Reality is a function of state of mind

by Jon Rappoport

June 27, 2019

Reality is a function of state of mind.

As state of mind varies, reality appears differently.

Reality is not an illusion. Reality is quite real when state of mind is factored in.

If someone lived inside a dream all the time, the space and things and events of the dream would be quite real. However, if he exited the dream, reality would change radically.

Of course, there is the physical reality we all share. It is not enough to say each one of us perceives that reality in a slightly different way. For example, I said this in 2015:

About 12 years ago, I extensively interviewed Dean Radin, the author of a scientific classic, The Conscious Universe.

The interview confirmed and expanded on Radin’s published findings. Here is the most accurate statement I can make about those findings:

Studying the entire history of paranormal lab experiments; selecting from that published literature all well-formed and properly conducted studies; Radin discovered that the overall statistical evidence was clear: paranormal ability was demonstrated beyond the factor of chance or the rules of probability.

Many of these studies tested psychokinesis, the ability to influence matter with mind alone. In such studies, this ability exceeded chance or statistical probability as well.

Radin didn’t stop there. Having done the exhaustive research, and having published his findings, he reviewed the major criticisms leveled at him by other scientists, and he responded to their detailed analysis with convincing analysis of his own.

In a half-sane world, Radin’s book, The Conscious Universe, would have caused a widespread revolution.

That it didn’t merely testifies to the hidebound preconceptions of scientific establishments and media outlets.

But the book did cause a stir with the public, and it most certainly registered with researchers who could keep an open attitude long enough to study Radin’s detailed work.

Here is one type of study that has been performed many times. Volunteers are placed before a case in which there are numerous holes and pegs. From the top, small balls are dropped downward. The volunteer is asked to try to mentally influence the paths of the balls, so more of them end up in holes to the left of center or right of center.

The case is built so that, normally, half the balls would come to rest in holes to the left of center, and half to the right.

Analyzing the entire range of such published studies, Radin concluded that random chance, probability, statistical expectation had been exceeded.

Overall, the efforts of the volunteers to influence matter with their minds had succeeded.

To put it broadly, the limits of reality are not what most people think they are. They extend beyond common consensus on what is possible.

The limits on us are not what most people think they are.

In his groundbreaking and shattering work, Radin met the challenge that many researchers sling at paranormal events: “If the events exist at all, they’re not repeatable, so they mean nothing.”

Radin’s method, the meta-analysis of many, many well-performed studies, showed that repeatability was, in fact, present.

What “Matrix-propagandists” never acknowledge—because it would topple and destroy the very foundation of their enterprise—is the capacity to direct non-material thought and, thereby, affect material events. Under no circumstances will these “ordinary-reality” defenders ever admit that this capacity exists.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The lure of Religion

by Jon Rappoport

May 7, 2019

(To join our email list, click here.)

This is a brief collection of notes I made on one of the central realities of planet Earth:

Religion.

Down through history, organized religion has tried to take over the Paranormal as its own property. Allowing this and going along with it, humanity, even in all its goodness, has made a grievous mistake. It has paid a terrible price. Transferring the Paranormal from the individual to an organization brings on a negative result, a blanketing tragedy.

As far as I can tell, the first commandment of every religion is aimed at all other religions: OUR GOD IS REAL. YOURS IS FALSE.

The corollary, in some cases, is: IN ORDER TO PROVE THIS, WE WILL WIPE YOU OUT IF NECESSARY.

George Carlin: “But He [God] loves you. He loves you, and He needs money! He always needs money! He’s all-powerful, all-perfect, all-knowing, and all-wise, somehow just can’t handle money!”

The second commandment of religions—directed toward their own flocks—THINK WHAT WE TELL YOU TO THINK, BELIEVE WHAT WE TELL YOU TO BELIEVE. You, an immortal soul, are incapable of determining these matters on your own. You must refer to religious leaders. You must quote them.

The large majority of eight billion souls on planet Earth believe they have two choices. Accept what a religion tells them, or conclude there is nothing spiritual about life; it is merely physical substance. They can’t conceive of other possibilities. This points to an astonishing lack of imagination.

Many scientists believe scientific lies are better than lies based on religious superstition.

Most religion is based on the premise: CONTROL OF POPULATIONS IS NECESSARY. THEREFORE, IMPOSED DOCTRINE IS NECESSARY. Control is better than no control.

If you investigated an organized religion, the more its behaviors resembled those of a mafia, the closer you would be getting to the top of the leadership.

“What’s the outlook for the next quarter” is not in any Bible, but you will hear it if you’re a fly on the wall at high-level private meetings.

Reaching back into history, you find wars between religions. Perhaps in one of these disasters, the less insane religion won. That doesn’t mean any part of that religion’s doctrine is true.

Why do some pro football players make the sign of the cross on the field or point toward the heavens after scoring a touchdown? God doesn’t watch the pros. He watches college football.

The degree of self-induced hypnotism and amnesia is apparent, when you consider the importance of ORGANIZED religion. There are few, if any, DISORGANIZED religions, whereby people meet on Sundays and freely discuss what they individually and differently believe. Giant churches are not filled with such people.

“My hair is purple. I see yours is, too. That’s good. In fact, looking around us at the ten thousand attendee at this service—they all have purple hair. It’s dawning on me that PURPLE is our collective strength. If we push it far enough, and if our preacher speaks about it, we can win. We can win the war of competing belief.”


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The taboo against paranormal experience is a taboo against freedom

by Jon Rappoport

September 27, 2018

(To join our email list, click here.)

For those who want to examine a rigorous presentation of the paranormal, based on a long history of laboratory experiments, I recommend Dean Radin’s classic, The Conscious Universe: The Scientific Truth of Psychic Phenomena. (HarperCollins, 1997)

This article is not about that.

It’s about a taboo.

On the one side, we have people who denigrate the possibility of the paranormal. On the other side, we have people who, ungrounded in the physical world, try to stage what amounts to a paranormal escape operation, only to fall back into their increasingly chaotic circumstances.

In the middle are persons who have genuinely experienced the paranormal, know it, feel no obsession to shout it from the rooftops, and go on with their lives.

With the rapid decay of organized religion throughout the 20th century, huge numbers of people felt a need to attach themselves to new and old ideologies proclaiming The Extraordinary was at hand. Assertions of paranormal import accompanied this faux revolution.

At the same time, 20th-century life was shaping up in a world of National Security States, and was all about citizen behaviorism, repression, operant conditioning, and various forms of mind control—aimed at curtailing the freedom to experience whatever might lie beyond the prescriptions and slogans of governments.

What exists outside a psychic prison defined by rabid consumerism, limited and false science, and pressure from peers to accept idealized and cartoonish middle-class imagery without question, without deviation?

