is something missing. In the search mode, which certainly does bear fruit, we nevertheless wonder what’s being omitted.

People have answers for us. Plenty of answers. Most of their solutions are about content. The content of this, the content of that. But still…

What’s being omitted is our own power to imagine and create, which isn’t content at all.

Content is the outcome of what we create.

We exist. And we create without end. So the outcome, the content, isn’t the final factor. It’s the result, the offshoot.

Is this universe made as the holographic projection of code engraved on a two dimensional surface? Is it vibrating strings? Is it the flowering of the Big Bang? On and on goes the search, as if the content of the answer is going to be final.

It isn’t.

Whether they know or not, people have aesthetic standards, which define what they’ll accept or reject. It’s quite remarkable. People act and behave as if they’re painters judging beauty, even though they wouldn’t go near brushes, paints, and canvas in a million years, much less a museum.

These aesthetic standards form titanic convictions that act as pillars upholding a picture of this world and this universe. And from that unfolds the premise that, indeed, this universe is the only one.

It’s a self-reflexive proposition. It’s unconscious dedication to a single picture.


Exit From the Matrix


And in the long run, it’s a barrier against the life-force that resides in imagination, creation, invention, improvisation. It’s staking out a firm and unshakable position in a very small space, in the middle of an infinity that goes unnoticed.

On the other hand, when a person begins to live his life through and by imagination, those hidebound aesthetic standards change. The chains loosen. The links dissolve.

And perception opens up on new vistas that were never noticed, because they were off-limits.

The strategy of the Matrix is to enchant people forever with the prospect of finding out more and more about it. This is like a painting saying, “Here I am. I’m the only painting. Study me forever. I contain many mysteries…”

Or you could paint.

I’ve known a number of people who’ve made the shift. One way or another, they reported this: when they began living by and through imagination, whatever their field of work, they realized they were journeying out beyond their ironclad certainty…and it was a tremendous relief, because they had really become bored with that absolute collection of knowledge. They were set free from its limits.

Jon Rappoport

The author of two explosive collections, THE MATRIX REVEALED and EXIT FROM THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

The psychological crossroad of an unhappy life

The psychological crossroad of an unhappy life

by Jon Rappoport

May 3, 2013

www.nomorefakenews.com

There is a point at which a life becomes unsatisfying.  Regardless of the reasons, a person begins to place too much emphasis on:

what already exists;

and what he believes.

That may sound like a strange thing to say.

There is nothing automatically wrong with what exists or with what he believes, but the key term here is “too much emphasis.”

A person makes a castle and fortress out of what was once flowing, energetic, and alive.

This is one of those unfair facts of existence, because it would seem, on cursory examination, that to believe what is good, right, and true should be tethered down with the strongest possible ropes.  It should be permanently imprinted in the mind, engraved deeply.

But then something happens.  The beliefs lose their dynamism.  They sit there.  They turn into dead stars.

The person, from that point on, can speak and act from these beliefs, but his actions and words take on a mechanical hue.  He becomes a one-trick pony.  The people around him know how he is going to respond.  They know what he’s going to say.

He himself knows what he’s going to say.

His life now resembles a machine.

To one degree or another, everyone can fall into this trap.  The sap of life becomes sour.

“Whatever already exists,” rather than “what could possibly be” takes center stage.

And, another irony: what already exists could be the most cogent position in the world, yet it returns no psychological or spiritual dividends.

What happened?  How did things come to this?

The classic case, because it is so visible, is the artist who winds up repeating the same themes again and again in his work, the force of them deadening as he grows more “mature.”

But we could be talking about anyone.

The person becomes bored with himself.  And then, he thinks, he has nowhere to go.  It’s time for old age.

That old age can come at 30, at 50, at 70.  It doesn’t matter when.  The door seems to close.  The walls are permanently set.


The Matrix Revealed


Wisdom, intellectual prowess, success, insight, strength no longer seem to matter.  Being correct and right about the most important things has worn out like old shoes.

A person can tout his own beliefs to the rooftops, but it has no effect, no salutary effect on himself.

The search for what is deeply true and what beliefs are most important has succeeded, but the result is ashes.

What I’m describing here is a central aspect of the Matrix, an aspect most people would rather not consider.

They would prefer to say, “Nothing’s wrong,” and simply turn up the decibel count on their all-too-familiar assertions, which by now have taken on the coloration of slogans.

And there are millions of so-called professionals who are ready to jump into the breach and analyze this existential situation as a collection of symptoms which refer to some pseudo-disorder.

Yet there is help.  There has always been help.  It waits on the sidelines, and if the call comes, everything transforms.  The person mired in his own stagnant juices doesn’t have to consciously change a thing about his beliefs.  He doesn’t have to try to manipulate his mind or reorganize its contents.

This help, which is waiting for the call to action, doesn’t function on the basis of what already exists.  It never has.  That’s why it has been rejected.  It doesn’t seem to be practical.  It doesn’t seem to be the drill that can bore a hole in the lock of the door and let the prisoner out of his cell.

This help isn’t “true” or “right” or “correct.”  It isn’t “harmonious” or “perfect.”

It’s oceanic.

It is the imagination.


Exit From the Matrix

Imagination is the buried key that unlocks the door that exits from the Matrix. EXIT FROM THE MATRIX contains exercises and techniques aimed at expanding the power, range, and scope of the imagination—along with very simple instructions on how to use these exercises. This collection also contains a presentation of the vital philosophy that underpins the limitless power of the individual. This is more than theory. It’s a guide to exiting from the Matrix.


