Exit From The Matrix: The Individual returns to his creative fire

by Jon Rappoport

Through my articles and my Matrix collections, I have one goal: bringing individuals back to their very capable minds, back to their own formidable power, their own imagination, their own creative force, their own deep desires and purposes.

When I began NoMoreFakeNews.com 21 years ago, I wasn’t sure how many people could handle this message. But I decided to find out. I’ve been pleasantly surprised, to say the very least.

If there is a tradition I have been adding to, all these years, it is early Tibet—before the priest class moved in and took over. The magicians and their students were engaged in an enterprise of extraordinary dimensions.

My research revealed that this tradition was initiated, some 1400 years ago, by teachers from India, who came to Tibet after being expelled from universities for their radical views.

These teachers rejected the content and cosmology of all spiritual systems.

They essentially stated that such metaphysical “pictures” of existence were creative inventions—

And that the true subject for study, contemplation, enlightenment, and, above all, exercise was the individual creative impulse itself—

Creative power, imagination, and invention, at the level of the individual.

The Tibetan exercises were fashioned to expand individual creative power without limit.

In that tradition, and for these modern times, I developed hundreds of imagination/creative techniques. More than 50 of these are offered and explained in my collection, Exit From the Matrix.


Exit From the Matrix


Here are the contents of my collection, Exit From The Matrix:

First, my audio presentations:

* INTRODUCTION: HOW TO USE THE MATERIALS IN EXIT FROM THE MATRIX

* EXIT FROM THE MATRIX

* 50 IMAGINATION EXERCISES

* FURTHER IMAGINATION EXERCISES

* ANESTHESIA, BOREDOM, EXCITEMENT, ECSTASY

* ANCIENT TIBET AND THE UNIVERSE AS A PRODUCT OF MIND

* YOU THE INVENTOR, MINDSET, AND FREEDOM FROM “THE EXISTENCE PROGRAM”

* PARANORMAL EXPERIMENTS AND EXERCISES

* CHILDREN AND IMAGINATION

* THE CREATIVE LIFE AND THE MATRIX/IMAGINATION

* PICTURES OF REALITY AND ESCAPE VELOCITY FROM THE MATRIX

* THIS WOULD BE A VERY DIFFERENT FUTURE

* MODERN ZEN

* THE GREAT PASSIONS AND THE GREAT ANDROIDS

Then you will receive the following audio seminars I have previously done:

* Mind Control, Mind Freedom

* The Transformations

* Desire, Manifestation and Fulfillment

* Altered States, Consciousness, and Magic

* Beyond Structures

* The Mystery and Magic of Dialogue

* The Voyage of Merlin

* Modern Alchemy and Imagination

* Imagination and Spiritual Enlightenment

* Dissolving Stress

* The Paranormal Project

* Zen Painting for Everyone Now

* Past Lives, Archetypes, and Hidden Sources of Human Energy

* Expression of Self

* Imagination Exercises for a Lifetime

* Old Planet, New Planet, New Mind

* The Era of Magic Returns

* Your Power Revealed

* Universes Without End

* Relationships

* Building a Business for Success

I have included an additional bonus section:

* My book, The Secret Behind Secret Societies (pdf document)

* My book, The Ownership of All Life (pdf document)

* A long excerpt from my briefly published book, Full Power (pdf document)

* My 24 articles in the series, “Coaching the Coaches” (pdf document)

And these audio seminars:

* The Role of Medical Drugs in Human Illness

* Longevity One: The Mind-Body Connection

* Longevity Two: The Nutritional Factors

(All the audio presentations are mp3 files and the documents and books are pdf files. You download the files upon purchase. There is no physical ship.)

What has been called The Matrix is a series of layers. These layers compose what we call Reality. Reality is not merely the consensus people accept in their daily lives. It is also a personal and individual conception of limits. It is a perception that these limits are somehow built into existence. But this is not true.

What I’ve done here is remove the lid on those perceived limits. This isn’t an intellectual undertaking. It’s a way to open up space and step on to a new road, with new power.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The guts of a Writer

by Jon Rappoport

July 15, 2022

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(This article is Part-6 in a series. For Part-5, click here. For Part-7, click here.)