What is paranormal?

Is it, in childhood, an ecstatic hour’s walk through a park on a summer afternoon, when every leaf, flower, and cloud is irresistible? When space itself is so present that every shred and iota of anxiety or confusion disappears?

Is it the foreshadowing moment when you know what a person is going to say next, how he is going to say it, how he is going to move, how he is going to look as he says it?

Is it the sudden realization that the entire realm and round of emotions you have been experiencing has vanished, leaving in its place an escalating joy that can’t be contained?

Is it in standing at a window, late at night, looking out at a city, possessed of a vision of what you most profoundly want to do for the rest of your life, realizing that you will, in fact, do it?

Is it in standing in a room, where a researcher is showing you a pack of photos, one of which a person, in another room, six miles away, has just tried to send you, telepathically—and knowing beyond a shadow of a doubt which photo it is?

Is it in getting out of bed in the morning and becoming aware that you, non-material you, exist forever?

Is it in watching a cat walk away from you, across a carpet, sending him a silent message to roll over, and watching him do it?

Is it in the easy and majestic silence you feel, after sitting on the floor and breathing in and out for a half-hour?

Is it in your child’s face?

The truth is, paranormal experiences are everywhere, and people have them. The experiences exceed the ordinary boundaries material reality.

They tend to lead to a new view about life, and they certainly go beyond societal tenets about what one is supposed to know and feel.

And yes, the waters are muddied by people who feel compelled to chime in and report experiences they only wish they had, hoping for badges of honor. But no matter.

In certain respects, this is, in fact a prison planet. Through upbringing, education, peer pressure, training, indoctrination, propaganda, citizens are expected to maintain “normal status.”

Steady-state normal.

No leaking of fuel, no blowing of gaskets.

Functional.

People condition themselves with the goal of fitting in.

It’s a grand stage play, and one picks a role and lives it out.

But one day something happens, and if you admit it, everything has changed.

What then? Do you continue to obey and subscribe to the taboo?

Or confess that the true normal is paranormal?

Do you tighten your grip on the card that identifies you as a citizen of the realm? Or do you drop it in a waste basket?

Do you cling to the old? Or do you opt for possibilities wider than you previously imagined and shove in all your chips on a new life?

The taboo against the non-ordinary is as old as the hills. In many cases, the establishment was a State religion, and the priest-class labeled paranormal experiences heretical witchery. Why? Because, of course, free consciousness, unburdened of church doctrine, was a threat to priestly power.

Modern science, with ridicule as its primary method, attacks the paranormal because it cuts too close to home. It tends to expose what science cannot explain.

For example: freedom.

Nowhere in the lexicon of conventional physics is there room for such a concept. The predetermined and inexorable flow of tiny particles is assumed to be everywhere at all times, even in the composition of the brain…and therefore, all thought and feeling and action, which stem from the brain, are predetermined and inexorable as well.

No choice. No freedom.

The absurdity of this notion is plain to anyone who can think.

If the brain and the body are just another collection of sub-atomic particles, then the capacity to make a free and independent choice about anything is null and void—unless the entity doing the choosing, YOU, is beyond those particles, beyond matter and energy.

When I say paranormal experience is everywhere, this is what I mean. Freedom exists. Freedom is paranormal. It always was.

It takes a severely limited state of affairs not to recognize it.

It takes a long, long history of repressive societies not to recognize it.

It takes a considerable amount of indoctrination and mind control not to recognize it.

The notion that various key political documents established freedom is extremely short-sighted. Heroic though the efforts were, they only uncovered what was already there in a natural state.

That natural state is anything but normal. It speaks of the human ability to move out of the chain of cause and effect and make choices.

Changing lives, changing futures.

For most people, most of the time, the sense of their own freedom is a rather dull given. There is nothing thrilling about it. They choose A or B within a grossly limited context.

This fact is, in itself, an indication that a monitor has been placed on their own experience, on their own emotions.

If, however, this cover is blown, a transformation occurs; and then they know, in an entirely different way, that freedom is, and is supposed to be, the most natural kind of ecstasy in the world.

Paranormal.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Star Wars, ancient Tibet, and Jedi training

by Jon Rappoport

December 16, 2015

(To join our email list, click here.)

Let’s start here: there are pre-conditions for the popularity of the Star Wars films. New previously unseen Space, huge amounts of it. Heroes in that space. The capacity to perform paranormal feats. A Force that feeds into that capacity. A battle between the light and dark aspects of the Force.

Yes, a director could take those pre-conditions and distort and strangle them in the making of a film, but without those elements the Star Wars movies wouldn’t exist at all.

Drilling down further—The Jedi, in whom the Force is naturally strong, undergo training. This factor pulses in the audience’s subconscious, because it makes a kind of sense. If an individual can perform paranormal feats and control them…he needs to learn how. He needs to go to school. He needs to practice, as an athlete does. Perhaps the paranormal isn’t just a child’s fantasy. Maybe it’s more than that. Suppose it is. Suppose these societies we live in, these civilizations, are built to exclude such possibilities. Suppose, in the glorification of technology, an omission has occurred—an intentional omission. Suppose a deadening “realism” is the arbitrary substitute for paranormal ability. Suppose this is a long con of immense obfuscation.

Read Dean Radin’s classic, The Conscious Universe: Radin presents a compelling case via a far-reaching analysis of paranormal laboratory experiments and their results.

When I first read his breakthrough book, I was floored. Far from merely recounting anecdotes of paranormal phenomena, Radin was proving that decades of well-formed and well-conducted published laboratory studies, in the areas of telepathy and psychokinesis, revealed that these human capabilities exist.

He had performed a staggering feat. He had shown the science was valid.

It remains for other branches of the scientific community to catch up, to admit their consensus about reality is provincial, distorted, and pathetically behind the times. They are now the Roman Church of old, denying Galileo and Bruno.

Two years ago, Radin spoke at a conference, Electric Universe, in New Mexico. He described his recent pilot study on time and precognition.

A small group of advanced meditators who use the “non-dual” technique, were tested. While meditating, they were subjected to random interruptions: a flash of light and a beeping sound. Measuring their brain activity, Radin found that significant brain changes occurred BEFORE the light flashes or the beeps.

A control group of non-meditators were tested in exactly the same way, but their brain measurements revealed NO such changes.

In other words, the brains of the meditators anticipated the timing of the unpredictable interruptions.

The future was registering now. This, of course, opens up another way of thinking about time.

Serial time, the idea that, in this continuum, we experience a smooth progression of moments, with the present becoming, so to speak, the future, is the conventional view. But suppose that is a grossly limiting and sketchy premise?

