by Jon Rappoport
December 23, 2021
(To join our email list, click here.)
—I’m republishing this piece because protests against vaccine mandates are rising across the world; and so are brutal lockdowns and fascist takeovers of nations. The clash is intensifying.
Here in the US, we have a demented mandating nut in the White House, and another nut who left the White House last year and keeps pumping up his destructive Warp Speed vaccine, as he currently tours the country.
“Omicron” is very much a movie title. Fear the Omicron. It attacks by night. And it’s being used to explain all the people having heart attacks and dying after vaccination.
The compliant people of the world ARE being treated to the movie called COVID. They’re in it, unfortunately. No virus, but instead a plot line about a virus. The producers (e.g., Bill Gates) already have all the money they need. But they’re not in it for the money alone. They want to cause pain and leverage control of the planet. It’s their wet dream.
OK. Here we go:
Wikipedia has a page listing “films about viral outbreaks.” I count 134 titles. Obviously, the theme has legs.
A few of the more famous movies: I am Legend; The Omega Man; The Andromeda Strain; Outbreak; Maze Runner: The Death Cure; Resident Evil: Apocalypse; Contagion.
My overall review: ridiculous plots; fear porn; softens up the public to accept the notion of pandemics.
Manufacturing 134 movies on one subject, you can sell almost anything. Zombies, toasters, alarm clocks that have long noses, golf balls from Mars, cave women with flawless teeth and perfect makeup and salon-sculptured hair and carefully engineered cleavage.
But in this case, it’s viruses.
At rwjf.org, there’s an interesting interview with Scott Burns, who wrote the screenplay for the 2011 film, Contagion, and the technical consultant on the project, Dr. Ian Lipkin, director of the Center for Infection and Immunity at Columbia University. Here are excerpts:
Scott Burns: “Obviously I worked with Ian, and early on I also met Dr. Larry Brilliant, who was very helpful [and certainly brilliant]. I had seen Larry’s TED talk where he showed the Malthusian charge through the world the virus would have. I also worked with Laurie Garrett on the movie, because she had written this book, The Coming Plague, which was very, very useful to me in sort of teasing out how these things have a medical component, but they also have a social justice component and a political component and all sorts of interesting aspects of human behavior.”
Dr. Ian Lipkin: “I started very early with Scott. There were a lot of people who contributed—CDC, WHO and others… Scott would bounce ideas off of me and others in his ‘brain trust’ and most of the time we were in accord. My role grew dramatically over the course of production. It began with just a consultation, and then I rapidly moved into helping the set designer in designing the virus, and we had a few days where we had actors come to the lab and spend some time working at the bench, learning how to pipette and look through microscopes and get into gowns and such. And even at the very end, I was working with the sound engineer, recording sound for the movie—lab background and that sort of thing. I did a lot of traveling with the crew. It was like a circus.”
“We settled on that virus [a paramyxovirus] within the first half an hour with Laurie and Scott and I, high above Columbus Circle in New York. We threw out a number of possibilities to Scott and he batted them down, and then one came to mind that struck me as the perfect choice, simply because there had been some reports earlier suggesting this virus, which wasn’t readily transmissible, had become readily transmissible to humans—that was Nipah. It also gave Scott and the director and actors an opportunity to do more than just cough and die. They could develop seizures, they could have hallucinations—all sorts of things that were much more interesting than a standard respiratory disease. We settled on that really within the first thirty minutes, and then Scott went back, thought about it and decided it was a good way to run. It doesn’t take much fuel for him to run quite a distance.”
Turns out that designing a movie about a pandemic is pretty much the same sort of project as designing a fake COVID pandemic in the world.
You pick out a story about a virus, give it an authentic feel, embroider it, and sell it.
People buy it.
In the interest of balance and fairness, I’ve written a few notes for a screenplay that would take a different approach:
In New York, the body of a dead virologist floats to the surface of the East River.
After a brief round of speculation that he might have perished from a mysterious viral infection, the coroner announces the cause of death was three gunshot wounds to the head. In other words, possible suicide while swimming.
