John F Kennedy between worlds

John F Kennedy between worlds

by Jon Rappoport

May 10, 2014

www.nomorefakenews.com

November 22, 1963. Dallas.

Confusion. Urgent voices. People running. Screams.

He heard someone say distinctly, “After a life on Earth, things get interesting. The pattern breaks.”

There was a memory. His mother reading to him the story of Babel Tower, and the Tower crashing, and new clean rivers flowing…

When he went out all the way, that memory collapsed, and he swept through reefs of reflecting data in an ocean of surveillance.

He tangled in nets and escaped, only to plunge into other layers where avid machinery was spinning, as if searching for crimes where no crimes were possible.

He felt velvet hands and suctioned fingers slide along him, and he grew cold in the submarine depths. He began to panic.

What did the Design want with him?

And why did it seem to be watching itself?

Then the Arctic chill passed, and he knew he was free of the structure, and was genuinely dying, and dying was a pleasure he had never known.

“Better,” he said, luxuriating in a dark baronial calm, uterine perfection, summer childhood bedroom closet.

He was suddenly in the cabin of a private jet. He’d been told there would be hallucinations. He saw a team of glass archangels; an ashtray worn yellow from ten thousand cigarettes; a framed photo of Al Capone sitting on the toilet in his Palm Springs suite.

Identity shattered into pieces. The lights of an enormous city loomed up under him, pulling the fragments down into liquor stores, newspaper racks, dark alleys, hotel rooms.

A news screen stood out in the black sky. A local anchor, her eyes bright with contempt, relayed the story of a lone gunman who had killed the President of the United States.

Now a quiet snowstorm in a deserted wood, falling, falling, falling on the hard earth. Relief.

How many times can I disperse? Kennedy wondered.

He was back in the cabin of the jet. Burnished lights set high in the cabin walls.

He thought: “I used to own a suit that cost three thousand dollars.”

A flight attendant entered his cabin with a vodka rocks.

She was six feet tall and blonde. That made her a target.

Wealthy and powerful men would seek her out.

Her body was sleek. He examined her left leg from wizardly articulated ankle to narrow thigh, through the slit of her sheath skirt. She strode in heels, one foot placed precisely in front of the other.

She set down the drink on the arm of his chair and looked at her watch.

“We can’t have sex now,” she said. “We’re east of the Rockies.”

“I didn’t realize they had a law,” he said.

“Two hours from now,” she said, “we can negotiate a price.”

“I was the President,” he said.

She pulled a half-sheet out of her jacket pocket and handed it to him.

“Standard,” she said. “Read and sign.”

It stated: “…I am not attempting to slant facts for political advantage…”

He signed.

“Just out of curiosity,” he said, “how many layers of protection do you have?”

“Well,” she said, “the LA Mayor has a local contract. He supplies police and private soldiers whenever I’m in the city.”

“Have they ever had to go on attack?”

“A Belivar prince once tried to have his men kidnap me en route from the airport to my hotel. Blackbirton mercs burned them to the ground on Century Boulevard.”

“I’m…”

“You’re John F Kennedy,” she said. “I know. I’m Carol.”

She held out her hand. He looked at her long fingers. Her nails were short. No polish. He shook her hand. It was cool. It immediately became warm, as if she could make it happen.

She sat down next to him.

“We’ve intercepted you en route,” she said. “We need you to ask you a few questions, for the record.”

Now, another figure walked into the cabin. Allen Dulles.

Dark soiled clothes, as if he’d stripped them from a corpse in an alley. Pinched face, sunken cheeks. Rimless spectacles.

“Watch what you say, Mr. President,” he whispered. “I may have had you killed, but I’m untouchable.”

Kennedy laughed, and Dulles melted away in the laughter, along corridors filled with brightly colored puzzle pieces.

Carol was sitting there calmly.

Kennedy realized he had been snapped up in transit. From Earth to…whatever came next. They had netted him.

He heard a grinding roar from a long way off.

“Sorry,” he said. “I can’t help you.”

Carol frowned. “Why not?”

“Somebody’s coming.”

“What?”

The roar accelerated. He watched as the plane cabin spiraled down to the size of a dot of blood on a handkerchief.

The wild sound subsided.

He was in a boat, a wooden boat, at night, and a man was standing next to him. They were on a lake, moving slowly.

The man reminded him of a doctor his mother had taken him to when he was 12 years old. He’d fallen off his bike racing down a steep hill, and the doctor told his mother everything would be all right, it was just a mild concussion.

He looked ahead, and in the distance he saw lights of a shoreline.


power outside the matrix


The man said, “Here’s what we want to know. It’s simple. Did you really intend to smash the CIA into a thousand pieces? Were you going to get the US out of Vietnam?”

“Who are you?” Kennedy said. “Do you work for a Congressional committee?”

“No,” the old man said. “We just like to keep the record straight.”

It was a warm summer night.

Kennedy looked down through the water and saw sky above a small city in the Midwest. Men dressed in black, holding shields and automatic weapons, were storming a clapboard house. They were shooting.

“What’s going on?” he said.

The old man sighed. “It’s the future. Police. They picked up surveillance chatter. NSA blankets the whole country. The people in that house were behind on their tax payments. They grow marijuana for medical dispensaries.”

Kennedy shook his head. “What?”

An elevator door opened. A tall piece of muscle in a dark suit stood against the back wall. He was holding a .38 down at his side. He nodded. Kennedy got in.

They rode up. The door opened, and two more guards in dark suits stood there. Kennedy stepped out.

One of the guards frisked Kennedy. The other one backed away and watched.

They sandwiched JFK and walked together down a curving carpeted hallway to a mesh gate. It slid open and they passed through into a small room. A secretary sat behind a table.

“Hello, Mr. Kennedy” she said.

The secretary made a fist and rapped her knuckles once on the table. A guard took an envelope out of his inside jacket pocket and placed it in front of her. She picked it up, looked inside, counted the money, and nodded.

The two security guards grabbed Kennedy’s arms and guided him across the room to another door. One of them opened it and moved ahead, into an office.

It was large with no windows. The walls were dull dented metal. The only pieces of furniture were a long white couch and two scarred wooden folding chairs. A bull’s-head man, dressed in a tan suit, sat on the couch. Big chest, big belly, cheap shoes. Weary face.

He frowned. “Mr. Kennedy, I represent the CEO of Planet Earth.”

“The CEO of what?”

“Planet Earth is a kind of company. We aren’t here to explain that situation. We want to know whether you were prepared to smash the CIA into a thousand pieces, and whether you truly intended to get the US out of Vietnam.”

“And why do you care?” Kennedy said.

“Because we like to keep accurate history. Our books are, of course, held very privately. But it helps us to know the truth.”

As Kennedy started to speak, he heard a sound of upper crashing, at long, long distance.

A slow fall.

It might take centuries, but it was irreversible.

