Category Archives: Energy & Imagination

Part 2, the Reality salesman makes a house call

by Jon Rappoport

October 4, 2015

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(For Part 1, click here.)

Hi again, folks. This is your friendly reality salesman, back for another reminder.

In my last message, I mentioned that all the inhabitants of Earth are due for a booster shot of our massively popular Perception Package. These updates occur every 20,000 years.

Our superior product gives you stability, reliability, and a basic foundation of unchanging reality.

Last time, I also mentioned that imagination was the fly in the ointment. Don’t venture into that area; if you do, your Perception Package will deteriorate and lose force.

You may even begin to see “other spaces and times,” and what good is that? No, stick with what you’ve bought, and you’ll remain happy.

Limits make lives. You can fiddle and diddle and experiment within the boundaries of the Package. You can put your faith in all sorts of fairy tales. But in the end, it is your perception along a severely restricted arc of the potential spectrum that gives you comfort and security.

Think of our Package as a gated community, where all your needs are met on-site. Why venture out? Why visit strange places? You’re safe right where you are.

I want to make a clarification re our Information Brochure 405-A2, which, as you know, goes out to all 10 billion subscribers on Earth. A statement on page 567, paragraph 4, has caused a bit of confusion. It reads:

“On other worlds, the inhabitants may perceive space and time differently, but that is because their environments and circumstances vary…”

We received a number of queries about how the perception of space and time could possibly differ from world to world. For example, one person asked, “Are not space and time the same in all places and times?”

The answer is: space and time are functions of perception. Otherwise, why would be selling a Perception Package?

Yes, other experiences of space/time are possible. But for you, the result of treading beyond the Package we have provided is disorientation and danger.

We have calculated “how far you can go.” That is our genius. Trust us. You don’t want to test the limits.

At this time, we are working closely with Earth governments to identify and rescue those who have strayed. Those souls need help, and we are determined to bring them back into the fold.

Life as it exists for you is a series of systems, nothing more. Our Package integrates with these systems. It’s a perfect fit.

DON’T EXPERIMENT WITH THE PACKAGE.

Doing so is symptomatic of a serious disorder.

Our repair and re-ed groups are currently expanding their reach across the planet. Contact us if you sense a problem. Report others who may be in trouble.

How you see reality=our Perception Package=a constant faithful friend and guide.

We are more than a manufacturing and sales organization. We are dedicated to the Good of All.

That dedication keeps us strong in the face of any disruption in service.

Our trained technicians are available 24/7 to take your calls and initiate program reconfigurations.

Remember our first principle: Perception makes the world go ‘round.

Signing off for now. Enjoy today. No matter what may befall you, you’re operating at the optimum level, all things considered. Accept things as they are. This is true enlightenment. We should know; we invented it.

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

“Imagination is a force of nature. Is this not enough to make a person full of ecstasy? Imagination, imagination, imagination. It converts to actual. It sustains, it alters, it redeems!” —Saul Bellow, Henderson the Rain King

“When the imagination sleeps, words are emptied of their meaning.” —Albert Camus

“I believe in intuition and inspiration. Imagination is more important than knowledge. For knowledge is limited, whereas imagination embraces the entire world, stimulating progress, giving birth to evolution.” —Albert Einstein

“But imagination gives us the sweet music of tiniest insect wings, enables us to hear, all around the world, the vibration of every needle, the waving of every bole and branch, the sound of stars in circulation like particles in the blood. The Sierra canyons are full of avalanche debris—we hear them boom again, and we read the past sounds from present conditions. Again we hear the earthquake rock-falls. Imagination is usually regarded as a synonym for the unreal. Yet is true imagination healthful and real, no more likely to mislead than the coarse senses. Indeed, the power of imagination makes us infinite.” —John Muir

“Reality can be beaten with enough imagination.” —Mark Twain

“The world of reality has its limits; the world of imagination is boundless.” —Jean-Jacques Rousseau

“The imagination is not a state: it is the human existence itself.” —William Blake

“One group, one collective, one unified species—consider the tonnage of propaganda that has been poured into that formula, in order to convince populations that elites want the Good, rather than what they really want: Control. What if the universal concepts of One Space and One Time in One Continuum is, likewise, a basic fraud?” (The Underground, Jon Rappoport)

“In the face of crises, people keep saying, ‘What can we do, what can we do, what can we do?’ And I keep saying, the real target of that question is the person asking it. He’s asking himself. I’m not demeaning solutions and staunch groups that are already out there. But I’m saying that the individual, by tapping into his own imagination, is a further solution. Imagination is the ultimate wild card. There are many answers and solutions and actions that haven’t been dreamed up yet. To ignore this fact, to remain out of touch with one’s own imagination is the worst possible idea.” (The Magician Awakes, Jon Rappoport)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The Reality salesman makes a house call

by Jon Rappoport

October 4, 2015

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“Sooner or later, the individual comes to a crossroad, a crisis. Will he cooperate with limitation, or will he strike out on his own? Will he spend time ferreting out what the Glob wants and accede to it? Will he take on a theatrical role of Citizen? Will he abandon glimpses of his own immortality and power? Will he stand quietly at a spiritual mailbox and wait for messages to be delivered to him, or will he invent his own messages and create the future?” (The Underground, Jon Rappoport)

(For Part 2, click here.)

…For a moment, a person sees beyond the picture of accepted reality. He sees huge open space. He knows he can act on the basis of an inner leverage. He knows he has great power.

And then…

THE REALITY SALESMAN CALLS.

Step up, folks. This is a deal you can’t afford to miss. You know that thing you cling to like a drowning man in a turbulent sea?

It’s called reality, and I represent the company that manufactures it. I’m proud to say I’ve held this job for over a hundred thousand years. So as far as product knowledge is concerned, you just aren’t going to find anybody like me.

I’m here to tell you that reality is never anything more than rocks and bricks and concrete and steel. Reality is never anything more than a house and all the things in it, and the mementos you hold on to, to remind you of the past.

And in conjunction with that, I’m really selling…guess what?

A little thing called perception.

I’m selling How You See Things.

Because, no matter what time period you live in, it all comes down to that: how you see what’s in front of you.

And believe it or not, perception comes in different forms. My company makes the perception that endures. It’s the package you’re living with right now. It’s the down-to-earth here-it-is straight-ahead common-sense type. We call it: IT IS WHAT IT IS. That’s trademarked, by the way. IISWII. It is what it is.

IISWII was invented by a very smart guy whose name has been long forgotten. He was a flaming genius, and he realized something great. People would go for IISWII because it would lock them in.

Who wants to wake up on a Tuesday morning and suddenly see life in a completely different way?

IISWII is the most popular perception package in the universe, bar none. It has Reliability. Consistency.

All those centuries and epochs ago, when I was a rookie training for this job, the guys let me try on a whole bunch of different perception packages, so I could see what kind of competition I was up against.