Suppose that, for those who can be aware of it, the future is bleeding into the present? It is making an impact “before it happens.”

If time is deeply rooted in perception, Dean Radin’s study indicates that this perception extends to the future. If people can register the impact of the future now, then our notions of time are up for grabs.

So are conventional concepts of cause and effect, which rely on chains of events moving like trains from the past to the present. We need to consider that causes can sit in the future and produce their effects in the present.

In which case, what is the future? It certainly is an expanded territory that extends beyond our normal notions of it.

In correspondence with me, Dean Radin offered further information about his study:

“All participants knew that they would receive a light flash, an audio tone [beep], both, or none. In one condition they didn’t know when these would occur or what type of stimulus. In another condition they knew when it would occur but not what. In all cases no one, including [the scientist] experiment[ers], knew what the next stimulus would be because we used a true random number generator to select it on the fly.

“The conclusion of the study was that the reported subjective experience of exceptional spaciousness, or timelessness, reported by some advanced meditators, appears to be objectively correct. That is, their subjective sense of ‘now’ appears to expand substantially, and our experiment indicates that this was not an illusion.”

I then asked Dr. Radin how closely correlated the light flashes and audio tones were to the brain changes in the meditators. His answer was stunning. The brain changes occurred 1.5 seconds before these interruptions. And the changes obviously occurred even though some of the meditators didn’t know when the interruptions were coming.

Radin’s remarks offer us a major point: these meditators were expanding their consciousness of the present moment, so that it included the future.

Such a framework of understanding travels far beyond modern ideas about the makeup and laws of the physical universe. It implies more than merely a holographic or pixel-based cosmos. It speaks to titanic capabilities on our part.

Of course, having sunk to a state in which we navigate in an amnesia about ourselves, we look at these ideas with skepticism. We pretend we are trapped in a container-continuum of space and time, as Einstein and others have fleshed it out.

Consider what could be the most astonishing extension of Dean Radin’s work: suppose that for those elements of the future that aren’t yet planned or on the drawing boards at all, people can still register their presence in advance. Then we would be talking about the human capacity to reach out into a vacuum, a nothing, and still “bring back” what is going to happen.

Back to Star Wars. Jedi undergo training to improve their ability to see into the immediate future, to know, in advance, what is about to happen seconds before it does—for example, in battle against an opponent. In this sense, that process mirrors what Radin has been researching and confirming. Is it any surprise that the movie audience feels a resonance with Jedi abilities? We are talking about more than just fantasy wish-fulfillment.

Another kind of training existed in early Tibet. Those “Jedi” utilized a method of visualization that, in its concept, challenges virtually all systems of spiritual practice. (Read John Blofeld’s wonderful book, The Tantric Mysticism of Tibet.) I’m talking about “deity visualization.”

The student is given a task: create in his mind, in every detail, the image of a specific “deity.” I believe these students were given a painting to study in this regard.

This was no brush-off exercise. The student, in isolation, had to create, all at once, with no missing parts, and sustain the entire (fully and extensively decorated) image. If he could accomplish this at all, it might take months, or even years.

If he achieved the goal, the deity would then naturally take on the persona of a counselor, guide, and friend. For the student, this would be a marvelous ongoing experience.

The teacher, watching the student closely, would determine when he was relying “too closely” on the guide. At that point, he would tell the student: “Get rid of the deity.”

This, it was said, was more difficult than creating it in the first place.

But if the student could achieve both the creation and destruction of the deity, he would then see, as John Blofeld puts it, that the universe is a product of mind.

This insight, not merely an intellectual conclusion, but an immediate knowing and experience, would enable the student to change, rearrange, and recreate physical space, time, and energy.

The early Tibetan school of the “paranormal” was undoubtedly the most original in the history of the planet. It also speaks to the idea that, through training, through the development of the faculty of imagination, the individual can regain and restore what was originally his, before socialization, indoctrination, and “realism” submerged his own power.


Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)


The Star Wars films reinstate the concept of the advanced academy, where students actually train to enhance their inherent capacities. Therefore, the movies are more than spectacles. They firmly suggest that training, if it existed, would be the key to outdistancing the programmed and illusory dimensions of the world people believe they live in.

The films reawaken the idea of individual power—not as some bedraggled tag-end appendage going extinct as a result of “higher social evolution”, but as a primary alive and electric core that has been stepped on and rejected by engineers of a mass future, in which individuals are supposed to be numbers and units and ciphers in a dimmed-out gray utopia, for the sake of some misbegotten counterfeit of universal justice and equality—neither of which, when the veneer is peeled away, is just or equal.

There, for those who can see, is the illusion.

The reality is the individual, alive and awake with his amnesia stripped away, and his power intact. Again.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The taboo against paranormal experience is a taboo against freedom

The taboo against paranormal experience is a taboo against freedom.

To read about Jon’s mega-collection, Power Outside The Matrix, go here.

by Jon Rappoport

May 13, 2015

Power Outside The Matrix

For those who want to examine a rigorous presentation of the paranormal, based on a long history of laboratory experiments, I recommend Dean Radin’s classic, The Conscious Universe: The Scientific Truth of Psychic Phenomena. (HarperCollins, 1997)

This article is not about that.

It’s about a taboo.

On the one side, we have people who denigrate the possibility of the paranormal. On the other side, we have people who, ungrounded in the physical world, try to stage what amounts to a paranormal escape operation, only to fall back into their increasingly chaotic circumstances.

In the middle are persons who have genuinely experienced the paranormal, know it, feel no obsession to shout it from the rooftops, and go on with their lives.

With the rapid decay of organized religion throughout the 20th century, huge numbers of people felt a need to attach themselves to new and old ideologies proclaiming The Extraordinary was at hand. Assertions of paranormal import accompanied this faux revolution.

At the same time, 20th-century life was shaping up in a world of National Security States, and was all about citizen behaviorism, repression, operant conditioning, and various forms of mind control—aimed at curtailing the freedom to experience whatever might lie beyond the prescriptions and slogans of governments.

What exists outside a psychic prison defined by rabid consumerism, limited and false science, and pressure from peers to accept idealized and cartoonish middle-class imagery without question, without deviation?

What is paranormal?

Is it, in childhood, an ecstatic hour’s walk through a park on a summer afternoon, when every leaf, flower, and cloud is irresistible? When space itself is so present that every shred and iota of anxiety or confusion disappears?

Is it the foreshadowing moment when you know what a person is going to say next, how he is going to say it, how he is going to move, how he is going to look as he says it?

Is it the sudden realization that the entire realm and round of emotions you have been experiencing has vanished, leaving in its place an escalating joy that can’t be contained?