Consigned as a mere toy for children, a distraction, a useless appendage for adults, a minor preoccupation, it is actually the faculty that surpasses what already exists in any dimension.

It doesn’t rely on the past.  It doesn’t operate as a system.  It doesn’t make calculations in accounting books.  It isn’t a pattern.

It’s free.

Imagination wakes up the psyche.  It wakes up the cells of the body.  It invents the space of an open future.  It sweeps the deck clean of morbid boredom.  It solves problems in unforeseen ways.  It moves out ahead of problems and creates new avenues along which old conflicts dissolve.

Imagination can be deployed to express deep beliefs and make them impact the world.  It brings those beliefs back to life.  It develops ingenious strategies to forward plans that were dying on the vine.

Imagination changes what already exists for the better.  It can leap ahead of reality and build futures that shatter moribund consensus.

Imagination awakens abilities beyond the five senses and beyond structured consciousness.

When a life turns sour, stolid, and old, imagination injects the fire of youth.

Imagination says, “It’s never too late.”

“Late” turns out to be a faulty proposition that was omitting the most powerful force in the individual.

Imagination resides in the individual, not the collective.  A life and a world founded on the collective is actually a covert operation to induce amnesia about the imagination.

The individual can choose to move forward by embodying patterns of the past, or he can step on to an entirely different path.

The universe is waiting for imagination to revolutionize it down to its core.

Jon Rappoport

The author of two explosive collections, THE MATRIX REVEALED and EXIT FROM THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

The worldwide Church of the Evening News

The worldwide Church of the Evening News

by Jon Rappoport

April 27, 2013

www.nomorefakenews.com

The march of idiots is an interesting subject for investigation.

The collectivized mind is wired to other minds, and they exchange gibberish to feel whole.

People are addicted to crap. They like it.

That’s why they watch the news.

That’s why they believe the news.

It’s time for a worldwide Church of the News, with its own priests, its own symbols, and its own prophets. In other words, go to the extreme. Why fiddle around? Bring things out in the open.

Brian Williams would be a saint some day. The great ancestors, like Ed Murrow, Cronkite, and Chet Huntley would be celebrated figures in testaments.

Sunday services would feature many screens with simultaneous broadcasts. This would be the first Church that has such an extensive record of its own history. On television.

Think of it. Straight-out worship of the news.

I had my conversion-experience one night while Diane Sawyer was in her cups, explaining the loss of life in a storm in Kansas. I suddenly realized I was receiving revelation…”

We already have the Church of Biological Mysticism, in which all human suffering is explained by the germ theory or genes. So we need the Church of the News.

If there’s a 36-car pile-up outside Chicago, in the fog, hundreds of millions of people see pictures of it within minutes. It’s automatically a Church document. No need to explain it. Let the anchors who are on-air explain it. Then everyone can suck it in, in the same way.

CBS, NBC, and ABC are wings of the great cathedral. Their anchors are angels right here, right now.

The Church leadership will be composed of the Great Ones, the men who run the corporations that own the networks. The power behind the throne.

Heretics, of course, are necessary. They’re the “conspiracy theorists,” those evil and demented people who challenge official scenarios touted by the news.

The Church is a herald of the New World Order: Globalism. Establishing one body to rule the planet is its mission. Therefore, worshipers are dedicated as well. Eliminate nations. Erase borders. Allow mega-corporations to roam free and wild and buy up land, resources, and labor anywhere and everywhere.

Bring it all out into the open.

But whether it’s a new UN treaty, a car crash, a murder in a motel, a breakthrough in lip gloss, it’s news, so its sacred.

The Church has a basic flat-earth policy. Every substantial story is presented with drastically shortened perspective, eliminating, for example, the people who are running a specific op from behind the scenes. “Behind the scenes” is a phrase rarely mentioned by the Church.

If we throw in CNN, FOX, and MSNBC, the Church has 24/7 services. That’s quite a reach. Disparate loons like Ted Turner and Rupert Murdoch are united in Church annals, as they should be. They’re both significant promulgators of the faith.

And who plays Satan? The Internet, of course. Tax it, control it, censor it, curse it. Cast it out.

Why let people merely bow and kneel down to the news in the privacy of their own minds? Build churches and monuments to externalize and celebrate the broadcasts that shape their reality. There’s no need to hide.

This is what we know. This is what we see. This is all there is. The news.”

The narration of what exists.

New holidays. The Day of Celebrity Gossip, commemorating a year’s worth of salacious invasions into the lives of meaningless stars. Parishioners on bended knee are fed sugary confections at the altar.

The Day of Commercials, honoring those stalwart companies who support the Church with their ad buys and product placements.

Segue Tuesday, marking the great anchors who excel in blending one fatuous news item into another with seamless skill.

Government Source Saturday, extolling the anonymous persons who feed (dis)information to the press on a regular basis, never to be named “because the investigation is ongoing.”

And of course, a new Bible. “In the Beginning was the anchor’s Voice, and the Voice was inside the mind of the viewer,” fleshing out reality, collectivizing mass programming for All.

From The Children, one will rise to be the premier elite anchor of his generation. To him is given the nod of the Great Corporate Owners, to safeguard the ad buys, the ratings, and the dispensing of the story lines.

To him is awarded the mission of protecting the men behind the curtain. For there is certain knowledge that cannot be told, lest it endanger the constructed consensus and throw the world into chaos.

Centralize the mind. That is the mandate.