A lone NYPD detective (divorced, alcoholic, disparaged by fellow officers, heroic) discovers the dead virologist’s notebook inside the freezer in the virologist’s apartment.
He thaws it out and reads this: “The coronavirus has never been isolated. It’s a fake. They’re selling a fairy tale about a virus.”
Two days later, a beautiful woman doctor (with engineered cleavage) from the CDC shows up at the detective’s apartment. Somehow she knows the cop has found the virologist’s notebook.
They talk. The mutual attraction should be immediately evident. If not, the brief cuts of sex they’re having on the floor provide sufficient evidence for the audience.
Two days later, the beautiful CDC doctor disappears.
The police detective is warned (anonymous phone message) to stay away from the case of the dead virologist.
Hey, it’s a B movie. Low budget. Could shoot the whole thing over a weekend in Manhattan.
But we need some kind of twist.
So it turns out the detective, the dead virologist, and the beautiful woman doctor from the CDC are just story ideas in the mind of a screenwriter, who, in the movie, is pitching the project to producer pals in an office high above Columbus Circle.
He’s pitching a movie that exposes a fake virus and a fake pandemic.
But wait. There’s more. In a mind-bending revelation, we learn that the screenwriter and the producers are secret agents from a distant planet called PROPAGANDA.
They’ve come to Earth to promote a fake pandemic…but a conflict has developed among them. The screenwriter has decided he wants to blow the whistle on his bosses from PROPAGANDA, and the producers want to carry out their mission to sell the people of Earth fake COVID-19, as if it were real.
The movie is basically an extended conversation about fake vs. real, virus vs. no virus, pandemic vs. hoax.
As the screenwriter earnestly pitches his film, his ideas will come to life, briefly, on the screen: there’s enough cleavage, sex, and murder to satisfy the Hollywood code.
Will the agents from the planet PROPAGANDA succeed in selling Earth the notion that COVID is real? Or will the heroic defector, the screenwriter, succeed in foiling the whole operation?
Stay tuned…
The 134 Hollywood movies about outbreaks of viruses aren’t only programming audiences. They’re instruction manuals for planners who launch fake pandemics.
Definition of “fake pandemic”: a movie that is happening in the world, not on a screen, in which the suffering and the pain are REAL—but are not the result of a virus. For further reference re pain, see “lockdowns, mask mandates, business bankruptcies, suicides, vaccine damage, police state.” For lunacy and true believers, see “deranged hostile masked vegan Whole Foods shoppers, and so-called science bloggers living in mommy’s basement.”
Definition of “virus”: any presumed particle that has never been isolated.
Definition of “virologist”: any person who pretends to discover tiny particles that aren’t there.
Alternate definition of “fake pandemic”: any medical event involving large numbers of people that never ends. For further reference, see “keep wearing two masks after being vaccinated and THEN being diagnosed with COVID.”
Immortal quotes from Hollywood virus-movies:
Outbreak, Dustin Hoffman—“I’ll say it one last time. These [infected] people that you’re going to bomb are not the enemy. We can kill the virus without killing these people. I swear on my soul that the President does not have the facts. He doesn’t know we have a working serum [antidote].”
Contagion, Jennifer Ehle—“Somewhere in the world, the wrong pig met up with the wrong bat.”
I Am Legend, Will Smith— “Blood tests confirm that I am immune to both the airborne and contact strains…Vaccine trials continue, I’m still unable to transfer my immunity to infected hosts. The Krippen Virus is… elegant…Hmm, a behavioral note, um, an infected male exposed himself to sunlight today. Now, it’s possible decreased brain function or the growing scarcity of food is causing them to…ignore their basic survival instincts. Social de-evolution appears complete. Typical human behavior is now entirely absent.”
Would you buy a used car from these people?
Definition of Hollywood actor: a person who can utter ANY line in a script without showing the smallest trace of embarrassment, in exchange for a paycheck—and in interviews casually refers to himself as an artist, and when speaking of Hollywood, deploys the possessive phrase, “in our industry.”