I saw foolish things, ridiculous things, dangerous things. But when I was given IISWII, our product, I felt like I was home.

IISWII gives you a stability you can count on for your whole life. And, believe me, that’s no small feat.

IISWII is time-tested. It’s as solid as solid can be. It doesn’t break down.

But it does need vaccine boosters from time to time, and that’s why I’m here today talking to you.

Every twenty thousand years, we institute a planet-wide upgrade, just to make sure nothing goes wrong. And you’re all due.

Now, you could refuse, in which case you’ll have to take full responsibility for the ugly consequences, or you could do the right thing and just re-up. I have to tell you, our re-up rate is 99.859 percent. I’m proud of that figure.

In the small print, the contract lays out a few details concerning IMAGINATION. This is for your own protection—because if you take imagination too far (and who knows how far that is, until it’s too late), you’ll set up what we call an interference field, which means IISWII will tend to malfunction. You don’t want that.

So here’s the contract. Sign on the dotted line, and we’re done.

Thank you very much.

I love you guys. Really, I do. I admire your tenacity and your willingness to stay with our package. Our company continues to prosper because of you.

THE PLEDGE: “I promise not to mess with the perception package. If I believe someone is operating outside the boundaries of the package, I will shun him. I will turn him in to the authorities. If I myself stray, I will confess and receive treatment. All hail to the IISWII perception package!”

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

The reality salesman knows what he’s doing. He makes a very good living. Secretly, he knows our perception of our own lives and futures is grossly limited by his product, just as our eyes can only see part of the light spectrum. He is aware of this.

He’s selling limitation.

It’s a winner.

Unless you happen to be part of the 1%. No, I don’t mean the super-wealthy class. I mean the 1% of the population who doesn’t want limitation of perception. I mean the people who want to see beyond the virtual bubble they live in:

The creators, the artists, the inventors, the explorers, who don’t sign on the dotted line when the reality salesman makes a house call.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Artist exceeds limits permitted by brain researchers

~a short story~

by Jon Rappoport

October 1, 2015

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“One of the goals of current brain research is the discovery of common patterns of activity across a whole population. These patterns would be called ‘normal’. Eventually, exceptions would be classified as various categories of ‘disordered thought’. It is assumed that only so-called ‘harmonious and symmetrical’ brain patterns are positive and beneficial. This assumption is grossly false. It is, in fact, a childish, stunted, and simplistic version of aesthetics. The creative force always breaks out of these little geometries. So does every new idea. Increasingly, Earth culture is unable to understand this.” (The Magician Awakes, Jon Rappoport)

The year was 2054. The artist, living on the edge of the city in a small room, picked up his messages and discovered one from the Bureau of Mind Management. It was an order to appear.

In an office on the 15th floor of a virtual building, he sat in a chair surrounded by a ring of yellow tulips. A holographic interrogator materialized.

“We have a report on you,” the i-figure said. “It indicates an output difficult to measure or interpret. What can you tell us about this?”

“Well,” the artist said, “I don’t know. I’m composing a symphony.”

“A symphony? What is that?”

“It’s a piece of music written for a large orchestra.”

“I find no extant orchestras in the country.”

“That’s true,” the artist said. “Nevertheless, I’m composing.”

“Why?” the i-figure said.

“For that day when an orchestra may come into being.”

“Your thought impulses entered ranges we were not able to summarize.”

“I suppose that means your instruments are limited,” the artist said.

There was a pause.

“Your last statement is incendiary,” the i-figure said. “It suggests we are imposing a restriction. As you well know, the science is settled on this point. We measure and interpret thought that contributes to an overall positive outcome, for the population at large.”

“I’m aware of that, yes,” the artist said. “But the science rests on certain assumptions. I would call it greatest good as a lowest common denominator.”

“What do you mean?” the i-figure said.

“You assume a certain mindset contributes to the consensus reality you favor. You legislate or permit a range of thought that will produce the consensus.”

“That’s a gross oversimplification.”

“It doesn’t describe the algorithms you employ,” the artist said, “but all in all I believe my summary is correct. You’re reality makers. You monitor thought-emissions, and when you find a departure from ‘combined averages,’ as you call them, you issue a citation.”

“What is this symphony you’re composing?” the i-figure said.

“It’s impossible to explain. It’s music.”

“It has a specific message?”

“No. If it did, I would write out the message and leave it at that.”

Pause.

“Why have we not heard of you before?” said the i-figure.

“Because I was doing illustrations for the Happiness Holos.”

“What happened?”

“I became bored. A machine could make those pictures. So I decided to compose music.”

“The Happiness Holos are an essential social program.”

“Perhaps,” the artist said. “They encourage people to stay on the positive side of a fantasy-construct called Positive&Negative, which as you know is a State-sponsored theme. But what is superficially indicated by those two opposing sets is, in fact, fuel for the fire.”

“Fuel for what fire?”

“The creative fire. The artist can use and transform any material.”

“Where did you hear such a thing?” the i-figure said.

“Nowhere,” the artist said. “I’ve experienced it many times.”

“Your views are highly eccentric,” the i-figure said. “I will have to consult your childhood history to understand their roots.”

“I’m afraid that won’t do you any good.”

“Why not?”

“Because your version, the US Department of Psychology version of cause and effect, is propaganda for the masses.”

“This is your idea of a joke?” the i-figure said.

“Not at all.”

“When you compose this…symphony, how do you think?”

“It’s not thinking in the way you use the term,” the artist said.

“No? Then what do you do?”

“I invent sound.”

“Preposterous.”

“Large masses of sound.”

“Absurd. According to what underlying pattern?”

“None,” the artist said. “Check the Library of Structures. You won’t find my activity in the catalogs.”

“All structures and patterns are contained in the files.”

“I doubt that,” the artist said. “But regardless, I don’t invent through pattern.”

“No?” the i-figure said. “How then?”

“I improvise.”

“And this term refers to?”

“Something done spontaneously,” the artist said.

“And you exceed prescribed ranges of thought in the process.”

“Perhaps. I would hope so. I don’t keep track.”

“You’re being flippant,” the i-figure said.

“I knew you’d cite me,” the artist said. “I’m just trying to enjoy myself until you pass sentence.”

“There is no sentence yet,” the i-figure said. “You’re an anomaly. We investigate. We consider. We direct resources. We question. We determine.”

“I’m afraid,” the artist said, “that your and my idea of ‘determine’ are quite different.”

“Let me ask you this,” the i-figure said. “When you are composing, do you ever believe you enter into a realm or area that could be called ‘non-material’? We’ve heard such claims before.”

“Not if you’re referring to some fairyland. But all thought is basically non-material. The brain registers it after the fact. Thought, the real thing, doesn’t take place in the brain.”

“You’re deluded,” the i-figure said. “And disordered.”