There is no history. The past is an illusion. There is only tonight’s broadcast. And then tomorrow’s.


The Matrix Revealed


In Church dispensations (broadcasts), there are no contradictions. When a paradox appears on the horizon, it is mitigated and resolved by the instant emergence of a new story that wipes away memory. Yesterday’s tyrant becomes today’s rescuer, according to secret formulas propagated by the Great Owners.

The Church capsulizes and distorts the people it covers on the news, plugging them into an overall cartoon-front. Individuals mustn’t stand out from the televised background. Too provocative, too dangerous. Too disruptive. By contrast, they might expose the whole charade.

From time to time, the news runs up against rebels who challenge the whole broadcast reality.

And once in a while, the rebel holds a few trump cards. This was the case with one of the earliest mass-media duelists, Salvador Dali.


Exit From the Matrix


THE STRANGE CASE OF DALI AND THE COSMIC PRISON BREAK

The critics would have declared Dali a hopeless lunatic if he hadn’t possessed such formidable classical painting skills.

He placed his repeating images (the notorious melting watch, the face and body of his wife, Gala, the ornate and fierce skeletal structures of unknown creatures) on the canvas as if they had as much right to be there as any familiar object.

This was quite troubling. If an immense jawbone that was also a rib or a forked femur could rival a perfectly rendered lamp or couch or book (on the same canvas), where were all the accoutrements and assurances of modern comfortable living?

Where was the pleasantly mesmerizing effect of a predictable existence?

Where was a protective class structure that depended on nothing more than money and cultural slogans?

To make it worse, Dali invented vast comedies on canvas. But the overall joke turned, as the viewer’s eye moved, into a nightmare, into an entrancing interlude of music, a memory of something that had never happened, a gang of genies coming out of corked bottles.

What was the man doing? Was he thumbing his nose at the audience? Was he simply showing off? Was he inventing waking dreams? Was he, God forbid, actually imagining something entirely new that resisted classification?

Words failed viewers and critics and colleagues and enemies.

But they didn’t fail Dali. He took every occasion to explain his work in press interviews. However, his explications were dealt out in a way that made it plain he was telling tall tales—interesting, hilarious, and preposterous tall tales.

Every interview and press conference he gave, gave birth to more attacks on him. Was he inviting scorn? Was he really above it all? Was he toying with the press like some perverse Olympian?

Media analysts flocked to make him persona non grata, but what was the persona they were exiling? They had no idea then, and they have no idea now.

It’s possible that every statement ever uttered in public by Dali was a lie. A fabrication. An invention dedicated to constructing a massive (and contradictory) persona.

Commentators who try to take on Dali’s life usually center on the early death of his young brother as the core explanation for Dali’s “basic confusion”—which resulted in his bizarre approach to his own fame.

However, these days, we might more correctly say that Dali was playing the media game on his own terms, after realizing that no reporter wanted the real Dali (whatever that might mean)—some fiction was being asked for, and the artist was merely being accommodating.

He was creating a self that matched his paintings.

It is generally acknowledged that no artist of the 20th century was superior to Dali in the ability to render realistic detail.

But of course Dali’s work was not about realism.

The most complex paintings—for example, Christopher Columbus, Discovering America and The Hallucinogenic Toreador—brilliantly orchestrated interpenetrating worlds.

At some point in his career, Dali saw (decided) there was no limit to what he could assemble on one canvas. A painting could become a science-fiction novel reaching into several pasts and futures. The protagonist (the viewer) could find himself in such a simultaneity.

Critics have attacked the paintings relentlessly. They are offended at Dali’s skill, which matches the best work of the meticulous Dutch Renaissance masters.

They hate the dissonance. They resent Dali’s wit and rankle at the idea that Dali could carry out monstrous jokes—in such fierce extended detail—on a given canvas.

But above all, the sheer imagination harpoons the critics. How dare a painter turn reality upside down so blatantly, while rubbing their faces in the exquisite detail.

The cherry on the cake was: for every attack the critics launched at Dali the man (they really had no idea who he was), Dali would come back at them with yet another elaborate piece of fiction about himself. It was unfair. The critics were “devoted to the truth.” The painter was free to invent himself over and over as many times as he fancied.

Dali was holding up a mirror. He was saying, “You people are like me. We’re all doing fiction. I’m much better at it. In the process, I get at a much deeper truth.”

The principles of organized society dictate that a person must be who he is, even if that is a cartoon of a cartoon. A person must be one recognizable caricature forever, must be IDed, must have one basic function. Must, as a civilization goes down the trail of decline, submit to being watched and taped and profiled.

When a person shows up who is many different things, who can invent himself at the drop of hat, who seems to stand in 14 different places at the same time, the Order trembles.

This is not acceptable.

(Fake) reality declares: what you said yesterday must synchronize absolutely with what you say today.

This rule (“being the only thing you are”) guarantees that human beings will resonate with the premise that we all live and think and work in one collective continuum of space and time. One. Only one. Forever.

The big lie.

Whatever he was, however despicable he may have been in certain respects, Dali broke that egg. Broke the cardinal rule.

He reveled in doing it. He made people wait for an answer about himself, and the answer never came. Instead, he gave them a hundred answers, improvised in the moment.

He threw people back on their own resources, and those resources proved to be severely limited.

That was too much.

But there the paintings are.

And the pressure has been building. The growing failure of major institutions (centralized hierarchical religion, psychology, education, government) to keep the cork in the bottle signals a prison break in progress.

More people understand that the veil is not really a veil of tears. It’s a curtain madly drawn across the creative force.

