JACK TRUE REVELATIONS

JANUARY 31, 2012. The first day of responses, after yesterday’s launch of my new mega-info product, THE MATRIX REVEALED, has been gratifying. Orders are coming in.

For over a year, people have been emailing me about my 18-lesson logic course, LOGIC AND ANALYSIS, and now that whole course is part of the MATRIX product. The course, including the teacher’s manual, lesson plans, and student materials, was selling for $375. It is now just one element of the overall MATRIX product, which sells for far less.

In the new product, there are 43 interviews with Jack True. 320 pages. That’s another element. If there was any person worth talking to in depth about the Matrix and how to understand it, it was Jack.

He was certainly the most innovative hypnotherapist who ever lived. He took all that experience with his clients and made enormous breakthroughs in un-hypnotizing people at very deep levels.

Jack was determined to find ways to show people how their own approach to reality was merging with the Matrix. He never tired of explaining his insights based on clinical experience.

Jack once told me a person had to be stimulated to pry open his own passive inclinations, in order to discover hidden energies and power. He was all about providing that stimulation, in the form of innovative and sometimes shocking ideas about reality and perception.

These 43 interviews are priceless explorations of frontiers of consciousness.

One night at dinner, Jack said, “If you take any fixation a person has, you are looking at a funeral ceremony for his own creative power. Suppose he’s fixated on money. Dig far enough into that, and you’ll find a brilliant artist who has innovative ideas about making money. It seems impossible, but it’s there. I’ve seen it many times. But you have to open up the whole area, not just a little bit. What you end up with is the blueprint for the formation of a problem. Where does a problem come from? It comes from deciding that your own creative approach to something is too radical. Then you try ‘the normal way’, and that doesn’t work for you. So it’s a problem now. You try to solve the problem and wrestle it to the ground. You can’t. You become fixated on the problem. That’s what happens to people. And to put the cherry on the cake, these people tell you they’re not creative. You can meditate for a thousand years and you won’t solve that. So we come to the question: why do people give up on their own creative power? That’s been the core of my practice for a long time. Unraveling that has been my life’s work.”

It was very good work. It was brilliant work. It was unparalleled work.

In my new product, THE MATRIX REVEALED, you get 43 shots with Jack. 43 interviews. 320 pages.

And that’s just a fraction of the overall text, which runs to 1100 pages. Then there are 10-plus hours of audio from me about the Planetary Chessboard, the Matrix, and what amounts to psychological operations aimed at populations and individuals.

You get the full text of AIDS INC., my first book, which Jack shepherded into a publishing deal for me. It takes apart the medical-research complex at a level most people never investigate: the most hidden lies; how they are built; how they are told; how they are sold; how they are fused into an anti-logical whole. Step by step.

My interviews with Ellis Medavoy, retired propaganda expert, and Richard Bell, financial rebel, provide you with striking and startling insights into other key aspects of the Matrix.

THE MATRIX REVEALED represents about half of my work over the past ten years. You could say it’s why I left the field of conventional investigative journalism. There were questions that needed to be answered. Big questions. And I refused to shy away from them.

To order THE MATRIX REVEALED, click here, or, click on THE MATRIX REVEALED box on my home page at www.nomorefakenews.com

To learn even more about what is inside THE MATRIX REVEALED product click here.

Jon Rappoport

qjrconsulting@gmail.com

JANUARY 30, 2012. WELL, FOLKS, HERE IT IS. THE PRODUCT MANY OF YOU HAVE BEEN ASKING ME TO PUT TOGETHER FOR THE PAST FIVE YEARS.

FINALLY.

A HUGE COLLECTION OF MY OLD NEWSLETTER INTERVIEWS ON THE MATRIX AND WHO RUNS THE WORLD AND HOW.

BUT THAT’S JUST THE BEGINNING.

Because, for example, my full LOGIC COURSE is also included!

Read on for all the details.

