Monthly Archives: June 2016

Your creative power that knows no limits

Your creative power that knows no limits

by Jon Rappoport

June 22, 2016

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

My first collection, The Matrix Revealed, laid out the nuts and bolts of The Great Game, and how it is played.

In Exit From the Matrix, I turn that card over and display what’s on the other side: the core of life-force, imagination, and creative power that knows no limits.

I’ve greatly expanded a repertoire of exercises and techniques you can practice every day to regain what is yours.

It represents some 15 years of investigation and research into what the individual is truly capable of.

It’s intensely practical. It contains more than 50 new exercises and techniques aimed at expanding the power, range, and scope of the imagination—along with very simple instructions on how to use these exercises.

Imagination is the buried key that unlocks the door that exits from the Matrix.

This collection also contains a presentation of the vital philosophy that underpins the limitless power of the individual. This is more than theory. It’s a guide to exiting from the Matrix.

From what is in Exit From The Matrix, from the huge amount of material, I think you’ll see I’ve made no short cuts. In fact, I’ve done everything possible to go the extra mile.

exit from the matrix

Here are the contents of this collection:

First, my new audio presentations:

* INTRODUCTION: HOW TO USE THE MATERIALS IN EXIT FROM THE MATRIX

* EXIT FROM THE MATRIX

* 50 IMAGINATION EXERCISES

* FURTHER IMAGINATION EXERCISES

* ANESTHESIA, BOREDOM, EXCITEMENT, ECSTASY

* ANCIENT TIBET AND THE UNIVERSE AS A PRODUCT OF MIND

* YOU THE INVENTOR, MINDSET, AND FREEDOM FROM “THE EXISTENCE PROGRAM”

* PARANORMAL EXPERIMENTS AND EXERCISES

* CHILDREN AND IMAGINATION

* THE CREATIVE LIFE AND THE MATRIX/IMAGINATION

* PICTURES OF REALITY AND ESCAPE VELOCITY FROM THE MATRIX

* THIS WOULD BE A VERY DIFFERENT FUTURE

* MODERN ZEN

* THE GREAT PASSIONS AND THE GREAT ANDROIDS

Then you will receive the following audio seminars I have previously done:

* Mind Control, Mind Freedom

* The Transformations

* Desire, Manifestation and Fulfillment

* Altered States, Consciousness, and Magic

* Beyond Structures

* The Mystery and Magic of Dialogue

* The Voyage of Merlin

* Modern Alchemy and Imagination

* Imagination and Spiritual Enlightenment

* Dissolving Stress

* The Paranormal Project

* Zen Painting for Everyone Now

* Past Lives, Archetypes, and Hidden Sources of Human Energy

* Expression of Self

* Imagination Exercises for a Lifetime

* Old Planet, New Planet, New Mind

* The Era of Magic Returns

* Your Power Revealed

* Universes Without End

* Relationships

* Building a Business for Success

I have included an additional bonus section:

* My book, The Secret Behind Secret Societies (pdf document)

* My book, The Ownership of All Life (pdf document)

* A long excerpt from my briefly published book, Full Power (pdf document)

* My 24 articles in the series, “Coaching the Coaches” (pdf document)

And these audio seminars:

* The Role of Medical Drugs in Human Illness

* Longevity One: The Mind-Body Connection

* Longevity Two: The Nutritional Factors

(All the audio presentations are mp3 files and the documents and books are pdf files. You download the files upon purchase. There is no physical ship.)

What has been called The Matrix is a series of layers. These layers compose what we call Reality. Reality is not merely the consensus people accept in their daily lives. It is also a personal and individual conception of limits. It is a perception that these limits are somehow built into existence. But this is not true.

What I’ve done here is remove the lid on those perceived limits. This isn’t an intellectual undertaking. It’s a way to open up space and step on to a new road, with new power.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

I write a new ending for Orwell’s 1984

I write a new ending to Orwell’s 1984

by Jon Rappoport

June 21, 2016

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

“Money can buy you immortality, according to the Russian internet multi-millionaire who is ploughing a fortune into a project to create a human that never dies. Web entrepreneur Dmitry Itskov is behind the ‘2045 Initiative’, an ambitious experiment to bring about immortality within the next 30 years by creating a robot capable of storing human personalities. The group of neuroscientists, robot builders and consciousness researchers say they can create an android that is capable of uploading someone’s personality. Mr Itskov, who has made a reported £1bn from his Moscow-based news publishing company, is the project’s financial backer. ‘Different scientists call it uploading or they call it mind transfer. I prefer to call it personality transfer’ – Dmitry Itskov.” (The Telegraph, 3/13/16)

Winston Smith, the hero of Orwell’s 1984, has just been arrested for crimes against the State. Sitting in his cell, he watches as a familiar figure steps through the door. It’s O’Brien, the man he thought was his friend. But O’Brien is an undercover agent of the Party, and the Party rules all.

O’Brien: Don’t worry, Smith, I’m not here to wring a confession out of you or torture you. We’ve updated our methods. We have new technology. We can preserve the life and essence of every human now. This is our mission: to save, to improve, to transform.

Smith: What are you going to do?

O’Brien: We’re going to take your essence, your personality, which is your brain, and we’re going to transplant it into a new body, an artificial construct. Some people would call that construct a robot, but it’s really an advanced bio-machine. It’s programmed to operate correctly in the new society.

Smith: Operate correctly?

O’Brien: In other words, those choices your brain might make which are counter to the purposes of the Party…those choices will be nullified by the bio-machine.

Smith: So I’ll live on, but without freedom.

O’Brien: Exactly. You’ll be you, but you’ll be integrated with the collective. That’s our sales pitch.

Smith: Suppose my brain isn’t my essence or my personality?

O’Brien: Oh, we know you’re more than your brain. We know every human has dimensions of consciousness and power the brain can’t touch. We don’t publicize that fact. It’s a State secret. But we SAY your brain is you. We promote the idea.