Continuing my series on writers and writing…You can read about my collection, Power Outside The Matrix, here and also here. One of its aims is to help writers…

A writer can invoke all sorts of reasons to stop writing. He can choose from thousands of excuses.

But I want to focus on the type of excuse that comes from evidence. For example, over a period of years, the writer has accumulated information that leads him to believe the human race is doomed and nothing can be done to change that.

Therefore, why write?

Why? Because there is a higher priority. YOU FIGHT, NO MATTER WHAT.

Once you digest THAT, you’re back in business.

And of course, there is counter-evidence, too, because the war for freedom that has been going on since people lived in caves is never over. We’re talking about the long and true view. 10,000, 20,000 years into the future.

I’ve known writers who gave up because they turned into dyed in the wool cynics. They gave away everything. They submitted to “an objective assessment of humanity.”

But writing isn’t objective. It never was.

It can use facts, but that’s just the beginning of what it is.

Writing is ultimately about writers.

When is commitment really a commitment? When it carries the day, come hell or high water.

If a writer has that, everything else falls into place. If he doesn’t have that, nothing works. It falls apart.

I’ve been writing for 67 years. On perhaps half of all those days, I paused—TEMPORARILY. I had nothing in mind—FOR THE MOMENT. But I knew that an idea, a thought, a phrase would come to me, and then I’d be off and running again.

And it did, and I was, usually in a matter of hours.

Because I wanted to write. Because I was committed.

You keep going long enough, for enough years, and your energy expands. It doesn’t fade away. You can do more, not less.

You SEE that problems, troubles, and excuses are NOTHING compared to your commitment and desire. It’s no contest.

No writer thinks reality is just fine as it is. He’s always reaching for more. He’s always overturning reality.

And there is much to overturn, at many levels. There is no lack of material to work with.

Society at large is always holding out its hand and making promises involving: surrender, giving in; allied with perks, freebies, groups to join, causes to uphold, victim plot lines to embroider. All of THAT is sensational material a writer can work with. As long as he doesn’t take the bait himself.

“Should I sit down and write 5000 words or eat the cotton-candy of the State?”

“Should I remain an individual or disappear into a group?”

The voice of a writer has clear answers. It engraves those answers for public consumption.

It announces that something the State can never touch will never die.

— Jon Rappoport


power outside the matrix

(To read about Jon’s collection, Power Outside The Matrix, click here.)


The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Journalism that blows the Big Vault open

by Jon Rappoport

July 14, 2022

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(This article is Part-5 in a series. For Part-4, click here. For Part-6, click here.)

Continuing my series on writers and writing…

And yes, these articles are in conjunction with my mega-collection, Power Outside The Matrix, which you can also read about here. I did my best to make it a rocket for writers.

There comes a moment for a relentless reporter who goes down a rabbit hole long enough…

He finds something so explosive it would turn the world on its head.

I’m not talking about a mere riveting scandal or a parochial crime.

I’m talking about something far deeper and far more corrosive to WIDELY accepted reality.

What to do?

This is when the imperative to ATTACK becomes absolutely necessary.

And the big clue is this: attack along multiple vectors, and keep it up.

You can’t go half-way. If you do, the story and the truth will be wiped out, or a lesser version of it will be shoved out front for public consumption—the limited hangout.

If you go half-way, there’s a chance YOU’LL go down with the story.

Either walk away or go all the way.

“But I wrote about it and nothing happened.”

So what? Write about it 16 times. 50 times. Don’t stop. If you don’t see the explosion you’re hoping for, know the truth you’re telling is crawling its way into minds. It’s eating its way in. Other writers are thinking about it, walking around it, picking up on pieces of it and publishing.

You’re a fighter, you’re in the ring, and this will go on for 100 rounds. Or more. Unless you throw in the towel and quit, sitting on your stool in the corner.

This is more than you thought it was. Absolutely. That’s when the thing called DESIRE comes up.

What are you in this for?

Do you want to singe the shutters on the windows, or do you want to burn the whole house down?

The degree of the quickening of your blood and your brain will give you the answer.

And there’s another factor, too. Do you ENJOY overturning Reality itself on a grand scale?

If so, you’re in the right place.

Turn the screws. Don’t just report the astounding facts. Draw up the implications and launch them. Describe all the ripples. Leave no doubt as to how much Reality has just been destroyed.