To order THE MATRIX REVEALED, click here, or, click on THE MATRIX REVEALED box on my home page at www.nomorefakenews.com

Thanks, Theodore and Greg. You did great work putting it all together!

Jon

INTRODUCTION TO THE MATRIX REVEALED

by Jon Rappoport

Copyright © 2012 by Jon Rappoport

Let me start with the nuts and bolts of this product. It is enormous in scope and size.

250 megabytes of information.

Over 1100 pages of text.

Ten and a half hours of audio.

The 2 bonuses alone are rather extraordinary:

My complete 18-lesson course, LOGIC AND ANALYSIS, which includes the teacher’s manual and a CD to guide you. I was previously selling the course for $375. This is a new way to teach logic, the subject that has been missing from schools for decades.

The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst. I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.

The heart and soul of this product are the text interviews I conducted with Matrix-insiders, who have first-hand knowledge of how the major illusions of our world are put together:

EILLIS MEDAVOY, master of PR, propaganda, and deception, who worked for key controllers in the medical and political arenas. 28 interviews, 290 pages.

RICHARD BELL, financial analyst and trader, whose profound grasp of market manipulation and economic-rigging is formidable, to say the least. 16 interviews, 132 pages.

JACK TRUE, the most creative hypnotherapist on the face of the planet. Jack’s anti-Matrix understanding of the mind and how to liberate it is unparalleled. His insights are unique, staggering. 43 interviews, 320 pages.

Then there are several more interviews with brilliant analysts of the Matrix, including recent conversations. 53 pages.

The ten and a half hours of mp3 audio are my solo presentation, based on these interviews and my own research. Title: The Multi-Dimensional Planetary Chessboard—The Matrix Vs. the Un-Conditioning of the Individual.

Here is some background on the product and my own history:

In 2001, I essentially left a career as an investigative reporter and rolled the dice on the emerging internet. I started a site called www.nomorefakenews.com

I didn’t stop investigating and publishing, but my field of operation widened. My first big question was: WHO REALLY RUNS THE WORLD?

And my second was: WHOEVER THEY ARE, HOW DO THEY MANUFACTURE REALITY FOR THE POPULATION OF EARTH?

I was prepared to deal with these enormous questions, because I had contacts. These were people I had come to know well during my days as a reporter, writing for LA Weekly and other newspapers and magazines in the US and Europe—and also during a stint on radio at KPFK in Los Angeles.

These people, these contacts, were insiders.

They had deep knowledge in their fields:

PROPAGANDA; FINANCE; HYPNOTISM; MIND CONTROL; MEDICINE; INTELLIGENCE OPERATIONS…

There was a catch. They were unwilling to be cited as on-the-record sources in my articles. They knew they would suffer consequences if they went public.

Once I started my website, I did extensive research to confirm the credentials of my insiders. I wanted to make sure they were who they said they were. I wanted to verify they had worked where they said they had worked. This was a laborious process.

When I was sure, I began to interview them.

I wasn’t certain where all this would go.

Gradually, I realized I was getting VERY high-level information on The Matrix. But this was the real Matrix.

As one of my sources described it:

“Imagine a factory that turns out illusions. And these illusions are woven together to make up what we think the world is.”

The actual Matrix involves a number of areas: government; money; energy; the military; intelligence agencies; medicine; mega-corporations; psychology and mind control; science…

I started a members-only newsletter, and word quickly spread. Every Friday, I would email a newsletter to subscribers. Many of these newsletters were interviews with my insiders.

It was quite a job, keeping up with writing (public) daily articles for my site and also putting out the (private) newsletter. I was also collating the high-level information from my sources and making maps of the expanding territory.

I saw that I was looking at global CARTELS. As you will discover in reading this material, these cartels are not frozen organizations. They are evolving.

So now I’ve had some very competent assistance, and I’ve assembled the most important newsletter-interviews for you.

But in addition to that, I’m publishing, for the first time, interviews that never made it into those newsletters. And I’m presenting interviews from very recent days as well.