“If I could simply confess to that and be on my way, I’d be a happy man. But I’m sure you have charges to attach.”

“You live in a society,” the i-figure said. “To keep the peace and maintain the Positive, from which all good things flow, science has discovered that thought should occur within certain parameters.”

“If you insist.”

“We want to study you. It’s a great honor to be called. You could help extend the boundaries of research.”

exit from the matrix

The artist was about to ask whether he had a choice, when a holographic webbing that looked curiously like a rainbow clamped him tight in his chair. The pressure increased.

“We register some variation from the norm in your present thinking,” the i-figure said.

“What present thinking?” the artist said.

“What you’re thinking right now.”

“That was quick.”

“The readouts are instantaneous…what are you doing?”

The artist took up from where he’d last left off, composing his symphony.

“I’m starting the third movement,” he said.

“Wait,” the i-figure said. His left arm sizzled and disappeared.

“This is the thunderstorm section,” the artist said.

The pressure of the rainbow around him relaxed.

The i-figure said, “What you’re doing is disruptive.”

“It’s because of how you set your frequencies,” the artist said.

He continued composing.

All along the major esplanade, and in the lake area, and in the industrial parks and residential high rises, virtual structures shattered like glass.

The i-figure reminded the artist of one of those ancient neon signs, broken, buzzing, blinking. Finally, it went dark.

Ten thousand holographic government buildings started to explode, froze, and vanished.

The artist said to no one, “I’m just composing. Well, maybe not just.”

He was suddenly back in his room at the edge of the city.

“I suppose this is what they mean by a negative consequence,” he said.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The blockbuster movie called Reality

by Jon Rappoport

September 22, 2015

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There is always a certain amount of whining and remorse as one enters the theater to see the movie called Reality, after buying the ticket.

“Is this a good idea?”

You can already feel a merging sensation. The electromagnetic fields humming in the theater, even before the movie starts, are drawing you into the space.

Your perception of x dimensions is narrowing down to three.

You take your seat. You look at the note you’ve written to yourself, and you read it again:

“Don’t forget where you came from. Don’t forget this is just a movie. Don’t fall asleep. The serial time in the movie is an artifact. The binding feeling of sentimental sympathy is an induction. It’s the glue that holds the movie fixed in your mind.”

“The movie will induce nostalgia for a past that doesn’t exist. Don’t surrender to it.”

“You’re here to find out why the movie has power.”

“You want to undergo the experience without being trapped in it.”

“The content of the movie will distract you from the fact that it is a construct.”

The lights dim.

On the big screen, against a gray background, the large blue word REALITY slowly forms.

Suddenly, you’re looking at a huge pasture filled with flowers. The sky is a shocking blue. You can feel a breeze on your arms and face.

You think, “This is a hypnotic trance weapon.”

Now, the pasture fades away and you’re standing on an empty city street at night. It’s drizzling. You hear sirens in the distance. A disheveled beggar approaches you and holds out his trembling hand.

He waits, then moves on.

You look at the wet shining pavement and snap your fingers, to change it into a lawn. Nothing happens.

You’re shocked.

You wave your hand at a building. It doesn’t disappear.

Incredible.

You reach into your pocket and feel a wallet. You walk over to a streetlight and open it. There’s your picture on a plastic ID card. Your name is under the picture, followed by a number code. On the reverse side of the card, below a plastic strip, is a thumbprint.

There are other cards in the wallet, and a small amount of paper money. You look at the ID card again. There’s an address.

Though it seems impossible, you remember the address. In your mind’s eye, you see a small cottage at the edge of an industrial town. There’s a pickup parked in the driveway.

It’s your truck. You know it. But how can that be?

You walk toward larger buildings in the distance.

Three men in uniforms turn a corner and come up to you. Behind them emerges a short man in a business suit. He nods at you and holds out his hand.

You know what he wants. You pull out your wallet and give it to him. He looks at the ID card, at you, at the card again.

“You were reported missing,” he says.

“Missing from what?” you say.

“Your home. Your job. What are doing here? Are you all right?”

“I’m fine,” you say. “I was…taking a short trip. I’m just out for some air.”

“In this part of the city?” he says. “That’s not smart. We’ll take you home. Our car is right over there.”

One car sits on a side street. In large red letters printed on the trunk are the words Care and Concern.

You walk with the men to the car.

Waves you’ve never felt before are emanating from it.

Mentally, you try to back up from them. They’re targeting your body. You feel a haze settle over you.

In the haze dance little creatures. They’re speaking. You try to hear what they’re saying.

Now you do. “Real, real, real.”

You look at the short man in the suit. He’s smiling at you.

Suddenly, his smile is transcendent. It’s so reassuring, tears fill your eyes.

But you’re thinking, “They built this so I would be lost, and then they found me. I’m supposed to be rescued. I’ve never experienced being rescued before. I never knew what it meant.”

You hear faint music.

It grows louder. As you near the car, you realize you’re listening to a chorus and an orchestra. The rising theme is Victory.

One of the uniformed men opens the car door.

You nod at him.

“My pleasure, sir,” he says.

The music fades away.

The scene shifts.

You’re standing next to the pickup in your driveway alongside your cottage.

You’re home.

Think, you tell yourself. What’s going on?

You recognize your mind is now divided into two parts. The first part registers sensations from this new reality. These sensations are meant to be sorted, in order to answer the question: How Am I Doing?

The second part of your mind is entirely devoted to perceiving problems and solving them. Everything at this level is organized to constitute problems.

You were never aware of these two sectors of your mind before.

Where did they come from?

Now, as you walk into your cottage and instantly remember the rooms and the objects in these rooms, an accompanying sensation of Familiarity, slightly out of phase, grows stronger.

You realize, without knowing how, that you’re supposed to feel tremendous relief. This is what’s expected of you.

It’s expected of everyone. They live with one another through the touchstone of the Familiar. They share it like bread.

They keep coming back to it. The Familiar is a sacrament.

It’s built in. It’s invented through…electromagnetically induced fields. It’s stamped on every object in this space…

…In order to suggest you’ve been here before. To suggest you belong here.

As you look around the cottage, you apprehend a third sector of your mind. You struggle to identify it.

It’s the fount of a different kind of perception.

Yes.

You keep staring at the cottage and you see space.

You see space that…

Has been placed here. For you.

And at that moment, there is a small explosion behind your head.

And you’re sitting in the theater again.

The movie is playing on the screen. All around you, in the seats, people are sitting with their eyes closed.

You feel a tap on your shoulder. You turn. It’s an usher.

“Sir,” he says. “Please follow me.”

He leads you up the aisle into the lobby, which is empty.

An office door opens and a young woman steps out. She strides briskly over to you.

“You woke up and came back,” she says. She gives you a tight smile. “So we’re refunding your money. It’s our policy.”

She drops a check into your hand.