Is it in standing at a window, late at night, looking out at a city, possessed of a vision of what you most profoundly want to do for the rest of your life, realizing that you will, in fact, do it?

Is it in standing in a room, where a researcher is showing you a pack of photos, one of which a person, in another room, six miles away, has just tried to send you, telepathically—and knowing beyond a shadow of a doubt which photo it is?

Is it in getting out of bed in the morning and becoming aware that you, non-material you, exist forever?

Is it in watching a cat walk away from you, across a carpet, sending him a silent message to roll over, and watching him do it?

Is it in the easy and majestic silence you feel, after sitting on the floor and breathing in and out for a half-hour?

Is it in your child’s face?

The truth is, paranormal experiences are everywhere, and people have them. The experiences exceed the ordinary boundaries material reality.

They tend to lead to a new view about life, and they certainly go beyond societal tenets about what one is supposed to know and feel.

And yes, the waters are muddied by people who feel compelled to chime in and report experiences they only wish they had, hoping for badges of honor. But no matter.

In certain respects, this is, in fact a prison planet. Through upbringing, education, peer pressure, training, indoctrination, propaganda, citizens are expected to maintain “normal status.”

Steady-state normal.

No leaking of fuel, no blowing of gaskets.

Functional.

People condition themselves with the goal of fitting in.

It’s a grand stage play, and one picks a role and lives it out.

But one day something happens, and if you admit it, everything has changed.

What then? Do you continue to obey and subscribe to the taboo?

Or confess that the true normal is paranormal?

Do you tighten your grip on the card that identifies you as a citizen of the realm? Or do you drop it in a waste basket?

Do you cling to the old? Or do you opt for possibilities wider than you previously imagined and shove in all your chips on a new life?

The taboo against the non-ordinary is as old as the hills. In many cases, the establishment was a State religion, and the priest-class labeled paranormal experiences heretical witchery. Why? Because, of course, free consciousness, unburdened of church doctrine, was a threat to priestly power.

Modern science, with ridicule as its primary method, attacks the paranormal because it cuts too close to home. It tends to expose what science cannot explain.

For example: freedom.


power outside the matrix


Nowhere in the lexicon of conventional physics is there room for such a concept. The predetermined and inexorable flow of tiny particles is assumed to be everywhere at all times, even in the composition of the brain…and therefore, all thought and feeling and action, which stem from the brain, are predetermined and inexorable as well.

No choice. No freedom.

The absurdity of this notion is plain to anyone who can think.

If the brain and the body are just another collection of sub-atomic particles, then the capacity to make a free and independent choice about anything is null and void—unless the entity doing the choosing, YOU, is beyond those particles, beyond matter and energy.

When I say paranormal experience is everywhere, this is what I mean. Freedom exists. Freedom is paranormal. It always was.

It takes a severely limited state of affairs not to recognize it.

It takes a long, long history of repressive societies not to recognize it.

It takes a considerable amount of indoctrination and mind control not to recognize it.

The notion that various key political documents established freedom is extremely short-sighted. Heroic though the efforts were, they only uncovered what was already there in a natural state.

That natural state is anything but normal. It speaks of the human ability to move out of the chain of cause and effect and make choices.

Changing lives, changing futures.

For most people, most of the time, the sense of their own freedom is a rather dull given. There is nothing thrilling about it. They choose A or B within a grossly limited context.

This fact is, in itself, an indication that a monitor has been placed on their own experience, on their own emotions.

If, however, this cover is blown, a transformation occurs; and then they know, in an entirely different way, that freedom is, and is supposed to be, the most natural kind of ecstasy in the world.

Paranormal.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

Paranormal You: welcome back

by Jon Rappoport

September 21, 2014

NoMoreFakeNews.com

Throughout the madness of what we call human history, people have always managed to make room for places where imagination can operate.

This operation isn’t about the normal avenues of emotional feedback. It isn’t about solving problems. It isn’t about staying faithful to standard beliefs. It isn’t about reflecting daily life.

It’s about something Beyond.

It doesn’t matter that most people consider these flights brief respites from the real business of living. It doesn’t matter that most people prefer to remain spectators. It doesn’t matter that most people deny their own imaginations have any true power.

It doesn’t matter that the works of artists have been co-opted, frozen, and recast as organized religions. It doesn’t matter that, time and time again, the work of artists has been stolen to assist control agendas.

Humans continue to make a place for something Beyond, in the hope that they can experience what they really are.

In my book, The Secret Behind Secret Societies (included as a bonus in Exit From The Matrix and Power Outside The Matrix), I recount my friendship with Richard Jenkins, an extraordinary healer, who worked with many people in New York, in the 1950s and early 60s.

Richard once wrote to me, “There you are in your apartment on Bleecker Street, painting night and day. You come up to my apartment to watch me work with patients, to find something different. I’m telling you that it’s the same thing. I hope you realize that. We’re in strange times, and they’re going to become stranger. People are organizing themselves as never before, on a much larger scale, all over the world. That’s the space of the future. Then there are other spaces, which very few people believe in. In those spaces, the most extraordinary things happen. This will be the choice that humanity makes as it creates its own fate. Live in the organized territory, or explore the other spaces…One day you’ll look back on our work together, and you’ll either cherish it or you’ll think of it as a momentary illusion…”

1960. First day of rehearsal for a college play, The Lower Depths. I walk out on the stage and look around. It’s quiet, but inside I feel thunder. Everything is different. New shining space. I start smiling. Without knowing it, I’ve been waiting for this moment for God knows how long. A place apart. A world where imagination takes on flesh and comes to life.

The theater director, Walt Boughton, is leaning against a wall. He looks at me. He sees and he knows. He nods. His message is clear: That’s right, my boy, you’re here, this is it, nothing will ever be the same…

We live in a society where consumers can pick and choose among thousands of narratives about themselves, their lives, their future, their duties, their needs, their status—all happening in the consensus organized space.

Awhile back, I wrote about a new Pentagon/DARPA project aimed at studying brain signals, in real time, to understand how and why people buy some narratives and reject others.

A common feature of most narratives is: limited life, limited power.

Or to put it another way, limited access to larger aspects of Self.

The trick of narratives, as retired propaganda master, Ellis Medavoy, once told me, is: built-in limitation; it looks like “desire fulfilled”; it looks like happiness.

But it isn’t.

And when people find that out, they experience buyer’s remorse.

“Why did I think that narrative described what I wanted? Why did I think it would make me satisfied?”

The space-continuum in which we live has its own narratives. They hang from it like barnacles. The gist? You can’t get out. There is nothing to get to.