Smith: But you can control my brain.

O’Brien: Correct. It’s a processing center, so to speak, and we can monitor what it does and stop it from acting in ways we consider harmful.

Smith: What makes you think I’ll be there at all after you take out my brain and put it in a bio-machine?

O’Brien: You won’t be there. We know you won’t be. But we say you will. It’s another aspect of our State propaganda. It eases people’s fears. We assure them they’ll live on. We tell them they and their brains are the same thing, if you follow my meaning.

Smith: And they buy that idea?

O’Brien: Of course. They’re not very thoughtful. If we said the individual and his consciousness were more than the brain, people would be confused. So we stick to the basics.

Smith: There are people who actually believe they will live on because you take their brains out of their bodies and install them in a bio-machine?

O’Brien: They do believe it, trust me. Getting them to believe it took many years and a great deal of scientific gibberish. Anyway, you’ll lie down on a table, we’ll anesthetize you, remove your brain, transfer it to a bio-machine that looks like you, and then activate the brain. A new version of Winston Smith will stand up and go about his life. Except now, instead of being a rebel, he’ll be a member of the Party, loyal and trustworthy. And you? You’ll be gone. Who knows where?

Smith: Suppose you transferred my brain but didn’t put a monitor and limiter on it? What would happen then?

O’Brien: The bio-machine would more or less act like you—the rebel. It wouldn’t be you, of course, but it would be a reasonable facsimile. An imitation, you might say. With far less imagination.

Smith: I’m me.

O’Brien: We know that. We know you’re beyond your brain, which is to say, you’re beyond any form of matter. But we don’t care. We only care about creating an imitation of you.

Smith: And that imitation would walk around and interact with other imitations you’ve created.

O’Brien: This is a long-range project. Eventually, we’ll transfer the brains of everyone—excluding high Party officials—into bio-machines.

Smith: And you’ll call this immortality.

O’Brien: That’s right. We’ll call it immortality, freedom, health, well-being, happiness. We’ll call it whatever we want to.

Smith: And the scientists who are working on this project?

O’Brien: They’re high-IQ idiots. They believe the individual is nothing more than a series of patterns. Patterns of thought and action. They believe freedom is a fiction. They believe consciousness independent of the brain is a fiction. Again, those of us in the Party who are in positions of influence—we know the truth. But we keep it to ourselves.

Smith: Why are you admitting this to me?

O’Brien: Because I like you. I consider you a friend. I could have ended up like you. But I saw which way the wind was blowing, and I joined the Party.

Smith: You’re a murderer.

O’Brien: Would you expect anything less?

Smith: I guess not.

O’Brien: Those of us in the core of the Party are the greatest secret society the world has ever known. Why? Because we understand that The Individual is not made out of matter at all—and yet we operate as though he is nothing more than a small amount of matter inside his skull. Do you see?

Smith: You make robots.

O’Brien: All right, if you want to put it that way.

Smith: I’ll never learn to love Big Brother and the State.

O’Brien: Yes, that’s what our algorithms tell us.

Smith: Whatever you do to me on the operating table, whatever you do to my brain, I’ll still exist afterwards, but I won’t be anywhere near my brain.

O’Brien: That is our assumption as well. But wherever you go, whatever you do, it won’t affect us. We’ll carry on. Our empire is the physical world.

Smith: I see a massive crack-up coming in your world. Robots going crazy. Machines fighting other machines. They’ll be unconscious, but they’ll leap outside your control.

O’Brien: What makes you say that?

Smith: Intuition. The robots will come after you. You won’t be able to stop them. You’ll be running Earth like a giant mental ward. Those operations always go haywire. They’ll destroy you…Then we’ll come back. We’ll pick up the pieces.

O’Brien: Maybe so. I won’t be here to see it.

Smith: You may not be here, but wherever you are, I have a feeling you’ll see it. And we’ll recognize you.

O’Brien: It’s all academic.

Smith: No. When we recognize you, you’ll experience the most real thing that’s ever happened to you.

O’Brien: So the war is never over?

Smith: It’s over when we win.

O’Brien woke up in a sweat. He was lying in the dark. He got up from his cot and searched for a light switch. He couldn’t find one. He felt the walls of the room. They were blocks of stone. High above his head, he saw a skylight. The glow beyond it was faint.

Where was he? What was the date?

“This is ridiculous,” he said. “What is this place? I’m just a neuroscientist working for the National Institutes of Health. I’m not O’Brien. This isn’t 1984. I want to achieve immortality for human beings. I just want to transfer their brains into artificial bodies, for their own good. What’s wrong with that? I’m a humanitarian. The government sponsors my research. I’m a doctor. I help people.”

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Television news illusion: “reporter in the field on location”

by Jon Rappoport

June 21, 2016

(To join our email list, click here.)

All mainstream television news is built on transitions from one item to another. These transitions are called blends or segues. For example, the anchor in the studio goes to a “reporter on location” where “the news is happening” in real time.

However, in many cases, the anchor in the studio already knows what the reporter on location is going to say. That field reporter could just as easily be sitting in a public bathroom a block away from the studio, for all the good he does. Or he could be sitting in the studio in front of a fake backdrop. It’s a con.

But the sense of transition from one place and person to another imparts the sense of importance. The viewer thinks, “They’re going right to the spot where the shooting occurred an hour ago.” Yes, but the shooting, or whatever actually happened, is over. Or if it’s still in progress, the field reporter is getting his information directly from the police—he could have accomplished that with a phone call from a thousand miles away.

No network news operation allows a reporter in the field to discover something unofficial on his own. That’s verboten. It can get him fired.

So if the reporter on location wanted to tell the truth, he would say, “I’m standing here on a street corner five blocks away from the shooting, and I have nothing new to report. The cops just held a press conference, and they merely said the event was under investigation. I could have told you that while I was in bed back in my apartment. That’s it from here at the moment. I’ll be back with more meaningless updates as they occur. Stay tuned.”