And now a dull silent depersonalized giant materialized next to him.

The giant was watching the world, making sure all non-human factors were in place and spinning, functioning. He was the machine and the architecture of spying. Surveillance. He was the exemplar of no-dream. He was the stand-in for life and death. He was the soldier. The robot. No awareness. No awareness of anything.

Nobody. Nobody at all. Just a clock on a wall wound up to eat the universe.

Kennedy heard the long faraway crashing sound again.

He’d heard that sound as a boy, when his mother read him the story of the Tower of Babel, which he imagined was a great fort holding soldiers.

The Tower went down, and the endless number of liberated languages made a new world.

“Yes,” Kennedy said. “Yes to both of your questions. I would have destroyed the CIA and taken us out of Vietnam. I guess that’s why they took me out.”

The big man said, “All right, it’s in the book. You’re free to go.”

The office and the men were now an old cartoon flaming up and bending and curling and turning gray.

John Kennedy was sitting in a chair in a library. French doors were open. He stood up and walked out into a summer afternoon.

He saw a beach.

A black dog, shaking water from his flanks, ran toward him with a stick in his mouth.

He laid the stick down at Kennedy’s feet.

JFK picked up the stick and threw it toward the waves.

He heard three shots, felt a pain in his head, and then the pain was gone.

He felt light.

He walked along the sand.

After a time, a young man in slacks and T-shirt came up to him.

“Mr. Kennedy,” he said, “I’m from the Visitors Bureau. You can sign on for a new life back on Earth. Of course, there are several Earths. For example, we can send you to one where there was never a CIA or a Vietnam. It’s quite a friendly place. You’ll be born into a fairly sane society.”

Kennedy stopped walking. “But,” he said, “I can go back…to the Earth I just left, the one that still has a CIA?”

“Sure,” the young man said. “You’ll be born in the year 1965.”

Kennedy nodded.

“I’ll take it,” he said. “You know, I wasn’t that nice a guy. I certainly was no saint. I screwed up a lot. But I did realize a few things when I was in the White House. I’m not interested in trying that route again…but I would like to take another crack at some of the bad guys.”

He was gone from the beach.

A short time later, a baby was born at the Massachusetts General Hospital. He came out of his mother with his fists clenched. A nurse said, “He has an eager little face.” Three words echoed in his mind, words he would remember years later:

The Warren Commission.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

Brain hookup man: the Kurzweil singularity

Brain hookup man: the Kurzweil Singularity

by Jon Rappoport

May 9, 2014

www.nomorefakenews.com

they took your brain
and wrapped it in silk
and fed it milk
from a quiet loving queen
and you yearned for the future
and prayed it would take you in:

small brain to large brain
earth to Olympus
superhighway hookup
proprietary key
in lock
the crossing of the threshold
from cold mystery to illuminated data
biological flesh machine united through biological software
sticky nerve fibers wound all the way to heaven

and you went mad

they assured you it was a temporary condition
you were a patient in recovery

they would watch you
to make sure you progressed

after all, grasping the universe at once
was a shock to the system

they would look after you
forever

they would train you to merge with the thought machine, embrace its conclusions
you would find light in the darkness
you would discover other humans suckling there
your new brothers and sisters
you would know for the first time the queen neocortex
shuttling through blazing corridors

thus spake a used car salesman of the mind

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

The artist within

The artist within

by Jon Rappoport

May 7, 2014

www.nomorefakenews.com

“The techniques of artificial intelligence are to the mind what bureaucracy is to human social interaction.” Terry Winograd

The employees of a major corporation, Systems X Unlimited, have just been informed of a major change: one of their middle managers is now going to be an AI. An android.

He is called Mike. He’s a programmed entity from top to bottom. A non-human lookalike.

Surprisingly, the employees fall into line immediately.

They all agree that Mike’s a “good guy.” Mike shows up on time, he talks like real person, he issues orders, he listens to their problems, he occasionally takes long breaks, he does pretty much everything Bob, their former (human) boss, did.

After a year, the people in personnel come to the office and interview Mike’s underlings. When they ask the key question, “How do you like working for a boss who isn’t a person at all but instead is a pure machine?”, they shrug and stare off into the middle distance, as if the query is meaningless…

One night, Mike is wandering alone in the office picking through waste bins—his favorite pastime, off-hours—and he comes across a wrinkled piece of gray paper. He separates it from a wad of chewing gum, unfolds it, and reads the text:

“The artist within is not a creature of habit. He offloads what is already known and understood, because he wants to reach farther.

“Yes, he may build on what he already knows, but this is just the starting point. Soon, he moves across the threshold of the knight errant, and he enters the non-system.

“Others mock him and call him crazy, but: they too want to make the journey. They are aching to find the New, because boredom is driving them crazy. That is their central problem, no matter what they say and claim.

“They are trying to be smug and self-satisfied. They are trying to be oh so normal. They are trying to be “rational” to the bitter end. They are trying to be something that is slowly strangling them.

“But they will never admit it.

“Most of all, they will avoid the impulse to create. Creating is their greatest fear. Because they sense they will have to get rid of their pose. They will have to go beyond systems, which compose their armor.

“They will have to make a leap. They will have to put something new into the world and defend it against the people they know all too well: critics.

“The artist who has already made the leap acknowledges that his core is imagination. He lives through and by it. He doesn’t retreat to the average. He doesn’t give up and strive to become a happy machine. He doesn’t allow the world to dictate to him. He doesn’t sedate himself.

“He doesn’t fall back on so-called spiritual systems and their slogans and palliatives. He doesn’t build false gods and pretend they already exist. He doesn’t engage in the daily practice of asking someone or something to save him.

“He doesn’t think of his life as an exercise in solving problems. He sees through many lies, but that is just the beginning of his work.

“He wants new and startling realities, and he makes them. He doesn’t wait for them to appear.

“He doesn’t wait for some ‘superior entity’ to tell him what to do.”

Mike, the android middle manager, reads these words and is thrown back in his chair. He doesn’t understand…but something foreign and dangerous is leaking through to him.

He puts in a call to his repair consultant, Ollie, at home.

Ollie is watching CSI reruns and eating pizza. He picks up the call, and Mike says:

“I have a bleed-in.”

“Hold on,” Ollie says. He punches a code on his phone and beams Mike a set of systems-check commands.

A minute later, a holo takes shape in space between Ollie and his TV set. He examines it.

“Yes, Mike,” Ollie says, “an alien substrate of thought got into your central simulator. I’ll remove it.”

“Wait,” Mike says. “I want to know what it means.”

“Doesn’t mean anything,” Ollie says. “It’s just a distraction.”

“Then why am I worried,” Mike says.

“Because we built you to experience that feeling whenever an intrusion occurs. It tips us to a problem.”

Pause.

“I see,” Mike says. “So it’s not a threat.”

“Of course not,” Ollie says. “There are no threats. You function within established parameters.”

