Author Archives: Jon Rappoport

The Artist against the Syndicate

by Jon Rappoport

August 18, 2021

(To join our email list, click here.)

You’re an unemployed artist.

The year is 2061. A series of bombings has rocked the Capitol in the Western White House District, which is located in the heart of Hollywood. The Eastern seaboard is uninhabitable, owing to a mysterious GMO accident, which rendered all plant life in that region poisonous…

Reality is a nasty syndicate operation. The technical side is put together by high-IQ idiots. They like to fiddle. They like the con. They like to torpedo the mind.

The syndicate is the Reality Manufacturing Company.

You buy a ticket to Disneyland, which encompasses the area from San Francisco to Tijuana, go through the big gate, and book a small hotel room in Graphene Village.

A note is taped to the back of the toilet, where you’ve been told to look. It’s unsigned. You read it while you’re preparing supper: powdered eggs, water, and a squirt of SweetHeaven:

“Greetings, GuestL28. This to warn you the pillars of the community, the people who are supposed to be ‘doing good,’ are up to their necks in the operation. They’re hustling reality like porn.”

“At the upper levels, we’ve even got the STE Command, peddling the space-time-energy continuum everyone is so fond of. Only one tin can and we’re all in it, biological machines ‘doing our best to get along.’”

“Until recently, there was a sense that artists knew something about all this and were exposing the Syndicate. But now, propaganda is eating into their psyches, or their work isn’t finding the light of day. Some have been conned into high-flying rhetoric about saving humanity and working together to build a better world inside the prevailing political framework. There is no better world inside the prevailing political framework.”

“The artist should be ripping away masks, exposing the Syndicate employees. Adorning some fake religion promoted by the State, like the current MaR, isn’t his job.”

“Overthrowing the reality-con is the work of the artist. He’s got to take to it like a duck to water. He has to like it. He has to use his weapons, all of them.”

“The Matrix is built on the need to reduce thought. Props called spiritual leaders emerge out of the woodwork.”

“Our glorious New Age, so-called, is THOUGHT REDUCTION. It fails, and the aftermath is ugly. People become contortionists and end up eating their own.”

“I’m from the Movable Underground Museum. The Syndicate calls us dangerous because we’ve found a way to dismantle their product.”

“I can’t give you details in an open message. So far, we’ve laid out two new universes. They’re empty. Lots of room for adventurous souls.”

“Here’s something to keep your eye on. The Syndicate’s reality is breaking down. You may see seams in the sky. Don’t point them out to other people. A seam is usually a long thin blue line. If it pops far enough, you’ll see a different kind of space behind it. Stay calm.”

“For the past two weeks, a big seam has been exposed at the corner of Sunset Boulevard and Vermont Avenue in LA. Don’t try to go there. Crowds were gathering. The DHS came in and hosed them down with a version of glypho. Upwards of six thousand people were arrested, and DHS has the area cordoned off with tanks.”

“If you can still pick up SubNet8 on your mobile device, you can see pictures. The white light streaming through the gap in the seam? It’s been shopped in. It isn’t really there. Neither are the UFOs or the voices. That’s the Syndicate. They’re staging a ‘virtual drill’ in the area. Lots of phony religious content. It’s a cover. They’ve built a temp church in Silver Lake to handle the overflow of new believers.”

“If somebody approaches you with an offer to travel to Mexico, then sneak back into the US and apply for benefits, don’t bite. Tomorrow morning, before nine, walk to the Mickey Pavilion, turn left and keep going for about a mile. On your right, you’ll see a small shed painted green. Behind the shed is a cheap water ride. Take out a boat and row to the Secret Tunnel.”

“Take it. When the little train has been in the tunnel for a minute, you’ll see a dim corridor on your left. Hop off the train and walk along the corridor. You’ll come to the back of the Obama Mountain. At the base is a service door. It’s unlocked.”

“Go through and you’ll be standing on the corner of Ashbury Street and First Avenue. A day’s walk east will take you out into the desert. The fences are broken. Get out into the desert and head toward the Nevada Hills. You’ll see it. It’s a huge white hotel about five miles in.”

“A mile before the hotel, you’ll come to a wide crack in the desert floor. It’s not a crack. The Simul is breaking down there. It’s an exit. Use it if you have the courage.”

You burn the note, sit and eat your powdered eggs and watch the news. You think about what you’re going to do. Or not do.

A few sentences float in from somewhere. They were written by Philip K Dick, an ancient writer whose works have been outlawed:

“Because today we live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups…So I ask, in my writing, What is real? Because unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms…And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing.”

The artist on trial against the State

June 9, 2071, Ohio 27-b: the region designated as the seat of all hearings and trials of artists accused of crimes against the State.

No jury, no attorneys.

On this day, His Honorable and Sacred Hayakawa L. Schwartzbaum, Magistrate of Federal Dispensations, on loan from The CIA-Harvard University, sat behind his table. He was an expert in the history of history.

In shackles, an artist was led into the room by three federal policemen wearing the gray high-buttoned uniforms of the Motherland-Fatherland Department of Internal Security and Distribution of Goods and Services for the Benefit of All.

One of the policemen rolled in a large object covered by a shroud.

Judge Schwarzbaum looked down at a file and rapped his gavel on a plaque displaying the universal symbol of a hermaphrodite eagle.

“Order,” he declared.

The prisoner, in a tattered red jumpsuit, stood before him.

“Well,” the Judge said, “uncontrolled display…no license to practice art. No prior approval for a work. No plan submitted to the State. No established source of funding. No preliminary scan by the Council of Art. No declaration of philosophic position. Status: potential precursor to terrorist activity. Surveillance data reveals the artist is a smoker and brews medications which have never undergone approval by the FDA. How do you plead?”

The artist nodded.

“Your Honor, I would like to submit one item of evidence. The work itself.”

The Judge said, “Were it not for the Artist Act of 2040, I would deny the request. But since I am bound by law, submission approved.”

The guard who had rolled in the shrouded object uncovered it.

It was a brass sculpture standing six feet tall. It was a series of twisted interlocking shapes.

“Yes,” the Judge said. “Incomprehensible. Who in his right mind could fathom the sense of this?”

“Look a little closer, Your Honor,” the artist said. “If you would.”

The Judge put on a pair of glasses and stared at the object.

“Meaningless,” he said. “That’s the last time I’ll deign to acknowledge it.”

“Meaningless? Then what is the problem? What harm could it cause?” the artist asked.

The Judge smiled.

“We must have meaning,” he said. “Because then we can judge its quality. Otherwise, we lose control of the situation. We must know, and be able to assess, the significance of the work. This piece of nonsense does not rise to that level. All you offer are…curving masses.”

“The piece has meaning for me,” the artist said.

“Perhaps, given your state of mind, that is true. But art is public. It is a social undertaking. It gives something to the Community.”

“Your Honor,” the artist replied, “I believe you’re missing an opportunity here. If, as you say, my work is meaningless, consider its effect on the public, were it to be installed in a heavily-trafficked venue. People would be confused and bewildered. Isn’t the induction of such a state of mind a forerunner to mind control?”

The Judge rubbed his chin and stared at the ceiling.

“Are you suggesting,” he said, “that you could go to work for us?”

The artist nodded.

“Yes, sir. I could execute many sculptures of this kind. I want exposure. You want MKULTRA. We’re on the same side, in a strange way.”

“Amusing, possibly interesting,” the Judge said.

“You see,” the artist said, “there are two ways to look at mind control. On the one hand, you attack aggressively, with propaganda, to plant specific messages. But on the other hand, you prepare consciousness by placing it in a state of extreme puzzlement. If you would, sir, look at the work again.”

The Judge frowned and shook his head. But he gazed at the brass sculpture. This time, something else happened.

He saw a twisted tree. It had been burned by a fire during the riots of 2036, but it still stood. It put out a sprinkling of new leaves every spring. One day, when he was a small boy, he was taken to it and he climbed out along the dark branches to the buds, which smelled sweet to him…it was the last time in his life something was that sweet…now, in the courtroom, he shuddered as he felt tears run down his cheeks…

The rebel artist vs. the android

On January 12, 2082, President Winston Smith made a quick campaign stop in the Northeast corridor to address the Coexistence Group in Gates Town.

The Coexistence Group was a remnant of the coalition formed between Bayer IG and organic farmers in the state formerly known as New Hampshire.

The President, dressed in a silk rainbow robe, donated to him by the Cosmic Guilders of Carpentry at the Rockefeller Estate, lit a candle at the Memorial of the Drifting Gene, to commemorate the inevitable triumph of genetically modified agriculture in America.

He then gave a short speech, during which he pointed out that all food products in America were now labeled GMO because of the Gene Drift, and although such labeling was redundant, it was “ritualistically correct,” because it signified the right of the consumer to know what he/she was eating.

A supper followed at the Inn of the Bill Melinda. The meal consisted of ceremonial gluten-free organic genetically modified soy-peanut burgers and GM whey cola.