It’s very instructive to talk to people who have been there onthe inside. They are bright, they are informative, they convey the depth of situations they were involved with. They go beyond relaying dry facts, and in doing so, you learn how elite players play the game. You receive a rounded and three-dimensional picture of: the process of constructing The Matrix. How it’s built.

In every case, each insider was relieved to be able to talk with utter frankness, with no fear that his words would be twisted or taken out of context or deleted. So you’re getting the full story.

I met my first two insiders while I was writing my first book, AIDS INC., SCANDAL OF THE CENTURY, in 1987-88. The book was my initial experience in putting together a vast amount of data—which contradicted every official position on a supposedly rock-hard subject: medical science.

At the time, I didn’t really understand how deep I was drilling down into a cardinal aspect of The Matrix. I only knew I was I digging up and exposing long-held delusions broadcast as facts by the Medical Cartel. These false realities went far beyond the subject of AIDS.

That first book of mine started as a pure lark. I had just published a piece in LA Weekly about certain televangelists and their support of an intentionallystaged Armageddon in Israel. When the piece was published, I sat back and thought, “Where do I go from here? What could be weirder than this?”

Like other investigative reporters, I was excited by strange and bizarre stories that could blow readers’ minds. I was motivated by that.

So, in 1987, I wondered what could be stranger than the Armageddon story I had just done.

Sitting in my Los Angeles studio, a thought popped into my head. “AIDS. I bet there’s something about that whole thing that’s pretty weird.”

Little did I know…

That was my first big leap.

I had studied logic extensively in college. I had been taught by a philosophy professor who was a very generous soul and a relentless thinker. If you were an inch from accuracy, he would point it out, and he would give you the full reason and understanding that pulled you back to the straight and narrow.

Once I dove into research for AIDS INC., I was amazed at the sloppy thinking and contradiction that was posing as science.

And then I met my first two insiders.

Their basic message to me was: keep going; you’re on the right track; we have a great deal more to share with you.

They weren’t just talking about medical issues.

They were talking about the whole construction of reality from a number of angles.

Each of the insiders I have gotten to know over the subsequent years has a different personal story. They have all left their particular corner of The Matrix-Construction Group. Jack True, my late friend and colleague, was a different man altogether. He was never part of that Group. He was the most informed and brilliant researcher I’ve ever come across on the subject of the mind—the essential link that makes The Matrix work.

Jack started the ball rolling. He was instrumental in making the deal that got AIDS INC published. He introduced me to a few key figures along the way—insiders who proved invaluable.

Why did these insiders want to talk and spill secrets? Well, the process of interviewing them wasn’t always easy. They could be thorny at times. But they all had seen, finally, the abyss toward which they were heading, toward which they were leading the population. And they pulled back.

So…

This Volume is for individuals.

Because:

Beyond The Matrix is true individual power.

Despite all the illusions, it has always been there.

It waits for you.

And it IS your power.

To order THE MATRIX REVEALED, click here, or, click on THE MATRIX REVEALED box on my home page at www.nomorefakenews.com

Jon Rappoport

2012

qjrconsulting@gmail.com

Part 5, What is The Matrix?

by Jon Rappoport

July 6, 2011

From one point of view, the Matrix is a central block of energy that is fed by millions of loops and tubes of energy—and those loops are all human actions that follow a script called:

THE HUMAN CONDITION.

“The human condition” is a fake image of the limitations of human life, plus all the implications and melodramas that follow from it.

You can imagine it as one vast bureaucracy, in which the workers are grossly unhappy with what is going on and yet love every misstep, mistake, postponement, crisis, and grinding routine.

It’s a culture. To one degree or another, it pervades every area of life.

As long as limitation is the overriding principle, the human-condition drama is going to play over and over again. The faces and names will change, but the production will go on.

Limitation has to do with: obscuring the existence, range, and power of imagination. Limitation is ultimately based on the PRETENSE THAT IMAGINATION IS AN UNIMPORTANT FACULTY.