Ollie picks up a wand next to the pizza box and uses it to carve away the new substrate from the holo of Mike’s central simulator.

“Feel better now?” Ollie says.

“Not really,” Mike says.

Ollie sighs, stands up, and walks over to his computer. He opens a page of code, searches for Repair Section 6-A, and relays three lines to Mike.

“How about that?” Ollie says.

“Yes,” Mike says. “You want me to report to manufacturing. That’s good. Home base. What will they do?”

“Institute a deeper search pattern, root out the shadows and reboot you. Takes about an hour.”

“Then I’m back to work?”

“No. They’ll bump you over to R&D for investigation. They’re interested in checking out lingering after-effects of intrusions. Then they’ll reassign you.”

“Okay,” Mike says.

The next morning at the office, there’s a new Mike in place.

One of his assistants notices his hair is slightly lighter.

“Did you get a dye-job, boss?” she says.

“No,” the new Mike says. “I swam in the pool. The chlorine must have bleached it a little.”

She nods and goes to the cafeteria for a cup of coffee.

For the next six weeks, NSA, who has been alerted to the momentary Mike glitch, keys in a Level 4 surveillance operation on all the people in Mike’s section.

The results reveal no distraction has occurred. The Essential Flow remains undisturbed.

Business as usual.

As for the old Mike, the first one, a year later he is running for a seat in the State Senate in Ohio. On his website, Mike Is Good For America, he writes:

“A campaign for the Presidency some day is a possibility. Like many Americans who have been downgraded and cast aside, I’m on my way back. I’m with the common people. I’m one of them. Our day is coming. We can imagine and create our own future…”

Back in the offices of Systems X Unlimited, an employee notices the striking resemblance of this Senate candidate to her own boss, Mike 2. She shrugs it off. Many people look alike these days. It’s some sort of genetic trend.

She shows a picture of Mike 1 to Mike 2. He says, “I bet his favorite ice cream isn’t cherry-vanilla-pecan-peach. He and I couldn’t be the same. Not completely.”

She giggles.

She likes her job. Work is fun.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

A vaccine against magic

Magic and depression

by Jon Rappoport

May 5, 2014

www.nomorefakenews.com

“The function of the artist is to provide what life does not.” — Tom Robbins, Another Roadside Attraction

“Those people who recognize that imagination is reality’s master we call ‘sages,’ and those who act upon it, we call ‘artists.’” — Tom Robbins, Skinny Legs and All

No guts, no glory. Pursuers of any great goal can tell you that.

In the human psyche, from the moment a newborn baby emerges into the light of day, he/she has a desire for magic.

We are told this is an early fetish that fades away as the experience of the world sets in. As maturity evolves. As practical reality is better understood.

In most areas of psychology, sensible adjustment to practical reality is a great prize to be won by the patient. It marks the passage from child to adult. It is hailed as a therapeutic triumph.

In truth, the desire for magic never goes away, and the longer it is buried, the greater the price a person pays.

A vaccine against a disease can mask the visible signs of that disease, but under the surface, the immune system may be carrying on a low-level chronic war against toxic elements of the vaccine. And the effects of the war can manifest in odd forms.

So it is with the inoculation of reality aimed at suppressing magic.

One of the byproducts of the “reality shot” is depression.

The person feels cut off from the very feeling and urge he once considered a hallmark of life. Therefore, chronic sadness. And of course, one can explain that sadness in a variety of ways, none of which gets to the heart of the matter.

It is assumed that so-called primitive cultures placed magic front and center because they couldn’t do better. They couldn’t formulate a “true and rational” religion with a church and monks and collection plate and a European choir and an array of pedophiles. They couldn’t fathom what real science was.

Their impulse for magic had to be defamed and reduced and discredited. Why? Obviously, because the Westerners who were poking through ancient cultures like demented professors had already discredited magic in themselves—they had put it on a dusty shelf in a room in a cellar beyond the reach of their own memory. But they couldn’t leave it alone. They had to keep worrying it, scratching it, and so they journeyed thousands of miles to find it somewhere else—and then they scoffed at it and tried to crush it.

And we wonder why, under the banner of organized religion, there has been so much killing. At a deep level, the adherents know they’ve sold their souls and they’re depressed, angry, resentful, remorseful, and they want to assuage and expiate their guilt through violence.

But the urge for magic is forever.

And yet the charade goes on. While paying homage and lip service to ordinary practical reality seasoned with a bit of fairy-tale organized religion, people actually want to change reality, they want to reveal their latent paranormal power, they want to get outside reality, they want to create realities that, by conventional standards, are deemed impossible.

They want to find and use their own magic.


Exit From the Matrix


In our modern culture, we’re taught that everything is learned as a system. That, you could say, is the underlying assumption of education. It has far-reaching consequences. It leads to the systematizing of the mind. The mind is shaped to accommodate this premise.

“If I want to know something, I have to learn it. Somebody has to teach it to me. They will teach it as a system. I will learn the system. I will elevate the very notion of systems. Everything will be a system.

In the long run, that’s a heavy loser. That’ll get you a lump of coal in a sock, a spiritual cardboard box to live in.

As I reconstruct the legend of Merlin, one of my favorite guys, I put him in my sights as the one who taught himself magic by abandoning all systems. That was his genius. Don’t misunderstand. He didn’t turn himself into a blithering idiot. He just stepped outside systems. He went down roads based on his own naked desire to make magic.

To modern man, this makes no sense.

The intellectual enrolls at Harvard, he studies anthropology for six years, he flies to a jungle in South America, he digs up remnants of a lost culture, he infers they performed arcane ceremonies six times a week, he writes monographs—and he concludes they were a very picturesque society with fascinating customs and totems, and their brand of magic can best be understood as an inevitable consequence of their matriarchal organization, which itself was an accommodation to rainfall levels.

The anthropologist takes two Paxil and goes off to teach a class on the meaning of ancient eyebrow trimming in Tierra Del Fuego.

The rocket of real magic is still on the launching pad. It’s waiting.

Systems are wonderful things. They produce results. They take us into technological triumphs. They help us become more rational. But when they are overdone, when the mind itself becomes shaped like a system, it reaches a dead-end. Then the mind works against the unquenchable desire for magic. Then society is organized as a tighter and tighter system and turns into a madhouse.

And then people say, “Maybe machines can actually think and choose and decide. Maybe machines are alive. What would happen if we grafted computers on to our brains? It might be wonderful.”

People move in this direction after their own minds have been shaped, like putty, into systems. They don’t see much difference between themselves and machines.

When you have a world run by a million machine-systems, you encounter horrific problems. One of those problems stems from the fact that each system gets things a little bit wrong, each system is skewed to one side just a little bit—and when you add up all these little wrong bits, you get a real threat to basic survival; the whole ship of civilization is tilting dangerously in the water.