During the supper, a local artist stood up from his seat, toasted the President, and suddenly asked, “What phase of brain programming do you now enjoy, Mr. President?”

A dozen Secret Service agents deployed in the room and at other locations in the Inn immediately drew their weapons. But the President waved them off with a smile.

“It’s all right,” President Smith said. “This citizen has every right to address his Commander-in-Chief.”

The President then offered these off-the cuff remarks:

“Actually, sir, there is no ‘I’ anymore or ‘you.’ There is only ‘we’ because the programming is common to us all, if we volunteer for it. And 67 percent of us do. We are all connected to the same Google/Kurzweil/NSA Plasma Cloud Formation. That, as you probably know, is the artificial superbrain.”

“We receive input from it every second of every day. In other words, we are all obtaining correct answers, the same answers, to problems we face.”

“Phase Four, which improves connectivity and reception, and takes in expanded subjects of interest and vital concern, is the current application. I, which is to say, we, participate in Phase Four.”

“In Four, stress levels are reduced considerably.”

“We no longer need to take vacations, except for pilgrimages to sites where monuments celebrate our Nature Is All and Technology Is All and All Is One Everything religious faith.

“And you, sir,” the President continued. “Are you with a Program Phase?”

The artist burst out laughing.

“No, Mr. President. I’m a holdout.”

“Ah,” the President said, “an outlier. Let’s see. Downloading now. Profile. We perceive you’re an artist, your name is Diego Jose Siqueiros. Yes, the information is coming through. You formerly lived in the small city of Ashland in the Northwest corridor, and you received a number of commissions to build structures there.”

“After twelve years, you designed and erected so many unique buildings, the city fathers feared that, if left to your own devices, you would ‘take over’ Ashland. In the interest of fairness and sharing, they ceased funding your work. You drifted down to the Los Angeles Complex, where you created a website called Versus the Moron. Eventually, you settled here in the Northeast.”

“That’s right, sir,” the artist said. “A question. Do you remember a time when you weren’t connected to the superbrain in any way?”

The President nodded. “We used to remember such a time, but no longer. Those memories became unproductive. Now we are here With the Program. We operate inside it.”

“So you don’t miss being free?” the artist asked.

“Oh, we are free, Mr. Siqueiros. We are free to obtain the right answers through the Program. Having correct data and valid conclusions is quite liberating. The sense of struggle is gone. Struggle is an ancient appendage which technocratic evolution makes extinct.”

“Sir,” the artist said, “I would enjoy debating that point. But I’d rather talk about the individual invention of unprecedented and unpredictable realities.”

“Oh,” the President said. “Another fanciful notion from the past. We’ve discovered that all art and in fact all so-called unique creations of the ‘I’ are delusions. The superbrain can ‘create’ anything. It merely arranges and rearranges data in various configurations. It produces closed systems. For example, it can design a thousand buildings in less than a second.”

The artist frowned.

“No,” he said. “The superbrain spits out random shapes on command. That’s machine-life.”

“Machine-life?” the President said. “I’m receiving mild warnings now.”

“Meaning what?” the artist said.

“We are in the presence of a stubborn defective ‘I’ who is scorning the Group. That would be ‘you’.”

“Mr. President,” the artist said. “Were you born of a human mother and father, or are you a virtual artifact of the superbrain?”

The Secret Service agents in the room took a step forward.

The President’s face turned red. He rose from his chair.

“How dare you say that to me!” he shouted.

“Why? Because I’m flipping your cover?”

The artist then enunciated a long series of sounds. The declaration came out, as one attendee later put it, like a “gray river.”

“Emwgrtyonefiftyfruntsillgreenefsevenlenstayeightcricrimescene…”

Apparently, it was a code-trigger that had been hacked from the Program. And the code ran.

A loud hum filled the room.

The President collapsed back into his seat. He flopped around like a doll and then went still. His eyes stared at nothing.

“As I expected,” the artist said. “He’s a four-D printout from the superbrain. An agent.”

A voice came from somewhere inside the President.

“Allen Dulles A MKULTRA…”

Silence.

Then a gentle man who manufactured a product called We Love You Organic Bayer Cherry Vanilla Roundup Cookies said:

“It’s all right, everybody. There’ll be another President along in a few minutes. I’m sure of it. We’re in coexistence mode. Don’t worry. All One. Unity. The Tao. Yin and Yang. Night and Day. Harmony.”

And the room burst into wild applause.

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Massive fraud in reporting vaccine injuries; withheld data, pretense of “safe and effective”

by Jon Rappoport

August 17, 2021

(To join our email list, click here.)

ONE: A bombshell. Alex Berenson, former New York Times reporter, August 6: “Covid vaccine maker Moderna received 300,000 reports of side effects after vaccinations over a three-month period following the launch of its shot, according to an internal report from a company that helps Moderna manage the reports.”

“That figure is far higher than the number of side effect reports about Moderna’s vaccine publicly available in the federal system that tracks such adverse events.”

BOOM. 300,000 vaccine adverse effects NOT reported to VAERS, the federal database.

Berenson: “The 300,000 figure comes from an internal update provided to employees by IQVIA, a little-known but enormous company that helps drugmakers manage clinical trials. Headquartered in North Carolina, IQVIA has 74,000 employees worldwide and had $11 billion in sales last year.”

“Earlier this week, Richard Staub, the president of IQVIA’s Research & Development Solutions division, sent a ‘Q2 2021 update’ which was labeled ‘Confidential – For internal distribution only’.”

“A person with access to the presentation provided screenshots of the relevant slide, which clearly explains the 300,000 side effect reports were received over ‘a three-month span’ – not since the introduction of the vaccine in December…”

TWO: Independent researcher Virginia Stoner has issued a stunning new report on the VAERS numbers, and the effort by mainstream scientists to minimize the destructive effects of the COVID vaccines. Here are key quotes from her report:

“More deaths have been reported to VAERS from the covid shots than from all other vaccines combined for the last 30 years.”

“There’s a code of silence shielding the massive increase in deaths (and other serious injuries) reported to VAERS from the covid shots. Not only do CDC web pages and press releases omit that inconvenient fact—vaccine research studies omit it as well.”

“The number of covid shots [in the US] administered so far in 2021 (309 million) is roughly the same as all other vaccines administered in 2020 (316 million). But a shocking 36-times more deaths were reported this year from the covid shots than were reported last year from all other vaccines.”

“Someone died from a vaccine they [a medical provider] administered…could it potentially call their professional judgment into question, or result in a malpractice lawsuit? If you were a doctor, or supervisor at a drive-thru covid vaccination clinic, and you were given a choice between spending the evening filing a VAERS report, or having dinner with friends, which would you choose?”

“There are reasons to think death may be one of the most underreported vaccine injuries of all—mainly because the victim is dead, and can’t file a VAERS report. Nor can they prod their doctor into filing a VAERS report. Unless they’re fortunate enough to have a relative or doctor who knows they got the vaccine, knows about VAERS, understands the potential for vaccine injury, and is willing to go through the onerous process of filing a VAERS report, it won’t happen.”

THREE: Open letter from Doctors for COVID Ethics accusing governments and media of lying to the people:

“Official sources, namely EudraVigilance (EU, EEA, Switzerland), MHRA (UK) and VAERS (USA), have now recorded more Injuries and Deaths from the ‘Covid’ vaccine roll-out than from all previous vaccines combined since records began.”

“TOTAL for EU/UK/USA – 34,052 Covid-19 injection related deaths and over 5.46 million injuries reported as at 1 August 2021.”

“It is important to be aware that the official figures above (reported to the health authorities) are but a small percentage of the actual figures. Furthermore, people continue to die (and suffer injury) from the injections with every day which passes.”

“This catastrophic situation has not been reported by the mainstream media, despite the official figures above being publicly available.”

“The Signal of Harm is now indisputably overwhelming, and, in line with universally accepted ethical standards for clinical trials, Doctors for Covid Ethics demands that the ‘Covid’ vaccine programme be halted immediately.”

“Continuation of the programme in the full knowledge of ongoing serious Harm and Death to both adults and children constitutes a Crime Against Humanity/Genocide for which those found to be responsible or complicit will ultimately be held personally liable.”

“Governments worldwide are lying to you the people, to the populations they purportedly serve.”

“The figures above demonstrate that the mRNA vaccines are deadly.”

FOUR: The well-known 2010 Harvard Pilgrim Health Care, Inc. study of VAERS bluntly stated: “Adverse events from vaccines are common but underreported, with less than one percent reported to the Food and Drug Administration (FDA). Low reporting rates preclude or delay the identification of ‘problem’ vaccines, potentially endangering the health of the public.”

Following the finding of that study, you would multiply the number of reported vaccine injuries by 100 to arrive at a proper figure.