Once you accept that pretense, life as we know it and the “human condition” follow as night follows day.

The “human condition” and its implications are really coming into their own now—they are being promoted as the reason we must have “share-and-care”global governance that continues to advance its agenda. Which includes cradle to grave medical status as a patient with constant need for treatment.

Global governance resonates closely with the Matrix.

The US Constitution was written for an agrarian society of about six million people who were living in a relatively small area along the east coast of the continent.

Thomas Jefferson’s view was that each generation, every 20 years or so, should write their own Constitution. This is a rather staggering point, ignored by most so-called conservatives.

Jefferson also believed a Republic would succeed only if the population was rather small.

So, for example, we might now have 50 or 60 separate Republics on this continent—each one writing a new Constitution every 20 years.

If that were the case, the present national government in Washington DC would be a thing of the past. Gone.

The 50 or 60 Republics would hopefully maintain good relations with one another, and one assumes Bill of Rights provisions would be part of each Republic’s basic law.

Decentralized government.

I would favor at least 200 Republics on this continent.

That way, citizen participation in government would actually mean something.

One Republic, so-called, with a population of 330,000,000 people, trying to fulfill The General Good of All, is going to fail progressively and spectacularly. The taxation rate alone is a disaster. Further, the attitude of the central government is going to be shaped by people who think in terms of 330 million people—planners, problem solvers, bureaucrats and administrators. And this tendency is going to slant action in the direction of attending to the masses, as units or groupings, rather than as individuals. It’s a self-defeating proposition.

I believe a man like Alexander Hamilton, however, saw this future and did not flinch from it, because in his eyes “the people” were doomed from the beginning by their nature and character. They had to be ruled from above.

It was Jefferson who was more optimistic about the potential of the individual.

In our world today, we are seeing big governments getting bigger—as a strategy for solving their unsolvable problems. The venality and greed and duplicity of political leaders are all about extending top-down control. It’s not just a plan, it’s what happens when the nation is so large, because the people who naturally gravitate to “serve” have this predilection for power/control.

The weave of the reality-Matrix and big government harmonize. They both exist to make people passive receptors.

“I’m basically John Jones living in the Untied States in 2011. I’m trying to get ahead. I’m encountering problems and trying to solve them. I’m looking out on the world from this point of view. I have no reservoir of inherent power. I’m striving. I’m doing the best I can…”

This is the shrunken attitude of a member of Matrix reality.

It is fostered by a minimized and restricted sense of possibility.

And THAT naturally seeps in when imagination is not the prime piece of the equation.

Imagination not only conceives of extended possibility, it projects it into space and time AND BEYOND.

When imagination swings into operation, physical reality is more an occasion for creating new realities, rather than a definer of reality.

The difference is crucial.

In 1932, Henri Bergson wrote, “The universe is a machine for creating gods.”

The Matrix plus John Jones is a collaboration that brings gods into being, the result of which is passivity.

As I’ve written before, the universe (Matrix) is one work of art among a potentially infinite number of works of art. The idea of exploring one work of art to the point of obsession, to the point of forgetting all the other potential works of art and the “means of their production” (imagination) is the sine qua non of the Matrix.

Imagination exceeds the space-time continuum.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29^th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

Part 4, What is The Matrix?

The Easy Way Out.

by Jon Rappoport

July 5, 2011

Point one: The basic fact to remember about the first Matrix film was that a hero had to be chosen. ONE MAN. A person who would function beyond the rules of the space-time continuum.

Not a group. Not a committee.

Real power would accrue to an individual.

Point two: in real life, the reason the real Matrix endures is that there is an audience for it.

And audience is fascinated by, and glued to, STORY.

There are certain kinds of stories that are particularly effective at maintaining audience in a state of being audience.