(To read about Jon’s collection, Power Outside The Matrix, click here.)
Jon Rappoport
The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.
Cupids Dream
Across the gaping chasms of time
Where creation’s agony
Echoes through the bloody eons
Came the erotic dream of love universal,
Commandeered by that rascal Cupid
With his lusty potion sublime
Creating this carbon phantasm,
Dancing on the edge of the Abyss
Performing love’s cruel pantomime
Behind the lips of passion’s kiss,
Where the precious seed of life
Rides the currents and eddies
Of this mysterious celestial cataclysm,
Creating the mortal shadows
Of Eternal beauty’s delight
Where love sings its tragic aria
To the laughing stars of fate
As we sculpt our being
From the agony and ecstasy
Of each precious moment,
Where love’s delicate rose
Rides above her thorny atonement
And tho bloody strife
Stains the pages of history
Love blooms to the edge of infinity
Mystery of mysteries!
And though love seems to always
End with a song sung blue
How many faces does it show us
As it keeps on changing hue,
Did not Paris steal beautiful Helen
Whose face launched a thousand ships?
Did not gifted Orpheus
Pursue Eurydice through the gates of hades
Stunning the gods of the underworld
With the haunting melodies of his lyre?
And what of a love potion’s skullduggery
That captured Tristan and Iseult
In the throes of their secret adultery,
What of Romeo and Juliet’s
Star crossed encounter
That cast their love from fate’s parapet,
Did not love turn volatile
With Antony and Cleopatra
Where love’s changing weather
Gave in to spasms of dread and delight
Joining them in death together,
Then came Beatrice
Whose vision inspired
The bloom of Dante’s passion
Allowing his poetry to blossom
And to his divine comedy fashion,
Now, after all the loves of my life
I wonder, I wonder
Did I ever know love at all
Was it all just a midsummer night’s dream
Where love looks with the mind
And winged Cupid is painted blind,
A moment, a few sweet breaths
Are all I am left with
As I slide down to oblivion,
Lonely beyond words
Grasping at life’s trembling mast
Tempest raging all around,
What did it all mean
Where did love go
Leaving me abandoned
To a beautiful blanket of a deep snow
Outside my frozen window pane,
With my aching soul bruised and bloody
I found true love at last
In a love that loves nobody.
I am in town at the post office
Gonna get me a sticky stamp
One of them old time presidents face
Or wedding rings and roses …
I’ll take the purple n white
I like the violets in the snow
That’ll match the sentiment in
This letter that I just wrote :
” My darling dear , I love you so –
I am fine – and how are you ?
I know sometimes life can be tough ,
Here’s a thought to help you through .
At times its the warm spring time that melts the ice
and the back brook runs and the fiddle head ferns get
the butter cups to dance along the velvet moss ….
But when the downy blanket lays
on past the sleepy dream filled days
watch for the purple hearted face …
Thou be that also my love .
To me you are a violet grown
Out from underneath the freeze
To me , you are a miracle
Everywhere , in everything .
Violets in the Snow , Welcome to River Country ,
Jennifer Arnold
MUST HEAR BROADCAST:
ALEX JONES (FULL SHOW) Wednesday 12/22/21 * Elon Musk Positioning Himself to Stop The Great Reset
https://www.bitchute.com/video/PUKpjxm5xtCk/
“Elon Musk Positioning Himself to Stop The Great Reset”
Always trust a stupid man.
Perhaps Technocrat Elon wants to rule the Realm someday and what better way than to tell normal people what they want to hear… just like Con-man Trump.
As for popular movies about the Killer Virus, the second Mission Impossible shilled this theme impecccably including the Evil ones causing the outbreak intentionally so that everyone is fearmongered into getting the Cure Jab that was ready & waiting.
You do understand that interview was on the Babylon Bee yesterday? And that what they manufacture is irony into the world of news. Humor, sarcasm, and ridicule.
Musk likes their humor and so is spreading some fake news to pump up the volume on his aggressors. Which he needs.
Understand these kind of people “need” attention, any kind of attention.