FIVE: In view of the massive number of vaccine injuries and deaths, how would we expect the public to react? Here is a major clue. Stat News, July 21: “Millions of unused Covid-19 vaccines are set to go to waste as demand dwindles across the United States and doses likely expire this summer, according to public health officials…”

“Currently, states have administered 52.36 million fewer doses than have been distributed to them, according to federal data.”

“A significant tranche of Pfizer doses is expected to expire in August… Given waning domestic vaccine demand, those doses are unlikely to be fully used before they must be tossed.”

“’We’re seeing demand [for the vaccine] falling off across all the states,’ said Marcus Plescia, chief medical officer at the Association of State and Territorial Health Officials.”

SIX: Understanding this, government, media, and corporate criminals are ramping up vaccine mandates wherever and however they can, to force the needle into your arm.

“You’re aware that our product is highly dangerous and destructive? We’ll make you take it.”

SEVEN: RESIST. REBEL.

SOURCES:

https://alexberenson.substack.com/p/some-actual-news

https://www.virginiastoner.com/writing/2021/8/10/update-on-the-deadly-covid-vaccine-coverup-plus-how-to-estimate-risk-better-than-the-cdc

https://www.globalresearch.ca/jaccuse-governments-worldwide-are-lying-to-you-the-people-to-the-populations-they-purportedly-serve/5750650

https://digital.ahrq.gov/ahrq-funded-projects/electronic-support-public-health-vaccine-adverse-event-reporting-system

statnews.com/2021/07/20/states-are-sitting-on-millions-of-surplus-covid-19-vaccine-doses-as-expiration-dates-approach/

The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Memo to Corporate-State COVID Medical Bloggers living in Mommy’s basement

And to morons and CIA assets who call themselves medical reporters

by Jon Rappoport

August 16, 2021

(To join our email list, click here.)

I know times are tough for you. You’re devoted to following the science, but over the past year, it’s changed so many times you’re dizzy and confused.

For example—

There’s no need to wear a mask.

Wear a mask.

Wear two.

Wear three.

You can take them off now.

Put them back on, until the vaccine arrives.

After you take the vaccine, wear a mask anyway.

Wear it outdoors and indoors. Wear it during sex. Don’t talk during sex. Don’t talk at all.

Asymptomatic infected people never drive an epidemic.

Asymptomatic infected people are driving this epidemic.

The PCR test is accurate.

The PCR test may have resulted in 90% of all COVID cases actually being false-positives. But take the test anyway.

Setting the sensitivity of the test at 35 cycles or higher makes the test meaningless.

Labs run the test at 40 cycles or higher.

A “COVID case” is defined as someone who tests positive, even if he has no symptoms and is perfectly healthy.

A “COVID death” is defined as anyone who dies for any reason, as long as a doctor writes “COVID-19” on his patient file.

SARS-CoV-2 was isolated (discovered). Isolated means: “assumed without evidence to be buried in a soup in a dish in a lab surrounded by toxic drugs and chemicals and cells and random genetic material; in other words, un-isolated. Isolated means un-isolated.”

The vaccine prevents serious illness.

The vaccine was only designed to prevent mild illness (cough, or chills and fever).

The vaccine keeps the vaccinated person from being infected with virus.

No it doesn’t.

The vaccine prevents a person from transmitting the virus.

No it doesn’t.

Get vaccinated.

Public health agencies are reporting huge numbers of vaccine injuries and deaths. In any other situation, this would have resulted in the whole vaccine campaign being halted.

The vaccine is safe.

The virus (which has never been discovered) has been sequenced. Various bits of so-called genetic information were cobbled together by a computer program. This method is as reliable and meaningful as a blind drunk aimlessly fiddling with the combination to a vault, and then claiming he retrieved a billion dollars from the room inside the vault.

Yes, you bloggers and reporters…you’ve had a tough year.

Oh, wait. Did you think I was going offer some helpful suggestions?

Why would I?

You’re hopeless.

The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Power Outside The Matrix: What it means

by Jon Rappoport

Time and time again, during my 30 years as a reporter, I’ve come across what I call “the elite creation of reality.”

It shows up in areas of politics, energy, modern medicine, media, money, covert intelligence, the military, religion, science, multinational corporations.

It’s as if a painter is working on a mural, and the global population is looking at that mural and seeing it as Reality.

This goes deeper. Much deeper:

Limited concepts of space, time, energy, the mind, cause-and-effect—these, too, are “given” to human beings as the be-all and end-all of a story. A story that ultimately short-circuits and short-changes what the individual is really capable of.

The entire mural of imposed Reality is aimed at radically diminishing the individual’s power.

So in addition to my work as an investigative reporter, I’ve been researching the individual’s ability to go beyond this mural of reality.

In the late 1980s, in concert with the brilliant hypnotherapist Jack True (who gave up doing hypnosis with his patients), I developed many, many exercises and techniques for expanding the creative power of the individual.

Some of those exercises are included in my new collection, Power Outside The Matrix. These techniques are aimed at accessing more energy, more imagination, more stability and intelligence “beyond the mural of reality.”

In fact, Power Outside The Matrix is all about being able to think, act, and create both outside and inside The Matrix. Because that’s the goal: to be able to function in both places.

People are consciously or unconsciously fixated on boundaries and systems. They are hoping for whatever can be delivered through a system.

That is a form of mind control.

Freedom isn’t a system.

But freedom needs creative power, otherwise it just sits there and becomes a lonely statue gathering dust in an abandoned park.

At one time or another, every human being who has ever lived on this planet has abandoned his creative power. The question is: does he want to get it back?

It never really goes away. It is always there. It is the basis of a life that can be lived. A life that can be chosen. People instead choose roles that don’t require that power. They think this is a winning strategy.

It isn’t.

A section of this mega-collection, titled Power Outside The Matrix and The Invention of New Reality, features creative exercises you do on a daily basis that will help you move toward the goal of power outside The Matrix. The exercises are all about increasing your energy and stability—and about the invention of new spaces.

Access to your internal energy, in huge amounts, is necessary for a life outside The Matrix-rather than relying on the illusory energy that The Matrix seems to provide.

I’ve developed the exercises for exactly that purpose: your energy, your dynamism.

Power Outside The Matrix, features a long section called: Analyzing Information in the Age of Disinformation.

This section is filled with specific examples of my past investigations. Based on 25 years of experience, it shows you how to take apart and put together data that lead to valid conclusions.

It is far more than a logic course.

It’s an advanced approach to analysis.

Establishing power outside The Matrix requires that a person be able to deal with today’s flood of information, misinformation, and disinformation. I’ve left no stone unturned in bringing you a workable approach to analysis.

There is a further extensive section titled, A Writer’s Tutorial. People have been asking me to provide this Tutorial, and here it is in spades. But it’s not just for writers. It’s for any creative person who wants to grasp his own power, understand it, and use it to reach out into the world.

The Tutorial exposes you to lessons that go far beyond what is normally taught in writer’s seminars. In fact, several core concepts in the Tutorial contradict ordinary writer’s seminars, and thus give you access to inner resources that would otherwise be ignored.

And finally, I have included a number of audio seminars that offer a wider perspective about The Matrix and what it means to live and work outside it.

power outside the matrix

Here are the particulars. These are audio presentations. 55 total hours.

* Analyzing Information in the Age of Disinformation (11.5-hours)

* Writer’s Tutorial (8.5-hours)

* Power Outside The Matrix and The Invention of New Reality (6.5-hours)

Then you will receive the following audio presentations I have previously done:

* The Third Philosophy of Imagination (1-hour)

* The Infinite Imagination (3-hours)

* The Mass Projection of Events (1.5-hours)

* The Decentralization of Power (1.5-hours)

* Creating the Future (6-hours)

* Pictures of Reality (6-hours)

* The Real History of America (2-hours)

* Corporations: The New Gods (7.5-hours)

I have included an additional bonus section:

* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst (and how to analyze them). I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.

* A 2-hour radio interview I did on AIDS in Dec 1987 with host Roy Tuckman on KPFK in Los Angeles, California.

* My book, The Secret Behind Secret Societies

(All the audio presentations are mp3 files and the books are pdf files. You download them upon purchase. You’ll receive an email with a link to the entire collection.)

This is about your power. Not as an abstract idea, but as a living core of your being. This is about accessing that power and using it.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Exit From The Matrix: The Individual returns to his creative fire

by Jon Rappoport

Through my articles and my Matrix collections, I have one goal: bringing individuals back to their very capable minds, back to their own formidable power, their own imagination, their own creative force, their own deep desires and purposes.

When I began NoMoreFakeNews.com 21 years ago, I wasn’t sure how many people could handle this message. But I decided to find out. I’ve been pleasantly surprised, to say the very least.

If there is a tradition I have been adding to, all these years, it is early Tibet—before the priest class moved in and took over. The magicians and their students were engaged in an enterprise of extraordinary dimensions.

My research revealed that this tradition was initiated, some 1400 years ago, by teachers from India, who came to Tibet after being expelled from universities for their radical views.

These teachers rejected the content and cosmology of all spiritual systems.