The pot is boiling. People want out. It remains to be seen whether people will admit that the veil was and is ultimately of their own making.

Somewhere along the line we have to give the green light to our own creative power. That is the first great day, the dawn of no coerced boundaries. Everything we’ve been taught tells us that a life lived entirely from creative force is impossible. We don’t have it within us. We should maintain silence and propriety in the face of greater official power and wisdom. We must abide by the rules. We must, at best, “surrender to the universe.”

But what if, when we come around the far turn, we see that the universe is us? Is simply one part of imagination? Is a twinkling rendition we installed to keep us titillated with dreams that would forever drift out of reach?

What if we are popping out of the fences of this culture and this continuum and this tired movie? What then?

Jon Rappoport

The author of two explosive collections, THE MATRIX REVEALED and EXIT FROM THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

Consensus shredded; major media up against the wall

Consensus shredded; major media up against the wall

by Jon Rappoport

April 24, 2013

www.nomorefakenews.com

Television news is shriveling. And it’s under attack from a new breed. You can call them counter-programmers, video freaks, whatever.

But they’re winning.

Every dollar and inch of technology the networks employ move toward an irrefutable image on the screen. “Here it is. Look.”

And counter-programmers say, “Look again. See those guys in the yellow jackets standing right near the bomb when it goes off? They don’t move at all. They’re fine.”

There is something very powerful in that response, because people are addicted to images. When the image you’re watching blows up, because somebody forces you to see something new, you start to wake up and effect a cure, even if you don’t want to.

Image-addiction is sacred to people.

No one goes to the movies and comes out saying, “You know, images don’t really add up to anything. It’s a waste of time.”

No one walks into the Sistine Chapel, looks at Michelangelo’s ceiling, and says, “Why did they bother? They could have just written down a message to explain what the ceiling means.”

No one asks, “Why did they have the president sit there in the Oval Office and address the nation? He could have written a statement or talked on radio.”

Image.

Unbeatable.

So when major media cover a monster of the story, on television, they’re producing images by the ton, day after day, and the anchors are telling us what they add up to, and most viewers soak it all in and accept the force of it as irresistible truth.

If television presents Aurora, Sandy Hook, Boston, and if it pours thousands of impact images at us and tells us what they mean, what are the chances television will, upon learning new facts, reverse course?

What are the odds?

Virtually zero.

Of course, the networks are unwilling to admit mistakes or lies. But at another level, this is television’s unwillingness to injure the medium itself and what it does.

We showed you all those images and we burned them into your brains, to program you, and now we’re going to say that was an illusion?”

Never happens.

The people who own and run television never turn around, on a huge story, and endanger their medium by admitting that the images were deceptions. Because they’re drug dealers, and their drug is Image.

If the Constitution were written today, people would want to watch it being done, in the room in Philadelphia. They’d want to watch the men at work. They’d want to make up their minds about the Constitution as they would any other television show.

Well, today, amid long-winded arguments about the proposed Bill of Rights, audience share dropped eight points.”


Why does Obama take the Sandy Hook parents around with him, as he promotes his gun agenda? So audiences can hear them speak? So audiences can see them speak.

Why do the networks lay on those interminable news-talk programs, with hosts and guests? Why don’t they consign them to radio? Because people want to see the participants talk.

Image.

Here, let’s sit down and watch these six people talk. Let’s see what they look like when they talk.”

I love watching Chris Matthews talk.”

Now, when a person gets on (Internet) TV and blows up major media and exposes it and tears it from stem to stern, that’s different. That’s counter-programming. People start to come out of a dream-state and realize they’re finally watching something they’ve been longing for:

Here’s a television image. See it? It’s a lie. It’s not what you think it is. Let’s do this in slow motion, one frame at a time. Look at the corner over there. Do you see the yellow glare suddenly appearing at the top of the screen? Just beyond the plume of smoke? At the top left? That yellow glare isn’t connected to the burning fertilizer factory in the center of the screen. It’s separate! It’s coming in from the left. And then, less than a second later, the whole building explodes! See it? So what was that glare at the top left? Think about it. Consider the possibilities. For example, the burning building wouldn’t have blown up all on its own…something came in from the left and blew it up…”

Taking an image apart.

It’s the beginning of the end of television.

And that’s exactly what’s happening now, 24/7, wherever videos are posted on the Net. The assault is well underway.

Look at that gas mask on the ground behind the Aurora theater. Who does it belong to? Was a second shooter wearing it? And there on the pavement, is that a trail of blood leading into the theater?”

Don’t worry about the fact that some of these counter-programmers are making mistakes or unwarranted leaps of judgment. The overall force is taking down television.

Impaling it on its own sword: image.

Television desperately needs events like Aurora, Sandy Hook, and Boston. When the big tragedies hit, and the elite anchors go on the road and show up in the towns where the blood is spilling and the people are in a state of extreme shock, the television audience at home gets another deep injection of mass mind control, through image-insertion.

But now, within days, even hours, counter-programmers are striking back, by playing network broadcast footage and pointing out flaws and contradictions and mistakes and deceptions, and posting these findings.

You thought image was the end-all and be-all. All right, look at this!”

Crash a picture, take it apart, re-explain it, and you make people think.

This is the formula that’s burying television.

It’s exactly what surrealists did a hundred years ago. Max Ernst, Andre Breton, Alfred Jarry, Dali. But today, it’s happening to the news, to television. Right now. Story by story. For all to see.