These implications will come to you as you’re writing. If you’re ready for them. If you’re sniffing for the big, bigger, and biggest picture.

You’d better be.

You can’t just be a person with his nose to the wheel. You can’t just record the turning and breaking of the gears. You have to come to see what all this MEANS, and you have to blow the meaning(s) up into one vivid photograph after another for the reader.

Don’t leave it to chance.

This is where you separate yourself from the pack. Because although other writers will agree with you over time, many of them or most of them don’t want to come to grips with the IMPLICATIONS the facts are exposing. They want to build walls around the facts and put facts under microscopes. They want to confine the story. You want to blow it open.

You got into the vault. You led other people there. Now they want to pull out a dozen choice safety deposit boxes and see what’s in them, and they want to count the total amount of cash sitting in bags. You want to pull out every goddamn deposit box and examine the contents. You want to make sure you understand where all that cash came from.

And as you’re seeing, in the wreckage of the vault, the truth of it all swimming into view in successive waves, you’re writing and publishing, and as you realize one fantastic implication after another, you’re laying out each one in its full glowing form.

Voila, you’re a reporter.

And no one has to tell you, you have to be a WRITER, too. You see that. You know that. In order to tell the whole story, it’s imperative.

So you ARE a writer. You keep pushing out one piece after another, and you’re up to the task. You find the words. Words come to you.

As you write and read what you’re writing, you’re catapulting yourself higher and you’re drilling yourself deeper into the new world you’re shaping—from the facts.

And there you are, and there it is.

— Jon Rappoport


power outside the matrix

(To read about Jon’s collection, Power Outside The Matrix, click here.)


The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Vision of Journalism

by Jon Rappoport

July 13, 2022

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(This article is Part-4 in a series. For Part-3, click here. For Part-5, click here.)

This is another in my series on writing and writers—and it ties in with my mega-collection, Power Outside The Matrix, which you can also read about and order here.

Speaking from my own 40 years of journalism work and my preferences on the subject, yes, of course I have a bias, but it’s not narrow. It’s wide open, and it lets anyone in, as long as they think about FACT and IMAGINATION together.

Some would call what I’m talking about here STYLE, but it’s more than that. It’s how a writer decides to present information with twists and turns and flashes and cloudbursts and attacks…

What can you make facts DO?

They’re the raw material.

You could wake up one very good day and realize you’re writing satire. Comedy. Even poetry.

You’re also, in the process, exploding the mind of the reader, because it needs to be exploded and rescued from the sober drear of “here are the data, goodbye.” I mean, really. That has to go. Away.

As a writer, do you want a fact to be a martial arts instructor toiling away at a small gym teaching the same moves over and over, or do you want a fact to be a Bruce Lee, who invented new moves from his core and imagination every day to fit the situation he was facing?

If you know you want to use a fact to make a point, you’re on the right track. How do you make the point? There are an infinity of ways, and you invent them. Mostly, as you go along.

You teach yourself to be a chef with no recipe book. Your book is DESIRE. The desire to overturn official reality. So OVERTURN IT. Don’t be shy.

Read what bad journalists write. See what they’re doing. I’m not just talking about lies. I’m talking about how they tell them. Drained of juice and color. These people should be pumping gas and collecting tumbleweed in Death Valley.

As a writer, fear is not your friend. You can tell the truth and never move the needle, because you’re timid. (If you’re irretrievably timid, you’ve already stopped reading this.)

Listen. There are millions and millions of readers out there who are unsure about what they’re supposed to do. They’re in strait jackets. They don’t know whether to shit or go blind. They read a line you write and they start to smile and then they stop.

They ask themselves, “Am I supposed to laugh? That line was pretty funny. But the subject he’s writing about is serious. I’m confused. He just took that fact and used it like a hammer and banged my head. If I laugh, am I committing some kind of code violation? Is a patrol car going to show up? Will I turn into a person my friends won’t understand? Suppose I miss the meaning of a joke and laugh in the wrong place? I’d look stupid.”

The solution here is: keep pounding away. Sooner or later, people are going to catch on to what you’re doing. And here’s the capper. They’ll find the buried place in themselves where they’re doing it, too.

That’s what you want. You want THEM to see THEY intend to upset apple carts, too. That intent has been trained out of them. By all sorts of people. Dead people who still manage to walk and talk.