They essentially stated that such metaphysical “pictures” of existence were creative inventions—

And that the true subject for study, contemplation, enlightenment, and, above all, exercise was the individual creative impulse itself—

Creative power, imagination, and invention, at the level of the individual.

The Tibetan exercises were fashioned to expand individual creative power without limit.

In that tradition, and for these modern times, I developed hundreds of imagination/creative techniques. More than 50 of these are offered and explained in my collection, Exit From the Matrix.

Exit From the Matrix

Here are the contents of my collection, Exit From The Matrix:

First, my audio presentations:

* INTRODUCTION: HOW TO USE THE MATERIALS IN EXIT FROM THE MATRIX

* EXIT FROM THE MATRIX

* 50 IMAGINATION EXERCISES

* FURTHER IMAGINATION EXERCISES

* ANESTHESIA, BOREDOM, EXCITEMENT, ECSTASY

* ANCIENT TIBET AND THE UNIVERSE AS A PRODUCT OF MIND

* YOU THE INVENTOR, MINDSET, AND FREEDOM FROM “THE EXISTENCE PROGRAM”

* PARANORMAL EXPERIMENTS AND EXERCISES

* CHILDREN AND IMAGINATION

* THE CREATIVE LIFE AND THE MATRIX/IMAGINATION

* PICTURES OF REALITY AND ESCAPE VELOCITY FROM THE MATRIX

* THIS WOULD BE A VERY DIFFERENT FUTURE

* MODERN ZEN

* THE GREAT PASSIONS AND THE GREAT ANDROIDS

Then you will receive the following audio seminars I have previously done:

* Mind Control, Mind Freedom

* The Transformations

* Desire, Manifestation and Fulfillment

* Altered States, Consciousness, and Magic

* Beyond Structures

* The Mystery and Magic of Dialogue

* The Voyage of Merlin

* Modern Alchemy and Imagination

* Imagination and Spiritual Enlightenment

* Dissolving Stress

* The Paranormal Project

* Zen Painting for Everyone Now

* Past Lives, Archetypes, and Hidden Sources of Human Energy

* Expression of Self

* Imagination Exercises for a Lifetime

* Old Planet, New Planet, New Mind

* The Era of Magic Returns

* Your Power Revealed

* Universes Without End

* Relationships

* Building a Business for Success

I have included an additional bonus section:

* My book, The Secret Behind Secret Societies (pdf document)

* My book, The Ownership of All Life (pdf document)

* A long excerpt from my briefly published book, Full Power (pdf document)

* My 24 articles in the series, “Coaching the Coaches” (pdf document)

And these audio seminars:

* The Role of Medical Drugs in Human Illness

* Longevity One: The Mind-Body Connection

* Longevity Two: The Nutritional Factors

(All the audio presentations are mp3 files and the documents and books are pdf files. You download the files upon purchase. There is no physical ship.)

What has been called The Matrix is a series of layers. These layers compose what we call Reality. Reality is not merely the consensus people accept in their daily lives. It is also a personal and individual conception of limits. It is a perception that these limits are somehow built into existence. But this is not true.

What I’ve done here is remove the lid on those perceived limits. This isn’t an intellectual undertaking. It’s a way to open up space and step on to a new road, with new power.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

How I assembled The Matrix Revealed: The Key Symbol

by Jon Rappoport

The key was handed to me by a colleague and friend.

In 1987, when I was researching my book, AIDS INC., I took a side road. It was prompted by a conversation I had with the brilliant hypnotherapist, Jack True. He was telling me about experiences he’d had with his patients under hypnosis.

“Some patients encounter a ‘monolith’,” he said. “They come across a symbol that is there in the subconscious. Sometimes it looks like a closed door. Sometimes it shows up as a blank wall. Sometimes it’s a geometric shape. One patient actually called it a ‘brick sky’.”

“But in every case, it locked up the patient’s ability to recall or explore under hypnosis. It was like a giant obstruction on a road. However, these patients could describe something about the nature of the symbol. They said it was broadcasting a message: ‘THIS IS REALITY’.”

“The patients were in awe of the symbol. It had a deep emotional effect on them. It was as if many different realities had come together to form this single symbol, like separate pieces clicking into place.”

Jack went further. He stated that the symbol induced a profound passivity in his patients…

Jack subsequently devised strategies to take apart the symbol, so these patients could rid themselves of their passivity and access huge amounts of previously blocked energies.

Well, I was shocked, because my research on my book had followed a parallel course. I’ll explain.

The AIDS cover story that had been invented by medical researchers was all about One Reality, one disease condition caused by one virus, one label, one symbol for the condition: “AIDS”.

When, in fact, that was “the obstruction on the road” which was blocking further investigation. In fact, the whole “Oneness” myth was a lie. A gigantic lie.

A very, very convincing lie. An awesome lie.

The truth was, so-called AIDS was many different conditions (realities) which had been falsely “clicked” together, through massive propaganda.

That was the key to unlocking the puzzle. And it was the key for me to move into new territory with new energy and confidence.

I’d been stalled at the wall, but now I could advance.

The awesome symbol, “AIDS,” had been shattered to pieces.

Since the publication of my book, I’ve of course investigated a number of other subjects, and in each case, there was a symbol, a monolith, an obstruction, and in every case I’ve taken the monolith apart to discover that it’s hiding a plurality of scandals and crimes and deceptions and realities.

The One False Unity concealing The Many.

These monoliths are very, very effective because—and this is vitally important to understand—they mirror the tendency of the subconscious mind to fall to its knees before A Single Symbol.

People gravitate to single causes, single symbols in every area of life, and they don’t penetrate further.

This is an aspect of the Matrix.

False Unities are the meat and potatoes of very high-level propaganda. They are launched in politics, economics, organized religion, science, psychology, the military, mind control, in all the academic disciplines.

As an analogy, consider a painting in which the three-dimensional perspective has been radically shortened to eliminate the background. But the background is really where all the action is. The foreground is the false Oneness.

Grasping all of this allowed me to go further than I thought possible in putting together The Matrix Revealed. My method of investigation altered radically, and I hit paydirt.

The Matrix is a multi-layered, multi-dimensional operation, seeded with symbols that broadcast FALSE UNITY.

And these symbols collaborate with the subconscious tendency to buy those UNITIES.

Your freedom and power emerge when the subconscious tendency is made conscious and can be seen in the light of day.

That is the purpose of my collection, The Matrix Revealed.

The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Here are the contents of The Matrix Revealed:

* 250 megabytes of information.

* Over 1100 pages of text.

* Ten and a half hours of audio.

The 2 bonuses alone are rather extraordinary:

* My complete 18-lesson course, LOGIC AND ANALYSIS, which includes the teacher’s manual and audio to guide you. I was previously selling the course for $375. This is a new way to teach logic, the subject that has been missing from schools for decades.

* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst. I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.

The heart and soul of this product are the text interviews I conducted with Matrix-insiders, who have first-hand knowledge of how the major illusions of our world are put together:

* JACK TRUE, the most creative hypnotherapist on the face of the planet. Jack’s anti-Matrix understanding of the mind and how to liberate it is unparalleled. His insights are unique, staggering. 43 interviews, 320 pages.

* ELLIS MEDAVOY, master of PR, propaganda, and deception, who worked for key controllers in the medical and political arenas. 28 interviews, 290 pages.

* RICHARD BELL, financial analyst and trader, whose profound grasp of market manipulation and economic-rigging is formidable, to say the least. 16 interviews, 132 pages.

Also included:

* Several more interviews with brilliant analysts of the Matrix. 53 pages.

* The ten and a half hours of mp3 audio are my solo presentation, based on these interviews and my own research. Title: The Multi-Dimensional Planetary Chessboard—The Matrix vs. the Un-Conditioning of the Individual.

(All the material is digital. Upon ordering it, you’ll receive an email with a link to it.)

Understanding Matrix is also understanding your capacity and power, and that is the way to approach this subject. Because liberation is the goal. And liberation has no limit.

I invite you to a new exploration and a great adventure.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Fauci, the political scientist, rolls on down the road

by Jon Rappoport

August 13, 2021

(To join our email list, click here.)

For the past year, I’ve been documenting Fauci’s serial lies and self-contradictions. Cherry-picking is also one of his skills.

On 8/8, he appeared on Meet the Press with the remarkably clueless Chuck Todd. Fauci warned of a COVID super-spreader event: the annual Sturgis, South Dakota, biker rally.

Fauci: “I’m very concerned we’re going to see another [COVID] surge related to that rally.”

“To me it’s understandable that people want to do the kind of things they want to do. They want their freedom to do that, but there comes a time when you’re dealing with the public health crisis that could involve you, your family and everyone else…”

So let’s follow Dr. Death’s logic and mention other super-spreader events he neglected to highlight because he’s a political scientist (which is no scientist at all), and he always remembers who his masters are.

ONE: The immigration crisis at the Southern border. Huge numbers of untested and unvaccinated immigrants are coming across into the US from all over the world, and they’re then transported to many different spots around the country. Perfect for transmitting a virus.