Musk is a Technocrat of the highest order, his grandfather Joshua Haldeman was an engineer and head of the Technocracy Inc. Movement in Canada. Based in Saskatchewan under a socialist NDP government, which enabled Technocracy Inc to be able to thrive, they agreed with his ideas. That was during the Great Depression, when the government was looking for quick solutions to the desperate mounting problems of all those Saskatchewan farmers.
There was a minor revolution of engineers back in the thirties that he was part of, that believed technocracy would save the world at that time during that depression and that politicians should be sweeped away in that progression of technocracy taking hold of civilizations, Nations and the natural world of resources and engineering control of it, through science, engineering, and academic thinkers…
https://europepmc.org/backend/ptpmcrender.fcgi?accid=PMC2485067&blobtype=pdf
https://archive.ph/mQrOU
“The historian William E Akin identified three wellsprings for budding technocrats: a growing fashion for [centralised] planning among progressive reformers; the popular mythology of the engineer as the [saviour] of American society; and the scientific management theories of Frederick W Taylor.”
Scientists/Scientism is a collective, it always has been, the oldest and the most entrenched in society. In its higher realms it comes from the old notion of the Alchemist and the philosopher stone, wizards with pointy hats. They originally started as a secret society. And that has never really changed. Science is purposely compartmentalized, and scientists except that as normal.
Musk is a scientist at heart, an engineer, a power monger and an extreme entrepreneur purposed with his ideas that he believes will save mankind. Including his escape plan for mankind on Mars.
He owns the largest satellite system on the planet; Neurolink? Open AI are you serious. He is deep within the sciences of neuro-technology and nanotechnology, and computer /brain interfaces? Space Ex, Electric Cars?
Wake up, he always will be, a top level technocrat.
Sounding very much like from one of the Doctor Who episodes: “Robot” (first season for Tom Baker as “The Doctor”).
“Scientific Reform Society” (SRS), in this case, was made to be the enemies.
Scamster would also be appropriate for that Mustang in Space prank. Siphon our tax dollars to use to use for Hollywood Inner and Outer Space cgi hoaxes… etc etc etc
Musk is a Hollywood actor. He reads from a script. In other words, he is perfect for the job slot his character resides in.
The corona hoax will continue until the new world banking system is fully installed:
https://www.lewrockwell.com/lrc-blog/melissa-ciummei-pandemic-will-end-when-their-digital-monetary-system-is-in-place/
34-minute video with occasionally obtuse Irish accent, totally worth deciphering. the nefarious Davos scheme of total domination cannot succeed without mass compliance – as always in human history:
https://www.lewrockwell.com/1970/01/murray-n-rothbard/overthrowing-the-state/
” . . . every tyranny must necessarily be grounded upon general popular acceptance. In short, the bulk of the people themselves, for whatever reason, acquiesce in their own subjection. If this were not the case, no tyranny, indeed no governmental rule, could long endure. Hence, a government does not have to be popularly elected to enjoy general public support; for general public support is in the very nature of all governments that endure, including the most oppressive of tyrannies. The tyrant is but one person, and could scarcely command the obedience of another person, much less of an entire country, if most of the subjects did not grant their obedience by their own consent.”
Just say no to Klaus Schwab, Biller at the Gates of Hell, Henry Kissinger, tiny Tony “Dr. Jaws” Fauci, Sandy “Hangin’ Scarf” Birx, WHO, CDC, FDA, IMF, BIS, World Bank, Gov. Gavin Nuisance, Gretchen “Cruella” Whitmer, Nasty Pelousy, Kathy Hochul, Lori Lightfoot, and the rest of the traitors to humanity.
YES WE CAN
WE have our work cut out for us.
Too many willingly-submissive sheople in our midst – who are so taken in by the idea of an external “knight in shining armor”- type hero to “kiss and make it all better” – instead of actually being an active participant in the real solutions.
This is a never-ending dystopic novel, come to life!