Then the anchor back in the studio would say, “Thanks, Craig. I already knew about the press conference where nothing of substance was mentioned. You added zero to that zero. But you’re there. That’s what’s important. You give the illusion of live presence. We’ll be back after this break. Now we have to sell pharmaceuticals you don’t need. Stay tuned.”

Both the anchor and the reporter in the field earn their paychecks by making the viewing audience feel they’re “transitioning” from one important place (the studio) to another (the street corner). That’s the key. Here one minute, there the next. Most of the time, here and there are as vital as someone posting a video of himself sleeping.

“Now we go to Cairo, where street protests are taking place. Our reporter, Jeff Hassenfeffer, is there. Jeff?”

Cut to close-up of people milling about on a street. They’re yelling, shoving, and running. Jeff is standing in front of them. But who are these people? What are they really doing? Why are they there? What’s the issue? Do the protestors understand it? Are they trying to overthrow the government? If so, would it do any good? Would the new government crack down even harder than the old one? Are all these milling people know-nothings? Are they mere fronts for a new dictator in the shadows? The “reporter in the field,” Jeff, doesn’t know and doesn’t care. He’s there. That’s the important thing.

“Thanks, Jeff. Wow. People in the street. A revelation.”

Again, the reporter in the field isn’t doing any actual digging to come up with independent information. He’s there because he’s wearing a tan shirt with a lot of pockets, and he has a reasonably nice face, and his voice is a strong baritone. In college, he sang “Fiddler on the Roof.”

There is one thing a field reporter can do. By accident. He can interview a witness to an event who says something that departs from the official scenario. “There were three shooters, not one.” But this momentary flicker is shut down, never to appear again.

When the field reporter shows up at work in the studio the next day, someone will say, “Good interviews. Good job.” But what that means is: “You interviewed people. They said something. Anything.” That’s all.

People have accused CNN of faking on-location footage during the 1991 Gulf War, and later in the coverage of Sandy Hook. Regardless, all the information on the War and the school shooting came from official sources. The field reporters weren’t discovering news—they were taking dictation.

In 1988, when I was writing my first book, AIDS INC., I interviewed several researchers at major universities, and also spoke with a public information spokesman at the CDC, who relayed my questions to researchers and then came back to me with answers. I was doing this from a one-room apartment several thousand miles away, using a phone. That’s all I needed. I could have been standing in front of a building on the Harvard campus, or outside the CDC headquarters in Atlanta, with a television camera recording me—as I spoke on the phone—but what difference would it have made? I needed to document the official (false) position on AIDS, and I did.

Mainstream network television news is all about building illusions, and the transition from studio to the field is one of the cornerstones. The viewer is treated to a vicarious sense of traveling. In a moment, he goes from New York to Afghanistan. Therefore, something important must be happening.

But it isn’t.

That’s the joke.

Occasionally, when a breaking story is deemed “super-huge,” the network anchor will go to the scene and set up shop. That’s the pinnacle. He himself, in all his glory, stands on a street corner or a hill overlooking the corner, and says what he would have said back in the studio. Now the audience is riveted. “The man showed up. He’s there. Look. This is big.”

In this case, the trick isn’t location. It’s dislocation. It’s on the order of pulling up to a gas pump, getting out of your car, and suddenly seeing a movie star at the next pump. The star doesn’t belong there. He belongs on a movie screen. But he’s there at the pump. Dislocation.

Exit From the Matrix

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

The national network anchor is standing on a street in a town in Connecticut. He’s supposed to be in a studio, but he isn’t. Viewers are fixated.

The anchor came down out of his castle to mix with the common folk.

“Look, Fred, he’s on the street. I didn’t know he could do that. He’s breathing the same air we do.”

“Shh. I’m watching. Maybe he’ll hand out dimes to the peasants.”

“He looks a little tired.”

“Of course he’s tired. He’s been standing there for a half-hour. He’s on location. That’s got to be as exhausting as going down into a coal mine and working all day.”

Twelve hours later, the anchor is back home, in the studio. He still looks a little worn around the edges. He has a makeup assistant who knows how to create that effect. And of course, coming across as a bit world-weary is something the anchor has been practicing since he was twelve.

“And now we go to our Jeff Hassenfeffer in Tel Aviv. Jeff, exactly where are you?”

“Hi Brian. As you can see, I’m not in Tel Aviv. I’m in bed in my apartment on 110th Street. Sorry about all the beer bottles. We had a party a few hours ago. Anyway, let me bring you up to speed. I’m watching FOX. They’re reporting on the terror attack there. They’re getting their information from the Israeli PR people, just like we are. So it seemed easier to stay home. Here’s the latest Israeli press release…”

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Mind control achieved through the “information flicker effect”

by Jon Rappoport

June 20, 2016

(To join our email list, click here.)

I wrote this piece in 2012, in the wake of the Sandy Hook shooting. I re-post it now, because it equally applies to the Orlando shooting.

No, I’m not talking about the flicker of the television picture. I’m talking about an on-off switch that controls information conveyed to the television audience.

The Sandy Hook school murders provide an example.

First of all, elite media coverage of this tragedy has one goal: to provide an expanding narrative of what happened. It’s a story. It has a plot.

In order to tell the story, there has to be a source of information. The topflight television anchors are getting their information from…where?

Their junior reporters? Not really. Ultimately, the information is coming from the police, and secondarily from local officials.

In other words, very little actual journalism is happening. The media anchors are absorbing, arranging, and broadcasting details given to them by the police investigators.

The anchors are PR people for the cops.

This has nothing to do with journalism. Nothing.

The law-enforcement agencies investigating the Sandy Hook shootings on the scene, in real time, were following up on leads? We don’t what leads they were following and what leads they were discarding. We don’t know what mistakes they were making. We don’t know what evidence they were overlooking or intentionally ignoring.

The police were periodically giving out information to the media. The anchors were relaying this information to the audience.