“What happened in there?” you say. “What happened?”

She shrugs.

“Only you would know that. You must have done something to interrupt the transmission.”

“And the rest of those people?”

She looks at her watch. “They’re probably into their fifth year by now. The fifth year is typically a time of conflict. They rebel. Well, some of them do. They rearrange systems. They replace leaders. They promote new ideals.”

“I had such a strong feeling I’d been there before.”

She smiles. “Apparently it wasn’t strong enough. You’re back here.”

“How do you do it?” you say.

“I’m sorry,” she says. “That’s proprietary information. Did you meet your family?”

“No,” you say. “But I was in a cottage. It was…home.”

She nods.

“If you hadn’t escaped, you would have been subjected to much stronger bioelectric bonding pulses. Do you have a family here?”

You start to answer and realize you don’t know.

the matrix revealed

She looks into your eyes.

“Go out to the street,” she says crisply. “Walk around. Take a nice long walk for an hour. You’ll reorient. It’ll come back to you.”

“Why do you do it?” you say.

“Do what?”

“Sell this trip.”

“Oh,” she says. “Why does a travel agent book a vacation for a client? We’re in that business.”

You turn toward the exit. The sun is shining outside. People are walking past the doors.

You take a deep breath and leave the theater.

The street is surging with crowds. The noise is thunderous.

You notice you’re carrying a rolled up sheet of paper in your hand.

You open it.

It’s a non-disclosure agreement.

“If you return from your movie experience, you agree to reveal or discuss, under penalty of law, nothing about its nature, substance, or duration…”

You look at the sheet of paper, make up your mind, and it bursts into flames.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The rebel artist vs. the android

~a short story~

by Jon Rappoport

September 19, 2015

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On January 12, 2061, President Winston Smith made a quick campaign stop in the Northeast corridor to address the Coexistence Group in Gates Town.

The Coexistence Group was a remnant of the coalition formed between Monsanto and organic farmers in the state formerly known as New Hampshire.

The President, dressed in a silk rainbow robe, donated to him by the Cosmic Guilders of Carpentry at the Foot of the Most Pleasant Rockefeller Estate, lit a candle at the Memorial of the Drifting Gene, to commemorate the inevitable triumph of genetically modified agriculture in America.

He then gave a short speech, during which he pointed out that all food products in America were now labeled GMO because of the Gene Drift, and although such labeling was redundant, it was “ritualistically correct,” because it signified the right of the consumer to know what he/she was eating.

A supper followed at the Inn of the Bill Melinda. The meal consisted of ceremonial gluten-free organic genetically modified soy-peanut burgers and GM whey cola.

During the supper, a local artist stood up from his seat, toasted the President, and suddenly asked, “What phase of brain programming do you now enjoy, Mr. President?”

A hundred Secret Service agents deployed in the room and at other locations in the Inn immediately drew their weapons. But the President waved them off with a smile.

“It’s all right,” President Smith said. “This citizen has every right to address his Commander-in-Chief.”

The President then offered these off-the cuff remarks:

“Actually, sir, there is no ‘I’ anymore or ‘you.’ There is only ‘we’ because the programming is common to us all, if we volunteer for it. And 67 percent of us do. We are all connected to the same Google/Kurzweil/NSA Plasma Cloud Formation. That, as you probably know, is the artificial superbrain.

“We receive input from it every second of every day. In other words, we are all obtaining correct answers, the same answers, to problems we face.

“Phase Four, which improves connectivity and reception, and takes in expanded subjects of interest and vital concern, is the current application. I, which is to say, we, participate in Phase Four.

“In Four, stress levels are reduced to a nine, on a scale from one to a hundred, where one is the lowest possible stress-count.

“We no longer need to take vacations, except for pilgrimages to sites where monuments celebrate our Nature Is All and Technology Is All and All Is One Everything religious faith.

“And you, sir,” the President continued. “Are you with a Program Phase?”

The artist burst out laughing.

“No, Mr. President. I’m a holdout.”

“Ah,” the President said, “an outlier. Let’s see. Downloading now. Profile. We perceive you’re an artist, your name is Diego Jose Siqueiros. Yes, the information is coming through. You formerly lived in the small city of Ashland in the Northwest corridor, and you received a number of commissions to build structures there.

“After twelve years, you designed and erected so many unique buildings, the city fathers feared that, if left to your own devices, you would ‘take over’ Ashland. In the interest of fairness and sharing, they ceased funding your work. You drifted down to the Los Angeles Complex, where you created a website called Versus the Moron. Eventually, you settled here in the Northeast.”

“That’s right, sir,” the artist said. “A question. Do you remember a time when you weren’t connected to the superbrain in any way?”

The President nodded. “We used to remember such a time, but no longer. Those memories became unproductive. Now we are here With the Program. We operate in it and with it.”

“So you don’t miss being free?” the artist asked.

“Oh, we are free, Mr. Siqueiros. We are free to obtain the right answers through the Program. Having correct data and valid conclusions is quite liberating. The sense of struggle is gone. Struggle is an ancient appendage which technocratic evolution makes extinct.”

“Sir,” the artist said, “I would enjoy debating that point. But I’d rather talk about the individual invention of unprecedented and unpredictable realities.”

“Oh,” the President said. “Another fanciful notion from the past. We’ve discovered that all art and in fact all so-called unique creations of the ‘I’ are delusions. The superbrain can ‘create’ anything. It merely arranges and rearranges data in various configurations. It produces closed systems. For example, it can design a thousand buildings in less than a second.”

The artist frowned.

“No,” he said. “The superbrain spits out random shapes on command. That’s machine-life.”

“Machine-life?” the President said. “I’m receiving mild warnings now. That phrase is an RRT.”

“Meaning what?” the artist said.

“It’s a sub-sub category in the Program. RRT stands for Rebellious Rat Tail. It indicates we are in the presence of a stubborn defective ‘I’ who is scorning the Group.”

“Mr. President,” the artist said. “Were you born of a human mother and father, or are you a virtual artifact of the superbrain?”

The Secret Service agents in the room took a step forward.

The President’s face turned red. He rose from his chair.

“How dare you say that to me!” he shouted.

“Why? Because I’m flipping your cover?”

The artist then enunciated a long series of sounds. The declaration came out, as one attendee later put it, like a “gray river.”

“Emwgrtyonefiftyfruntsillgreenefsevenlenstayeightcricrimescene…”

Apparently, it was a code-trigger that had been hacked from the Program. And the code ran.

A loud hum filled the room.

A few seconds later, the President collapsed back into his seat. He flopped around like a doll and then went still. His eyes stared at nothing.

“As I expected,” the artist said. “He’s a four-D printout from the superbrain. An agent.”

A voice came from somewhere inside the President.

“Allen Dulles thirteen A seven branched MKULTRA…”

Silence.