For example, the hero is faced with a problem which turns into a mystery, and he then penetrates the mystery after much work and danger—during which time his friends lose faith in him—and finally the hero does away with the villain at the heart of the mystery…

WHATEVER KEEPS AUDIENCE BEING ONLY AUDIENCE KEEPS THE MATRIX IN PLACE.

For the most part, audience wants to remain being audience, and it will search for and rationalize ways to do just that.

Religion can be an excellent way to remain being audience on a cosmic scale.

The power to exit from being audience is real and significant. Without it, you stay in the Matrix.

Story has beginning, middle, and end. This pattern, so obvious and universal, is rarely thought about, but it creates a trance. Try writing a story without that sequence and see how many people want it.

“I’m audience, and I want beginning, middle, and end, over and over.”

Part of being audience is experiencing the letdown that happens after the story ends. This depression stimulates the need for another story. And on and on it goes. But the letdown, at a deeper level, is really about a dissatisfaction with the WHOLE PATTERN of story—people want to break out of that. They want to conquer that addiction.

And how is that done?

Well, the first step is being able to invent a story of your own.

And this is where people balk.

I recently received an email from a reader who expressed, in a vague way, his dissatisfaction with “my story.” As if he had been looking for a “master story teller”—which was an idea in HIS own mind—and since I didn’t fulfill that ideal, he was unhappy.

This was a perfect illustration of what I’m talking about. He wanted to remain being audience, and he was looking to me to supply material for his trance.

BEING AND REMAINING AUDIENCE magnetizes people to Matrix.

At a conference, I once gave a talk about freedom. In the middle of the talk, I told the audience we were going to do a few exercises that would possibly enhance their sense of freedom. The very notion that I was asking them to DO something, to come out of their audience-trance…which they hadn’t expected, caused a stir, a sense of apprehension. They were programmed for beginning, middle, and end—and I was suddenly shredding that.

They had planned on being entertained with the notion of freedom.

After the lecture, a friend of mine came up to me and said, “Did you catch what happened there, when you told them you were going to have them do exercises?”

“Sure,” I said. “That was on purpose.”

THE MATRIX EXISTS BECAUSE THERE IS AUDIENCE FOR IT.

On the level of mind, Matrix IS whatever keeps audience being audience.

Consciously or unconsciously, every salesman knows this.

I knew a quite successful salesman who revealed his secret to me. If he had told this secret to a psychiatrist, he would have been diagnosed as bipolar or schizoid in two seconds.

He said he knew he had been a salesman in many past lives, and therefore he knew exactly how to act and speak “in the role” of Salesman. If he followed the role exactly, his prospects would buy whatever he was selling. If he didn’t, they wouldn’t. There was a beginning, middle, and end to his pitch.

He had the knack of keeping his audience in a state of being audience. In a trance. And part of the trance was signing the check and the contract. It was a piece of cake.

AUDIENCE DOESN’T INVENT.

THEY EXPERIENCE.

AND THAT’S WHAT THEY WANT.

MATRIX.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29^th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Part 3, What is The Matrix

The Yin Yang Experiment

by Jon Rappoport

July 4, 2011

Let’s pretend that a few Chinese sages, long ago, decided to float a trial balloon.

They spread the word that opposites could resolve in a state of harmony. Each polarity could reflect the other.

It was a poetic thought that might be embedded in a few verses.

The sages watched and waited. Eventually, they saw that this fancy had taken hold. In fact, it had become embedded in a philosophy. It was now being discussed as a principle of the universe, the cosmos.

The sages were shocked but not surprised. Humans exhibit strange fetishes.

What started out as a poet’s passing rumination on a summer afternoon—entertained purely for the purpose of writing verse—was now an all-embracing weave of the Matrix.

From the sages’ point of view, what might be done in a poem was far more important than what might be attributed to Universe.

I use this as an illustration of “piling on”–how humans add one idea after another, one speculation after another to a Matrix that is already built to give the impression that it is the prime reality.