The Matrix Revealed


Among many other reasons, this is why we’re witnessing the effort to censor and control the Internet. The news networks want to assert a propriety of copyright on their footage and punish those who use it against them.

Backed by billions of dollars, Brian Williams and Scott Pelley and Diane Sawyer say this and show that, and one guy in Ohio says NO and I’LL PROVE IT TO YOU WITH YOUR OWN IMAGES.

The hounds are loose.

These hounds are sitting in rooms making the networks and the greatest law-enforcement agencies in the world look like cheap hawkers at carnivals.

Frame by frame.

Umberto Eco, in 1979, wrote: “A democratic civilization will save itself only if it makes the language of the image into a stimulus for critical reflection—not an invitation for hypnosis.”

No, Umberto, there was never any chance of that happening. Not as an official program of the culture. Instead, we have a new breed now. And they’re buzzsawing those images, splitting them open.

Big newspapers have so-called television critics who size up shows and comment on them. The Internet has television critics who magnify news footage and point to what nobody saw in it.

Watch this Sandy Hook father who just lost his child come to the podium to speak. Watch. See him smiling and laughing? Watch it again. Here it is. What do you make of that? Keep looking. See him get into character all of a sudden? See him make himself grieve right there? Are you kidding? What’s really going on here?”

See the puff of smoke from the first bomb in Boston? It goes straight up. Not out into the street. See those people near the explosion? Do they look bothered by it in any way? They’re just standing there.”

These counter-programmers are cracking people’s junk-image-addiction by showing them a “higher order” of those images.

Remember Wag the Dog, that splendid movie about inventing a fictitious war in order to get a president re-elected? The president had to have a war. He was sagging in the polls. So the war was put on television.

But there’s another layer to the story. Television needed the fake war, too. It always needs staged events. Without them it would shrivel and die.

Except the events have to look exactly like “real life.”

When counter-programmers get busy, they reveal the staging, and the whole business falls to pieces.

Hooked? Do you feel like you’re going to die if you don’t turn on the TV set? Sign up for our ten-day cure. We’ll turn you into a counter-programmer. We’ll take you through our wake-up course in image analysis, and you’ll come out the other side as a meta-wizard, ready to take on the world of false news.”

To say this is corrosive to network television news is a vast understatement. It’s a Waterloo.

Against the citizen video-analysts, television would have only one solution: stop broadcasting footage.


Exit From the Matrix


Here is a fragment from a short story I wrote a few days after the Aurora theater massacre. It illustrates the potential effect of a counter-programmer:

I sat in my private cabin and watched wall screens displaying decks on the slow-moving airship; I understood there were seven levels.

On Deck Three, I saw Mr. R. Smith-Jones, a fifth-generation android, who was occupying two rows. He was propped up on a wheelchair-couch.

He was growling and snarling at a doughy flight attendant turned out in a jeans tuxedo and a sombrero made of balloons and artificial peacock feathers.

Smith-Jones’ infamous three-year case, tried in the Superior Court of Newfoundland New York, had ground to a halt, when Judge Sleepy Shigitz decided Smith-Jones had earned the right to multiple classifications of Life Disabled.

On the screen, Smith-Jones was waving two objects which, to me, looked like cataclysmic salt shakers. They were spewing crystals that emitted smoke when they hit the air. Passengers started coughing.

Then I realized Smith-Jones was holding patterning cylinders he’d pulled from his innards. These cylinders played a major role in what his Alamo designers called Repetitive Accommodation. I knew this because Smith-Jones had pulled the trick a number of times, on each occasion subsequently filing suit for environmental incursion. Once, as porters were pushing him up the Matterhorn in his wheel-chair couch, he’d yanked out the cylinders, asserting the thinning atmosphere was slowing down his speech-recognition faculty; he’d won a major settlement in a Swiss tribunal.

All in all, over the course of a hundred years, Smith-Jones’ lawsuits had earned him more than twenty billion dollars.

Now he was foaming at the mouth and spitting. He doubled over and a siren went off. It was amplified by a speaker in his skull. A security guard appeared with a riot baton and sent a blue fork of electricity into his genitals, quieting him somewhat.

Smith-Jones was the majority stockholder of NBCCBSABC Networks, Inc. As such, he had at his disposal the InZap technology.

He deployed it now.

At horrific high speed, he began broadcasting images of a flaming city and people dying and crackling in the heat. Then, black tanks appeared. Soldiers dressed in combat gear moved in and sprayed streets with chemical retardant from wide hoses.

The flames died. Other soldiers ran down and arrested two fleeing suspects, and the InZAP emitted waves of relief throughout Smith-Jones’ cabin. People wept in their seats.

Smith-Jones said, “Thus we are rescued.”

Thank God,” one passenger said.

A scruffy boy stood up and aimed his cell at a white wall. Pictures appeared there. “As you can see,” he said, “ people actually fried and died, but over at the far right of the street, a soldier is setting the initial fire. See him? The two suspects they caught later were patsies.”

Everyone looked, and everyone froze.

Smith-Jones said, “You don’t understand. I can take all those images away, as if they’d never existed. I own them.”

Right,” the boy said. “But then what are you going to put on television? Giraffes? Peaceful streets at night under a warm moon?”

Three days later, I would learn that: reclining in his suite at the Ritz Hotel in Beverly Hills, sketching out yet another cause-for-action, this time for improper Hotel tech support on his (merely decorative) breathing apparatus, Smith-Jones stopped functioning.

He entered a state of paralysis. He shut down. According to Hotel employees, he wore an unchanging expression of sadness.