Then a gentle man who manufactured a product called We Love You Organic Monsanto Cherry Vanilla With Roundup Cookies said:

“It’s all right, everybody. There’ll be another President along in a few minutes. I’m sure of it. He’ll appear. We’re all in this together. We’re in coexistence mode. Don’t worry. The superbrain says we’re all One. Unity. The Tao. Yin and Yang. Night and Day. Harmony.”

And the room burst into wild applause.

The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Migration of populations vs. the individual

Migration of populations vs. the individual

by Jon Rappoport

September 7, 2015

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

We are seeing a flood of population-migration in various parts of the world. The Globalist strategy is obvious:

Make the only solution a global solution.

Instigate the chaos that causes the migrations, and then come in behind that with the answer: “better planning, better organization, international agreements”—in short, a planned society for the borderless world.

Of course, “global solution” means the individual is cut out of the equation, he doesn’t count, he doesn’t mean anything in the larger scheme of things, he is just another pawn and cipher to move around on the board.

And as more duped and deluded people sign on to this agenda, the whole concept of the individual shrinks and becomes irrelevant.

This is purposeful.

This is the script for the future: in many ways create problems whose only solution appears to be collective.

Psychologically, mentally, emotionally, and spiritually divert the individual’s attention from his own vision, his own profound desires, his own consciousness, his own imagination—and place it within The Group (“all of humanity”).

Propagandize the idea that, if the individual concerns himself with anything other than The Group, he is selfish, greedy, inhumane. He is a criminal.

More and more, this is how the young are being trained these days.

The grand “we” is being sold to them like a cheap street drug. They buy in. They believe this “we” is real, instead of a hollow con designed to drag them into a Globalist framework owned and operated by mega-corporations, banks, foundations, governments, and ubiquitous Rockefeller interests.

And what of the individual, his mind, his unique perception, his independent ideas, his originality, his life-force?

Swept away in the rush toward “a better world.”

I have breaking news. Earth is not a spaceship and we are not crew members. If Earth is a spaceship, it has serious design flaws, because it keeps making the same trip around the same sun every year.

Each one of us does not have a specified function, as a crew member would.

Going back as far as you want to in history, every shortage and scarcity in the world that engendered a crisis was either created by some elite or maintained by them, for the purpose of eradicating dissent and fomenting a collectivist solution. Meaning a solution that came from the top. Meaning a solution that reduced individual freedom.

In recent human history, a different idea emerged: establish severely hamstrung government, in order to protect the individual against it.

This idea existed in its pristine form for about an hour after the ink dried on the founding documents.

Elites emerged with the realization that they would need to build great wealth for certain men, who would then turn around and use their power to expand government and corporate and banking control, in order to sink the population back into the swamp from which they had just been liberated.

On and on it goes. But regardless of circumstances, the individual can author his own freedom and what it implies. He can discover, within himself, extraordinary possibilities and extraordinary consciousness. He can contemplate what it means to create reality that expresses his most profound desires.

And then he can begin a voyage that no one and no group can stop.

Civilizations come and go, rise and fall, but the individual remains.

Behind and below and above all the false prescriptions of the State and its allies, he remains. He is at the core.

But why wait until some distant day to wake up?

The word “imagination,” when properly understood, indicates that the individual can envision and then create futures that never were, and never would be, unless he invented them.

Imagination is the opposite of “provincial,” “restricted,” “well-known,” “familiar,” “accepted.”

That is its danger to the status quo.

That is the true threat the individual poses to all predictive systems.

exit from the matrix

The modern State works from the assumption that you are renting your life and your self. It sees itself as the landlord, whose beneficent concern, expressed through “programs,” should direct your behavior and thought.

It is softening 1984 into the effects of Brave New World. Pain is the stick and pleasure is the carrot.

Soon you will see official calculations of “pleasure quotients” for citizens. You will even see promises to “expand” those quotients.

“The greater good of all” will be highlighted.

That is the primary selling point.

Its success depends on the individual ceasing to exist in his own mind. He is The Group.

On the horizon: researchers studying the myriad activities of the brain in real time will claim there is no chemical/biological/electrical basis in the brain for the concept of the individual. The whole notion is an aberration, resulting from an imbalance that can be corrected.

Sociologists, anthropologists, psychologists and other charlatans will chime in, pointing to indisputable evidence that, throughout history, it has been the individual who has caused all the trouble. (This propaganda op has been actively underway for a hundred years.)

Yes, the hard scientists, will agree. “But to be more precise, it is the disordered brain that has caused the trouble.”

Yes, my friends, you can be free of the imbalance, and the suffering and turmoil it causes. You can be liberated, and thus discover a new world of pleasure.

“Take the carrot.”

Against all this stands: the individual.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The individual vs. the collective in the Matrix

The individual vs. the collective in the Matrix

by Jon Rappoport

September 5, 2015

(To read about Jon’s mega-collection, Power Outside The Matrix, click here.)

In the 1950s, before television had numbed minds and turned them into jelly, there was a growing sense of: the Individual versus the Corporate State.

Something needed to be done. People were fitting into slots. They were surrendering their lives in increasing numbers. They were carving away their own idiosyncrasies and their independent ideas.

Collectivism wasn’t merely a Soviet paradigm. It was spreading like a fungus at every level of American life. It might fly a political banner here and there, but on the whole it was a social phenomenon and nightmare.

Television then added fuel to the fire. Under the control of psyops experts, it became, as the 1950s droned on, the facile barrel of a weapon:

“What’s important is the group, the family, peers. Conform. Give in. Bathe in the great belonging…”

Recognize that every message television imparts is a proxy, a fabrication, a simulacrum, an imitation of life one step removed. It isn’t people talking in a park or on a street corner or in a saloon or a barber shop or a meeting hall or a church.

It’s happening on a screen.

When this medium also broadcasts words and images of belonging and the need to belong, it’s engaged in revolutionary social engineering.

The very opposite of living as a strong, independent, and powerful individual is the cloying need to belong. And the latter is what television ceaselessly promotes.

This is no accident. After World War 2, psychological-warfare operatives turned their attention to two long-term strategies: inculcating negative stereotypes of distant populations, to rationalize covert military plans to conquer and build an empire for America; and disseminating the unparalleled joys of disappearing into a group existence.

When, for example, television promotes “family,” it’s all on the level of fictitiously happy, desperate, yearning, last-chance, problem-resolving, melted-down, trance-inducing, gooey family.

This isn’t, by any stretch, an actual human value. Whether it’s the suburban-lawn family in an ad for the wonders of a toxic pesticide, or the mob family going to the mattresses to fend off a rival, it’s fantasy time in the land of mind control.

Television has carried its mission forward. The consciousness of the Individual versus the State has turned into: love the State. Love the State as family.