Amen to all that. Just read that Queen Gretch here in my floundering Michigulag will likely pull a reversal on Jab mandates after the holidays are over. I have ignored every edict since Feb2020 and will continue to do so — thanks to Jon’s eresearch thru this Planned Scamdemic.
Hollywood Absurdity
I once saw a trailer for a movie starring the fine actress Helen Mirren.
In the short excerpt, she is some sort-of crime-fighter?
The scene depicts her within a car, which is rotating (in mid-air, mind you), with her shooting out driver/passenger windows simultaneously, at the presumed bad-guys.
Now… that’s easily believable.
But…I noticed, one of her earrings was not rotating in space under centrifugal forces.
Now THAT!, doesn’t make sense.
That blows!
“Zombies, toasters, alarm clocks that have long noses, golf balls from Mars, cave women with flawless teeth and perfect makeup and salon-sculptured hair and carefully engineered cleavage.”
Don’t forget vicious, warrior female Klingons – wearing bright red lipstick!
Klingon women were hot until Star Trek: Discovery when the two genders were blurred into uh something gelatinous. And butch dykes.
Just as side note, and sort of same vein as article, conditioning, the word zombies is a con, in my opinion to condition us to injured people walking around, which question to ask is why. Why did the cons make the word and been pushing it last few decades. If people were walking around injured it would be because were attacked by something. The cons don’t us to care about anything, and want us to ignore attacks. They do everything so we don’t care, because that way there isn’t anyone there for us, either. So only the cons are in power doing whatever.
Most everything from holey wood or ‘tv’ is agenda. No such thing as zombies. There’s no ‘old meaning’ or other nonsense. Some cultures honor the dead with a day of rememberance, but that’s not what schemers are about, their bogus ‘walking dead’ ‘tv show’ which I couldn’t believe people sit letting media do the stuff they do, psych conditions. It’s a bogus word.
Its important to not use their words, any thing we do to not feed their cons, is energy for us. If there were injured people it would be from attack of some sort. Myself I made a deal with a friend if either of us was injured by some nuke or tech five g thing or whatever and couldn’t be saved whichever was ok would kill the other, so no state or military cons could take us somewhere. After all, why would we let people who ‘let’ something happen take us anywhere. Not talking about a car accident etc but if there were weird situations.
The cons jabbing at us with their poison needles every day, supposed ‘state’ people sitting around not stopping anything, I just look at reality and make more friends. Can say it feels better. Have been sensing more people are more open these days. Some are still ignorant but more are open than before the scamdemic. *Have a good day and don’t let the vax jabbers get us down.
Q: Hey, what’s 2,000 virologists at the bottom of the ocean?
A: A great start…
but it would also be considered a toxic spill.
Great blog article, Jon.
On tour now: Trump’s “Get your Warp Speed boosters now! I allegedly did but you don’t have to.”
This line does not fit:
“For lunacy and true believers, see deranged hostile masked vegan Whole Foods shoppers.”
The only hostile deranged Covid believers I’ve run into are nowhere close to being vegan.
And although it is true that far too many millennial new-vegans have been indoctrinated into the Pharma as God cult, so have their non-vegan peers.
Thank you!
Ten years ago I posted my review of the movie Contagion on IMDB. I proudly will say that I was not conned by these medical science tyrants even back then. Here is my review. Check it out.
For Soderbergh, creators of vaccines are new worldwide saviors!
Turfseer 4 October 2011
Warning: Spoilers
In his new pseudo-documentary, Contagion, Steven Soderbergh has endorsed the idea that modern medicine has taken the place of world religion and elevated the physicians and research scientists to the role of high priests. Soderbergh is in perfect sync with fear-mongering health organizations such as the CDC, who manufacture health epidemics in order to peddle vaccines to an unsuspecting public, who have gladly given up any sense of individual responsibility for taking care of their own health. The ‘Contagion’ is an event that government health bureaucrats probably unconsciously wish for; after all, such an event would confirm all their dire predictions and place them in a position of complete power and control. Victims in the ‘Contagion’ must undergo suffering akin to Christ on the cross. Their rite of ‘baptism’ is through the modern vaccine, where their ‘demons’ are exorcised and they end up owing a life-time debt to the medical and research establishment for supposedly saving their life.