So when the police privately tell reporters, “We chased a suspect into the woods above the school,” that becomes a television fact. Until it isn’t a fact any longer.

The police, for whatever reason, decide to drop the whole “suspect in the woods” angle.

Therefore, the media anchors no longer mention it.

Instead the police are focused on Adam Lanza, who is found dead in the school. So are the television anchors, who no longer refer to the suspect in the woods.

That old thread has gone down the memory hole.

What does this do to the audience who has been following the narrative on television? It sets up a flicker effect. An hour ago, it was suspect in the woods. Now, that bit of data is gone. On-off switch. It was on, now it’s off.

This is a break in logic. It makes no sense.

Which is the whole point.

The viewer thinks: “Let’s see. There was a suspect in the woods. The cops were chasing him. Now he doesn’t exist. We don’t know his name. We don’t know why he’s off the radar. We don’t know whether he was arrested. We don’t know if he was questioned. Okay, I guess I’ll have to forget all about him. I’ll just track what the anchor is telling me. He’s telling the story. I have to follow his story.”

This was only one flicker. Others occur. The father of Adam’s brother was found dead. No, that’s gone now. The mother of Adam was found dead. Okay. Adam killed all these children with two pistols. No, that’s gone now. He used a rifle. It was a Bushmaster. No, it was a Sig Sauer. One weapon was found in the trunk of a car. No, three weapons.

At each succeeding point, a fact previously reported is jettisoned and forgotten, to be replaced with a new fact. The television viewer has to forget, along with the television anchor. The viewer wants to follow the developing narrative, so he has to forget. He has no choice if he wants to “stay in the loop.”

But this flicker effect does something to the viewer’s mind. His mind is no longer alert. It’s not generating questions. Logic has been offloaded. Obvious questions and doubts are shelved.

“How could they think it was the dead father in New Jersey when it was actually the dead mother in Connecticut?”

“Why did they say he used two handguns when it was a rifle?”

“Or was it really a rifle?”

“I heard a boy on camera say there was another man the cops caught and they had him proned out on the ground in front of the school. What happened to him? Where did he go? Why isn’t the anchor keeping track of him?”

All these obvious and reasonable questions (and many others) have to be scratched and forgotten, because the television story is moving into different territory, and the viewer wants to follow the story.

This constant flicker effect eventually produces, in the television viewer…passivity.

He surrenders to the ongoing narrative. Surrenders.

This is mind control.

The television anchor doesn’t have a problem. His job is to move seamlessly, through an ever-increasing series of contradictions and discarded details, to keep the narrative going, to keep it credible.

He knows how to do that. That’s why he is the anchor.

He can make it seem as if the story is a growing discovery of what really happened, even though his narrative is littered with abandoned clues and dead-ends and senseless non-sequiturs.

And the viewer pays the price.

Mired in passive acceptance of whatever the anchor is telling him, the viewer assumes his own grasp on logic and basic judgment is flawed.

Now, understand that this viewer has been watching television news for years. He’s watched many of these breaking events. The cumulative effect is devastating.

The possibility, for example, that Adam Lanza wasn’t the shooter, but was the patsy, is as remote to the viewer as a circus of ants doing Shakespeare on Mars.

The possibility that the cops hid evidence and were ordered to release other suspects is unthinkable.

Considering that there appears to be not one angry outraged parent in Newtown (because the network producers wouldn’t permit such a parent to be interviewed on camera) never occurs to the viewer.

Wondering why the doctor of Adam Lanza hasn’t been found and quizzed about the drugs he prescribed isn’t in the mind of the viewer.

The information flicker effect is powerful. It sweeps away independent thought and measured contemplation. It certainly rules out the possibility of imagining the murders in an alternative narrative.

Because there is only one narrative. It is delivered by Brian Williams and Scott Pelley and Diane Sawyer.

Interesting how they never disagree.

Never, in one of these horrendous events do the three kings and queens of television news end up with different versions of what happened.

What are the odds of that, if the three people are rational and inquisitive?

But these three anchors are not rational or inquisitive. They are synthetic creations of the machine that runs them.

They flicker yes and they flicker no. They edit and cut and discard and tailor as they go along. Yes, no, yes, no. On, off, on, off.

And the viewers follow, in a state of hypnosis.

Why?

Because the viewers are addicted to STORY. They are as solidly addicted as a junkie looking for his next fix.

“Tell me a story. I want a story. That was a good story, but now I’m bored. Tell me another story. Please? I need another story. I’m listening. I’m watching. Tell me a story.”

And the anchors oblige.

They deal the drug.

But to get the drug, the audience has to surrender everything they question. They have to submit to the flicker effect and go under. Actually, surrendering to the flicker effect deepens the addiction.

And the drug deal is consummated.

Welcome to television coverage.

The Matrix Revealed

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Finally, while under hypnosis, the viewing audience is treated to a segue (transition) that leads to…the guns. Something has to be done about the guns. The mind-control operation that brought the passive audience to this point takes them to the next moment of surrender, as if it were part of the same overall Sandy Hook story:

Give up the guns.

In their entrained and tranced state of mind, viewers don’t ask why law-enforcement agencies are so massively armed to do police work in America, why those agencies have ordered well over a billion rounds of ammunition in the last six months, why every day the invasive surveillance of the population moves in deeper and deeper.

Viewers, in their trance, simply assume government is benevolent and should be weaponized to the teeth, because those viewers also assume the television anchors are government allies and spokespeople, and aren’t those anchors good and kind and thoughtful and intelligent and honorable?

Therefore, isn’t the government also kind and honorable?

In case you think the public is too stupid to emerge from its trance, and would never be able to follow a line of rational discourse, if by some miracle television anchors presented one, I disagree.

During my investigation of the 1995 Oklahoma City Bombing, I encountered several local citizens who were exceedingly awake, alert, and helpful. Again and again over the years, I have had help from private citizens in my research.