TWO: The George Floyd protests and riots in more than a hundred US cities. No masks, no distancing. Sensational super-spreaders.

THREE: Sanctuary cities, which pack in and protect untested, unvaccinated, unmasked immigrants. Terrific places for the virus and its spread.

FOUR: The recent Obama birthday bash, herding together several hundred unmasked and non-distancing celebs.

FIVE: The Lollapalooza concert held in Grant Park in Chicago.

Did Chucky Todd ask about these situations? No. Did Fauci mention them? No. To have done so would have violated rules of political science. And rules about race.

When Fauci insists on following the science, he means political science. If you took a poly sci course in college, you know there was nothing scientific about it.

Of course, the whole pandemic is fiction, starting with the non-existent virus—as I’ve been proving for the past year in over 300 articles. But I also venture into the insane world where people are quite sure the pandemic is real, in order to point out how biased and irrational they are inside their own fantasies.

Fauci writes and speaks fiction every day. He crawled and slimed his way up the bureaucratic ladder of the US public health establishment, and now occupies the post of central federal mouthpiece.

Once you falsely assume there is a virus, and falsely assume “it” spreads rapidly, and you take aim at “irresponsible violators,” you need to be an equal-opportunity accuser. But this puts you in an uncomfortable POLITICAL position.

“Who shall I accuse? Who shall I ignore? What interviews should I agree to and which should I shun? Which favored groups ‘who are spreading the virus’ should I pretend to forget? How can I protect my political status? Who can I scapegoat? How do I keep shining Bill Gates’ shoes? If I tell one lie on Monday and contradict that lie with another lie on Tuesday, how can I seem to keep my story straight? What do I do if I tell one lie while the CDC is telling an opposing lie? Suppose the whole political COVID fantasy-bubble in which I operate starts collapsing around me? What do I do? Suppose so many people are keeling over from the vaccine I’m promoting that the public is becoming aware I’m fronting for the destruction of human life?”

Fauci works on his narrative-script every day. He makes changes. He tells new lies. He tap-dances around contradictions. He keeps polishing his image as the The Scientist.

Which leads to: FAUCI, A CONVERSATION IN HELL—

Anthony Fauci steps off a small boat floating in a river at the bottom of a great cavern.

A lamp cuts into the darkness and illuminates a small table and two chairs. Fauci walks to the table and sits down.

He is joined by his old mentor, whose name is unknown.

It’s been a long time, Anthony. Remember me?

Of course. But why am I here?

You need a refresher, Anthony. You’ve been wobbling badly. Apparently you’ve forgotten our first lesson.

I was in medical school then.

That’s when we promised you significant rewards if you performed well for us. That day, I told you: you need to lie with CONSISTENCY.

Yes, sir. And I’ve obeyed your order.

No you haven’t. You’ve cooked a goose and a cake in the same pan. You’ve said it was raining and not raining. You’ve worn only a jock strap and spread sunscreen on your body in the Arctic, and you’ve bundled up at the Equator. You’re a mess.

I didn’t mean to be a mess.

I’m not interested in excuses. I’m going to straighten you out. I want you to pay close attention. Otherwise, you go into the Lake of Fire.

I’m VERY sorry, sir…

You said masks were useless. Later you said people should wear two. You admitted the vaccine was experimental, implying the people were guinea pigs. Then you said the vaccine was absolutely safe and effective. You said asymptomatic people never drive an epidemic by transmitting a virus. Then you said millions of asymptomatic people who merely tested positive were a major source of transmission. You said running the PCR at 35 cycles or higher yielded meaningless results. But labs all over the world are running the test at 40 cycles. You’ve turned into a buffoon. A clown.

I’ve made a few mistakes. I’ll correct them.

It’s too late. The cat is out of the bag.

Then what can I do?

Ignore your past contradictions. As if they never happened. You’re a matinee idol to millions of soccer moms. They’re bubble brains. They can’t think their way out of a wet paper bag. Climb back on the straight and narrow. Claim the test is very accurate, the case and death numbers are alarming, more lockdowns will be necessary, new mutations of the virus are here, and people must take the vaccine. And THAT’S ALL. Don’t try to EXPLAIN things. That’s when you screw the pooch. You’re not a medical genius, Anthony. You’re our agent. Just do your job.

But I love explaining things.

And that’s your flaw. I wish we had spotted it sooner. We would have used someone else. Redfield or even Birx.

Redfield? That two-bit—

But two-bit is good in this situation, Anthony. Two-bit works.

I have theatrical qualities.

Yes, you do. For low-budget Hollywood B movies. Cary Grant you’re not.

But Bill told me—

Forget about Bill Gates. I’ll be talking to him soon. He thinks he has to throw money at every influencer in the world. His ego is out of control. He’s a nasty little poisoned pastry. Anthony, listen to me. You’re not doing Inherit the Wind or Hamlet.

OK, all right. But I’m disappointed.

Now let me remind you of the truth, so you can make a clear distinction between it and what you’re doing. Perhaps that’ll give you much needed clarity. Viruses are basically fictions. Nobody isolates them. When technicians perform genetic sequencing, they’re cobbling together strips of DATA and using computer programs to smooth out the wrinkles and the gaps. Fairy tales. There is no pandemic. The people who are dying are dying from traditional lung infections and pollution and toxic vaccine campaigns and pesticides and medical drugs, and all this is relabeled COVID. The virologists in their labs are clueless. They’re true believers. Little egos depositing paychecks and publishing papers and angling for promotions. UNDERSTAND?

Yes. But listen, a friend of mine is developing a screen play about the life of Albert Schweitzer. His clinic in Africa. Saving lives. Great humanitarian. The Disney studio and I have been in talks. Don’t you think I could play Schweitzer?

Anthony—you’re a small-timer on cop shows. You’re running a protection racket forcing shop owners to come up with cash every week or else. That’s your level, Anthony.

I feel depressed. I’ll stick to the COVID script. But at very least, I’d like to win the Nobel for Medicine.

Awards are based on performance.

—Are you the Devil?

Don’t make me laugh. I’m a bureaucrat in the chain of command. You have zero chance of ever speaking with the Devil. He gives orders to the people who give orders to the people who give orders to the people who give orders to the people who give orders to the people who operate Twitter and Facebook.

Does the Devil ever watch me work?

Don’t be silly.

With due respect, sir—I feel like the victim of blackmail.

Try to imagine how little concern I have about your feelings. And blackmail occurs when the participant is unwilling. You signed up for this job. You were eager.

I’m IMPORTANT.

And there we have it. Vanity. Of all the sins, it has the most tangles. One tries to escape its consequences by asserting greater vanity.

I don’t understand.

No, you wouldn’t. But unless you somehow come to your senses, and soon, you’ll pay the price.

I object to this whole conversation.

Little man, you have no standing to object in our court. As presently configured, you’re an asset, a disposable piece of property.

I wasn’t aware I was involved in a legal proceeding.

In this domain, EVERYTHING is a legal proceeding. That’s why they call it Hell.

I’m ANTHONY FAUCI.

Can you feel the heat? You’re coming closer to the Burning Lake.
Go back to your life. You have one more chance. And if you ever show up at a baseball game again without a mask, we’ll give you a stroke.

What??

Joe Biden had two brain aneurysms in 1988. You see how he turned out. Do you want to be a Biden?

No, sir. Absolutely not. I’m sorry.

Then mend your ways, Anthony.

I think I need to see a psychiatrist.

My secretary will be in touch. We have a list of solid professionals.

I’m going up and down. Maybe I’m bipolar.

Anthony, lean closer. There are no defining lab tests for any so-called mental disorder. You’re just a moral coward. Why do you think we chose you?

Because I’m photogenic? Hillary Clinton told me I’m handsome.

Have you taken a good close look at the specimen she’s married to?

Why am I such a big shot in my life and such a disappointment to you here? I’m not used to being treated this way. I’m the head of the National Institute of Allergy and Infectious Diseases and the chief medical advisor to the President. I’ve advised every President since Ronald Reagan. The New Yorker and The New York Times have described me as one of the most trusted medical figures in the United States. I’ve developed therapies for polyarteritis nodosa, granulomatosis with polyangiitis, and lymphomatoid granulomatosis.

You’re quoting your Wikipedia page.

I’ve memorized it.

Anthony, people look at your puffed-up reputation. I look at YOU.

It’s not fair.

Really? That’s what you’re going with? Fair? Think of us as a production studio, Anthony. We took you on. Granted, we gave you a significant role. But when an actor can’t keep his lines straight, when he wanders off-script, when he endangers the whole project, we enact harsh penalties.

All due respect, sir, you want me in my role. You need me in my role. That’s the truth. You can’t handle the truth. I’m bigger than you are.

This interview is over, Anthony. I’ll write my report and forward it to my supervisor. A piece of advice: when you go to sleep at night, make sure you’re wearing asbestos pajamas.