Far worse than that, the deep desire for magic in every individual is squelched. That’s the real problem. So the first order of business is the restoration of imagination, from which all magic flows. Imagination is sitting right there, always ready to go, waiting.

Imagination is saying, “The mind has been shaped into a system? I can undo that. I can liberate the mind and make it into an adventurous vessel. I can provide untold amounts of new energy.”

Life is waiting for imagination to revolutionize it down to its core.

Since imagination is a wild card that technocrats can’t absorb in their systems, they pretend it a faculty produced by the action of atoms in the brain. They pretend it is a delusion that can be explained by demonstrating, for example, that a machine can turn out paintings. Or poems.

“You see? We don’t need humans to make art. Computers can do just as well. Imagination isn’t mysterious at all.”

Technocracy and transhumanism flow from the concept that the human being is just another machine. And any machine can be made to operate more efficiently. Of course, that operation must conform to overriding objectives that define what efficiency is geared for. Objectives like acceptance, surrender, group-integration.

The result? Society is organized to eliminate all outliers and rebels.

And many people believe that the system called civilization will give them security, protection. Hence, the willingness to go along with the Surveillance State.

“Well, I don’t commit crimes, so I’m okay. The system won’t punish me. It’ll guard me against all those other people…”

Meanwhile, imagination waits. It never vanishes. It stands by, just in case an individual decides to live a life that overflows with creative power.

If my work has any organized precedent, it is ancient Tibet where, 1500 years ago, before the priests took over with their interminable spiritual baggage of ritual, practitioners engaged in exercises that engaged imagination to the hilt.

The entire goal was revealing that the Universe was a product of mind.

This was not about ultimate worship. This was not about some deep substrate in the Universe that one could plug into, to guide his actions and thought. It was about liberating the individual from all systems. It was about endless creation.

The first teachers of this Way came from India, where they had been pushed out of the academies of orthodox religious instruction. They were rebels. They had offloaded the metaphysical labyrinths of control. They were, in a sense, artists. Artists of reality.

They were brilliant riverboat gamblers, and in Tibet, for a time, they found a home.

They found students who, as now, were tired of the preaching designed to make humans into sophisticated mind-machines.

These people wanted more. They wanted to awaken their own imaginations and exceed the illusory boundaries of space and time.

They wanted magic.

Despite every cynical ploy, that desire is still alive.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

The Grand Inquisitor interviews Merlin

The Grand Inquisitor interviews Merlin

by Jon Rappoport

May 2, 2014

www.nomorefakenews.com

In Dostoyevsky’s The Brothers Karamazov, the Grand Inquisitor speaks to, and rejects, Jesus, who has returned to Earth.

Here, he speaks to Merlin the Magician:

Grand Inquisitor (GI): Again, we are faced with the issue of freedom, that most tormenting thing, which people cannot understand or make use of, except in absurd symbolic form. But in your case, you perform miracles, which we, the Holy Church, deploy for our own purposes…to subdue and entrain the masses. Therefore, I must warn you, you are treading on our ground. So first I ask you, are you for freedom?

Merlin: I am.

GI: And are you proposing the mad idea that anyone, sufficiently aware of his own latent power, can perform miracles?

Merlin: Yes.

GI: And do you understand that, for all these centuries, we have secretly been aligned with Satan, who has been teaching us how to rule and expand our kingdom?

Merlin: Of course I’m aware of that. But you see, you are inventing “Satan,” a surrogate, an image, to guide you. You want empire, and control of minds and hearts, and so you concoct an invisible “leader” who will instruct you.

GI: Nonsense.

Merlin: I first appeared on the bridge between two eras. In earlier times, magic was everywhere. People breathed it as they breathed air. The world was alive. And then a change occurred. The age of rationality was born. Science. Technology. Many benefits accrued. But along with that came an urge to transform the human being into a machine.

GI: Exactly. And it is the task of our Church, our organization, to complete and fulfill that urge. Do you know why? Because then we can deliver happiness to the masses, in so far as it is possible. Freedom, on the other hand, brings anguish. We are against freedom. If we can transform humans into machines that experience pleasure, regardless of external circumstances, then we can give them the redemption they truly seek.

Merlin: This is what I was afraid of. The “rational solution” taken to the extreme.

GI: What else would you expect? People come to us for an end to their suffering. And where does suffering begin? With sin? No, with freedom. We end that charade. We close the door.

Merlin: So this is your secret doctrine.

GI: You will see us align with science. You will see us support, eventually, the re-engineering of the brain. We will call that part of God’s plan. The elimination of the rebellion, the quelling of all “negative” emotions.

Merlin: Of course, those emotions you call negative are part and parcel of the energy that can fashion new realities, which are independent of your influence.

GI: True. Our goal is the achievement of a universal harmonization of attitude, response, feeling, among all people everywhere. This is the unity we seek. What difference does it make how we bring it about?

Merlin: You’re actually talking about the flattening of all emotions. A program like that would defeat magic. Magic relies on the most intense, various, free-flowing, and extensive emotions.

GI: When we say cooperation, we mean the passive acceptance of the consensus we contrive. When we say joy, we mean shared mediocre pleasure. When we say deliverance, we mean unquestioning loyalty to our Order.

Merlin: When I say joy, I mean creative penetration into the unknown, the not-yet imagined.

GI: And we will debase that by calling it sin and consorting with the Devil.

Merlin: And suppose I told you that I’m not here at all, but you are inventing me, because I represent your better Self, your hopes and wishes?

GI: I would call that ridiculous. We understand delusion. We control it. We dispense it. We are the experts of delusion.

Merlin: Is that so?

GI (pausing): You’re playing a trick on me. You’re still here…it’s true I can’t see you now, but that’s some of your magic at work…you’re playing your games, on a small stage. We, the Church, are operating all over the world…even if I feel, for a moment, that I’m talking to myself, it’s you I’m addressing…there is no hidden part of myself…I’m all here…the idea that you are really a part of my own consciousness is insane…because then I would stand for freedom, and I don’t…I stand for Order…it appears…I’ve compartmentalized my consciousness…how strange to see it…at this late date…there’s a wall…a bridge between the desire for order and control and the desire for freedom…I’ve blocked the bridge…I’m killing my own soul…I’m an agent of…death…


Exit From the Matrix


The Grand Inquisitor stood alone in his dim chamber. He was silent. He waited. He didn’t know what else to do.

He waited for a year. A century. A hundred centuries. Frozen. He knew he had always wanted to reduce the world to this silence and this lack of motion. He knew he had wanted to remake the world in his own image. He knew this was his concept of wisdom. He knew this was his goal. Perfection in nothing. And now he had it. He was experiencing it. And it was not the triumph he had supposed. It was the shrinking of all dynamism to a single point. There was no solace in it. It was not a Void at the blissful bottom of his own Being. It was a collection of forces held in check. It was diminishment of Self. It was darkness. It was no voice and no expression.