This is why I’ve always supported the idea of citizen grand juries, convened to investigate crimes in the area where they live. Tasked to discover the truth, wherever it leads, such people would suddenly display surprising skills. Opportunity is all that is necessary.

The media put people under, flick the on-off switches that short-circuit logic. The media practice hypnosis. The media work for surrender of the mind. The media present boggling absurdities that put the mind to sleep. The media appoint themselves as the final authorities.

This is perverse theater.

That’s all it is.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The GMO Big Lie dies on the vine

The GMO Big Lie dies on the vine

by Jon Rappoport

June 19, 2016

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

The National Academy of Sciences (NAS) is one the most prestigious mainstream groups in America. Quoting from its website:

“NAS is a private, non-profit society of distinguished scholars. Established by an Act of Congress, signed by President Abraham Lincoln in 1863, the NAS is charged with providing independent, objective advice to the nation on matters related to science and technology. Scientists are elected by their peers to membership in the NAS for outstanding contributions to research. The NAS is committed to furthering science in America, and its members are active contributors to the international scientific community. Nearly 500 members of the NAS have won Nobel Prizes, and the Proceedings of the National Academy of Sciences, founded in 1914, is today one of the premier international journals publishing the results of original research.”

You’d think the major media would dutifully parrot every NAS pronouncement. And with few exceptions, you’d be right.

Here is an exception. In May, the NAS issued a comprehensive report: “Genetically Engineered Crops: Experiences and Prospects.” The report’s key finding takes in the entire period of US cultivation of GMO crops:

“The nation-wide data on maize, cotton, or soybean in the United States do not show a significant signature of genetic-technology on the rate of yield increase.” — Chapter 6, Page 66.

A less ponderous translation: the genetic engineering of crops hasn’t resulted in rising output.

Boom.

Bigger yield was the whole selling point of GMOs.

That was the innovation that was going to save the world.

That was, and is, what the grotesque hype-artist, Bill Gates, has been trying to sell Africa.

Incompetent scientists, sold-out scientists, brain-damaged scientists, scared scientists have all been assuring us that GMO crops produce much higher yields, and they’ve been accusing critics of standing in the way of progress for all, hatred of humanity, and ignorance of real science.

Suddenly, their darling of darlings, the National Academy of Sciences, is pelting them with pigeon droppings from above.

The horror.

The Matrix Revealed

Not higher crops yields? What? All that gene manipulation? All that health-destroying Roundup? And what is there to show for it?

Let’s see. Oh yes. Larger corporate profits.

A great deal of stage magic, a host of technical incantations, a heavy dose of shuck and jive, and poof, more money for Monsanto and Dow and the other mystical babbling biotech giants.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The Matrix Revealed: the collective experiment on planet Earth

The Matrix Revealed: the collective experiment on planet Earth

by Jon Rappoport

June 18, 2016

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

When all obsessive group-consciousness on Earth is finished, exhausted, when it admits defeat, then a different era will emerge. But for now, we are in the middle of the collective experiment.

High-flying cloying sentiment, profound dependence on others, covert repression—these are the order of the day.

How long until the collective age is over? A hundred years? A thousand years? The answer is, as long as it takes for every human to realize that the experiment has failed, and why.

The why is clear—the individual has been overlooked. He has been demeaned. He has been grabbed up and drafted into groups. His creative power has been compromised in order to fit in.

The majority of the world still believes in this approach, as if from good groups will flow the ultimate and final solutions we have all been seeking.

This is sheer mind control, because good groups morph into evil, and vice versa, in the ongoing stage play called reality.

Ideals are twisted, infiltrators subvert plans, lessons are ignored, and the whole sorry mess repeats itself again.

What constituted a triumph of good over evil at one moment is guided into yet another collective, whose aims are “a better kind of control.”

The most deluded among us believe we are always on the cusp of a final breakthrough.

But there is no “we” to make the breakthrough.

It comes to every person on his own. And it does not arrive as the thrust of an external force, but from one’s own struggle, accompanied by insights for which there is no outside agency to lend confirmation.

If indeed it will take a thousand years to bring this collective illusion to a close, that is no cause for despondent reaction.

On the contrary, it is simply an understanding that all experiments come to an end, as does the method of thought on which they are based.

One or ten or a hundred collapses of civilization, and the resultant rebuilding, are not enough.

The pattern endures.

It can only dissolve when overwhelming numbers of individuals, each in his own way, absent self-deception, sees its bankruptcy.

The “we” and the “us” are merely postponements and cover stories splashed on the front pages of the mind.

Fighting for what is right, here and now, is vital. But it does not preclude the knowledge that, as long as people are fixated on groups as the Answer, the underlying problem will persist.

Therefore, as part of my research over the last several decades, I have explored what is now commonly called the Matrix, from the point of view of freeing the individual from it.

The first step is understanding Matrix as an ongoing perverse “work of art” and viewing the nuts and bolts of it.

That is the purpose of my first collection, The Matrix Revealed.

the matrix revealed

Here are the contents of The Matrix Revealed:

* 250 megabytes of information.

* Over 1100 pages of text.

* Ten and a half hours of audio.

The 2 bonuses alone are rather extraordinary:

* My complete 18-lesson course, LOGIC AND ANALYSIS, which includes the teacher’s manual and audio to guide you. I was previously selling the course for $375. This is a new way to teach logic, the subject that has been missing from schools for decades.

* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst. I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.

The heart and soul of this product are the text interviews I conducted with Matrix-insiders, who have first-hand knowledge of how the major illusions of our world are put together:

* ELLIS MEDAVOY, master of PR, propaganda, and deception, who worked for key controllers in the medical and political arenas. 28 interviews, 290 pages.

* RICHARD BELL, financial analyst and trader, whose profound grasp of market manipulation and economic-rigging is formidable, to say the least. 16 interviews, 132 pages.

* JACK TRUE, the most creative hypnotherapist on the face of the planet. Jack’s anti-Matrix understanding of the mind and how to liberate it is unparalleled. His insights are unique, staggering. 43 interviews, 320 pages.