The political Left of the 1960s, who rioted against Democratic President Lyndon Johnson, at the Century Plaza Hotel, and ended his hopes to run again in 1968…that Left is now all about the State and its glories and gifts. The collective.

A great deal of the television coverage of mass shootings is now dedicated to bringing home the spurious message: we all grieve together and heal together.

In the only study I have been able to find, Wictionary partially surveys the scripts of all television shows from the year 2006, to analyze the words most frequently broadcast to viewers in America.

Out of 29,713,800 words, including the massively used “a,” “an,” “the,” “you,” “me,” and the like, the word “home” ranks 179 from the top. “Mom” is 218. “Together” is 222. “Family” is 250.

This usage reflects an unending psyop.

Are you with the family or not? Are you with the group, the collective, or not? Those are the blunt parameters.

“When you get right down to it, all you have is family.” “Our team is really a family.” “You’re deserting the family.” “You fight for the guy next to you.” “Our department is like a family.” “Here at Corporation X, we’re a family.” “Above all, this is a community.”

The community, the group, the company, the sector, the planet, the family.

The goal? Submerge the individual and tie him inexorably to a group.

Individual achievement, imagination, creative power? Not on the agenda. Something for the dustbin of history.

All you need to do is fall into the arms of a group. After that, everything is settled. You can care exclusively about the collective.

Aldous Huxley, Brave New World: “‘Ninety-six identical twins working ninety-six identical machines’! The voice was almost tremulous with enthusiasm. ‘You really know where you are. For the first time in history.’”

George Orwell, 1984: “The two aims of the Party are to conquer the whole surface of the earth and to extinguish once and for all the possibility of independent thought.”

Television seeks to emphasize one decision: inclusion or exclusion. Exclusion is portrayed as the only condition that is possible if you aren’t part of the group. And exclusion carries the connotation of exile, excommunication, and criminality.

The soap opera is the apotheosis of television. The long-running characters in Anytown are irreversibly enmeshed in one another’s lives. There’s no escape. And with that comes mind-numbing meddling.

“I’m just trying to help you realize we all love you (in chains).”

“Your father, rest his soul, would never have wanted you to do this to yourself…”

“How dare you set yourself apart from us. Who do you think you are?”

Of the three elite network anchors, the one who fictionally conveyed the sense that “we’re all in this together” was Brian Williams (NBC), before his downfall. He was the number-one-rated anchor on the evening news.

Am I saying that no groups anywhere can achieve important objectives? No. I’m talking about a state of mind wherein the individual surrenders his own life-force.

There is an indissoluble link between the artifact called “we” and “limited context.” This is precisely what television news gives to the public. With each story that fails to explore the deeper elite players and their motives, the news speaks to a collective consciousness, which is to say, the sharing of a fabrication.

What “we” shares is foreshortened perspective, lies, misdirection, and superficial gloss. Those qualities are built for the group, and the group digests them automatically.

For some people, “we” has a fragrant scent, until they get down in the trenches with it. There they discover odd odors and postures and mutations. They find self-distorted creatures running around doing bizarre things with an exhibitionist flair.

The night becomes long. The ideals melt. The level of intelligence required to inhabit this cave-like realm is lower than expected, much lower.

Perceptions formerly believed to be the glue that holds this territory together begin to crack and fall apart, and all that is left is a grim determination to see things through.

As the night moves into its latter stages, some participants come to know that all their activity is taking place in a chimerical universe.

It is as if reality has been constructed to yield up gibberish.

Whose idea was it to become deaf, dumb, and blind in the first place?

And then perhaps one person in the cave suddenly says: I EXIST.

That’s starts a cacophony of howling.

People dimly wonder whether, beyond this night, there is another whole world where individuals live, where individuals finally separate from the sticky substance of coordinated defeat.

The “we” that television gives us is a fiction designed to make the independent individual extinct. That is its job.

In the aftermath of the 1963 assassination of JFK and the 1995 bombing of the Federal Building in Oklahoma City, the covert theme was the same: a lone individual did this.

A lone individual, detached from the group, did this. “See what happens when the group is rejected? Lone individuals are really no different than individuals. They are people who left the fold. They wandered from the communal hearth. They thought for themselves. This is what happens when individuals assert their independent existence. They become killers. They lose their way. They break the sacred bond. They are heretics who fall away from the collective.”

In 1995, after the Oklahoma City Bombing, President Bill Clinton made a speech to the nation. He rescued his presidency by essentially saying, “Come home to the government. We will protect you and save you.”

He framed the crime in those terms. The individual versus the collective.

The strongest argument against the free and independent and powerful individual, and in favor of the collective is, simply: the collective has advanced to such a degree that there is no going back; the individual can’t win; the battle is over.

But the liberation of the individual has existed as an aim since the dawn of time on this planet. That aim will not vanish.

Why? Because underneath all the programs for mind control, there is, obviously, something to control. Otherwise, why bother? The deeper you go in discovering what “must be controlled,” the more freedom and power and imagination you encounter in the individual.

It may not seem so. It may seem that all the propaganda about the inherent weakness and smallness of the human being is accurate. But that is a false dream.

The reality is far different.

A million psyops won’t change that reality.

power outside the matrix

Here is a 1980 quote from author Philip K Dick. He is writing poignantly about another titan of science fiction, Robert Heinlein. The relevance of Phil’s words to the subject of this article? Here are two powerful and independent individuals who, despite all their differences, find a common sharing. This is what that sharing looks like and feels like:

“Several years ago, when I was ill, Heinlein offered his help, anything he could do, and we had never met; he would phone me to cheer me up and see how I was doing. He wanted to buy me an electric typewriter, God bless him—one of the few true gentlemen in this world. I don’t agree with any ideas he puts forth in his writing, but that is neither here nor there. One time when I owed the IRS a lot of money and couldn’t raise it, Heinlein loaned the money to me. I think a great deal of him and his wife; I dedicated a book to them in appreciation. Robert Heinlein is a fine-looking man, very impressive and very military in stance; you can tell he has a military background, even to the haircut. He knows I’m a flipped-out freak and still he helped me and my wife when we were in trouble. That is the best in humanity, there; that is who and what I love.”

Here is one more from Philip Dick. I don’t agree with the “motive” part of the quote, but everything else? Perfect.

“Because today we live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups…So I ask, in my writing, What is real? Because unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms. I do not distrust their motives; I distrust their power. They have a lot of it. And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing.”

The question is, in gaining freedom from these pseudo-realities, does the process happen for everyone at once, or is it one individual at a time? The answer is clear. It must be one individual at a time—and that tells us a great deal about the illusion of the collective.

The history of human struggle on this planet is about the individual emerging FROM the group, from the tribe, from the clan, from ethnicity and race and skin color and from all outward signs of collective existence.

The history of struggle is not about the individual surrendering and going back into group identity.