On his night table, he’d left a note:

My existence is zero. I seem to be employing an unending string of morons who can’t plan and execute a disaster without exposing themselves.

It’s a bit ironic that the desecration of IQ I’ve fostered all these years, through the medium I own and control, has also been my undoing. Operatives are now unable to perform. I hire them; they fail me.

The entire population has brains of oatmeal. Yet, when some nobody points out a fatal flaw in my news stream, they all begin to wake up. How is that possible?

I could sue and sue and sue and gain all the money in the world, but it appears I’m incapable of placing humans in a trance whereby they forget I’m just a machine, a heartless bastard of a machine.

And that’s all I ever wanted. To make people think of me as one of their own. But I never will. And now I am Not.”

Jon Rappoport

The author of two explosive collections, THE MATRIX REVEALED and EXIT FROM THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

Reality is a psyop

Reality is a psyop

by Jon Rappoport

April 21, 2013

www.nomorefakenews.com

Jack True was one of the most innovative hypnotherapists of our time. Largely unknown in academic circles, uninterested in publishing his work, Jack focused on his patients.

We met in 1987. We became friends and colleagues. Over the course of several years, I interviewed him many times.

Jack eventually gave up on straight hypnosis-and-suggestion as a way to do therapy. He said, “I’m finding that people who come to my office are already in a hypnotic state, so my job is to wake them up.”


Here is an excerpt from one of our interviews:

Q: What does “mind control” mean to you?

A: The total sun of all influences that put people in a reality trance.

Q: And what’s that?

A: A state in which people consider this the only space and the only possible time.

Q: And it isn’t?

A: Reality is a psychological operation. “Here we are, this is the only space and time, and we’re inside it.” Whereas, music, for example, invents its own time and even space, and you can see, from people’s reaction to it, how profound other deeper realities can be.

If we define ourselves as creatures only capable of living inside one space and time, then we adjust our behavior, our prospects, and we adjust the scope of our desires.

The space-time continuum is one reality. And at some level, a human being knows this. That’s the point. He knows this. And he doesn’t want to stay glued to one reality.

So if a person becomes all wound up in this continuum—which of course he does—then he loses sight of what? Desire. Because it seems then that reality defines what can be legitimately desired. Everything is backwards. Desire becomes diluted and blunted. And power drains away.

Imagine it this way. There’s a machine that keeps manufacturing reality. Space, time, reality. And people, however it happens, hook themselves up to it. They’re addicts.

Q: So who is really carrying out this psychological operation, as you call it?

A: The people who run the machine, and the people who, whether they realize it or not, choose to stay attached to what the machine produces. It’s a two-way street. But the trump cards are played by the addict. He can either cure himself or remain a slave.

Q: When you say there is more than one space and time, do you just mean there are alternative realities or possibilities?

A: I mean that, yes, but also more. Space and time are constructs. They can be manipulated. They can be invented by artists. They can be imposed. They can be, at a deep psychological or spiritual level, perceived for what they are: elements that spring out of our state of mind. In one state of mind, you’ll perceive one corresponding space-time. In another state mind that is quite different, you’ll perceive another space-time.

Q: And knowing that, what can be done?

A: Well, with patients, I have them invent different spaces and times.

Q: How?

A: Several ways. One way is by inventing dreams.

Q: What’s the effect of that?

A: They begin to receive new feedback.

Q: What kind of feedback?

A: Every space and every time has different emotions and feelings attached to it. These become chronically experienced feelings. By getting out of a central space and time, the patient feels new things. He is freer.

End of interview excerpt


Of course, for most people, the idea that we “are living in one space and time”, or that there is some way to escape it, is preposterous. It doesn’t register or make sense.

Which is precisely why, to take this discussion down to ground level, the FBI and the media can drive the whole Boston Marathon story like a Cadillac in a parade.

They make reality. They are trained to present one version to the public and sell it.

Consider a far more mundane example. People walk down the street and look at a large building, and it never occurs to them it was put there. It was conceived, designed, and built. To passersby, it’s just there. It’s a “there” object in their field of perception. Nothing to think about. Nothing to reflect on. It’s a piece of the one and only reality.

But a painter, if he’s being honest, will tell you that every time he steps up to a blank canvas, he’s inventing space and time.

Socio-political reality basically means some group has guns and access to fawning media. They can define what exists. They can say, “We know exactly what happened in Boston, and here it is.”

If, magically, overnight, you found yourself in possession of overwhelming force and a direct pipeline to elite media anchors, you could tell your story about what happened in Boston, and you would find millions of people believing you.

Your story, presumably, wouldn’t mirror what CBS, NBC, and ABC are reporting. But your reality, your space and time, would replace theirs.

There is more than one space and time.

What would happen if the three major networks, each with considerable power, had come up with three vastly different versions of the Boston massacre?

You would see a serious conflict of “spaces and times.” It would happen before your eyes.

It would put people into an existential warp. They wouldn’t know what to do. They’d feel as if their innards were separating, as if they were being drawn and quartered.

Consensus reality would begin to disintegrate.

A psyop depends on being able to engineer one story line.

Take five of the most prestigious medical-research centers in America. Imagine each one came up with, and stuck by, a different explanation for cancer. Genes; environment; mineral deficiency; fungus; oxygen deficit.

Imagine that these cancer centers wouldn’t budge, no matter what. You’d have five different realities, five different pictures, five different “space-times.” You’d have decentralization of power at a level no one had ever experienced.

A psyop depends on selling one centralized story.