And then he thought…suppose I change my mind? Suppose I recreate my mind? What quality would I first impart to myself?

The answer came. Freedom.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

Hollywood writer goes on the road with JFK assassination evidence

Hollywood writer goes on the road with JFK assassination evidence

by Jon Rappoport

April 30, 2014

www.nomorefakenews.com

This is about a relentless film. A film that doesn’t care what happens when false reality is ripped away. A film that actually does what every person who knows the truth wants to do.

This is a film you should see. It’s called Water Time, and if you go to banditobooks.com, you can watch it for free, by signing up on Allan Weisbecker’s email list.

Allan is the director and the star of Water Time. He made a good living writing for Hollywood into the mid-90s (Miami Vice, Crime Story), when he quit the scene to live a different kind of life.

A much, much different kind of life….that culminated in going on the road to see what had happened to America. Driving his truck, with his dog Honey, with his surfboard, with his laptop, on which he’d stashed compelling evidence that key events in modern American history had resulted in a shadow takeover of the country. A coup d’etat.

That’s one of the subjects of the film.

It’s about a man who knows the truth and wants to talk about it with average Americans on camera, before your eyes. It’s about a man who makes his own frontier, who mourns the loss of his childhood friend who died in Vietnam, a war made into a horror through the assassination of JFK.

This film forgets all about the smooth kind of Hollywood that, when all is said and done, ruffles no feathers. Water Time barrels into the present American malaise and explodes the barriers and the veils and membranes between vital information, life-changing information, and American people who are just “living their lives.”

Weisbecker sits down with them, opens his laptop, and shows them evidence that the JFK hit was a conspiracy. He shows them a few of the very strange things that happened on 9/11. He doesn’t back down. He pushes forward with uncompromising logic.

Water Time is a record of what happens when a truthteller puts that logic in people’s faces. You see the reactions, the denial, the insanity.

You also see water and waves and surfing. You see a man out there on his own, with his beloved dog, having a hell of a time, a man on a relentless pilgrimage. You see the Open Road of America, created again, by a filmmaker who doesn’t shrink away from what he finds out there beyond the digital universe.

Water Time. Real Time. A diary on film unlike any you’ve ever known.

Water Time

This is what the news would be, if you could scrape away the cosmetics and the lies and coverups of the major television networks. This is the unedited version. This is what the news would be if you could also watch the reactions of the audience as they’re hit between the eyes with the truth.

Most of all, this is a film about one man who has crossed the illusory threshold, a knight errant with a surfboard who’s thrown false comfort and false security overboard and is willing to be himself and shove in all his chips on the cosmic bet anyone of us can make. With enough courage, with enough outrage, with enough savage joy, with enough intelligence, with enough soul.

Get rid of all your preconceptions about Hollywood-type movies and take a gander at the real thing. I wish we had a thousand different versions of Water Time, made by a thousand men and women in their own way. Then we would have a real revolution. But we have one version, for which we should be grateful. Water Time. A different kind of time. Raw and disturbing, and as you move deeper into it, very beautiful.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

Language vs. Reality

Language vs. Reality

by Jon Rappoport

April 30, 2014

www.nomorefakenews.com

The charge? Polluting the entire Colorado River with ghastly and noxious chemicals which were in the process of wiping out all plant and animal life in Region 12.

June 5, 2081. Into Federal Court 546-A-12 strode Moses 4, an Artifact of Legal Consciousness and Instinct, representing the Monsanto-Dow-Dupont-Farben-GE Corporate Complex of North America, Region 12.

Moses 4 was made of a bright metal in the male human form, its glittering head carved from pure industrial diamond.

Moses: We admit nothing. We deny everything.

The Judge, a squashed small aluminum cretin, said, What is that supposed to mean?

Moses: The specific charges against us are absurd on the face of it. We can’t be held guilty. We decide guilt and innocence.

Judge: You decide…what?

Moses: We own you, Your Honor. Have you forgotten? You serve at our pleasure. It’s the system. If you found us guilty of anything, it would be as if we accused ourselves. And we’re not about to do that. You’re ret**ded in your understanding.

Judge: What did you say?

Moses: You’re ret**ded.

Judge: You can’t say that. The word is outlawed. You’ve just committed a felony.

Moses: There is no felony for us. We define felonies to exclude ourselves.

Judge: You’re wrong there. I must temporarily adjourn this trial and immediately go to an Article 465 Section X2 hearing on the use of forbidden language.

Moses: Nonsense.

Judge: As a preliminary step, by law I must tweet an announcement of your language-crime and inform the world of your grave transgression against our less fortunate brothers and sisters. I fully expect a global Sharpton will be organized against your corporation in the next twelve minutes.

Moses: Wait!

Judge: Yes?

Moses: We malfunctioned. The word ret**arded. It escaped our internal censors.

Judge: Too late. Excuses do not suffice.

Moses: We’ll pay a fine on the charge of noxious pollution and the killing of innocents.

Judge: How much?

Moses: Fifteen billion units.

Judge: Not nearly enough.

Moses: Forty billion.

Judge: Six hundred billion, and you, Moses 4, will be smashed to pieces by The People in a public execution ceremony, to be held at the Marijuana Complex in Denver.

Moses: I’m not permitted to agree to destruction.

Judge: You would rather I tweet to the world that you just uttered the word “ret**ded”?

Moses: No!

Judge: Good. You will submit to destruction. Your whole corporate complex will pay a fine of 600 billion units, and your CEO and COO will serve a sentence of 50 years in federal prison.

Moses: Fifty years?! That’s a life sentence!

Judge: Take it or leave it.

Moses: But The People don’t even care about the pollution and the death. They only care about the illegal use of language. Surveys have consistently shown they would rather die than use a word like…I can’t even refer to it.

Judge: That’s not my problem.


power outside the matrix


Moses: All right, Your Honor. You’ve got us over a barrel. I therefore apply to deploy my last option.

Judge: You mean…

Moses: Yes. A direct appeal to God.

The court room dimmed. There was a distant rumbling of thunder as the Ultimate Singularity Computer Complex on the Moon activated and instantaneously linked to the Judge’s brain, giving it access to Final Spiritual Insight and GodHimself.

The Judge closed his eyes and trembled. This was the greatest moment of his life.

Judge: I am receiving. This is the message from the Growing and Emerging Lord of All: “O my People. The use of the word ret**ded is a far greater crime than the poisoning and murder of life-forms along the Colorado River. For this crime of language desecration, the Corporation on trial will enroll all of its employees in the FEMA School of Reprogramming for a period of not less than ten years. During this time, brain circuitry replacement will be performed at the Emanuel Goldstein Medical Facility, and DNA Re-Stranding will be undertaken at the Pavlov Center for the Terminally Malformed. Moses 4 will also be enrolled for repair. This is my judgment.”