Again, I refer to the brilliant hypnotherapist, Jack True, whom I interview 43 times in my collection, The Matrix Revealed. Jack did sessions with patients that went directly at the space-time matrix.

“Under hypnosis,” he said, “I had people look at the continuum and tell me what they saw. I had them describe it in their own way. Then I asked them to look outside it.”

The material from those sessions is extraordinary, in several respects. It helped me, when I was researching my companion collection, Exit From The Matrix.

Some of Jacks’ patients came “back around the barn,” as Jack characterized it, and ended up relating what sounded like dreams, dreams they would have while asleep. The narrative wasn’t smooth, it wasn’t moving from beginning to end. It was asymmetrical, just as in dreams, where the scenery shifts, where one event ends in midstream and another pops up, where the “plot line” dissolves…and a new plot takes over.

Several of Jack’s patients said their encounters outside the space-time continuum felt very familiar—as if they’d been there before.

Jack: “One patient said he found himself in a dim hall. It was very large. People were talking, but he couldn’t see them. A single voice took over, and a character stepped out of the shadows. He told the patient this was one of a great number of places outside ordinary space-time. He said there was no reason to consider this ‘visit’ strange or unusual. On the contrary, life inside space-time was unusual…”


The Matrix Revealed


Exit From the Matrix


power outside the matrix


There are millions and millions of narratives that are used to convince people that life inside this space-time is It, is all there is, is normal…

And normalcy is the key. That’s the icon, the symbol, the header, the trance-inducer. What is normal seals the deal. It labels what is allowed to be experienced. It tells people what is not allowed to be experienced.

These narratives about normalcy hold people inside the gates, and provide boundaries for Self. “Self can’t get any bigger than this.”

In the early 1960s, I was teaching at a private school in West Los Angeles.

These kids in our small private school were all rejects from the public system, or from other private schools. They couldn’t make it there. Many of them were what the psychologists called “acting out.”

I’d have to write a few hundred pages just to begin giving you the flavor of what it was like to deal with 15 or 20 of them, at once, in a classroom. It wasn’t about teaching content, believe me. It was about me surviving.

But at bottom, every one of those kids was, in his/her own highly idiosyncratic way, Not-Normal. That’s all. And what was driving them completely bat-crazy was, no one would deal with them on their own terms.

Everyone was trying to fix them. Everyone was feeding them narratives about “normal, fitting in.”

One day, out of desperation, I changed all that. In my classes, we worked up improvised sketches. Theater. No plot, no direction, no narrative, just off-the-cuff dreamtime in the moment and lots of roles, some of which they were already playing every day to a dead audience of teachers. But it wasn’t dead now. They had me and they had each other.

They jumped at the chance. They didn’t need any direction or instruction. It was as if they’d been waiting all their lives for someone to say, “Just perform what you’re already performing.”

They were actors. That’s what they’d been trying to tell adults.

And everything fell into place. They loved it, I loved it, we all offloaded a few tons of stress and a whole lot of insane normalcy…and then they calmed down. Not because there was a strict rule about behavior, but because they had escaped the tyranny of Is. And Has To Be. And Must. And Normal.

That day, the space-time of the continuum, in that classroom, went away. It disintegrated. What took its place was an island of joy. Which is to say, what sits outside this matrix is more real than real. When you find it.

It doesn’t have to be spooky.

It’s Magic Theater.

Sit down some time with a bunch of real stage actors and ask them when they feel most alive. A certain percentage of them will confess it’s when they’re on the boards, performing a role. That’s when they feel most like themselves, even though they’re pretending to be somebody else. That’s when the day-to-day space-time continuum goes away and new one comes into being.

That’s when normal steps aside and paranormal makes its entrance.

A fake space, a repressed space, a continuum of frustration vanishes.

Conventional standards don’t explain what is happening. They can’t.

Life. Theater. Theatricality. Roles played to the hilt. The Paranormal.

There is no single narrative for a human being. Sometimes the stage is dead, the lights are off, the seats are empty. But then we get a glimpse of something else. We walk up on the stage and feel that space and realize the old walls are gone and this is it, and we’re ready, and the energy comes out of nowhere and we do things we thought were impossible.

Normal disintegrates.

This is art. This is a level of life that is waiting for all of us. And whether we admit or not, we’ve been waiting for it, too.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com.

Paranormal you: welcome back

Paranormal You: welcome back

by Jon Rappoport

May 27, 2014

www.nomorefakenews.com

Throughout the madness of what we call human history, people have always managed to make room for places where imagination can operate.

This operation isn’t about the normal avenues of emotional feedback. It isn’t about solving problems. It isn’t about staying faithful to standard beliefs. It isn’t about reflecting daily life.

It’s about something Beyond.

It doesn’t matter that most people consider these flights brief respites from the real business of living. It doesn’t matter that most people prefer to remain spectators. It doesn’t matter that most people deny their own imaginations have any true power.

It doesn’t matter that the works of artists have been co-opted, frozen, and recast as organized religions. It doesn’t matter that, time and time again, the work of artists has been stolen to assist control agendas.

Humans continue to make a place for something Beyond, in the hope that they can experience what they really are.

In my book, The Secret Behind Secret Societies (included as a bonus in Exit From The Matrix and Power Outside The Matrix), I recount my friendship with Richard Jenkins, an extraordinary healer, who worked with many people in New York, in the 1950s and early 60s.

Richard once wrote to me, “There you are in your apartment on Bleecker Street, painting night and day. You come up to my apartment to watch me work with patients, to find something different. I’m telling you that it’s the same thing. I hope you realize that. We’re in strange times, and they’re going to become stranger. People are organizing themselves as never before, on a much larger scale, all over the world. That’s the space of the future. Then there are other spaces, which very few people believe in. In those spaces, the most extraordinary things happen. This will be the choice that humanity makes as it creates its own fate. Live in the organized territory, or explore the other spaces. Dedicate yourself to one or the other. Don’t fool yourself with compromises. One day you’ll look back on our work together, and you’ll either cherish it or you’ll think of it as a momentary illusion…”

1960. First day of rehearsal for a college play, The Lower Depths. I walk out on the stage and look around. It’s quiet, but inside I feel thunder. Everything is different. New shining space. I start smiling. Without knowing it, I’ve been waiting for this moment for God knows how long. A place apart. A world where imagination takes on flesh and comes to life.

The theater director, Walt Boughton, is leaning against a wall. He looks at me. He sees and he knows. He nods. His message is clear: That’s right, my boy, you’re here, this is it, nothing will ever be the same…

We live in a society where consumers can pick and choose among thousands of narratives about themselves, their lives, their future, their duties, their needs, their status—all happening in the consensus organized space.