It’s the deadness you want to overcome.

Facts are weapons you deploy to achieve that. You don’t want gray readers digesting facts you present as gray corpses…because in that case, nothing really happens.

Yes, I’ve read Hunter Thompson. I’ve read PJ O’Rourke. And Jonathan Swift and Lewis Carroll. And Thomas Paine, who was a journalist and an essayist and caller to action and a poet all at the same time. They knew how to use facts to their own advantage. You can learn from them, and then cook up your own dishes.

Beware of ideological humor. These are dud jokes the writers THINK are funny. They’re sadly mistaken. The jokes rely heavily on the prior ideology, and only rubes and yokels enjoy them. “Ha-ha, he [writer] proved God is wonderful.” No he didn’t. He wrote something lame, and God shook his head, swore, turned away, and went off to play 18 holes at George Carlin’s miniature golf course on the corner of Paradise and Cackle.

Suppose God Himself wants you to laugh your way out of a strait jacket? Suppose He knows how to turn the screw with any fact in the book? Suppose He can make a fact into a sword and wave it and drive you screaming into the night—where you recover your sanity.

Why can’t you as a writer do that, too?

Because He’s the Only One? You really think His ego is that large?

Doesn’t your experience tell you it’s the most isolated, indifferent, cold sons of bitches who have the biggest egos?

— Jon Rappoport


power outside the matrix

(To read about Jon’s collection, Power Outside The Matrix, click here.)


The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Podcast: ‘Taking On The Whole Phony Culture In Which We Live

…And Skewering It From Every Conceivable Angle

by Jon Rappoport

July 12, 2022

(To join our email list, click here.)

I’ve got a lot on my mind these days, and I want to share it with you.

Anybody can listen. No subscription necessary.

Yes, I’ll do some shameless plugging of my work. More than that, I’ll talk about the last 20 years of writing online, and my efforts to get my pieces out there—the successes and also the censorship.

The censorship has been constant, even on so-called alternative sites. I’ll talk about why. I think it’s important to understand why. Vital.

Writing 3 different blogs these days has given me new perspective. I can see more clearly what connects with readers and what doesn’t connect, and why. And this, too, is important to understand.

I’ve been relentless for the past 20 years online, and I’m even more relentless now. Which means I’m taking on the whole phony culture in which we live and skewering it from every conceivable angle.

So many people are falling victim to the culture and don’t even know it. Their internal habits of thought and perception are changing. And not for the better. I’m attacking that every day on Substack, in ways that no one else is. That’s a fact.

I’ll talk about it in the podcast.

At age 84, I’m not running across fields and valleys and hills at top speed anymore. I’m not playing in parks from dawn to dusk with my friends…but I’m writing more than I EVER have. That energy is spilling over. Why? I want to talk about that in the podcast.

I’ve found that when I build the inner fire higher, it grows still higher on its own. That is VERY interesting to me, and I’ll talk about it. I think you’ll find it interesting, too.

And yes, I’ll urge those of you who haven’t subscribed yet to do so. I’ll tell you why I think you should—for the price of one breakfast a month at a diner in 1990. There are exciting new bonuses coming for people who pay for a yearly subscription. I’ll describe a few of them.

I can’t and won’t stop now. There’s no reason to.

Writing every day for Substack has made me realize that CULTURE is the whole story. We live in it and swim in it or we try to wall it off. Culture shapes perception, and perception shapes thought, and this Culture happens to be a MONSTER, so I’m out to slay it.

That decision and commitment have opened up a whole new world of writing for me.

Speaking of which, I’m FOR writing and writers. I’m not ready to surrender the future to the destruction of language. I don’t think you are, either.

The general state of writing these days is wretched. Language is becoming a dead operation whose sole purpose is transmitting data. Whereas writing is supposed to set your hair on fire. It’s supposed to wake up the dead and the half-dead and those who are dozing.

I’ll talk about that.

I’m inviting EVERY ONE OF YOU to buckle up and join me in this podcast.

No holds barred.

— Jon Rappoport


The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)


To read Jon’s articles on Substack, click here.


The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

More on writing: hand, eye, and stars

A man and his wife: she who cooked up magic

by Jon Rappoport

July 11, 2022

(To join our email list, click here.)

