by Jon Rappoport
To order my mega-collection, The Matrix Revealed, click here.
Back in the early 1980s, when I started working as a reporter, it occurred to me that the mainstream news could be a quite different thing.
What I mean is, I imagined the networks and newspapers covering VERY DIFFERENT stories and hammering on them, day after day. I imagined this with clarity. I could see “another world,” and in that world, reality would take on a radically new shape for millions of people.
Their thought processes would change. Their perception would change.
I knew intelligence agencies were influencing news coverage. They were writing the coverage sometimes. They were the inheritors of “public relations” as an art and science. They were painting pictures of What Exists as surely as artists of the Renaissance were depicting the mythological stories of the Vatican.
There I was, imagining a different news establishment making a different universe.
Since that time, I’ve always known that imagining alternative universes is a vital component of journalism.
For example, what would have happened if, in 2020, the New York Times suddenly had decided to follow up, day after day, on its own story about 90% of PCR tests being false-positives? Suppose they had traced out the implications. Suppose they had interviewed many scientists and confirmed the fact that, even by conventional standards, only 10% of all COVID cases in America could be real.
Every major news outlet in the world would have picked up this story and ran with it. The emerging scandal would have shaked and cracked the pillars of the medical establishment. The “pandemic” would have been reduced to a nub.
Back in the early 1980s, I was sensing this sort of reversal of reality, on many issues. I realized how powerfully intelligence-agency news was creating the world.
In a true sense, the public was always only an inch away from seeing a different world. But that inch seemed to be made out of steel.
I spoke to other reporters and editors about this. They weren’t interested. At the time, I was astonished. Couldn’t these professionals see that reality was elastic and malleable? Couldn’t they see that manipulation was far deeper than telling lies? Couldn’t they see that the CIA was a reality-manufacturing company?
A lie wasn’t only a lie. It could be as big as substituting Saturn for Mars. It could be as big as changing out one galaxy for another. It could be controlling the mind, as it were, to look at Los Angeles and see Moscow. It could be switching reels in a projector booth and running a whole different movie on the viewing screen of life.
Surely the CIA knew this.
And then I met Ellis Medavoy.
In my mega-collection, The Matrix Revealed, I publish 28 interviews with Ellis (290 pages).
Operating behind his pseudonym, and other covers, Ellis used the CIA and other conduits to spread disinformation on the scale I’m referring to in this article. He called it “inserting systems.” At other times, he called his work “inventing paradigms,” and “directing progressions of thought and perception.”
I call Ellis a spymaster because that’s what he was. In retirement, there were subjects he refused to address, but what he did reveal to me was stunning in its scope. He took the position that mind control was basically “a rearrangement of space and time.”
His understanding of psychology made psychology look like kindergarten in a playpen.
I came to see the media, academia, the medical cartel, education, governments, and elite foundations as mid-level operators in a long-term operation designed to quell and subdue the DIFFERENT UNIQUENESS of each individual.
Which is to say, every human, left to his own devices, could successively penetrate one curtain of illusion after another; and society, as a result, would look, feel, and be far, far different from what it is now, down to its very core.
Ellis was, as far as I could tell, retired from a career in which he’d worked on contract with an inner circle of men at the Council on Foreign Relations and similar organizations. But those men, bent on control over the masses, weren’t able to design the details of the necessary illusions that would make their goals possible.
Ellis, and other people on his level, took over that task in important respects.
In one of our first conversations, Ellis said to me, “What world do you want for breakfast? World A, B, C, or Z? I can paint any of those pictures. But the more important thing is, I can create the PREDISPOSITION for you to see and accept any of those pictures. That’s a different level of trick…”
A major covert operation always has a cover story to obscure what has really been launched. “The basic unified reality that a few billion people perceive in common,” Ellis told me, “is both the cover story and the covert operation itself. They’re the same…My job was being able to get a person to look in the mirror and see himself as far less than he is. Once you’ve made that trick work, it seems easy. All tricks do, after the fact. But it wasn’t easy…”
My interviews with Ellis are one vital part of mega-collection The Matrix Revealed. You can order it here:
(To read about Jon’s mega-collection, The Matrix Revealed, click here.)
Here are the contents of The Matrix Revealed:
* 250 megabytes of information.
* Over 1100 pages of text.
* Ten and a half hours of audio.
The heart and soul of this product are the text interviews I conducted with Matrix-insiders, who have first-hand knowledge of how the major illusions of our world are put together:
* ELLIS MEDAVOY, master of PR, propaganda, and deception, who worked for key controllers in the medical and political arenas. 28 interviews, 290 pages.
* JACK TRUE, the most creative hypnotherapist on the face of the planet. Jack’s anti-Matrix understanding of the mind and how to liberate it is unparalleled. His insights are unique, staggering. 43 interviews, 320 pages.
* RICHARD BELL, financial analyst and trader, whose profound grasp of market manipulation and economic-rigging is formidable, to say the least. 16 interviews, 132 pages.
The 2 bonuses alone are rather extraordinary:
* My complete 18-lesson course, LOGIC AND ANALYSIS, which includes the teacher’s manual and audio to guide you. I was previously selling the course for $375. This is a new way to teach logic, the subject that has been missing from schools for decades.
* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst. I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.
Also included:
* Several more interviews with brilliant analysts of the Matrix. 53 pages.
* The ten and a half hours of mp3 audio are my solo presentation, based on these interviews and my own research. Title: The Multi-Dimensional Planetary Chessboard—The Matrix vs. the Un-Conditioning of the Individual.
(All the material is digital. Upon ordering it, you’ll receive an email with a link to it.)
Understanding Matrix is also understanding your capacity and power, and that is the way to approach this subject. Because liberation is the goal. And liberation has no limit.
I invite you to a new exploration and a great adventure.
Jon Rappoport
The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.
“We’ll know our disinformation program is complete when everything the American public believes is false.” (William Casey, CIA Director 1981-1987, during the first meeting of President Ronald Reagan’s Cabinet, Feb. 1981)
“There is a plot in this country to enslave every man, woman and child. Before I leave this high and noble office, I intend to expose this plot.” (President John F. Kennedy 7 days before his assassination)
“I knew intelligence agencies were influencing news coverage. They were writing the coverage sometimes. They were the inheritors of “public relations” as an art and science. They were painting pictures of What Exists as surely as artists of the Renaissance were depicting the mythological stories of the Vatican.”
Artists of the Renaissance were depicting not mythological stories, but primarily scenes from the life of Christ, other biblical persons and events, as well as saints. If someone thinks they are mythological, it is probably because he thinks miracles are impossible, which is much more a deliberate choice than a reasoned conclusion in the face of historical evidence. Just because almost all Christian denominations have become corrupted, including the Vatican, the latter definitively since 1958 when the papacy was usurped by the “powers that ought not be” (see https://whitesmoke1958.com), that doesn’t mean there is no such thing as authentic Christianity. As the saying goes, “Abusus non tollit usum.”