Awhile back, I wrote about a new Pentagon/DARPA project aimed at studying brain signals, in real time, to understand how and why people buy some narratives and reject others.

A common feature of most narratives is: limited life, limited power.

Or to put it another way, limited access to larger aspects of Self.

The trick of narratives, as retired propaganda master, Ellis Medavoy, once told me, is: built-in limitation; it looks like “desire fulfilled”; it looks like happiness.

But it isn’t.

And when people find that out, they experience buyer’s remorse.

“Why did I think that narrative described what I wanted? Why did I think it would make me satisfied?”

The space-continuum in which we live has its own narratives. They hang from it like barnacles. The gist? You can’t get out. There is nothing to get to.

Again, I refer to the brilliant hypnotherapist, Jack True, whom I interview 43 times in my collection, The Matrix Reveled. Jack did sessions with patients that went directly at the space-time matrix.

“Under hypnosis,” he said, “I had people look at the continuum and tell me what they saw. I had them describe it in their own way. Then I asked them to look outside it.”

The material from those sessions is extraordinary, in several respects. It helped me, when I was researching my companion collection, Exit From The Matrix.

Some of Jacks’ patients came “back around the barn,” as Jack characterized it, and ended up relating what sounded like dreams, dreams they would have while asleep. The narrative wasn’t smooth, it wasn’t moving from beginning to end. It was asymmetrical, just as in dreams, where the scenery shifts, where one event ends in midstream and another pops up, where the “plot line” dissolves…and a new plot takes over.

Several of Jack’s patients said their encounters outside the space-time continuum felt very familiar—as if they’d been there before.

Jack: “One patient said he found himself in a dim hall. It was very large. People were talking, but he couldn’t see them. A single voice took over, and a character stepped out of the shadows. He told the patient this was one of a great number of places outside ordinary space-time. He said there was no reason to consider this ‘visit’ strange or unusual. On the contrary, life inside space-time was unusual…”


The Matrix Revealed


Exit From the Matrix


power outside the matrix


There are millions and millions of narratives that are used to convince people that life inside this space-time is It, is all there is, is normal…

And normalcy is the key. That’s the icon, the symbol, the header, the trance-inducer. What is normal seals the deal. It labels what is allowed to be experienced. It tells people what is not allowed to be experienced.

These narratives about normalcy hold people inside the gates, and provide boundaries for Self. “Self can’t get any bigger than this.”

In the early 1960s, I was teaching at a private school in West Los Angeles.

These kids in our small private school were all rejects from the public system, or from other private schools. They couldn’t make it there. Many of them were what the psychologists called “acting out.”

I’d have to write a few hundred pages just to begin giving you the flavor of what it was like to deal with 15 or 20 of them, at once, in a classroom. It wasn’t about teaching content, believe me. It was about me surviving.

But at bottom, every one of those kids was, in his/her own highly idiosyncratic way, Not-Normal. That’s all. And what was driving them completely bat-crazy was, no one would deal with them on their own terms.

Everyone was trying to fix them. Everyone was feeding them narratives about “normal, fitting in.”

One day, out of desperation, I changed all that. In my classes, we worked up improvised sketches. Theater. No plot, no direction, no narrative, just off-the-cuff dreamtime in the moment and lots of roles, some of which they were already playing every day to a dead audience of teachers. But it wasn’t dead now. They had me and they had each other.

They jumped at the chance. They didn’t need any direction or instruction. It was as if they’d been waiting all their lives for someone to say, “Just perform what you’re already performing.”

They were actors. That’s what they’d been trying to tell adults.

And everything fell into place. They loved it, I loved it, we all offloaded a few tons of stress and a whole lot of insane normalcy…and then they calmed down. Not because there was a strict rule about behavior, but because they had escaped the tyranny of Is. And Has To Be. And Must. And Normal.

That day, the space-time of the continuum, in that classroom, went away. It disintegrated. What took its place was an island of joy. Which is to say, what sits outside this matrix is more real than real. When you find it.

It doesn’t have to be spooky.

It’s Magic Theater.

Sit down some time with a bunch of real stage actors and ask them when they feel most alive. A certain percentage of them will confess it’s when they’re on the boards, performing a role. That’s when they feel most like themselves, even though they’re pretending to be somebody else. That’s when the day-to-day space-time continuum goes away and new one comes into being.

That’s when normal steps aside and paranormal makes its entrance.

A fake space, a repressed space, a continuum of frustration vanishes.

Conventional standards don’t explain what is happening. They can’t.

Life. Theater. Theatricality. Roles played to the hilt. The Paranormal.

There is no single narrative for a human being. Sometimes the stage is dead, the lights are off, the seats are empty. But then we get a glimpse of something else. We walk up on the stage and feel that space and realize the old walls are gone and this is it, and we’re ready, and the energy comes out of nowhere and we do things we thought were impossible.

Normal disintegrates.

This is art. This is a level of life that is waiting for all of us. And whether we admit or not, we’ve been waiting for it, too.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

Paranormal You

Paranormal You

by Jon Rappoport

November 7, 2013

www.nomorefakenews.com

1960. First day of rehearsal for a college play, The Lower Depths. I walk out on the stage and look around. It’s quiet, but inside I feel thunder. Everything is different. New shining space. I start smiling. I’ve been waiting for this moment for God knows how long. A place apart. A world where imagination takes on flesh and comes to life.

The theater director, Walt Boughton, is leaning against a wall. He looks at me. He sees and he knows. He nods. His message is clear: That’s right, my boy, you’re here, this is it, nothing will ever be the same…

We live in a society where consumers can pick and choose among thousands of narratives about themselves, their lives, their future, their duties, their needs, their status.

Just the other day, I wrote about a new Pentagon/DARPA project aimed at studying brain signals, in real time, to understand how and why people buy some narratives and reject others.

A common feature of most narratives is: limited life, limited power.

Or to put it another way, limited access to larger aspects of Self.

The trick of narratives, as retired propaganda master, Ellis Medavoy, once told me, is: built-in limitation; it looks like “desire fulfilled”; it looks like happiness.

But it isn’t.

And when people find that out, they experience buyer’s remorse.

Why did I think that narrative described what I wanted? Why did I think it would make me satisfied?”

The space-continuum in which we live has its own narratives. They hang from it like barnacles. The gist? You can’t get out. There is nothing to get to.

Again, I refer to the brilliant hypnotherapist, Jack True, whom I interview 43 times in my collection, The Matrix Revealed. Jack did sessions with patients that went directly at the space-time matrix.

Under hypnosis,” he said, “I had people look at the continuum and tell me what they saw. I had them describe it in their own way. Then I asked them to look outside it.”

The material from those sessions is extraordinary, in several respects. It helped me, when I was researching my companion collection, Exit From the Matrix.