(This article is Part-3 in a series. For Part-2, click here. For Part-4, click here.)

It seems I’m doing a series on writing.

Good.

And yes, these articles are in conjunction with my mega-collection, Power Outside The Matrix, which you can also read about here. I did my best to make it a rocket for writers.

Today, I have a story about a writer who was close to giving up and found rescue.

I give you the story, because I want to remind you that if you’re a writer, or want to be, your breed will go to the ends of the Earth to find what they need. And if you have THAT, you’re electric. You’re launched. You can outdistance anything.

This is a story about the great Irish poet, William Butler Yeats.

And his marriage. There are several versions. The one I prefer illustrates what I mean when I say: no one can predict what reality a writer will create when left to his own devices, when freed from the restraints of what he is supposed to believe. The story also illustrates the lengths to which individuals will go to forge a unique vision.

For almost 30 years, Yeats pursued the love of his life, Maud Gonne. She refused to marry him. A year after she turned him down for the last time, in 1916, grief-stricken and at the end of his rope, at age 52, Yeats married Georgie Hyde-Lees, who was 25.

Almost immediately, Georgie saw their marriage was doomed to fail.

Four days after their wedding, she suddenly told Yeats she could perform automatic writing. “Instructors” dictated highly esoteric texts to her.

This intrigued Yeats. Together, he and Georgie began to work out myriad systems to make metaphysical sense of the huge cascades of strange pages Georgie began setting down—-eventually resulting in the 1925 book, A Vision.

Their marriage endured. They had two children. Yeats dug deeply into the automatic texts and extracted images and phrases which he used and reworked in his late (and some say his greatest) poems.

In my preferred version of this story, Georgie, desperate to hold on to her husband, INVENTED both the claim of her ability to perform automatic writing AND invented the ensuing mystical texts.

It worked.

Once the new alliance with her husband was formed, the marriage survived; and Yeats, his writing up against a brick wall of exhaustion, suddenly found new sources and material and inspiration.

New life, new poetry, new partnership, new love.

Georgie decided to risk everything, and she won.

On the wings of THE INVENTION OF REALITY.

Whether you believe in God, or rocks, or something in between, or something you assert is greater than any of these, the question is: how far will you go to find what you want?

A few feet, a block, a mile, a hundred miles, the ends of the Earth, farther?

A writer is dealing in great spaces and distances, as well as things close to home.

He has a nose for the grindstone and other galaxies.

Nothing stops him from his work.

And because of that, he finds help in the most unexpected ways.

— Jon Rappoport


power outside the matrix

(To read about Jon’s collection, Power Outside The Matrix, click here.)


The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The Matrix Revealed: My interviews on space-time manipulation

by Jon Rappoport

In my collection, The Matrix Revealed, I include interviews with retired propaganda master, Ellis Medavoy, and another set of interviews with brilliant hypnotherapist Jack True.

The total of these 71 text interviews is 610 pages.

Jack and Ellis provide startling insights into how space and time are manipulated in the Matrix, in order to produce mind-control effects that go deeper than deep.

At the same time, understanding how time and space are engineered leads to breakthroughs and revelations about how the individual can liberate himself from this labyrinth.

In that sense, The Matrix Revealed is really about consciousness and its operations—in a shacked and limited condition, and freed from limitations.

Everything I’ve written as a reporter for the past 35 years feeds into this exploration and discovery.

Eventually, all roads lead to mind control and mind freedom.

As a reporter, I’ve always kept my eye on the goal: liberation of individual power.

Space and time are elastic. The illusion that they must be accepted as they appear to be creates a self-defeating structure. That structure can be cracked and nullified.


the matrix revealed


Here are the complete contents of  The Matrix Revealed:

* 250 megabytes of information.

* Over 1100 pages of text.

* Ten and a half hours of audio.

The heart and soul of this product are the text interviews I conducted with Matrix-insiders, who have first-hand knowledge of how the major illusions of our world are put together:

* ELLIS MEDAVOY, master of PR, propaganda, and deception, who worked for key controllers in the medical and political arenas. 28 interviews, 290 pages.

* JACK TRUE, the most creative hypnotherapist on the face of the planet. Jack’s anti-Matrix understanding of the mind and how to liberate it is unparalleled. His insights are unique, staggering. 43 interviews, 320 pages.