Also included:

* Several more interviews with brilliant analysts of the Matrix. 53 pages.

* The ten and a half hours of mp3 audio are my solo presentation, based on these interviews and my own research. Title: The Multi-Dimensional Planetary Chessboard—The Matrix vs. the Un-Conditioning of the Individual.

(All the material is digital. Upon ordering it, you’ll receive an email with a link to it.)

Understanding Matrix is also understanding your capacity and power, and that is the way to approach this subject. Because liberation is the goal. And liberation has no limit.

I invite you to a new exploration and a great adventure.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

British MP Jo Cox murdered: now comes the pysop

British MP Jo Cox murdered: now comes the pysop

by Jon Rappoport

June 17, 2016

(To read about Jon’s mega-collection, Power Outside The Matrix, click here.)

“Create a killer? Take someone who’s unstable, pump him up with SSRI antidepressants, fill his head full of ideas about violent action, point him in a desired direction, and stand back.” (The Underground, Jon Rappoport)

On June 23rd, the UK will vote on whether to stay in the European Union (the “remain” campaign) or leave the EU (“Brexit”).

The polls show a marked shift, with Brexit supporters gaining. Then a British MP, Jo Cox, who has urged Brits to remain, is murdered.

The man who is arrested, Thomas Mair, is alleged to have shouted “Britain First!” (Brexit) as he killed Cox. However, now witnesses on the scene are saying they heard no such thing.

Too late. Social media and news media are running with the “Britain First, Brexit killer” narrative.

Here is the psyop formula:

MP Jo Cox wanted to remain in the EU. Her killer was a “Brexit right-wing crazy” who yelled “Britain First!” as he murdered her. Therefore, all people who want Brexit are right-wing crazies. Therefore, vote to remain in the EU.

This is how you demonize millions of people.

Jo Cox=good=remain in the EU. Her killer=leave the EU=all people who want to leave the EU are killers.

And then there is this. The arrested killer, Thomas Mair, is widely acknowledged to have been mentally unstable. Well, read this local news story from several year ago, for yourself:

“Thomas Mair, 46, started volunteering at the park [creating a garden] after learning about the opportunity through the Mirfield-based Pathways Day Centre for adults with mental health problems.”

“He said: “I can honestly say it has done me more good than all the psychotherapy and medication in the world.”

“All these problems are alleviated by doing voluntary work.”

“Getting out of the house and meeting new people is a good thing, but more important in my view is doing physically demanding and useful labour.”

“When you have finished there is a feeling of achievement which is emotionally rewarding and psychologically fulfilling.”

Mair states he had been on medication. Specifically which drugs? SSRI antidepressants are a distinct possibility. If so, that’s a potential clue, because these drugs are known to push people over the edge into violent behavior, including suicide and homicide. The same violence can be generated by suddenly withdrawing from the drugs.

For example:

A shooting massacre at Columbine High School took place on April 20, 1999. Astonishingly, for eight days after the tragedy, during thousands of hours of prime-time television coverage, virtually no one mentioned the word “drugs.” Then the issue was opened. Eric Harris, one of the shooters at Columbine, was on at least one drug.

The NY Times of April 29, 1999, and other papers reported that Harris was rejected from enlisting in the Marines for medical reasons. A friend of the family told the Times that Harris was being treated by a psychiatrist. And then several sources told the Washington Post that the drug prescribed as treatment was Luvox, manufactured by Solvay.

In two more days, the “drug-issue” was gone.

Luvox is of the same class as Prozac and Zoloft and Paxil. They are labeled SSRIs (selective serotonin reuptake inhibitors). They attempt to alleviate depression by changing brain-levels of the natural substance serotonin. Luvox has a slightly different chemical configuration from Prozac, Paxil, and Zoloft, and it was approved by the FDA for obsessive-compulsive disorder, although many doctors apparently prescribed it for depression.

Prozac is the wildly popular Eli Lilly antidepressant which has been linked to suicidal and homicidal actions. It is now given to young children. Again, its chemical composition is very close to Luvox, the drug that Harris took.

Dr. Peter Breggin, the eminent psychiatrist and author (Toxic Psychiatry, Talking Back to Prozac, Talking Back to Ritalin), told me, “With Luvox there is some evidence of a four-percent rate for mania in adolescents. Mania, for certain individuals… can go over the hill to psychosis.”

Dr. Joseph Tarantolo is a psychiatrist in private practice in Washington DC. He is the former president of the Washington chapter of the American Society of Psychoanalytic Physicians. In a 1999 interview with me, Tarantolo stated: “All the SSRIs [including Prozac and Luvox] relieve the patient of feeling. He becomes less empathic, as in `I don’t care as much,’ which means `It’s easier for me to harm you.’ If a doctor treats someone who needs a great deal of strength just to think straight, and gives him one of these drugs, that could push him over the edge into violent behavior.”

In Arianna Huffington’s syndicated newspaper column of July 9, 1998, Dr. Breggin stated, “I have no doubt that Prozac can cause or contribute to violence and suicide. I’ve seen many cases. In a recent clinical trial, 6 percent of the children became psychotic on Prozac. And manic psychosis can lead to violence.”

July, 1991. Journal of Child and Adolescent Psychiatry. Hisako Koizumi, MD, describes a thirteen-year-old boy who was on Prozac: “full of energy,” “hyperactive,” “clown-like.” All this devolved into sudden violent actions which were “totally unlike him.”

September, 1991. The Journal of the American Academy of Child and Adolescent Psychiatry. Author Laurence Jerome reports the case of a ten-year old who moves with his family to a new location. Becoming depressed, the boy is put on Prozac by a doctor. The boy is then “hyperactive, agitated … irritable.” He makes a “somewhat grandiose assessment of his own abilities.” Then he calls a stranger on the phone and says he is going to kill him. The Prozac is stopped, and the symptoms disappear.