That is the psyop.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Who I write for…

Who I write for…

by Jon Rappoport

August 24, 2015

(To read about Jon’s mega-collections, click here.)

Consciousness.

Freedom.

Power.

The individual.

Imagination. Creating new realities.

Society and civilization as a potential force for helping to liberate the individual.

Underneath all my articles, all my investigations into corruption and crime at the highest levels, these above factors have been my motivation,

Who do I write for?

I write for people who recognize they can do something for themselves and others, who can improve their lives and consciousness and power.

I write for people who want to increase their own power.

I’ve been at this for 33 years. I recognize there are people out there who dig down and discover massive chunks of corruption, crime, and conspiracy in the world—and then they twist that knowledge to say: “See, this is why I can’t make any progress in life. This is why I’m blocked. This is why I’m having trouble. This is why I can’t do anything.”

I’m not writing for those people.

They’re using their hard-won knowledge to doom themselves to a life they don’t want. They jumped out of one box and put themselves in another one.

Regardless of how bad things are in this world, there is always something a person can do. For himself, and for others.

In doing that, in moving toward the life he wants most profoundly, in taking creative action, he becomes more alive, more conscious, more powerful.

He is the person I’m writing for.

I’m writing for those men and women.

There is the Personal and the Planetary. They can’t be entirely separated and walled off from each other.

But that doesn’t mean one sphere should be absorbed in the other.

You can’t eliminate personal desire from the equation and expect to find all the life you want. It doesn’t work.

I write for people who have at least glimpsed the power of their own imaginations, and want to increase that power.

I write for people who, becoming aware of how fake realities are built, cross over and realize they can invent better realities and futures.

I write for people who can wake up to that.

I write for people who want to understand the details of how corrupt and deceptive realities are built. My investigative articles serve that purpose.

I write for the individual.

I write for myself.

I write to expose corruption to the light of day, because I want to.

I write for people who understand they can become more alive.

I write for people who are willing to consider something new, who aren’t trapped by the belief that everything important is ancient.

I write for people who hunger for adventure.

I write for people who know they have the strength to make something happen.

I write for people who suspect they have latent capabilities that can come to the surface.

I write for people who realize answers and solutions to their own lives come from themselves.

I write for people who refuse to relinquish their individuality.

I write for people who want to increase the power and range and scope of their own imaginations, in order to discover and invent new startling enterprises and adventures.

I write for people who are on a spiritual road that isn’t clouded by convenient slogans, who know their journey is unique to them, and not part of a system.

I write for people who’ve taken hold of their own freedom and want more freedom.

I write for people who can follow a train of thought.

I write for people who have done their best to make their way through life, who sense there is something more, who want knowledge that will be liberating, not entrapping.

I write for people who, acknowledging that systems and structures can be quite useful, reject the idea that all of life is encompassed by a system.

I write for people who want more power to think, do, create—rather than being told what to think and create.

I write for people who, understanding conspiracies, don’t fold up, but rather, as my friend Catherine Austin Fitts says, want to start their own (good) conspiracy.

I write for all these reasons and more.

I write for people who, when they discover how much corruption abounds, refrain from demanding that others tell them what to do about it—but rather discover/invent for themselves what actions they can take.

I write for people who don’t give up.

I write for people who have already found some answers and some success, and want more.

I write for pleasure and enjoyment.

I write for people who want to read.

I write for people who want to consider ideas that reach miles and miles past the borders of consensus reality.

I write for people who are sick and tired of how this world is being run, and want to do something about it, want to discover the creativity within themselves that will provide answers.

I write for people who never give up.

I write for people who want to make a better world, by their own definition, and will work toward that end.

I write for people who have thrown away this formula: a) blaming others for their own shortcomings; and b) using that blame to build their own personal prisons of despair.

exit from the matrix

I write as part of the business I run, the sole proprietorship called NoMoreFakeNews.com. On that site, I sell my products. I’m an entrepreneur. I believe in giving value for value. Since I started NoMoreFakeNews.com in 2001, I’ve written a stream of articles people can, in fact, read for nothing.

I write for people who can follow this train of thought: a) discover the nuts and bolts of how elites invent reality for rest of us (The Matrix Revealed); b) instead, extend the power of their own imaginations and invent better realities (Exit From The Matrix); and c) attain the power to operate inside and outside the Matrix (Power Outside The Matrix). Yes, that’s a plug for my three Matrix collections.

I write for people who aren’t afraid of having power.

I write for people who know the difference between belonging to a group that ultimately asks them to surrender their own individuality, and a group composed of true individuals.

I write for people who do their best to weather every storm.

I write for people born into a place that has been taken over by corrupt fascists.

I write to rise as high as I can.

I write to expose every restraint of freedom I can perceive.

I write to say this space-time box is not the only place there is.

I write to say every individual who inhabits a physical form is immortal, whether he likes it or not…and it’s better to face the truth than deny it.

I write to promote both logic and imagination—each in its own sphere of action.

I hope I write for you.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The collapse of Europe

The collapse of Europe

by Jon Rappoport

August 22, 2015

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

“For a long time, we’ve lived with the delusion that prosperous nations were going to raise the standard of living of poor nations. That was a piece of infernal propaganda. The objective was always the exploitation of those poverty-stricken nations. Their land, their resources, their labor.” (The Underground, Jon Rappoport)

Let’s start with this bit of background:

The fear of individuality comes from the apprehension that a human, unchained and alive, might create something that would expose the titanic hoax of the collective and the group; the apprehension that an individual might create something undeniably great and different; and, therefore, put collective human society in its proper perspective.

And so the individual is called upon to sacrifice himself on the altar of the group.

That is the directive.

The counter-force is the individual using his rational mind, his imagination, and his creative force to surpass this societal brainwashing.

The first step is realizing he is not part of the great collective Cheese Glob.

But most people in so-called “democracies” would not see things this way. They would object. They would claim “the needs of all the people” are not being met. They would claim no one has the right to rise above the standards of the masses.

And “the masses” now refer to wide-open borders in Europe and, as in America, the influx of huge numbers of people fleeing from other parts of the world.

Many of these immigrating people hope for, and expect, economic survival in their new homes. They expect government assistance programs. This is no melting pot. This is a vast extension of the Welfare State, in which the concerns of the individual have no place. No place at all.

Stereotypes are the order of the day. “Which group do you belong to? What race are you? What ethnicity? What are your grievances and demands?”

On the surface, this vast program appears to be humanitarian in nature, but nothing could be further from the truth. Sowing chaos in the nations of Europe is the objective.

Why? Because Globalism, like every elite scheme in the history of the planet, lives by the motto, “Order from Chaos.”

Create chaos, then move in with tighter control, to “solve the problem.”

Wall-to-wall surveillance, militarized police, decimation of free speech.

In this atmosphere, it is very easy for the individual to forget and cast aside his own power and his own unique vision of the future, and his own capacity to invent the future.