Some of Jacks’ patients came “back around the barn,” as Jack characterized it, and ended up relating what sounded like dreams, dreams they would have while asleep. The narrative wasn’t smooth, it wasn’t moving from beginning to end. It was asymmetrical, just as in dreams, where the scenery shifts, where one event ends in midstream and another pops up, where the “plot line” dissolves…and a new plot takes over.

Several of Jack’s patients said their encounters outside the space-time continuum felt very familiar—as if they’d been there before.

Jack: “One patient said he found himself in a dim hall. It was very large. People were talking, but he couldn’t see them. A single voice took over, and a character stepped out of the shadows. He told the patient to remember this meeting when he woke up. He said this was one of a great number of places outside ordinary space-time. He said there was no reason to consider this ‘visit’ strange or unusual. On the contrary, life inside space-time was unusual…”

There are millions and millions of narratives that are used to convince people life inside space-time is It, it’s all there is, it’s normal…

And normalcy is the key. That’s the icon, the symbol, the header, the trance-inducer. What is normal seals the deal. It labels what is allowed to be experienced. It tells people what is not allowed to be experienced.

These narratives about normalcy hold people inside the gates, and provide boundaries for Self. “Self can’t get any bigger than this.”

In the early 1960s, I was teaching at a private school in West Los Angeles. On a Monday morning, I got off the bus and walked along Pico Boulevard toward Overland Avenue. My first class was in 15 minutes or so.

Out of nowhere, a small black bird dive-bombed me, landed on my head with both feet and took off again.

The day before, I’d seen Hitchcock’s The Birds. I thought this was an unusual follow-up, to say the least.

I saw the bird land in a tree near the corner of Overland. I walked to the tree and looked at the bird.

He flew down and landed a couple of feet away from me on the sidewalk. He hopped closer.

He cocked his head and looked up at me.

It’s Hitchcock,” I said.

He took off, flew across the street, and disappeared over the roof of the Security National Bank building.

After school that day, I told one of the teachers about the incident. He said, “You know, they’re hiring us to show these crazy kids how to fit in [be normal], and this is what you’re telling me? A movie and reality intersect?”

We laughed.

But I realized something. Something about Normal.

These kids in our small private school were all rejects from the public system, or from other private schools. They couldn’t make it there. Many of them were what the psychologists called “acting out.”

I’d have to write a few hundred pages just to begin giving you the flavor of what it was like to deal with 15 or 20 of them, at once, in a classroom. It wasn’t about teaching content, believe me. It was about me surviving.

But at bottom, every one of those kids was, in his/her own highly idiosyncratic way, Not-Normal. That’s all. And what was driving them completely bat-crazy was, no one would deal with them on their own terms.

Everyone was trying to fix them. Everyone was feeding them narratives about “normal, fitting in.”

The next day I changed all that. In my classes, we worked up improvised sketches. Theater. No plot, no direction, no narrative, just off-the-cuff dreamtime in the moment and lots of roles, some of which they were already playing every day to a dead audience of teachers. But it wasn’t dead now. They had me and they had each other.

They jumped at the chance. They didn’t need any direction or instruction. It was as if they’d been waiting all their lives for someone to say, “Just perform what you’re already performing.”

They were actors. That’s what they’d been trying to tell adults.

And everything fell into place. They loved it, I loved it, we all offloaded a few tons of stress and a whole lot of insane normalcy…and then they calmed down. Not because there was a strict rule about behavior, but because they had escaped the tyranny of Is. And Has To Be. And Must. And Normal.

That day, the space-time of the continuum, in that classroom, went away. It disintegrated. What took its place was an island of joy. Which is to say, what sits outside this matrix is more real than real. When you find it.

It doesn’t have to be spooky.

It’s Magic Theater.


Exit From the Matrix


Sit down some time with a bunch of real stage actors and ask them when they feel most alive. A certain percentage of them will confess it’s when they’re on the boards, performing a role. That’s when they feel most like themselves, even though they’re pretending to be somebody else. That’s when the day-to-day space-time continuum goes away and new one comes into being.

That’s when normal steps aside and paranormal makes its entrance.

A fake space, a repressed space, a continuum of frustration vanishes.

Conventional standards don’t explain what is happening. They can’t.

Life. Theater. Theatricality. Roles played to the hilt. The Paranormal.

There is no single narrative for a human being. There are as many as he wants to invent. Sometimes the stage is dead, the lights are off, the seats are empty. But then we get a glimpse of something else. We walk up on the stage and feel that space and realize the old walls are gone and this is it, and we’re ready, and the energy comes out of nowhere and we do things we thought were impossible.

Normal disintegrates.

This is art. This is a level of life that is waiting for all of us.

Jon Rappoport

The author of two explosive collections, THE MATRIX REVEALED and EXIT FROM THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

The hidden paranormal people

The hidden paranormal people

by Jon Rappoport

October 31, 2013

www.nomorefakenews.com

Conventional physics argues that all the tiny particles which make up the universe are:

neutral and unconscious and dead—

And yet, say these same physicists, the brain, which is only a collection of such particles, is conscious.

The absurdity of this contradiction can only be sustained by monopolistic authority.

Consciousness is as non-material and paranormal as paranormal can be.

Without it, obviously, we would not be communicating right now. We would not be here. We would not Be.

Categories like telepathy, ESP, clairvoyance, and telekinesis don’t tell the whole story. They’re just a pale reflection of the fact that Existence itself is paranormal.

Consensus reality, on the other hand, is a stage play based on the notion of “normal.”

So here we are, and we’re all paranormal, and we’re living in a normal world. If that isn’t a joke, if that isn’t a sickness, if that isn’t a conspiracy, what is?

The Matrix can spawn one Agent Smith after another, like a machine turning out products, and still the incalculable and magical fact of consciousness endures beyond the machine.

The stage play called reality is dedicated to top-down control, because consciousness, if unleashed as creative power, if allowed to flourish, would explode the stage flats and take us out into an open sky of such varied magic it would ring in a multiverse of unpredictable beauties…none of which require supervision from the psychopaths behind the curtain.

Making life into a machine is the goal of elites. We, on the other hand, see something else.

We don’t need to define what that is in a lab. We certainly don’t need to develop algorithms that purport to define what we are.

…Forty years ago, I was hired to tutor a young girl in arithmetic. She was having trouble with long division. She was in sixth grade, and she couldn’t do division. This is what I was told.

So one night I walked into a very large house in West Los Angeles. The mother, tall and thin, a remote ghost, led me into a cavernous living room, in the center of which sat her daughter, at a small table.

The mother gestured vaguely and glided off into unknown rooms and left the two of us alone.