* RICHARD BELL, financial analyst and trader, whose profound grasp of market manipulation and economic-rigging is formidable, to say the least. 16 interviews, 132 pages.

Plus…:

* Several more interviews with brilliant analysts of the Matrix. 53 pages.

* The ten and a half hours of mp3 audio are my solo presentation, based on these interviews and my own research. Title: The Multi-Dimensional Planetary Chessboard—The Matrix vs. the Un-Conditioning of the Individual.

Also included are 2 bonuses — which alone are rather extraordinary:

* My complete 18-lesson course, LOGIC AND ANALYSIS, which includes the teacher’s manual and audio to guide you. I was previously selling the course for $375. This is a new way to teach logic, the subject that has been missing from schools for decades.

* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst. I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.

(All the material is digital. Upon ordering it, you’ll receive an email with a link to it.)

This work is all about reinstating individual power, above and beyond what the Matrix implies and stands for. It is about insight, yes—but it is also about liberating one’s consciousness from the habit of accepting life on the terms by which it is given to us.

Thought and action can align themselves with Matrix, or they can strike out in a far more adventurous and galvanizing direction. A thrilling direction unique to each individual.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Power Outside The Matrix: Analyzing Information in the Age of Disinformation

by Jon Rappoport

To order my mega-collection, Power Outside The Matrix, click here.

My “ordeal by fire” came in 1987, while I was writing my first book, AIDS INC.

I had dozens of sources telling me contradictory stories about HIV, what HIV really was and wasn’t; and that was just the beginning of the AIDS information/opinion flooding in from all quarters.

I had to find a way to judge all these data. I had to separate value from non-value. I had to discover a few bottom lines that would serve as context, against which I could make judgments.

When the dust cleared, I knew I had reached a high point. I knew I was launched. Never again would serious disinformation and misinformation cook my brain.

Fast-forward to the present: readers who have been with me for the past two years know I’ve dismantled every piece of the official COVID narrative. Factually. Scientifically. I knew from 35 years of experience — investigating HIV/AIDS, West Nile, SARS1, Swine Flu, Ebola and Zika — what to look for in the fake COVID science.

I’ve made extensive notes on “Analyzing Information in the Age of Disinformation”—which happens to be the title of one section of my collection, Power Outside The Matrix.

Here are the full contents of my mega-collection Power Outside The Matrix. You can order it here:


power outside the matrix


Here are the contents of Power Outside The Matrix:

These are audio presentations. 55 total hours.

* Analyzing Information in the Age of Disinformation (11.5-hours)

* Writer’s Tutorial (8.5-hours)

* Power Outside The Matrix and The Invention of New Reality (6.5-hours)

Then you will receive the following audio presentations I have previously done:

* The Third Philosophy of Imagination (1-hour)

* The Infinite Imagination (3-hours)

* The Mass Projection of Events (1.5-hours)

* The Decentralization of Power (1.5-hours)

* Creating the Future (6-hours)

* Pictures of Reality (6-hours)

* The Real History of America (2-hours)

* Corporations: The New Gods (7.5-hours)

I have included an additional bonus section:

* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst (and how to analyze them). I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.

* A 2-hour radio interview I did on AIDS in Dec 1987 with host Roy Tuckman on KPFK in Los Angeles, California.

* My book, The Secret Behind Secret Societies

(All the audio presentations are mp3 files and the books are pdf files. You download the files upon purchase. You’ll receive an email with a link to the entire collection.)

At the core of consciousness, there are two impulses in the individual. The first is: give in, surrender. The second is: express power without limit.

The teaching of every civilization and society is: don’t use your power. When you follow the second path, when you express your power without limits, remarkable things happen.

The veil of illusion melts away.

You meet yourself on new ground.

You know what your freedom is for.

Without imposing on the freedom of others, you live the life you always wanted.

That’s what Power Outside The Matrix is all about.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Why I want more writers in the world

by Jon Rappoport

(This article is Part-2 in a series. For Part-1, click here. For Part-3, click here.)

Yes, I believe my collection, Power Outside The Matrix can help people who want to become writers or much better writers.

I want more writers in the world—journalists, poets, novelists, playwrights—because they create narratives. New ones.