Obviously, a very significant proportion of the public wants the centralized story; otherwise, we wouldn’t have it.

This fact is often covered over by the pretense that we’re talking about science. For example, the government’s version of what happened in New York on 9/11 operates on the basis that the towers fell because two planes crashed into them. And that’s “science.”

See, we aren’t selling anything. We’re just reporting how physics worked in the towers. We have no vested interest.”

Nonsense.

Centralized story (psyop) explains how long-standing institutions can continue to thrive. Suppose, for instance, this item hit the network evening news:

Today, investigators from a Congressional task force unveiled documents going back more than thirty years in the history of cancer research at the National Cancer Institute [NCI]. These documents reveal widespread collusion, involving more than 400 scientists and bureaucrats, to manufacture a false conclusion about the cause of cancer…”

In any sane society, that would be the end of NCI. But firing 16 scientists, sending one researcher to jail, and sacking the current director would sufficiently placate the public to make them forget the whole thing—because NCI is centralized reality. To destroy it would be perceived as leaving “a hole in space and time.”

Returning to the Boston massacre, imagine these firmly entrenched conclusions from the three major networks:

CBS: “FBI and local police killed one terrorist and captured the other in what observers are calling one of the bravest days in the history of law enforcement in America. The victims of the Marathon bombing remain indelibly etched in our hearts and minds as we move forward…”

NBC: “After a violent gun battle on the streets of a great American city, during which a suspect in the Boston massacre was killed, an FBI source stunningly revealed they had ended the life of a cooperating informant. He put it this way: ‘The Tsarnaev brothers were recruited by a secret Bureau unit to plant the bombs. The plan was to blame the bombing on so-called patriots, but that fell through, so the Bureau exercised their only option. They put their informants front and center and blamed the whole thing on them…”

ABC: “Today, the tragic loss of life and wounding of more than 180 persons at the Boston Marathon were partially redeemed, when Boston police traced three pipe bombs, found at the apartment of one of the Tsarnaev brothers, to a CIA storage locker in Maryland…”

In the midst of an uproar heard and echoed around the world, the networks stand by their contradictory versions of events. No one blinks. No one backs down.

A massive blow hits psyop-land. Centralized story? Poleaxed.

People don’t know what to do. They expect one story line and they get three, from the highest hypnotic and influential media giants.

In a literal, though unconscious, sense, familiar time and space begin to fall apart.

But actually, its far more surreal for the three major television networks to agree on the substance of every significant event than to come to radically different conclusions.

Unfortunately, people don’t see it that way. They don’t see that three behemoths dispensing the same information are key elements in thought-police fascism. They don’t see that the consensus is arranged.

They don’t see they are being subjected to one space and time.


In another interview, Jack True proposed the following:

Here is a loopy scenario. A wild one. We have a young boy living in a tiny cottage with his parents at the southern tip of South America. One day, he writes, in perfect English, the precise words of a secret CIA memo stashed in a vault in Langley, Virginia. This becomes known and it’s acknowledged.


The Matrix Revealed

JACK TRUE, the most creative hypnotherapist on the face of the planet, is featured in THE MATRIX REVEALED. Jack’s anti-Matrix understanding of the mind and how to liberate it is unparalleled. His insights are unique, staggering. 43 interviews, 320 pages. That is just a faction of what THE MATRIX REVEALED has to offer.


Now we have a problem that goes a great deal farther than national security. This boy’s violating the rules of space and time. He’s operating in ‘some other dimension’ of experience.

Two days later, the same thing happens in Mongolia. Another boy, another CIA memo. Then it happens in New Zealand. And Detroit. And Northern Alaska.

These boys are penetrating or living in another space-time continuum. They’re reaching in and pulling out knowledge.

It keeps happening. Every week, it’s a new child. And nobody knows what to do about it.

I said, “So what’s more troubling to the authorities? The exposure of these memos or the fact that the kids can read them from great distances?”

Obviously, the latter,” Jack said. “Because if reality is turned on its head, you get tremors. The system is shaken. The powers that be can handle almost any amount of exposure, as long as the system itself stays in place. But when that goes…”

The system IS: one reality, one space and time, one centralized story.

I would add to that: one centralized story told by an organization or organizations that are accepted as authoritative. It doesn’t matter if CBS tells its story and then a “lesser source” contradicts it. CBS is sitting in the catbird’s seat.


You could have a nation, a small nation of 10 million people—and a few individuals do a fantastic job of exposing the government and a few major corporations, revealing all their crimes, but then what happens? You could get wholesale prosecutions and prison sentences for the criminals who were exposed, but if most of those 10 million people are now looking for a different and better centralized story, it will all go for naught.

The basic problem is the addiction to one centralized story, which is always going to be a psyop.


Exit From the Matrix


To convey the wild and wooly aspect of one space-time versus multiple space-times, fiction is probably a better vehicle. Here are two fragments from a piece I wrote several years ago:

HEY!

Bargain price! Five-minute money-back guarantee!

We’ll shave down your perceptual field so you can fit in with eight trillion-trillion androids.

You’ll never miss what you can’t see.

Hi, I’m Tom Smith, and I want to tell you it’s the most fun place you can imagine—especially when you can’t imagine any other universe!

Know what I mean?

On a scale from 1 to 10, your creative impulse will be coming in at about a 2. That’ll cement you right into the limited spectrum, where all the action is.

Now I know you’ve tried other universes, but this one has unique advantages. First of all, you’re a shareholder! That’s right! You’ll own .00000000000000000000009 of a point in the whole set up.