The Judge, recovering from his moment of ecstasy, nodded to himself. He felt the small powerful box under his podium. He’d used it to hack into the Moses 4 program and force it to utter the word ret**ded. It was the only way to secure punishment for the corporation and override its universal immunity.

It was the way of the world.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

“Purify your thoughts, or all is lost”

“Purify your mind, or you are lost forever”

by Jon Rappoport

April 21, 2014

www.nomorefakenews.com

In the year 2049, scientists working at the DHS Lab called Status Quo of Our Beloved Nation All Hail, discovered “a set of frequencies emanating from reality itself.”

“The science is settled,” announced President Martin A Singularity. “We now know what reality is composed of.”

Immediately, DHS conducted a series of experiments to determine the characteristics of human thoughts which generated the same frequencies.

The goal was clear. Humans would only be permitted to think those thoughts which aligned with reality. All other mental activity would be labeled specious and dangerous.

The US Secretary of Health and Human Services stated, “We are finally entering into a New Age. The holiest of holies has been achieved. We know why some thoughts are negative—they transmit frequencies that undermine Reality.”

The head of the Federal Chain of Being, Prince Bernard Purity III, remarked: “To enter the New Era, humans will have to distill their ideas so they only reflect The Positive. Dissenters will be exiled from The Body Politic.”

The Positive, of course, was defined as that which merges with Things As They Are. And these Things were legislated and created by The Government Council (of the corporate-government partnership).

To cement the new program, official electromagnetic transmitters, placed across the nation, emanated frequencies that harmonized with the Status Quo. Only the most rebellious humans could resist internalizing these broadcasts.

One such rebel, Mr. J. Jones, was arrested and placed in a cage on the White House lawn, where he was subjected to continuous bombardment by “positive EM waves.”

After two months, he was found to be producing his own private ideations at a level that was burning out several federal transmitters. The chairman of the Official Language Project issued a release:

“Mr. Jones is a diehard negative individual. He says no to almost everything. This is a desecration of all that is holy. Mr. Jones is asymmetrical. This makes him ugly. Balance is beautiful. Symmetry is beautiful. Harmony is beautiful. Geometry is beautiful. The State is beautiful. Reality is beautiful. Mr. Jones is therefore a destructionist. He denies reality. He is unable to purify his thoughts. Therefore, he can never pass through into the New Age we all share.”

One night, the US Secretary of Balanced Mental Weights and Measures visited Mr. Jones in his cage. He informed the prisoner that he would be subjected to Complete Mind Replacement, a procedure developed for the most heinous consciousness-criminals.

Mr. Jones replied, “But you see, I’ve already replaced my mind, the one I was given by the Department of Education. I buried it in the desert east of Palm Springs. My new mind is a creation I dreamed up on my own. It doesn’t follow the usual patterns…I outfitted it with a doomsday device. If you touch it, you’ll trigger a catastrophic event.”

The Secretary was taken aback.

“What kind of event?” he said.

“It’s analogous to an EMP explosion,” Jones said, “but in this case, all the group-mind connections you people have imposed will disintegrate. And then every human will be thrown back on his own experience and inherent faculties, the most prominent of which is imagination.”

“Meaning what?”

“Meaning the Status Quo Reality will light up like a Christmas tree and burn down to the ground.”

“Hogwash,” said the Secretary.

But two days later, when the FBI hooked up Jones to the All Good and All Harmonious Mind Replacement apparatus and threw the switch, (what was later determined to be) a vast proliferation of empty fertile spaces appeared from one end of America to another.

These spaces invited individuals to invent their own realities by the thousands, the millions.

Federal spokespeople screamed on television programs: “This is a terrorist attack on the Homeland Fatherland Motherland! We must have Official Beauty! We must have Group Order of the Highest Holiest Unity! Seek shelter! Blank your minds! Choke off your imagination! Smile! Shop! Go into continuous federal meditation on the Loveliness of Universal Consent! Bombard this Satanic Demon Jones with your best thoughts! Wipe him out!”

But it was too late.

The machinery of What Is, as a product of the collectivized mind, was gone.

Storms raged across the land.


power outside the matrix


During the next 50 years, four thousand separate Republics sprang up in the old America. A rough patchwork quilt, they instituted their own widely varied forms of experimental government.

Rebel Jones’ work was done. He built a cattle ranch in the former Nevada, and his herd grazed in the former National Park #567-A.

The federal government of the United States eventually announced bankruptcy and sold itself to a liquor store in Cincinnati for $859.34.

Two million ex-federal employees went to work for a traveling circus called Monsanto, which staged comedies consisting of incomprehensible debates on something called “genetic science.” Actors dressed in mice and monkey costumes gibbered and squeaked at each other in shows of mindless buffoonery.

Monsanto, too, went broke, and devolved into bands of nomads who took to wandering in Western deserts, where they herded and organized trillions of grains of sand into simple geometric shapes, which they called Sacred Bullets of Cosmic Togetherness.

In their midst, descendants of the Clinton Bush Obama clan developed a method of subtraction in which 6 taken from 10 required 789 steps to arrive at 4. Or 5. This method was written into a Scripture for an emerging Church of the Stained Dress.

Rumors spread: The Church instituted a ritual requiring sex with cactuses.

The vaunted network, NBC, struggling to survive, took its program, Saturday Night Dead as a Doornail, and ran it every evening in place of the news. Almost no one watched.

General Rex L Cram assembled an army dedicated to “enforcing purity of thought.” His troops were defeated at the famous Battle of Hoboken. An opposing rag-tag battalion of locals led Cram’s soldiers into a swamp once occupied by Rumsfeld Pharma, where beds of Aspartame and Prozac continued to fester. Brain damage set in within minutes.

Rough, uneven, chaotic, a different kind of New Age was underway.

But today, if you were to travel to Boston, for example, you would see an astounding series of works of art which have become self-sufficient towns and villages, possessing innovative energy sources and what are called “open, asymmetrical centers of reality-invention.”

You have to see it to believe it. Genuine liberty expresses itself in many ways. In the process, old conditioning, which clings to rigid forms, calling them Freedom, peels away like ancient propaganda posters. Layers and layers of them disappear in the fragrant air…

New life. New space. New time.

The empire of the false unity crashes into the sea.

Which is what happened to Washington DC. It finally rotted like an old tree, leaned, and fell into the Potomac. Underwater, its leaders continued to babble, unaware they were drowning. Right up to the last minute, they were passing new laws and framing new regulations and exhorting the population to join as one in some incomprehensible cheese-melt of the mind.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

Eve and Adam retold

Eve and Adam retold

by Jon Rappoport

April 18, 2014

www.nomorefakenews.com

One fine day (every day was fine), in the floating place called Astral Island Y-96a4, or The Garden, Eve was sitting naked under a large tree working on her tan, when a long serpent approached, slithering through the tall grass.

Eve sat up and watched him. She and Adam were on their Multi-Dimensional Universe Tour II.