What about the effects of a “mild drug” like Ritalin? In 1986, The International Journal of the Addictions published a most important literature review by Richard Scarnati. It was called “An Outline of Hazardous Side Effects of Ritalin (Methylphenidate”) [v.21(7), pp. 837-841].

Scarnati listed over a hundred adverse effects of Ritalin and indexed published journal articles for each of these symptoms.

For every one of the following (selected and quoted verbatim) Ritalin-effects then, there is at least one confirming source in the medical literature. Can they add up to sudden violence? Just read the list. The answer is obvious:

* Paranoid delusions
* Paranoid psychosis
* Hypomanic and manic symptoms, amphetamine-like psychosis
* Activation of psychotic symptoms
* Toxic psychosis
* Visual hallucinations
* Auditory hallucinations
* Can surpass LSD in producing bizarre experiences
* Effects pathological thought processes
* Extreme withdrawal
* Terrified affect
* Started screaming
* Aggressiveness
* Insomnia
* Since Ritalin is considered an amphetamine-type drug, expect amphatamine-like effects
* psychic dependence
* High-abuse potential DEA Schedule II Drug
* Decreased REM sleep
* When used with antidepressants one may see dangerous reactions including hypertension, seizures and hypothermia
* Convulsions
* Brain damage may be seen with amphetamine abuse.

power outside the matrix

Was Thomas Mair, the accused killer of MP Jo Cox, on one of the SSRI antidepressants? Or Ritalin? Had he withdrawn from one of these drugs too quickly, which can make the effects even more drastic? Who was his doctor?

These aren’t trivial matters. They’re vital (though ignored by major media), and they can possibly explain the death of Jo Cox. For decades, the press has been playing on psychiatry’s team, covering up psychiatry’s crimes.

Whether yes or no, the agenda to “remain” in the EU has just gotten a jolt of support.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Old life, new life: entrances and exits

Old life, new life: entrances and exits

by Jon Rappoport

June 16, 2016

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Dreams come and go. Some are forgotten, others remain. The practical side says, “You must do this, you must do that,” but the dreams that hold on say something else:

You can leave an old life and begin a new one.

This is more than hope. It’s a kind of vision composed of past moments in which the cup of joy is filled to the brim.

Nothing in this universe can wipe out those memories forever.

They come back.

And when they do, they bring energy, belief, and confidence.

A person can refuse to see the suggestions and the implications, he can pretend he’s merely floating in a brief reverie, and he can then trample on through the garden and continue his way to a bleak outpost. But still he doesn’t entirely forget.

Because he doesn’t want to.

The memories are distillations of the best of the past, and they point to a new future.

The shape of that future may be vague, but the emotions and sensations are vivid.

These feelings can rise again, if one can discover what actions will recover them. Actions, which taken together, create the substance of the years ahead.

For a baby learning what this world is, there is no tangible past. His entire thrust is discovering delight. Which reminds us that the psyche, the spirit, wants joy, naturally—and if unimpeded, will find it. Hour by hour, day by day.

Only much later, when the baby has “grown up,” does he realize he has left something behind.

Then, unfortunately, he comes to believe he can’t go back. He comes to believe that some rigid set of principles should be his North Star: through this compass setting, the best of what is possible will be his, given that limits are more important than possibilities.

But every human knows, in a part of himself that is often shielded from sight, that possibilities ring more true than limits.

When a small child paints a picture, no matter what it looks like, he can tell you a story about it. And he invests this story with a vision that is more powerful, in some mysterious way, than all of society.

Centuries from now, when historians look back on this time, no matter what they find, they will still need this lesson. They will need to know that in the soul of every person, there are colors of visions which, when acted upon, make new lives, new delight, joy, ecstasy. And the alternative is always less.

The simple compounding of these lessers, without the need for mathematical sophistication, explains the root cause of the decline of civilizations.

I built my second collection, Exit From The Matrix, on the liberation and expansion of imagination. Not just in theory, but in practice. There are dozens of imagination techniques to work with.

exit from the matrix

Here are the contents of Exit From The Matrix:

First, my new audio presentations:

* INTRODUCTION: HOW TO USE THE MATERIALS IN EXIT FROM THE MATRIX

* EXIT FROM THE MATRIX

* 50 IMAGINATION EXERCISES

* FURTHER IMAGINATION EXERCISES

* ANESTHESIA, BOREDOM, EXCITEMENT, ECSTASY

* ANCIENT TIBET AND THE UNIVERSE AS A PRODUCT OF MIND

* YOU THE INVENTOR, MINDSET, AND FREEDOM FROM “THE EXISTENCE PROGRAM”

* PARANORMAL EXPERIMENTS AND EXERCISES

* CHILDREN AND IMAGINATION

* THE CREATIVE LIFE AND THE MATRIX/IMAGINATION

* PICTURES OF REALITY AND ESCAPE VELOCITY FROM THE MATRIX

* THIS WOULD BE A VERY DIFFERENT FUTURE

* MODERN ZEN

* THE GREAT PASSIONS AND THE GREAT ANDROIDS

Then you will receive the following audio seminars I have previously done:

* Mind Control, Mind Freedom

* The Transformations

* Desire, Manifestation and Fulfillment

* Altered States, Consciousness, and Magic

* Beyond Structures

* The Mystery and Magic of Dialogue

* The Voyage of Merlin

* Modern Alchemy and Imagination

* Imagination and Spiritual Enlightenment

* Dissolving Stress

* The Paranormal Project

* Zen Painting for Everyone Now

* Past Lives, Archetypes, and Hidden Sources of Human Energy

* Expression of Self

* Imagination Exercises for a Lifetime

* Old Planet, New Planet, New Mind

* The Era of Magic Returns

* Your Power Revealed

* Universes Without End

* Relationships

* Building a Business for Success

I have included an additional bonus section:

* My book, The Secret Behind Secret Societies (pdf document)

* My book, The Ownership of All Life (pdf document)

* A long excerpt from my briefly published book, Full Power (pdf document)

* My 24 articles in the series, “Coaching the Coaches” (pdf document)

And these audio seminars:

* The Role of Medical Drugs in Human Illness

* Longevity One: The Mind-Body Connection

* Longevity Two: The Nutritional Factors

(All the audio presentations are mp3 files and the documents and books are pdf files. You download the files upon purchase. There is no physical ship.)