Unfortunately for modern medicine, contagions as depicted in Soderbergh’s film, are strictly a work of complete fiction. Invariably, every few years, the CDC, partnering with local health organizations, warn of crippling health pandemics, which can only be prevented by mass inoculations (leading to billions of dollars of profits by pharmaceutical companies). Take, for example, West Nile Virus, one of the latest health scares which was supposed to cause havoc throughout North America. Usually its small sample of victims turn out to be elderly people who already are suffering from a myriad of health problems. But of course the pundits of orthodox medicine conclude that all these peoples’ problems stem from a single source: a mosquito bite.
In Soderbergh’s perverse world, alternative practitioners are the ‘heretics’ who must be suppressed. Jude Law’s blogger, Alan Krumweide, has the temerity to expose CDC head Ellis Cheever, who has given advance warning of the impending contagion crisis to family and friends so that they’re able to flee Chicago before a quarantine has been imposed. Soderbergh’s strategy is to temporarily have Krumweide take down the saintly Cheever a peg, in order to show that he’s ‘only human’. Later saintly Cheever, gives up his own precious vaccine to save the son of a janitor who works at CDC headquarters. The ‘fallen’ Cheever (also blamed for delays in the dissemination of an effective vaccine) is restored to the pantheon of saints after his self-sacrifice involving the janitor’s son. Meanwhile, Krumweide is exposed as a fraud, after peddling a homeopathic remedy as a cure (which he’s surreptitiously marketed to investors) and pretending as well that he’s been infected with the virus. Homeland Security partners with modern medicine, just as the Catholic church found their own government allies in bygone days, to take down anyone who dared to question their dogmatic belief systems. Soderbergh is smugly satisfied as the ‘evil’ blogger is taken away in handcuffs by ‘valiant’ government security agents!
If the imperfect Dr. Cheever is ‘canonized’ at film’s end, there’s no need for Dr. Ally Hextall to have her reputation sullied at all. After all, it’s Dr. Hextall who identifies the characteristics of the MEV-1 virus , linking it to a genetic mix of bat and pig viruses. Hextall’s role here is way beyond a mere priest. She can be likened to a modern day Jesus, a veritable Savior, who miraculously discovers that elusive cure, a vaccine that immediately provides the immunity to the deadly contagion. At the conclusion of ‘Contagion’, we learn of the pseudo-science behind the MEV-1 virus’ origins. It’s simply a matter of a bat dropping part of an uneaten banana into a pig’s trough. The pig who eats the infected banana ends up in the kitchen of a Macao casino; and because the chef merely forgets to wash his hands, he somehow transmits the virus to Beth (Gwyneth Paltrow). On the other hand, it’s unclear why others, such as everyman Mitch Emhoff and his daughter Jory, are immune to the virus, despite close contact with initial victim Beth.
If alternative practitioners are directly linked to the work of the devil, bureaucrats who seek to stymie the ‘godly’ work of vaccine researchers, run a close second. Dr. Mears (Kate Winslet) an ‘Epidemic Intelligence Officer’ is rebuffed by local bureaucrats who are reluctant to commit resources to handle the impending crisis. Worse are the officials who send a ransom of placebos following World Health Organization epidemiologist Orantes’s kidnapping by a Chinese epidemiologist after he attempts to save the remaining survivors in his own village who have no access to the ‘precious’ vaccines. Note more saintly self-sacrifice: Dr. Mears succumbs to the deadly contagion and Orantes nobly runs back to the village to warn them that the vaccines they’ve obtained, are bogus!
In the 1950s, orthodox medicine elevated their first ‘miracle worker’ to the pantheon of modern day world saviors. That man’s name was Dr. Jonas Salk–creator of the polio vaccine. Now Soderbergh wants to outdo even Salk; his ‘Contagion’ can perhaps be seen as an allegory, likening the deadly plague to cancer itself. Soderbergh’s vaccine is so powerful, that it prevents the eradication of the human race.