Richard Jenkins, the extraordinary healer I write about in The Secret Behind Secret Societies, once told me, “The addiction to Universe is like every other religious addiction. People aren’t satisfied with just two or three myths. They have to keep making them up. It’s like children with dolls and clothes. You’ve got to have more outfits.”

The Matrix is made into a magnet. Instead of understanding that products of imagination are art, people have to embellish the Matrix with those products. That gets them dug in deeper.

Nearly 40 years ago, I rented a garage in Santa Monica and turned it into a studio. It was small, and I wanted to paint large. I stretched three canvases, the biggest of which was 15×8 feet. Because there wasn’t enough room in the studio, I kept painting over that canvas.

Six months later, I had done perhaps 15 paintings on that one canvas—each painting covering the one before it. I’d used all sorts of paints—acrylic, oil, enamel. Finally, I painted the whole thing black. I looked at the black space for a few days, and I noticed there was a small glint of light green peeking through in the lower left.

I worked at the area with my fingernails, and suddenly a two-foot section of black came away like a swath of rubber, exposing many colors and shapes, which were intact.

I realized that, because I’d used different kinds of paint, I’d done distinct layers. The layers hadn’t adhered perfectly.

For the next week, using a screwdriver and a mallet, I uncovered painting after painting, going back in time.

Eventually, I arrived at a painting composed of several layers at slightly different heights. I liked it.

If the painting had been the Matrix, and I had been a devotee, I would have fallen on my knees at that point and said a prayer. I would have, for the moment, been happy I had determined how many layers (myths) were necessary to give me the One Painting For All Time. The religion of Matrix.

But it was a painting. And of course, since I was the artist, I knew that.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29^th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Part 2, What is The Matrix?

Sub-structure

by Jon Rappoport

July 3, 2011

Basically, the mechanical structure of the Matrix is derived from the concept that:

Everything is connected to everything.

This notion is increasingly hailed as a positive marvel. For example, in quantum entanglement, pared particles, even at great distances from each other, both react to an impact on either particle.

“Everything/connected” produces a sensation of Weave&All Inclusiveness.

It’s ultimately designed for long-term rental. The occupant is there, and there he will stay.

Feeling this Oneness is Matrix religion, and it is meant to instill a sense of the sacred. Holy, holy. The mind completes the equation: sacred=forever. It’s a ruse. “Sacred” is no more forever than listening to a Bach concerto is forever. It’s one thing to bathe in a majestic feeling. It’s quite another thing to infer it means eternal occupancy.

There are many people ready to shake your hand and embrace you and welcome you into the labyrinth, the weave, the connection of everything to everything.

People aspire to be wired into the “everything/connected” apparatus as their highest ambition—which is their primary substitute forimagination.

That they don’t realize this doesn’t make it any less true.

“I’m one atom in an infinity of atoms all connected throughout the universe, and this is what I want to feel. This is illumination and enlightenment. This is the grand essence, the final stop on the train ride.”

Well, let me put it to you in this way. Let’s say you’re an actor. You work in a repertory theater that stages 100000000000000000 plays. In each play, you have a role, a different role. You’re “connected” to each one of those roles. BUT YOU’RE AN ACTOR. That means you can inhabit a role and then take it off like a coat. It doesn’t mean you’re forever chained up to every role you play.

However, this distinction is lost on most people.

The idea of everything/connected is quite old. You can find it enunciated in ancient Egypt and China, and traces of it exist in Aristotle. It’s often arranged as a hierarchy. The “great chain of being.”

So are we talking about an architecture of the universe or a notion in the mind?

Both.

Think of everything/connected as a style of building among various possible styles.

And religion is its goal—the inducement of religious awe. That is the stage play.

People join the “everything/connected” church of the universe. They want to be in that congregation singing a song, melting down into butter.

Oh, look. There at the altar is a priest. He’s delivering a sermon. Let’s listen in:

“If you know that everything is connected to everything, could you possibly kill a whale? Of course not.”

Remember two things, though. One, you don’t need to embrace everything-is-everything to know you don’t want to kill a whale.