What has been called The Matrix is a series of layers. These layers compose what we call Reality. Reality is not merely the consensus people accept in their daily lives. It is also a personal and individual conception of limits. It is a perception that these limits are somehow built into existence. But this is not true.

What I’ve done here is remove the lid on those perceived limits. This isn’t an intellectual undertaking. It’s a way to open up space and step on to a new road, with new power.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Orlando shooting: actor/witness: what?

Orlando shooting: actor/witness: what??

by Jon Rappoport

June 16, 2016

(To read about Jon’s mega-collection, Power Outside The Matrix, click here.)

Want to get this one out fast…

See a post on anomalies in the Orlando shooting, at the site, Fellowship of the Minds, by “Dr. Eowyn.”

See: Orlando gay-club shooting: The pieces that don’t fit

The Eowyn post mentions mainstream press articles reporting the shooting—those mainstream articles appeared six hours before the Orlando shooting actually occurred. That’s rather curious, yes?

But the Eowyn revelation that cooked my brain was about a Pulse-club “witness to the shooting,” Louis Burbano, who is an actor. An actual actor with credits. He was interviewed by ABC News’ George Stephanopoulos. Eowyn shows an IMDb screenshot of Burbano’s most recent role in a short 2015 video: Burbano played a “club patron.” The title of the video? “Spirit of Orlando: Shooting Up.”

Now we’re through the looking-glass. Way through the looking-glass.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Boggling flu hoax: not for prime-time news

Boggling flu hoax: not for prime-time news

by Jon Rappoport

June 15, 2016

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

“Repeat a lie often enough and people believe it. We all know that. But there are millions of people out there who think a public-health agency like the CDC, a scientific body, would never engage in such tactics. Those millions of people would be wrong. There is a rule: the most holy, sacred, revered, uncontestable organization hides the biggest secrets. It’s a good rule to keep in mind. Major media don’t apply it. But you can.” (The Underground, Jon Rappoport)

There are many propaganda operations surrounding the flu. Here I just want to boil down a few boggling facts.

Dr. Peter Doshi, writing in the online BMJ (British Medical Journal), reveals one monstrosity.

As Doshi states, every year, hundreds of thousands of respiratory samples are taken from flu patients in the US and tested in labs. Here is the kicker: only a small percentage of these samples show the presence of a flu virus.

This means: most of the people in America who are diagnosed by doctors with the flu have no flu virus in their bodies.

So they don’t have the flu.

Therefore, even if you assume the flu vaccine is useful and safe, it couldn’t possibly prevent all those “flu cases” that aren’t flu cases.

The vaccine couldn’t possibly work.

The vaccine isn’t designed to prevent fake flu, unless pigs can fly.

Here’s the exact quote from Peter Doshi’s BMJ review, “Influenza: marketing vaccines by marketing disease” (BMJ 2013; 346:f3037):

“…even the ideal influenza vaccine, matched perfectly to circulating strains of wild influenza and capable of stopping all influenza viruses, can only deal with a small part of the ‘flu’ problem because most ‘flu’ appears to have nothing to do with influenza. Every year, hundreds of thousands of respiratory specimens are tested across the US. Of those tested, on average 16% are found to be influenza positive.

“…It’s no wonder so many people feel that ‘flu shots’ don’t work: for most flus, they can’t.”

Because most diagnosed cases of the flu aren’t the flu.

So even if you’re a true believer in mainstream vaccine theory, you’re on the short end of the stick here. They’re conning your socks off.

In December of 2005, the British Medical Journal (online) published another shocking Peter Doshi report, which created tremors through the halls of the Centers for Disease Control (CDC), where “the experts” used to tell the press that 36,000 people in the US die every year from the flu.

Here is a quote from Doshi’s report, “Are US flu death figures more PR than science?” (BMJ 2005; 331:1412):

“[According to CDC statistics], ‘influenza and pneumonia’ took 62,034 lives in 2001—61,777 of which were attributable to pneumonia and 257 to flu, and in only 18 cases was the flu virus positively identified.”

Boom.

You see, the CDC has created one overall category that combines both flu and pneumonia deaths. Why do they do this? Because they disingenuously assume that the pneumonia deaths are complications stemming from the flu.

This is an absurd assumption. Pneumonia has a number of causes.

But even worse, in all the flu and pneumonia deaths, only 18 revealed the presence of an influenza virus.

Therefore, the CDC could not say, with assurance, that more than 18 people died of influenza in 2001. Not 36,000 deaths. 18 deaths.

Doshi continued his assessment of published CDC flu-death statistics: “Between 1979 and 2001, [CDC] data show an average of 1348 [flu] deaths per year (range 257 to 3006).” These figures refer to flu separated out from pneumonia.

This death toll is obviously far lower than the parroted 36,000 figure.

the matrix revealed

However, when you add the sensible condition that lab tests have to actually find the flu virus in patients, the numbers of flu deaths plummet even further.

In other words, it’s all promotion and hype.

“Well, uh, we say that 36,000 people die from the flu every year in the US. But actually, it’s closer to 20. However, we can’t admit that, because if we did, we’d be exposing our gigantic psyop. The whole campaign to scare people into getting a flu shot would have about the same effect as warning people to carry iron umbrellas, in case toasters fall out of upper-story windows…and, by the way, we’d be put in prison for fraud.”

False realities bloom from the intentional planting of false seeds. Bit by bit, garden by garden, pasture by pasture, the reality spreads, until it is considered unimpeachable. This is how the game works.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.