Ultimately, Soderbergh never questions the ‘gospel truth’ of modern orthodox medicine but always sticks to the ‘company line’. Instead he would do well to listen to Edda West who cogently sets the record straight in regards to that earlier ‘epidemic’ in her article, ‘Polio Perspectives’: “That the polio virus is the sole cause of polio is accepted by most people as gospel, and that the Salk and Sabin vaccines eradicated polio in the western world is etched into our collective consciousness as the major medical miracle of our time. But the history of polio and its vaccines is shrouded in a murky mist of politico/scientific manipulation, altered statistics, redefinition and reclassification of the disease, increased cases of vaccine induced paralytic polio, and monkey viruses transmitted by contaminated vaccines to millions of people worldwide.”
A short comment to say how great this review is. That it’s ten years old testifies to your acute awareness.
Isn’t Dr Mary’s Monkey the most incredible book? Alton Ochsner is a hero in Louisiana today.
the brothers grimsby (2016)
https://en.wikipedia.org/wiki/Grimsby_(film)
terrorists use a virus as biological weapon, for global depopulation against the trash people
Delete The Garbage. World Cure. RD9 Virus. The Brothers Grimsby 2016
https://www.youtube.com/watch?v=HGG0Nq3BwqQ
–
similar:
xxx (2002)
https://en.wikipedia.org/wiki/XXX_(2002_film)
russian terrorists use a chemical weapon to attack large cities and start a world war, for global depopulation and anarchy
One of the best, Jon. You make my thinking on the subject almost irrelevant. Which….is maybe not a good thing…? (wondering expression)
“Hollywood movies featuring ‘deadly viruses’”
Hollywood is a weapon of mass destruction. And mass delusion. Hollywood has warped and confused more minds that just about anything else in the World (with the possible exception of organized religion).
These days, State-sponsored ‘The Science!’ is giving Hollywood a run for its money in terms of doing major damage to the minds and psyches of We the People.
Hollywood does it all it can to convince people that we are sick and need help. They work tirelessly to MAKE US sick and uneasy. And so, the Dark Side stands at the ready to ‘rescue’ us from our purported sickness and give us the help we think we need. Fact is, it is Hollywood and the Dark Side who are the Sicknesses and it is They that need the help. We would be quite healthy without their damaging influences.
There ARE deadly viruses on the loose these days. And Hollywood is a big one of them.
So next time around when we have ANOTHER pandemic on our hands maybe in a few years time, are you all going to go out of your minds and panic and follow the sheep to the slaughter (if there are any people left in the world) and bombard the shopping malls for toilet paper 🧻. Let’s hope next time around we have learnt our lesson NEVER to trust the medical establishment called BIG PHARMA or the main stream media corporations.
What’s wrong with you people!!!!!!!!!!! You ignant? The viris is reel !!!!!!!!!! I seen it everywhere!!!!!!!!! Don’t U ever watch tv!!!!!!!!!
Hi Jon, I have not left any comments in a while, so excuse me for being a little off-topic and writing too much.
Two interesting links for those who deny this “vaccine” is gene therapy:
https://www.lifesitenews.com/news/bayer-executive-mrna-shots-are-gene-therapy-marketed-as-vaccines-to-gain-public-trust/
https://www.youtube.com/watch?v=OJFKBritLlc&list=PLsrCyC4w5AZ8F0xsD3_rzLcfxHbOBRX4W
(start watching at 1:37:25 and listen to the exact words of this Bayer executive).
Some articles ago you gave some honorable mention to countries with low vaccination rates. I look at it the other way: those unvaccinated guys in highly vaccinated countries are the ones who deserve some mention too as the pressure is getting higher. I live next to Barcelona, Spain, and more than 90% of the population here have already received 3 (!) shots. Becoming progressively more isolated and being forced to remember how Jewish guys lived in ghettos -sorry for the exaggerated comparison so far, but let’s see how this goes in a couple of years- is not a great feeling.