Frankly, my dear, I don’t give a damn. Go ahead, make my day.

—Suddenly, Fauci finds himself sitting in a police station. A grim cop is hovering over him.

“OK, Fauci, your story checks out. You were out of town the day of the murder. You’re free to go. Get the hell out of here. By the way—one of those little stores your boys collect protection money from? The owner couldn’t pay up. He just committed suicide. Left his wife without a husband and his kids without a father. The DA is looking into it.”

In a daze, Fauci stumbles to the exit and opens the door. It’s raining outside. He looks down. He’s about to step into a puddle. He scrutinizes it for any signs of fire…

He hears a howl. It sounds like a lone animal baying in the forest.

The howl is coming from his own mouth.

People in the street look at him.

“Don’t worry,” he says quickly. “I’m DOCTOR FAUCI. Get tested. Take the vaccine. It’s perfectly safe. Wear two masks.”

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

A hundred years in the future: joy during the lockdown

by Jon Rappoport

August 12, 2021

(To join our email list, click here.)

A dreamer dreams many things. In this case, he was merely walking from his living room to the kitchen, and a thought struck him, and he went AWAY for a few seconds, and a dream laid itself out like a fresco…then folded up and disappeared. He shook his head and resumed walking to his kitchen to make coffee. Crazy, he thought. Where did THAT come from? He looked at his watch. Another day in lockdown.

THE DREAM:

On May 14, 2266, the New England Journal of Medicine and Psychology published a paper titled:

WHAT IS ‘A NEGATIVE CONSEQUENCE?’

A quote: “Brain research discovers common patterns of activity across a whole population. These patterns would be called ‘normal’. Exceptions would be classified as various categories of ‘disordered thought’. It’s assumed that only ‘harmonious and symmetrical’ brain patterns are positive and beneficial.”

A reader commented: “This assumption is grossly false. It’s a stunted version of aesthetics. Creative force always breaks out of these little geometries. So does every new idea. Increasingly, Earth culture is unable to understand this.”

—The reader receives a government notice and is summoned to a hearing. He’s interviewed by a virtual AI employee of the federal Department of Stat Research.

HOLOGRAPHIC i-FIGURE: “Are you all right during this epidemic lockdown? I see you live alone.”

“Yes, I’m fine.”

“We want you to enjoy yourself. Are you watching learning programs?”

“No.”

“Why not?”

“I don’t like them.”

“Well, we have a report on you. It indicates an output difficult to measure or interpret. What can you tell us about this?

“I don’t know. I’m composing a symphony.”

“A symphony? What is that?”

“It’s a piece of music written for a large orchestra.”

“I find no extant orchestras in the country.”

“That’s true. Nevertheless, I’m composing.”

“Why?”

“For that day when an orchestra may come into being again.”

“Your thought-impulses entered ranges we were not able to summarize.”

“I suppose that means your instruments are limited.”

“Your last statement might be viewed as incendiary. It suggests we are imposing a restriction. As you well know, the science is settled on this point. We measure and interpret thought that contributes to an overall positive outcome, for the population at large.”

“I’m aware of that, yes. But the science rests on certain assumptions. I would call it greatest good as a lowest common denominator.”

“What do you mean?”

“You assume a certain mindset contributes to the consensus reality you favor. You legislate a range of thought that will produce the consensus.”

“That’s a gross oversimplification.”

“It doesn’t describe the algorithms you employ, but all in all I believe my summary is correct. You’re reality makers. You monitor thought-emissions, and when you find a departure from ‘combined averages,’ as you call them, you issue a citation.”

“What is this symphony you’re composing?”

“It’s impossible to explain. It’s music.”

“It has a specific message?”

“No. If it did, I would write out the message and leave it at that.”

“Why have we not heard of you before?”

“I was doing illustrations for the Happiness Holos.”

“We know. What happened?”

“I became bored. A machine could make those pictures. So I decided to compose music.”

“The Happiness Holos are an essential social program.”

“Perhaps. They encourage people to stay on the positive side of a construct called Positive&Negative, which as you know is a State-sponsored theme. But what is superficially indicated by those two opposing sets is, in fact, fuel for the fire.”

“Fuel for what fire?”

“The artist can use and transform any material.”

“Where did you hear such a thing?”

“Nowhere. I’ve experienced it many times.”

“Your views are highly eccentric. I will have to consult your childhood history to understand their roots.”

“I’m afraid that won’t do you any good.”

“Why not?”

“Because your version, the US Department of Psychology version of cause and effect, is propaganda for the masses.”

“This is your idea of a joke?”

“Not at all.”

“When you compose this…symphony, how do you think?”

“It’s not thinking in the way you use the term.”

“No? Then what do you do?”

“I invent sound.”

“Preposterous.”

“Large masses of sound.”

“Absurd. According to what underlying pattern?”

“None. Check the Library of Structures. I doubt you’ll find my activity in the catalogs.”

“Only known structures and patterns are contained in the files.”

“I don’t invent through pattern.”

“No? How then?”

“I improvise.”

“And this term refers to?”

“Something done spontaneously.”

“And you exceed prescribed ranges of thought in the process.”

“Perhaps. I would hope so. I don’t keep track.”

“You’re being flippant.”

“I assumed you’d eventually cite me. I’m just composing music during the lockdown.”

“There is no citation yet. You’re an anomaly. We investigate. We consider.”

“I’m afraid your and my idea of ‘consider’ are quite different.”

“Let me ask you this. When you are composing, do you ever believe you enter into a realm or area that could be called ‘non-material’? We’ve heard such claims before.”

“Not if you’re referring to some fairyland. But all thought is basically non-material. The brain registers it after the fact. Thought, the real thing, doesn’t take place in the brain.”

“You’re deluded. And disordered.”

“If I could simply confess to that and be on my way, I’d be a happy man.”

“You live in a society. To keep the peace and maintain the Positive, science has discovered that thought should occur within certain parameters.”

“If you insist.”

“We want to study you. It’s a great honor to be called. You could help extend the boundaries of research…we register variation from the norm in your present thinking.”

“What present thinking?”

“What you’re thinking right now.”

“That was quick.”

“The readouts are instantaneous…what are you doing?”

“I’m starting the fourth movement.”

“Wait. What you’re doing is disruptive.”

“It’s because of how you set your frequencies.”

All along the major esplanade, and in the lake area, and in the industrial parks and residential high rises, virtual structures shattered like glass.

The i-figure went dark.

A thousand holographic government buildings froze and vanished.

The composer said to no one, “I’m just composing. Well, apparently not just.”

—Back in his room at the edge of the city, he said, “I suppose that’s what they mean by a negative consequence.”

He sat down at his computer and turned it on. Before he went to the composing page, he had to click on a sunburst icon and read a government message for the day. It appeared:

“We want everyone to be happy during the lockdown. This is very important. Because much government function is being carried out by virtual assistants, we’ve encountered a disruption in service owing to a segment of Disorder entered into our Net. Please be patient. Repairs are underway. These are learning experiences for us. There is always a certain amount of disordered thought in the environment. Most of it is unintentional. We welcome the opportunity to study such examples. As a member of the educated class, we’re sure you can appreciate the research aspect of our work. Thank you for your patience. Food deliveries will be delayed by a factor of…two hours. Our latest figures indicate 2,147 new epidemic cases have been detected in your sector in the last 24 hours. Re-testing is underway. Please place your hand on the screen now…thank you. You may remove it. Just a moment…we’re unable to process your assay at this time. You’ll receive a message indicating your viral status as soon as the system is up and running again. End of message.”

The composer plugged a small module into the side of his computer. The screen went red. Black letters formed: DISEQUILIBRIUM. He pressed the send key.

The encrypted score of the first three movements of his symphony set out on a rapidly changing zig-zag journey to a series of caverns below cities in Belgium, Switzerland, Germany, Italy, America.

A program consisting of the synthesized instruments of a full orchestra read the score and began to broadcast the music to small groups of people sitting in the caverns…

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Bombshell: FDA knew all along there would be many COVID cases among the fully vaccinated—and buried that knowledge

by Jon Rappoport

August 11, 2021

(To join our email list, click here.)

First of all, I have to re-emphasize a point I’ve made many times: SARS-CoV-2 doesn’t exist. I’ve been proving that for over a year.

BUT I don’t stop there. I temporarily enter the official world where people assume the virus does exist, and I reveal many internal contradictions and lies and cover-ups within that world.

Some readers, who possess sub-standard literacy, believe I’m contradicting MYSELF. They think I’m saying the virus doesn’t exist and does exist.

Wrong.

Analogy: People sitting inside a theater are watching a movie, and they believe it’s a real world. They react in all sorts of strange ways, based on that assumption. You’re standing outside the theater, looking through the window. You can just say, “They’re all crazy,” and leave it at that, or you can say, “They’re all crazy,” and THEN walk inside the theater and get a good look at what they’re up to as well. That’s what I do.