So you’ll feel the satisfaction of a genuine commitment.

Next, you’ll actually get down on your knees and obey this universe. I know, it sounds odd, but don’t knock it until you’ve tried it.

Jack Boardhead of Alpha Centuri writes in and says: “I never knew how great being a complete schmuck could feel. It’s a jolt unlike any other I’ve ever experienced.”

Thanks, Jack. My regards to the wife and kids. I understand Cindi starts college in the fall. Kudos!

Yes, folks, there really is a sense of family in this universe. People liking people. We’re all in this together. Since you’re a stakeholder, you’ll be in touch with us at the home office, and we’ll be using your testimonials to sign up new residents. There’s room for everybody! If there’s one thing we’ve got, it’s space!

So act now and take advantage of our limited-time offer. The blender, the set of cups and saucers, the booster narcosis vaccines, and the infinity pool. And since this is Tuesday, we have a special! Cemetery plots for the whole family, and storm windows! For the first five hundred callers, a special bonus. Automatic pre-diagnosis of Bipolar and free drugs for the first year!

Operators are standing by, so call now. Remember, life is better when you see what we want you to see! It takes the pressure off. Do you really care about what you think? Don’t you want to be fixed, so you can think what everybody else thinks? Now that’s a real program.

You’ll view reality in a whole new way! Once we lock you in and reshuffle your electromagnetic fields, you’ll emerge with our new Sameness-Plus system. You’ll see what your friends see with just a bit of difference, to make it interesting…

Here is fragment 2 from the same piece:

Several ads from an interdimensional newspaper that might prove informative:

UNIVERSE MANUFACTURING! Let us build it for you! Move-in ready. All appliances and energy sources. Consult our catalog. Easy entrance, no exit. Pre-hypnosis induced painlessly in our clean spacious facilities by licensed physicians!

CUSTOM BUILT UNIVERSES OUR SPECIALTY! Uni-language, gated planets, military emperors. Inspect our plans, work with a seasoned professional. Dignified cemeteries. CSI reruns.

A RETIREMENT UNIVERSE for the whole family! Do you want to pass on your genes to millions of future generations? Of course you do! Why else would you be alive? In our universe, we supply a religion that forbids gene waste, under penalty of incarceration in a state-run hospital. Appoint surrogates to wage an eternal war between matriarchal and patriarchal societies. Square dancing, ping-pong tournaments, celebrity-look-alike performers on weekends.

COLLECTIVE GOO UNIVERSE FOR ADDLED MINDS! Be part of the Doofus! Delete thinking! Experience the thrill of melting down in 24/7 love with the One All Thingo! At first you’ll feel icy winds whipping through your separated soul on the plains of cruel choice. But then, at the last moment, from the deepest well of reality, a radiant finale will clutch your sacred yearning, as you’re shot up on to on a cloud of honey and transported to a fortress where patented OmniJuice floods your being and you realize this is your home forever! Soft rock, lake of marshmallows, electro-massage units. One and two bedroom apts.

NATURE IS NATURE UNIVERSE! Hunt for 60,000 years, fit into the environment, hear the roots grow; climb trees, shepherd goats, bath in snow, chant in monotone, blow up evil machines in distant cities. Exclusive Gaia tweets. Become utterly convinced there is nothing else! Raise children as primates! “Secrets of the Urine Garden” for first five callers.

AT LAST! THE SOULMATE UNIVERSE! Let us design your agonizing quest for the other half of yourself. You met a stranger for 18 seconds in a hotel bar? He’s here! Receive your initiation rites in the Oprah Palace and journey out on to the landscape of despair. Lifetimes of just-misses…and then….but we can’t give away the glorious ending. You know you want it, so let us build this low to mid-range IQ universe with billions of extras and millions of planets. Herbal wraps, hot stones; vegan paramedics on call.

PROMISE OF PARADISE UNIVERSE, slightly used version, for sale at giveaway price. Commit untold numbers of righteous acts that would be considered capital crimes with special circumstances in other universes, along a severe path of loyalty. Some self-flagellation required. All races and religions invited. We have our own fake deity and he’s pissed off!

VICTIMS-PLUS UNIVERSE! Have you been inventing a story of oppression that’s somehow never been accorded its proper due? Well, this is your place! All the tables are turned. For once (and forever), you get what you deserve! Lavish benefits! Pre-training in the necromancy of bureaucratic interactions. Game the system as it’s never been gamed before! Choose from a catalog of disorders. Full insurance coverage extended to family members.

THE END OF IMAGINATION UNIVERSE! Have you finally reached the end of your tether? We have attractive life paths for trillions of serial incarnations. You’ll go with science, you’ll go with money, you’ll go with pills. We have it all. Our calibrated partial-narcosis treatments will saddle you with just enough doubt to make you wonder whether you’re doing the right thing…and yet, in the end, you’ll submit to a Greater Pattern. Geometric homilies, ideal forms, gradualism, “it’s all about family,” “I’m doing this for the children,” “you only live once,” endless distractions constructed on the basis of “realism,”–you’ll become facile with them all. We’ll keep you hopping! Try our new on-and-off paranoia option. Ask yourself if the End of Imagination Universe is right for you.

And a small classified ad: “Universe invention=You.” Details re imagination. Send $35 and self-addressed stamped envelope to PO Box 43920518-A, Altoona, Pennsylvania.

Jon Rappoport

The author of two explosive collections, THE MATRIX REVEALED and EXIT FROM THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com