It is very easy for the individual to forego rationality and logic as useless objects of a bygone era and simply sink to the level of a stimulus-response creature.

But if that happens, what is left?

Nothing.

During centuries of struggle, Europe carved out a mission of individual freedom, against all odds, and there were eventually many victories.

Now, there is the danger of all that going down the drain.

If the liberation of the individual from the State and the Church is now viewed as a mere fantasy, an old dream, an old lie of history, an old delusion, then the future is turned over to Globalist masters and their program of mass control.

There is a joker in the deck. The European mega-corporations, which are part and parcel of the Globalist network, will discover that their consumer base is shrinking. In short, there will come a point at which these corporations can’t expand by selling their products in the marketplace. Too late, the corporations will realize they are expendable in the diabolical Globalist plan.

One of the winners? The Vatican.

The Roman Church has always realized that their best days are those in which poverty escalates. People then return to older forms of hope and desperation. People then grasp at straws.

Make no mistake, the humanitarian pronouncements of this Pope are a cover story that obscures the Church’s true ambition: flourishing in a time of crisis.

The longer the crisis, the better. The vision of widespread poverty as a permanent condition is the Church’s wet dream. It brings back their glory days.

exit from the matrix

At its core, the entire Globalist operation is aimed at making the individual believe he is helpless.

Whether and to what degree this program succeeds is not in the hands of any group. It is in the hands, the soul of the individual himself.

Which is why my work, for the past decade, has focused more and more on the individual, his power, his life-force, his mind, his imagination, his uniqueness.

The future is up for grabs. Will the wide channel of individual freedom and power, which has been dug for centuries, in a great struggle, be the substance of the future, or will the coming century devolve into one great planetary Collective, mindless and begging for scraps?

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

My talk last night in Newport Beach

My talk last night in Newport Beach

by Jon Rappoport

August 13, 2015

Last night, I gave a talk for 2 hours to a packed room at the Dead Chiropractic Society in Newport Beach, California. I may be becoming a Zen dude in my advancing years.

My paradox was: audience. What is an audience? That’s a mystery. Why exactly are people sitting there? To receive information about which they’re already—at least in a general sense—already aware? That doesn’t fly.

So, in my perverse way, I assume the audience is there to be disturbed. That’s a good assumption. The audience is there to be jarred out of being an audience. I like that. I can go with that. It makes sense to me. If I were audience, that’s what I would want.

I would want to feel shaken out of my role as somebody sitting in a seat being a pipeline for information flowing down my gullet.

I would want something alive to be happening.

As I mentioned to the crowd last night, the last thing I want to do is bore myself. That’s a no-no. Can’t stand there and talk and feel bored.

So I want to see the audience as a kind of false construct. Yes, it’s necessary to for people to sit in their seats and listen, but at the same time, that doesn’t really work. It’s a paradox.

As I was talking last night, it occurred to me that every person in the audience had a story. Not a social story. Not a familiar story. Not a hackneyed story. Not an ordinary or conventional story. Not a boring story. Not a sob story. Not a canned “uplifting” story.

In fact, each person didn’t “have” a story. Each person could invent a story. Put together a story. Make it compelling. Make it a Niagara. Make it pour down with immense force. I suppose this sounds crazy. Good. That’s not a negative. Many things sound crazy because we’re comparing them to “normal.” Comparing them to what we expect.

As long as we’re dealing with what we expect, we’re sunk. The war is over. We lost.

For example, as I mentioned last night, psychiatry has a hell of a story. 300 officially certified mental disorders, and they say they’re doing science, but not one of those disorders has any defining diagnostic test. And they’ve sold this story to the heavens. They’re gotten over on the world. That’s a feat worthy of an Atlas.

And the world is full of such stories, and they’re all official, and they’ve all been sold. So if we’re going to go up against that, we need lots of stories of our own. We need wild stories. We need electric stories delivered with electric force, no quarter given or asked for. We need stories that approach the world from completely different points of view. We need people who want to cook up and tell those stories, come hell or high water.

That’s what audience really is. A bunch of people who, for convenience sake, are doing this ridiculous thing. They’re sitting in a room in chairs and waiting for something to happen. But behind that, behind that construct, each one can tell stories. Each one can throw off convention and normality and consent and break out.

And if they did, every day of their lives, the world would be flooded with something different. And that would resolve the paradox. That would create unexpected consequences and massive disruptions in the field, the smooth field of accepted average nonsense and insanity.

That’s what occurred to me last night. I didn’t plan it or think about it before I started talking. I just saw it as I was talking, because I wasn’t happy with people sitting in chairs. I like the raw material of people sitting in chairs, but I hate it as a finished product. I refuse to accept it as a finished product.

I guess you could say I want people, at the end of a talk, to rise up and go home on fire as artists of reality.

I realize that some people in chairs aren’t going to be happy. They’re going feel put upon or dislodged and they’re going to think, “This isn’t what I bargained for.” And that’s the whole idea. Breaking the bargain. That’s what you want to do. You want to do it with, what shall I call it, good cheer, but you want to do it relentlessly.

So if by chance I were giving a talk to a room full of people who were students and practitioners of Zen meditation, and they were all sitting there, very, very calmly, I would disrupt the field. I would change the flow, redirect it, turn it inside out and upside down and squirt whipped cream and mustard on it. Because I would know that the prevailing consensus in that room was some sort of end point, and there isn’t any end point. Ever.

Audience is prepared for something finite, and you want to crack that egg. “Sorry, tonight nothing is finite or fenced or perfectly shaped or final.”

And if you can crack that egg, audience is relieved. By and large they’re relieved. And they start laughing. For you detectives out there, that’s called a clue. Steam comes out of their ears and they laugh. The message is: some con has been exposed. Maybe they don’t know what it is, and maybe the speaker doesn’t, either, but it just happened. The finite and perfect was cracked open.

Through that crack, people can escape.

Facts are important, yes. Very important. Especially when they contradict official stories. But then there is this other thing, the untouched thing. The thing that is still passive. The thing that is not telling new stories. The thing that still wants the old tales. The paralyzed thing.

And for that, you have to take the social construct in front of you, in the moment, and slice it apart. You have to move audience out of being audience.

Maybe that’s Zen.

exit from the matrix

Anyway, that’s my quick take on last night, and I thank Billy DeMoss and his crew at DeMoss Chiropractic for setting this up. Billy and I discovered neither of us has a cell phone, so we’re starting a new revolution along that line. The Dead Cell Phone Society.

Thanks to Brett for the ride home and the conversation, and thanks to my long-time readers who showed up so I could meet them face to face, and thanks to L who flew out from a long way off, and thanks to the woman in the first row who got me talking about the early Tibetan magicians and Alexandra David-Neel and John Blofeld and creation and destruction. Thanks to all. By my estimate, it was a hell of a night.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.