And this is important, because people, faced with what’s going on around them, have an incurable habit of listening to inner brain narratives of anxiety, impending trouble, and doom. Whether they know it not.

Writers outdistance and outflank that habit. A writer un-traps himself and his readers from that habit.

During my 75 years or so of reading, I’ve jumped into all sorts of writers. For a 10-year span, it was crime and spy fiction. Ian Fleming, John D MacDonald, James M Cain, Donald Hamilton, John Buchan, and finally and great and underappreciated Philip Atlee and his series of Joe Gall secret agent novels. I read and reread Atlee’s books. I learned so much about writing it was ridiculous. He was a great teacher without ever intending to be.

These books fortified me. They built wave after wave of new stories in my mind. New possibilities. New thoughts. New thoughts that spawned other thoughts. So…why bother with automatic narratives that groveled and crawled in the direction of gloom Fate? No need for that.

Writers liberate everybody.

Writing is abundance.

Automatic narratives in the mind are appointed bureaucrats of scarcity.

Science fiction—another decade or so of reading. Ray Bradbury, Heinlein, Philip Dick, AE Van Vogt, Norman Spinrad, and a host of nameless pulp authors who took me to other galaxies in the words of their opening paragraphs. BANG. You travel to those places, and when you come back, you’re refreshed. You’re emerging from a five star spa of mind and soul. You don’t need the old stories your brain is blabbering in its nursing home address on the edge of town.

There was a period in my teens and early 20s when I read the authors I was supposed to. Herman Hesse, Poe, DH Lawrence, Yeats, Dylan Thomas, Arthur Miller, Eric Hoffer, Henry Miller, Ayn Rand, William Burroughs. But “supposed to” dissolved. I was leaping into and out of all sorts of different kinds of fire. I KNEW all bets were off. ALL narratives were up for grabs. I could go ANYWHERE.

This is a good thing to know.

This is one of the best things to know.

Believing in freedom is one thing. Feeling free is quite another. Writing (doing it or reading it) gives you the feeling.

It gives you a platform on which to stand. A stage. A new stage.

One day in the 1980s, I started reading Harlan Ellison. His stories and his essays. This was a man who had muscles and balls in his brain, along with an unending stream of original thoughts. He shot killer poisoned arrows at his enemies and never backed down. He also had the capacity to tell you something you wanted to know while promoting and advertising himself. One of his undying messages: have courage, my friends. Ellison was and is a tonic, a unique tonic. He destroys and lifts up all at once. Where else are you going to get that?

This is what I mean. Writers give us what we need.

And one more thing for now. Writers say to us, “You can sit there and pretend you don’t know what I’m talking about, you can pretend you’re dumb, but I know something is getting through. And whatever that something is, it’s ESSENTIAL. It makes all the difference. It’s a glimpse of what you really want.”

To read more, go here.

— Jon Rappoport


power outside the matrix

(To read about Jon’s collection, Power Outside The Matrix, click here.)


The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

For writers and people on the verge of being writers

by Jon Rappoport

(This article is Part-1 in a series. For Part-2, click here.)

Yes, I believe my collection, Power Outside The Matrix can help people who want to become writers or much better writers.

I’ve been around the block 10,000 times. I’ve been writing for 67 years.

I know something about it.

I also know something about the people who want to write, who want to do it outside the mainstream.

They aren’t going to journalism school. They aren’t going to jump in that river and learn that system.

This is good, because there is no system—there are only artificial pretenses of systems.

The first point is: You’re going to put something on the page that you like to see, and readers are going to engage with. Something that pulls them out of what they ordinarily expect. Which shows you’re different. You’re not out to bore them to death. This is a major plus. For you and your readers.

“He’s not trying to put me to sleep. I’m on his side already.”

Clue: If you bore readers, you’re boring yourself. And that’s fatal.

In fact, one of the reasons a person becomes a writer is to “un-bore” himself. He wants to feel alive.

This is good. This is not a sin.

So put something on the page that makes you feel alive.

That’s the test. That’s ambition in the right direction.

I could say more. In fact, I have. If you want to read it, go here.

— Jon Rappoport


power outside the matrix

(To read about Jon’s collection, Power Outside The Matrix, click here.)


The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.