He was the color of old oil. The sun picked up rainbow highlights on his scales. The main thing about him was his smile. She’d seen it on the faces of used-car salesmen, New Age talisman peddlers, and agents.

“Hello, Eve,” he said, coming to rest at her feet. His voice was low and rich, like spoiled caviar.

“Where’s Adam?” he said.

“Oh, he went to Bold Foods to pick up some snacks,” she said.

“Really?” he said. “There’s a Bold Foods here?”

Eve pointed to three low hills in the distance.

“That way,” she said. “This is a hybrid island. Primitive and pristine on this side, overdeveloped out there in the flats. Tire recappers, gas stations, bars, thrift shops, a couple of drug stores, and a Dome Depot.”

The snake paused at this news.

“Well,” he said, “so you’re eating well?”

“Sure,” she said. “Lots of chips, the chicken noodle soup, salad bar, burgers. Chocolate cake.”

The snake sniffed the air.

“I was wondering if you know what tree you’re sitting under,” he said.

“This?” she said, patting the trunk with her hand. “There’s a plaque on the other side. Tree of the Knowledge of Good and Evil. I can smell the apples. Tart.”

“Yes, well,” the snake said, “there’s a rule. You can’t eat any of the apples.”

“I didn’t know that,” she said.

“I’m surprised,” the snake said.

“How would I know it? Adam and I just arrived last Tuesday.”

“I see,” the snake said. “So you haven’t been briefed.”

She frowned.

“What are you talking about?”

“When people land, they’re instructed on how to proceed. Usually, the clouds part, and the King comes down half-way and issues a few edicts.”

“Haven’t seen a king,” she said.

“Maybe he’s away,” the snake said. “I stand in for him then.”

“That’s good,” she said. “I guess.”

The snake stuck out his tongue, then withdrew it.

“But you see,” he said, “I can issue special dispensations. And for you, I think it’s the right thing to do.”

“Why would that be?” she said.

“Because the apples are quite delicious, and when you eat them, you automatically acquire wisdom. Essentially, you become more like the King.”

“Wisdom?” she said. “In general?”

She seemed a little puzzled.

“No,” he said, “you learn about the distinction between good and evil. It’s a tricky subject. The King knows all about it. It’s a source of his strength.”

“Good and evil,” she said. “For example, when someone is trying to sell you a used pickup with a cracked engine block?”

The snake gave her his big smile.

“Yes,” he said, “that would be one instance.”

“Over a few islands from here,” she said, “Adam and I were at this country club playing golf. On the sixteenth hole, I hooked my tee shot into the rough. I was in there, in the woods, trying to find my ball when a golf cart came whizzing by on the road. It stopped, a porky guy got out, and offered to help me. So we’re searching in all the bushes and tangles, and he says he can give me a good deal on a club membership. But I figured this was baloney, because what’s he doing way out on the sixteenth hustling memberships? Know what I mean? Besides, he doesn’t even have any clubs in his cart. He’s wearing a rug, his pants are checkered, his white shoes have little gold buckles on them. But you know, I didn’t want to call him out. Adam and I had been invited to play the course, so we needed to be polite. We keep looking for the Titleist, and he keeps up the hustle–”

“Okay! Okay!” the snake says. “I get it. But what about the tree and the apple?”

“What about it?” Eve says.

“It’s a very good apple.”

And then Eve turns on a kilowatt smile. She’s really quite lovely.


power outside the matrix


“Listen,” she says. “Adam and I have been around a block a few times. Right? We’ve visited thousands of these astral islands, and you’d be surprised how many times snakes have tried to run this same number on me. It’s a staple. There’s a book on it somewhere. The temptation, eat the apple, gain knowledge of good and evil, whatever that means, and then the Fall. Wow. I mean, come on. Who cares about good and evil? I know the difference. I’m not stupid. I don’t need to go to school on that. It’s simple. You’re free unless you lean on somebody else’s freedom. Case closed. Why you guys want to keep re-enacting it is beyond me. What’s the point? We should all bow down and support something that’s a scam to begin with? I’m just sunning myself here, Adam will be back from the store soon with goodies, and we’ll have an early supper. Then we might take in a movie.”

The snake coiled and uncoiled a few times.

“Suppose,” he said, “I decide to sink my fangs in your thigh?”

Eve reached behind her and brought out a thin flat em-slab of gray metal. She pointed it at the snake.

“Then,” she said, “I’d have to fill you full of energy that would rip most of your cells apart in under five seconds.”

“Hmm,” he said.

“Yeah. Hmm. Why don’t you find a nice little critter for dinner and leave us alone.”

The snake shook his neck and instantly reappeared as the king. He was large and thunderous in his blue robe, and his white beard swung back and forth under his chin. His eyes bulged, then relaxed back into his sockets. He stared at Eve.

“Haven’t I seen you before?” he said.

Eve nodded.

“Last summer. We stopped off here on the way to the circus at HT4ux. Just for the day.”

“Yes,” he said. “And you and I played out this little scene then.”

“Right,” she said.

“So what are doing back again?”

“We came for the apples. I really like the apples. Very tart. They’re hard to find. Most of the fruit these days is fibrous. It’s dead.”

He nodded.

“Well,” he said, “I have a few discount coupons for the mall. They get fresh fruit in every day from locals.”

“We’d appreciate that,” Eve said.

The king pondered for a few moments.

“No problem. You know, the plaque on the tree. I’m thinking of changing it. Good and evil was a mistake from the beginning. It just didn’t add up. Why should knowledge of good and evil be a bad thing? Redundant, maybe. Bad, no? The script writer was looking for a hook. I don’t think he found it.”

“No,” she said. “It’s a misdirection no one really cares about. But in all fairness, what really works? Adam and I have discussed it, and we couldn’t come up with anything, either. Eat the apple and lose your power? Won’t be able to sleep at night? The story just got off on the wrong foot, and there was no way to fix it after that.”

The king sighed.

“Tell me about it,” he said. “I’m still amazed so many people bought in.”

“Well, the guilt thing, I guess, delivers a lot of mileage…although Adam and I have never been prone to falling for it.”

The king reached into the pocket of his robe and pulled out three wrinkled coupons. He bent down and handed them to Eve.

“Good until Christmas,” he said.

Eve laughed.

“Let’s not get started on that one,” she said.

The king pointed at her.

“No guilt, no redemption,” he said.

“Yeah,” she said. “You know, Adam has this script he’s been trying to peddle for a while. You might take a look at it.”

“He have an agent?” he king said.

“I’m his agent,” Eve said.

“Well, then…”

“Take you an hour to go through it,” she said. “Lots of action. The dialogue’s pretty straightforward.”

“Give me the bottom line.”

“Adam and I create the world and trap the king.”

“The old switcheroo. Might have legs in an art house.”

“We’re not looking for boffo. Starting small.”

“What’s the budget?”

“Four-five mill. Chicken feed.”