Personal anecdotal stuff: my old dad -despite all my efforts- took those 3 shots. My old mum didn’t (she nearly died 15 years ago when she was forced to take a vaccine while working at a nursing home and she was seriously ill). Both are fine, but as you can imagine this is a taboo subject in every family where something like this takes place. Families… you know, right?
Your courses: I’ve been listening to your stuff for months now, and as I keep doing it the pieces of the puzzle start to fit together. Thank you for you life efforts to put together all that. I’ll admit I was overwhelmed at first, then I didn’t get many things, for a while I had many doubts about some of your programs -paranormal stuff and so on- but I knew there was something there, so I kept at it: some of your courses require several listenings in order to get all the nuances, the order in which you listen to them is really important too as you say. Sometimes a particular sentence hits you like a punch and leaves you KO, I imagine it’s the written version of the momeent when you hit the canvas with your brush in a powerful way. Some of your words are like a scalpel, like a slash to your brain that opens something in your uncounscious… or at least I feel that way.
I tend to think of your courses as an audio version of an I Ching hexagram: it’s amazing how you can listen to something you recorded 15 years ago or so and totally relate it to what’s happening today (it’s active -and creative- listening). You’re not being spoon fed, and I like that. When you start getting them is when you realize you really have your slightly rusty imagination working again. And, of course, you have to find your own particular way of doing that.
One personal suggestion as an alternative exercise of 100 paintings, as I’m a guitar player: grab an instrument you don’t know how to play (a cheap $25 ukelele will do, even a virtual keybord on a phone) and move your fingers on the strings or keys, no matter what you play (it doesn’t even have to be in tune). Record yourself, and do it 100 times.
As always, take care Jon, and thanks again. I happen to live in a very unusual place now: so many hipnotized people around me in a place where great artists created unusual things… I hope the “ghosts” of Pablo Picasso, Salvador Dalí, Gaudí, Joan Miró and so many other artists who lived over here many years ago are still alive among the living dead.
Holy wood is Jesuit theater, which started in the 17th century. It’s not there by accident. In the good old days actors were barred from many communities as they can’t be trusted. It’s a necessity today as well.
FWIW, I flinched when “Dr.” Ian Lipkin was mentioned.
Lipkin is another odious Big Research predator: a self-serving ghoul, a “Little Fauci” (or “Lesser Fauci”) who’s raked in an ill-gotten fortune and high status within his degraded profession by promoting the fraudulent pseudo-science of virology and stepping on worthy, or at least relatively innocent, researchers along the way.
Lipkin was one of the hatchet men who helped to destroy Dr. Judy Mikovits’s career. He’s scum of the lowest order… but I fear I’m belaboring my point.
According to Sony server leak, there exists a quite busy office of Hollywood liaison at CIA. Has been for decades. I wonder why?
All full mason numbers & symbols, all min 33 sec 33 star realizes the scam… For Negative Priming in order When finally the story becomes real accept it and reject to be awakened. From Val-è-cia
Yes and TV. Early shows like Dr Kildare, ER, Dougie Houser… StarT Trek: the Original series… let’s teach them how doctors are infallible super human “gods” and every word they spew forth should be grasped like little word life preservers. Yea, let’s.
Oh and the X-Files. See super Scully masked in virus episode season 2 episode 22 “F. Emasculata” or “F(ace) e(MASK)u a lotta”. 1995.
The premise at the beginning of “I Am Legend” was that most of the world had perished from a world-wide mass vaccination that promised to render everyone immune to Cancer. correct? The Mutants in the movie were people that the Vacks hadn’t out right killed. The woman and child that Will Smith meets later, tell him about a walled-off community in upper state NY they’re trying to escape to for those, who for some reason never got innoculated, and are Normal human beings.
Yes that rings a bell. Im ashamed to say I watched it once but only because a friend gave me a pirate copy so that kinda lets me off the hook. As for Contagion, yawn, what a boring movie. Also had that on pirate disc. My friend died but I don’t miss the bad copies. They kept lapsing into Russian.
Very funny only because true…a name for your script? Rationalizing the atrocities. Not funny after all…