I sat down. I gave the girl a couple of division problems to work, and she couldn’t. She grimaced.

Don’t worry,” I said. “We’ll fix it.”

I asked her to explain what she was confused about. I wanted to get her to talk. She thought about it and recalled a few experiences in arithmetic, from third grade.

I sat there and listened. As she talked, she raised her head and started looking at me. There we were, in a huge quiet house, a dead house, two people, two strangers.

Something clicked. She began smiling.

She said, “I can read very well, but I can’t do division.”

I smiled, too, because it seemed there was a joke here, and it had nothing to do with math. It had to do with her whole life, the house, her parents.

Neither of us quite knew what was going on, but we were in the moment.

Without thinking, I said, “You’re in prison.”

She laughed.

I said, “Right now, I don’t know why but I feel like I’m in prison, too.”

We both laughed.

That was all it took.

I brought her back to the beginning of division, started from the bottom, and we worked our way up to more complicated problems. It took about an hour and she was fine.


Exit From the Matrix


I felt like we were two undersea divers, our oxygen lines were crossed and pinched, and we’d worked out the kinks. We could breathe again.

After that, we talked about her school, my days in school, teachers. She mentioned tomatoes. She said she was growing them in the back yard.

She took me through a few large rooms into the yard, turned on the pool lights, and we walked along a path to her garden, by a high fence.

The vines were tall, and the red tomatoes looked splendid.

We walked back and sat down at a table by the pool and looked at the water. All of a sudden, things shifted. The night sky was wide open. I could feel the air on my face. I could smell flowers.

It’s a nice yard,” I said.

She nodded. “I’m reading everything Charles Dickens wrote,” she said.

Why?” I said.

Because it doesn’t seem to end,” she said.

I thought about it.

Some things are like that,” I said.

No,” she said. “Everything is like that.”

I looked at her.

She was smiling. Her face was radiant.

Remember what you just said,” I said.

I will,” she said.

She put out her hand. I shook it.

That was the end of the lesson.

I’ll always remember it, too.

Jon Rappoport

The author of two explosive collections, THE MATRIX REVEALED and EXIT FROM THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

The paranormal as an object of ridicule, scorn, and fear

The paranormal as an object of ridicule, scorn, and fear

by Jon Rappoport

October 29, 2013

www.nomorefakenews.com

If you want evidence that paranormal abilities exist, Dean Radin’s groundbreaking book, The Conscious Universe, will supply it. Radin examined hundreds of well-formed lab studies and concluded that the performance of human volunteers demonstrated, statistically, such abilities.

But this article is not about that. Nor is it about woo-woo people who see extra-sensory influences everywhere.

In movies, the paranormal is usually presented as horror, something that jumps out of the wall and attacks people.

Otherwise, “paranormal” is used as a term of scorn, like “conspiracy theorist.” It refers to people who should be isolated from the general population, for fear they’ll spread contaminated delusions.

The media transmit this scorn and ridicule by choosing the most bizarre stories:

A Biloxi bus driver told a local reporter, “While I was eating a hot dog in the corner coffee shop, an invisible Martian snatched it away from me and shoved it in his ear.”

Underlying all this nonsense is a core subconscious anxiety about consensus reality: it may be a sham.

The laws of physics may be provisional and subject to suspension.

And worse yet, there may be people among us who have experienced what happens when these laws are suspended.

People may have experienced telepathy, accurate glimpses of the future, and other “illegitimate” phenomena.

We need police to squash these happenings.”

Well, we have them. Friends, neighbors, family, co-workers, scientists, teachers, pundits. Which is to say, those who collaborate to sustain consensus about what is possible and what is not.

And then, to put the cherry on this cake, we have various “people of faith” who twist that faith and label anything that borders on paranormal: demonic influence.

They will also tell you that whiny adolescents who picked up and fell in love with a rather dreary novel, Catcher in the Rye, came under the control of The Dark Prince.

Putting all this aside, paranormal means: you tapped into life beyond the belief-network of the collective. You went farther.

And that’s the problem for the collective. That’s the only problem. You found a hole in their waking dream. You walked through it and found yourself connected to something more.

Their waking dream is political, economic, and social, but it is also scientific. Their science, which conceals its own lunatic and unproven assumptions about the universe, denies “the farther shore.”

And here I want to mention an ignored aspect of the paranormal. Paranormal isn’t merely isolated gray moments of “weirdness.” It’s full-bodied and emotional. It has a joy to it. It reestablishes more of yourself.

It comes as something whole. It’s alive.

And in the same way that a child learns to repress his own natural exuberance, because it contradicts the crazed low-level conformity of the group, people who do, in fact, experience (and create) the paranormal often feel compelled to repress their full-blooded emotions.

If, on the off-chance, they are willing to admit they had a telepathic connection or saw into the future, or spontaneously healed, they’ll shy away from confessing to the thrill and the ecstasy of it.

But that thrill and ecstasy are as natural as rain. They’re part of what we are. They’re the ground of being. They’re what we are, on the other side of the stale waking dream.

There is nothing spooky about the paranormal, except in the movies and in minds riddled with fear, minds repeating the mantra: there is only the ordinary, only the ordinary, only the ordinary.

Whereas the fact of Existence itself is paranormal.


Exit From the Matrix


The Pentagon (DARPA) is working on a new program, using implants, to study in real time the signals the brain is emitting. This is a whole different animal.

Its announced medical use covers a motive that has to do with control & operation over soldiers. As usual, the mainstream scientists are looking at automatic reflexes.

True paranormal ability takes place beyond the brain. It is a voluntary creative impulse that starts in a non-material space. That’s where the action is.

And that’s where scientists fear to tread. Their entire orientation is locked-down repeatable cause and effect: the arena for dullards.

There are also research efforts to study and pinpoint and analyze imagination. These absurd programs are, of course, focusing on the brain, with the hope that eventually machines will become the new artists.

Well, machines can already create, if by that you mean rearranging data and image and word and symbol into endless numbers of patterns.

But that isn’t what art or creating or imagination are. And that isn’t what paranormal is about.

Some years ago, I interviewed a man who had scored quite high in a lab experiment testing for telepathy. I asked him how he succeeded. He said he imagined a secretary sitting in an office in Nebraska…and she supplied him with the right answers about what was being telepathically transmitted to him during the test.

Why a secretary?

Because, he said, a secretary in Omaha would be very sincere and would never lie to him.

I still laugh about that one. Try producing such an outcome with computers and brain signals.

If you think you can, I have condos for sale on Jupiter.

Jon Rappoport

The author of two explosive collections, THE MATRIX REVEALED and EXIT FROM THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com