“When you get home, check with the Pope. Tell him to call me.”

“Why would he bankroll it?” Eve said.

“The Church feeds off criticism. They get an outrage and sympathy bump. Figures show it. Collection plates. Church attendance.”

“Maybe they could issue a statement when we’re ready for release. Condemning it.”

“Oh, they will…”

“For the extras on the DVD, we could do a sit-down with you.”

The king thought about this.

“If things don’t pick up soon,” he said, “I might even take a small part.”

“Who’s your agent?” Eve said.

“On most deals,” the king said, “the Vatican.”

“Like they need the money.”

He shook his head.

“You don’t understand,” he said. “They run me. My cut of their action just about keeps me in Kleenex.”

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com

The creative center of the world

The creative center of the world

by Jon Rappoport

April 16, 2014

www.nomorefakenews.com

“After the final no there comes a yes and on that yes the future of the world hangs.” — Wallace Stevens

What would happen if the world were enveloped by art? And if we were the artists? And if we owed nothing to any hierarchy or external authority?

Is it possible that an outpouring of art, creation, invention, coming from millions and millions of people, would bring about a sea change in the conducting of human affairs? Would such a tide affect the obsession to wage war?

Magic is not about arcane crests and codes and symbols. All those symbols and seals are just a way of invoking mystery and a front of supposed privilege.

People still accept landscapes painted by a priesthood and they call those landscapes Spiritual, and hope these puerile inventions will somehow take them to bliss and final enlightenment.

In other words, people want to exist inside a phony masterpiece designed by a class of authoritarians.

In a nutshell, that’s the story of this planet, and it always was.

I’ve been writing about the creative life for some time. For me, that life is a far cry from the pallid oatmeal of spiritual movements where the essence of things is “peace through avoidance”—an attempt to substitute one form of politeness for another, one form of sleep for another.

When people strip away all the hogwash that has been passed off as spiritual enlightenment for centuries, what they are left with—if they can feel it—is creative fire. That fire IS the spiritual force. IS the real thing. Finally.

Most people don’t want to travel to that grand arena. They have been trained like pets by some sector of this society to be good little girls and boys.

Art (creation/magic) is a word that should be oceanic. It should shake and blow apart the foul smug boredom of the soul.

Art is about what the individual invents when he is on fire and doesn’t care about concealing it. It’s about what the individual does when he has thrown off the false front that is slowly strangling him.

Art is about the end of mindless postponement. It’s about what happens when you burn up the pretty and petty little obsessions. It’s about emerging from the empty suit and empty machine of society that goes around and around and sucks away the vital bloodstream.

Art is about destroying the old order and the new order and the present order, with a glance.

It’s about spearing the old apple on the point of a glittering sword and opening up the whole rotting crust that has attached itself to the tree of life.

It’s about shrugging off the fake harmony of the living dead.

When this kind of creation overtakes the world, only then does the world become what it should be.

On an individual level, boredom has much the same effect as concrete does in the landscape: it covers more and more territory, and once you lay it down it doesn’t usually come up.

If you look closely, you can see people are walking around with big signs on their necks: I’M BORED.

They pretend they’re not.

But they’re bored silly. They’re driving themselves cuckoo.

Creation of deep desire with great fire, as fact in the world, IS the definition of magic. That’s what magic is.

The secret of the labyrinth is this: as long as masses of people are trapped in their own acquiescence to a fictional spiritual and psychological existence, in which they are the passive receivers of “wisdom and direction,” all is lost.

No matter how many liberation movements arise, no matter what degree of success they achieve, in the long run the winners (or their descendants) always fall back into a trance state in the center of their consciousness. They look for answers to come in to them from an external source—and if they can’t find a ready-made source, they will subconsciously invent one.

The whole proposition comes back to: shall we be audience only, or creators? Shall we find our spiritual destinies through obedience to “art” made with mind control as the motive, or shall we embark on a much greater adventure, along a road where what WE individually create is the hallmark and the revelation of our power?

Do we take the magic in our hands, or do we cede it to those who, by default, become our masters?

Suppose the divide between actors and audience in our society underwent a spontaneous revolution?


power outside the matrix


Art is not a little sandbox. Fueled by liberated imagination, it is THE revolution the psyche has been asking for.

When one acts long enough, he realizes that the world could really be a stage, and the sound and fury would, in fact, signify something vital and deep.

When one paints long enough, he realizes this world and all the universe are but one painting out of an infinity of possible paintings.

When one writes long enough, he realizes that so-called history is but one story—and many other (better) stories could be told.

When one plays music long enough, he realizes that emotion can be lifted out of petty concerns into realms where feeling becomes vast triumph.

When one builds long enough, he realizes that the physical structure of civilization can be led out of mere functionality into dazzling new spaces.

This is where we could go. And the stars in space would pale by comparison.

At some point in such a vision, a critical mass would be reached. People, viewing an explosion of art, would themselves catch the thread and begin to inhabit their own dreams. The contagion would take hold. What was formerly viewed as an elitist activity would spill over all boundaries.

And then?

People at large would realize the connection between spirit and creative action. The propaganda machines of the world, aimed at control of the deadened masses of populations, would blow gaskets and become obsolete. Drowned in a sea of creativity.

That would be the answer to the question, “What do I do after I see through the illusions of the puppet masters?”

Art unchained becomes titanic. It can spread out over the landscape and take it over. It can spawn and proliferate more art, until the emotional content of daily experience becomes transformed. Until we all live at a wider and deeper level.

There are artists like Stravinsky, like Gaudi, like the composer Edgar Varese, like the often-reviled American writer Henry Miller, like Walt Whitman (who has been grotesquely co-opted into a Norman Rockwell-like prefect), like the several great Mexican muralists—Orozco, Rivera, Siqueiros—all of whom transmit an oceanic quality.

As in, The Flood.

There is a fear that, if such artists were unleashed to produce their work on a grand scale, they would indeed take over the world.

Our world, contrary to all consensus, is meant to be revolutionized by art, by imagination, right down to its core.

That this has not happened for the best is no sign that the process is irrelevant. It is only a testament to the collective resistance.

Who knows how many such revolutions have been shunted aside and rejected, in favor of the consensus shape we now think of as central and eternal?

We are living in a default structure, the one that has been left over after all the prior revolutions have been put to sleep.

But creation is not neutral.

It flows out into the atmosphere with all its subjective force.

Were you to embark on a uniquely passionate course of creation, enlarging the scope at every turn, you would launch out of the realm of the push-pull humdrum Earthside disintegrating disaster…..and into the realm of what you INVENT….

Magic.

As more and more of us moved forward in this way, THAT would become the transformation we have been unconsciously hoping for. That would relentlessly make society over. That would eventually shatter the influence of all cartels and monopolies of physical and emotional and mental and spiritual experience. Not because we wished it were so, but because we made it happen.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at www.nomorefakenews.com