That’s what I’m doing in this article, which is about the FDA and their emergency authorization of the COVID vaccine, despite knowing the vaccine didn’t pass muster, didn’t even vaguely rank as effective in the clinical trials.

Because lots of people in the clinical trial became COVID cases after being vaccinated.

In other words, the FDA knew, right from the get-go, that many so-called breakthrough cases would develop. They knew many vaccinated people would become COVID cases.

This knowledge should have prevented the FDA from granting emergency use authorization for the vaccine—but it didn’t.

(Reminder: We’re in the crazy fake theater now, where the virus is real, the PCR test is meaningful and accurate, the vaccine is necessary.)

Here we go.

The document, posted on the FDA website, is titled, “Vaccines and Related Biological Products; Advisory Committee Meeting; FDA Briefing Document Pfizer-BioNTech COVID-19 Vaccine.” [1]

It is dated December 10, 2020. The date tells us that all the information in the document is taken from the Pfizer clinical trial, based on which the FDA authorized the vaccine for public use.

A key quote is buried on page 42: “Among 3410 total cases of suspected but unconfirmed COVID-19 in the overall study population, 1594 occurred in the vaccine group vs. 1816 in the placebo group [who received a saltwater shot].”

Those shocking numbers have never seen the light of day in news media.

The comparative numbers reveal that the vaccine was not effective at preventing COVID-19. It was certainly not 50% more effective than a placebo shot—the standard for FDA Emergency Use Authorization.

To make all this clear, I need to back up and explain the theory of the vaccine clinical trial.

The researchers assumed the SARS-CoV-2 virus was spreading everywhere in the world, and during the clinical trial, it would descend on some volunteers.

The billion-dollar question was: how many people receiving the vaccine would become infected, vs. how many people in the placebo group?

If it turned out that FAR FEWER people getting the vaccine became infected with SARS-CoV-2, the vaccine would be hailed as a success. It protected people against the virus.

But as you can see from the numbers above, that wasn’t the case at all.

So now we come to the vital weasel-phrase in the FDA document I just quoted: “suspected but unconfirmed COVID-19 [cases].”

“Well, you see, we can’t say these were ACTUAL COVID-19 cases. Maybe they were, maybe they weren’t. They’re in limbo. We want to keep them in limbo. Otherwise, our clinical trial is dead in the water, and we’ll never get approval for the vaccine.”

What does “suspected cases” mean? It can only mean these people all displayed symptoms consistent with the definition of COVID-19, but they’re unconfirmed cases because…their PCR tests were negative, not positive.

However, if their tests were negative, why would they be called “suspected cases” instead of “NOT CASES”?

Something is wrong here. The FDA is hedging its bets, muddying the waters, obscuring facts.

By FDA/CDC rules, a case of COVID-19 means: a person has tested positive, period.

That’s the way cases are counted.

These thousand-plus volunteers in the Pfizer clinical trial were either COVID-19 cases or they weren’t. Which is it?

The official response to that question is obvious: the FDA decided to throw the data from all those “suspected cases” in the garbage and ignore them. Poof. Gone.

Why do I say that?

Because if the FDA had paid serious attention to the “suspected cases,” they never would have authorized the vaccine for public use. They would have stopped the clinical trial and undertaken a very deep and extensive investigation.

Which they didn’t.

This is called a crime.

“But…but it’s not that simple. This is a complex situation. It’s a gray area.”

“No. It isn’t. If you were running a clinical trial of a new drug, and a few thousand people in the trial, who were given the drug, nevertheless came down with the disease symptoms the drug was supposed to cure, wouldn’t you cancel the trial and go back to the drawing board?”

“You mean if we were being honest? That’s a joke, right? We’re not honest. Don’t you get it?”

Yes. I get it. You’re criminals. Killers.

But wait. There’s more. The FDA document also states: “Suspected COVID-19 cases that occurred within 7 days after any vaccination were 409 in the vaccine group vs. 287 in the placebo group.”

That’s explosive. Right after vaccination, 409 people who received the shots became “suspected COVID cases.” This alone should have been enough to stop the clinical trial altogether. But it wasn’t.

In fact, the FDA document tries to excuse those 409 cases with a slippery comment: “It is possible that the imbalance in suspected COVID-19 cases occurring in the 7 days post vaccination represents vaccine reactogenicity with symptoms that overlap with those of COVID-19.”

Translation: You see, a number of clinical symptoms of COVID-19 and adverse effects from the vaccine are the same. Therefore, we have no idea whether the vaccinated people developed COVID or were just reacting to the vaccine. So we’re going to ignore this whole mess and pretend it’s of no importance.

Back in April of 2020, I predicted the vaccine manufacturers would use this strategy to explain away COVID cases occurring in the vaccine groups of their clinical trials.

It’s called cooking the data. It’s a way of writing off and ignoring COVID symptoms in the vaccine group.

And the FDA document, as I stated above, just puts an impenetrable cloud over all the volunteers in the Pfizer clinical trial by inventing a category called “suspected but unconfirmed COVID-19 cases,” and throwing those crucial data away, never to be spoken of again.

I’m speaking about them now. Any sensible person, looking at them, would conclude that the vaccine should never have been authorized.

Unless fraud, deception, profits, and destruction of human life via the vaccine were and are the true goals.

Finally: When you have “suspected cases,” and their ultimate status depends on doing a test, you do the test. You do it as many times as you need to, until it registers positive or negative. Then each “suspected case” becomes an actual case or no case at all.

Perhaps these “suspected cases” in the clinical trial were tested, and many of them came up positive, revealing they were actual COVID cases—but the researchers lied and covered up the fact that they were tested.

Or if you really don’t want to know whether “suspected cases” are actual cases, you don’t test them. You leave them in a convenient limbo and park them, never to be seen again.

Either way, the situation is patently absurd. By official standards, the PCR test decides whether a person is a case or not a case. Just do the test. Saying “we don’t know” is nothing more than a con and a hustle.

I’d love to hear the researchers try to talk their way out of this one. Here is how the conversation might go:

“So you’re saying these several thousand suspected COVID cases couldn’t be adjudicated one way or another?”

“That’s right. Their PCR tests were ‘indeterminate’.”

“That says something devastating about the test itself.”

“Well, sometimes you just can’t tell whether it’s positive or negative.”

“I see. And this ‘indeterminate’ result occurred in more than a THOUSAND suspected cases.”

“I guess so, yes.”

“You know, you could have done something else with these suspected cases. A different test. You could have taken tissue samples and looked for the virus itself in a more direct way.”

“No. That wouldn’t work.”

“Why not?”

“Because…the actual virus…”

“Because no one has been able to come up with a specimen of the actual SARS-CoV-2 virus.”

“Right.”

“So tell me—what does that indicate? I’ll tell you what it indicates. You can’t prove the SARS-CoV-2 virus exists. It doesn’t exist.”

“I have to go. I’m late for a meeting.”

“You’re late for more than just a meeting. Is it true a person becomes a virologist by cutting out a coupon from the back of a comic book and mailing it to a PO Box in Maryland?’

“Absolutely not. That’s outrageous.”

“What then?”

“The PO Box is in Virginia.”

SOURCES:

[1] https://www.fda.gov/media/144245/download

power outside the matrix

(To read about Jon’s collection, Power Outside The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The Future of the Future

by Jon Rappoport

August 10, 2021

(To join our email list, click here.)

“An artist who has no imagination is a mechanic.” (Robert Henri)

“Without the playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of imagination is incalculable.” (Carl Jung)

“What if imagination and art are not frosting at all, but the fountainhead of human experience?” (Rollo May)

“Everything you can imagine is real.” (Pablo Picasso)

“You cannot hear the waterfall if you stand next to it. I paint my jungles in the desert.” (Macedonlo de la Torre)

Face it. For various reasons, the human race is addicted to solving problems, even where problems don’t exist.

But imagination, unchained, would take us into a wholly different arena.

At some point in the future, art will intersect with reality in a way that exceeds any transformation yet seen.

I can’t put a number on the year or the century in which this will occur, but it won’t matter, because when it does happen, something will also happen to time itself…

As a result of art, language will change. A new layer will be added to the way we think and talk, and this layer will impregnate us with new esthetics which are impossible to define or label.

What was mystery becomes fact, but not rationally surrounded fact. It is immediacy of experience. In every second, we are alive. And a new language facilitates that.

For all this to come true, we need, above all, imagination—unchained.

Here is an introduction made by the famous astrologer and philosopher, Dane Rudhyar, before a concert of his music almost 40 years ago:

“Thus you find in my music extended chords which provide a definite sense of spacing between notes, notes which are supposed to be in dissonant relationship. These harmonies can be disturbing at first, but eventually you can learn to realize what is their essential purpose; and this purpose is to stimulate you, to arouse you, to break down crystallization…

“It is that kind of music to which you are subjected tonight. I hope that it will bring to you some sort of a realization of a possibility which perhaps you have not been aware of, or confusedly so, in the past. To really help you to live a more intense, a more creative life — this is the purpose I have always had in music, in other arts, or in my philosophy, astrology — indeed in whatever I have done. It is always an attempt to bring the human person away from the old traditional pattern of a classical, set and definite kind of society, and to lead it to new horizons where the creative factor in what really is man can be seen operating in full and glorious freedom.”