And two, the priest, as he’s delivering his sermon, is thinking to himself: “If I want to kill a whale, I damn well will.”

You see, when you really unpack the “everything is everything” wow, it’s not as sensational as it first seemed.. Any more than, say, the fact that every national newscast covers the same stories from the same point of view.

“I can’t believe it. ABC just did a piece on the Supreme Court, and now CBS is highlighting it, too. Let’s light a candle and kneel.”

“Everything/connected” is supposed to signal that the universe is conscious, and to boil the argument down, since universe is also so much larger than a human being walking around on a street in a city on planet Earth, he is obligated to defer to universe.

He is programmed from a young age to defer. He learns how politically incorrect it is to reject this church.

Matrix.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29^th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

by Jon Rappoport

July 2, 2011

Back to imagination. The fountainhead.

The thing about imagination is that it has no timetable. It isn’t on a schedule. You can put it on like a coat and move with it at any moment you choose. If you choose.

If you strip away all the layers from any system in the world, you find the original kernel of imagination. All roads lead there.

The Matrix is life without imagination. You can say it is imposed, but that’s a convenient excuse. ANY kind of life drained of imagination would wind up being a Matrix. All by itself. It would form into layers of rock and sediment.

People don’t understand this, and they don’t want to understand this. They would prefer to lay all the blame at the door of clever evildoers. Elites. Which, of course, do exist. But that’s only half of the story, and it’s a weaker half by far.

Some people make a lifelong career out of accusing the elites of their crimes. That’s fine. More power to them. But without the other half, their efforts are dead in the water, because people love to take information and turn it into entertainment.

People want to be instructed on how to embrace a higher reality. This is called religion. So they put imagination aside and ask to be filled with a single work of art, and then they worship it. It’s a straight con, but that doesn’t stop the parade.

Here is a formula for you. It’s a rough approximation, but it’ll do. As imagination approaches half the distance to infinity, imagination becomes magic.

The laws of physics, such as they are and such as we understand them, are suspended. Imagination crosses a threshold, and when it does, all the so-called paranormal abilities kick in.

Imagination is far larger than paranormal abilities, which are really a subset of imagination.

Imagination trumps reality. Reality is slow-motion imagination, the Matrix. It appears solid and dense, but it is only a minor inconvenience, when understood from the point of view of imagination.

Obtaining this point of view is more than an intellectual exercise, it is the outcome of ACTION, and that action is imagination deployed.

Education is the effort to minimize imagination. It is training in how to become a member of the Matrix. This doesn’t mean that ignorance and stupidity are the keys to the kingdom. But it does mean that an overemphasis on learning dampens imagination and places it in a region of fog.

All systems tend to move toward imagination, if left alone. Lately, I’ve been writing about the sick joke that is psychiatry. Well, if you could somehow take psychiatry and allow the professionals to invent their categories of so-called mental disorders and treat one another on that basis (and no one else), with harmless placebos, these loons would eventually arrive at the realization that they were making the whole thing up, lock, stock, and barrel. They would experience the joy of knowing they had been employing imagination to sculpt their system and structure. They would blow up right out of their Matrix and find themselves as artists.

It might take them a few thousand years to reach this point, but reach it they would.

Matrix means non-imagination. And if you could crawl around in its channels and caves and interstices, you would see it was built for one reason: to distract from the discovery of imagination and its power.

In the Matrix setting, you get a preponderance of SACRIFICE. I don’t mean generosity or kindness or good will or love. I mean self-abasing sacrifice. It coagulates in Matrix. It legislates against imagination by pretending that imagination and its freeing force don’t exist.

What I’m talking about in this article happens to be the true and buried spiritual tradition of planet Earth. A relatively few people have discovered it, and the rest have fallen into one sort of androidism or another.

You have a choice. You can go along for the ride in Matrix, or you can imagine imagination and embark on the journey of journeys.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29^th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.