Paul Klee: “To emphasize only the beautiful seems to me to be like a mathematical system that only concerns itself with positive numbers.”

Klee was intimating that our language could be expanded so that it exceeds the possibility of translation back into prosaic terms.

What we are has the potential to invent art out along an infinite number of roads—and in doing so, we surpass any previous form of language. And when THAT happens, our communication with one another reaches new heights and depths. There is nothing technical or scientific about such a momentous breakthrough.

We tend to place a tremendous emphasis on UNITY in our culture. But the truth is, evolution is taking us in another direction. When this false unity fragments enough, we discover another possibility. The unique character of every individual can be taken to its extreme, and then we arrive at millions of different ways of being artists.

This is the future.

As improbable as it may seem, it has wings.

Magic is nothing more and nothing less than imagination superseding this universe. Magic occurs when imagination takes this reality for a ride.

Which brings us to what I call the Is People. The Is People are dedicated with a fervor to insisting that this Continuum and this consensus reality are inviolable, are the end-all and be-all.

They strive to fit themselves into Is, and this eventually has some interesting negative consequences. These people come to resemble solid matter. They take on the character of matter.

For them, imagination is at least a misdemeanor, if not a felony. It’s a blow to the Is of Is. They tend to view imagination as a form of mental disorder.

Technocrats like to gibber about imagination as if it’s nothing more than just another closed system that hasn’t been mapped yet. But they’re sure it will be, and when that happens, people will apparently give up creating and opt for living in a way that more closely resembles machines.

There are many people who secretly wish they were machines that functioned automatically and without flaws. It’s their wet dream.

Magic eventually comes to the conclusion that imagination creates reality. Any reality. And therefore, one universe, indivisible, is an illusion, a way of trapping Self.

What began as the physical universe, a brilliant work of art, ends up as a psychic straitjacket, a mental ward in which the inmates strive for normalcy. Those who fail at even this are labeled and shunted into a special section of the ward.

But the result of imagination, if pursued and deployed long enough and intensely enough, is:

Consensus reality begins to organize itself around you, rather than you organizing yourself around it.

There are various names and labels used to describe this state of affairs, but none of them catches the sensation of it.

Magic is one of those labels.

What I’m describing here isn’t some snap-of-the-fingers trick of manifestation; it’s a life lived.

The old alchemists were working in this area. They were striving for the transformation of consciousness. In true alchemy, one’s past, one’s experience, one’s conflicts all become fuel for the fire of creating new realities. Taken along certain lines, this is called art.

One universe, one logic, one Continuum, one role in that Continuum, one all-embracing commitment to that role, one avenue of perception, one Is…this is the delusion.

And eventually, the delusion gives birth to a dedication to what “everyone else” thinks and supposes and assumes and accepts. This is slavery.

Freeing one’s self, living through and by imagination, is not a mass movement. It’s a choice taken by one person. It’s a new and unique road for each person.

Societies and civilizations are organized around some concept of the common good. The concept always deteriorates, and this is because it is deployed to lower the ceiling on individual power rather than raise it.

“Be less than you are, then we can all come together in a common cause.”

It’s essentially a doctrine of sacrifice—everyone sacrifices to everyone else, and the result is a coagulated mass of denial of Self.

It is a theme promoted under a number of guises by men who have one thing in mind: control.

It’s a dictatorship of the soul. It has always existed.

Breaking out of it involves reasserting the power of imagination to invent new and novel realities.

Under a variety of names, this is art.

Promoting the image of the artist as a suffering victim is simply one more way to impose the doctrine of sacrifice.

In 1961, when I began writing and painting in earnest, I had a conversation with the extraordinary healer, Richard Jenkins, whom I write about in my book, The Secret Behind Secret Societies. This is my note from that time about what Richard told me:

“Paint what you want to, no matter what anyone else says. You may not always know what you want to create, but that’s good. Keep working, keep painting. You’ll find your way. You’ll invent something new, something unique, if you don’t give in. You’ll see everything in a new light. Reality is a bad joke. It’s nothing more than what everyone assents to, because they’re afraid. They’re afraid of what people will say. They’re afraid they have far more power than they want to discover. They’re afraid that power will lead them away from common and ordinary beliefs. They’re afraid they’ll become a target for the masses who have surrendered their own lives and don’t want to be reminded of it. They afraid they’ll find out something tremendous about themselves…”

Nothing I’ve experienced in the 50 years since then has diminished what Richard said to me.

These fears are all illusions that disintegrate when a person shoves in his chips on imagination and makes that bet and lives it.

This new language—what does it consist of? Heightened ecstatic impressions, a sense of thrilling dynamic motion, images, emotions on the aesthetic plane, and other qualities too immediate to describe. These are all in flux. There is no aim to “trap them in a bottle.” Trapping them would change their nature. The “procession of packets of energy” in some cases might appear to tell a story, but a story without the usual plotlines, without beginnings, middles, or endings.

It is a language we have known before and will know again. It is an expression of imagination itself, and it contains, as direct experience, all those desired exaltations and triumphs and joys and powers that we once thought were hidden from us, like mountaintops in the clouds. But instead, they are right here. They are flowing from person to person. They are the substance of daily life. They are vision finally realized. But they are not an ending. They are rivers.

Art is dangerous to authorities.

In 1891, Oscar Wilde wrote: “Art is individualism, and individualism is a disturbing and disintegrating force. There lies its immense value. For what it seeks is to disturb monotony of type, slavery of custom, tyranny of habit, and the reduction of man to the level of a machine.”

Authority wants limited perception.

It wants “things as they are” to rule the day.

It wants the fire of creative exploration to go out and turn to ashes.

Art is dangerous. It makes people move out of standard-response channels.

They don’t see what they’re supposed to see anymore.

That’s why schools teach brain-deadening courses in art history. Every attempt is made to codify the students’ reactions.

I’m not just talking about political art. I mean ANYTHING that truly comes out of reliance on imagination.

Those who run things—and their willing dupes—want reality to look a certain way and be experienced and felt in certain ways. These limited spectra form a shared lowest common denominator.

Even so-called spiritual experience is codified. It’s called organized religion. I call it “give money to the ceiling.” You give your money and they tell you high how the ceiling of your experience is and what you’ll find when you get there.

Art has none of these limitations. It’s created by people who’ve gone beyond the shrunken catalog of emotions, thoughts, and perceptions.

Art, by which I mean imagination, throws caution to the winds. It invents realities that engender new reactions, never before experienced.

The hammer blows and the soft propaganda of the common culture install layers of mind control: “See things, experience things in these prescribed ways.”

Over the years, I’ve encouraged a number of people to become artists. Aside from the work they then invented, I noticed their whole approach to, and perception of, life altered radically.

Their sense of vitality, their courage, their adventurous spirit came to the foreground.

Mind control, both externally applied and self-induced, is all about putting a lid on creative power. That is its real target.

Technocrats would like you to believe that hooking your brain up to some super-computer will fulfill your needs and desires. They seek to prove that all invention, all creation, all art, all imagination is merely a set of calculations within a closed system.

This effort betrays their own despair: they see no way they can truly create.

It is the vacuum in which all elites live. They build up a frozen dead consciousness of models and algorithms and “solutions,” and they seek to impose it, as reality, on the minds of populations.

Essentially, they’re saying, “If we have a soul-sickness, you have to have it, too.”

It’s called hatred of life.

On the other hand, individual creative power launches from a platform of freedom and rises through layer upon layer of greater freedom.

From that perspective, authoritarian power looks like a sick-unto-dying charade.

There are two levels of fake news. The first one, many people know about. This is false and deceptive information broadcast by major media, to keep the public from discovering what really goes on under the surface and behind the veil, where power is used.

The second level, very few people understand. It is owned and operated by what I call the Wizards of Is. They say, “Now this IS and that IS and here is something else that IS…keep looking and thinking about what is, what already exists.”

“Familiarize yourself with everything that already exists. We will give you an endless supply of things and ideas you can peruse and feast on. We will give you what exists. Look at all these things and accept them. Keep doing that.”

The corollary is: There is nothing for you to create. Everything that can be created is being created. You yourself have no power to create.

This is the deeper lie. This is where the battle stops and the individual surrenders.

This is where the individual who could be more becomes less.

This is where the artist is still-born and decides to live in half-light.

This is also where vital energies deplete and peter out.

This is where the machine takes over.

OR…

The individual can wake up and deploy his imagination.

Without limit.

This is where the new battle begins. This is where the artist sets aside all the standard responses and petty emotions and, instead, INVENTS.

This is where fear is blown away.

This is where the individual reacquaints himself with his deepest drives.

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.